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An Argument for Reclassifying Military Working Dogs As •Œcanine
University of Miami Law School Institutional Repository University of Miami National Security & Armed Conflict Law Review 4-1-2014 Don’t Let Slip the Dogs of War: An Argument for Reclassifying Military Working Dogs as “Canine Members of the Armed Forces” Michael J. Kranzler Follow this and additional works at: http://repository.law.miami.edu/umnsac Part of the Military, War and Peace Commons, and the National Security Commons Recommended Citation Michael J. Kranzler, Don’t Let Slip the Dogs of War: An Argument for Reclassifying Military Working Dogs as “Canine Members of the Armed Forces”, 4 U. Miami Nat’l Security & Armed Conflict L. Rev. 268 (2014) Available at: http://repository.law.miami.edu/umnsac/vol4/iss1/8 This Note is brought to you for free and open access by Institutional Repository. It has been accepted for inclusion in University of Miami National Security & Armed Conflict Law Review by an authorized administrator of Institutional Repository. For more information, please contact [email protected]. STUDENT NOTE Don’t Let Slip the DoGs of War: An ArGument for ReclassifyinG Military WorkinG DoGs as “Canine Members of the Armed Forces” Michael J. Kranzler ∗ Abstract Dogs have been an integral part of military activities around the world dating back more than two thousand years. They have fended off invasions and helped bring down one of the world’s most notorious terrorist leaders. Yet under current law, they are afforded nearly the same protections as a torn uniform or a jammed rifle, classified in the United States Code as “excess equipment.” Historically, this led to hundreds of dogs being euthanized each year because the United States had no legal obligation to bring this excess equipment home at the end of their deployments. -
Being Nosey by Linda Tynan
Aside from the most valuable role they serve, as our companions, we are learning that our canine friends have a lot more to offer than we ever realized. The role of the dog has expanded greatly over the years from “wardogs” used by the Greeks and Romans to therapy dogs used to treat PTSD in soldiers returning from war today. Dogs now play many important roles in our society and their value to us becomes more apparent with each new talent we discover. Cave drawings show dogs hunting with men during the stone ages. The Greeks and Romans probably were the first users of dogs in warfare, sending formations of attack dogs with spiked armor into enemy lines. The British used two types of dogs to assist in exterminating the native population of Jamestown in 1610: Bloodhounds to hunt them down and Mastiffs to grab them. In early American history, Bloodhounds continued to serve troops for tracking. In Europe during World War I, an estimated 50,000 dogs were trained as sentries, scouts, ammunition carriers, messengers and casualty dogs. By World War II, the Germans had trained nearly 200,000 war dogs. The attack on Pearl Harbor triggered the use of dogs in the United States Air Force as sentry dogs in both Europe and the Pacific, and their service in the military continues today. Dogs have not only proven to be valuable in military service, but their ability to assist us has proven to be priceless in a growing number of specialty areas. BEING Nosey By Linda Tynan Dogs have been man’s companion for thousands of years, assisting with herding, hunting and providing protection for their human friends. -
DOROTTYA JÁSZAY, ANDREA VELICH Eötvös Loránd University
Film & Culture edited by: DOROTTYA JÁSZAY, ANDREA VELICH Eötvös Loránd University | Faculty of Humanities | School of English and American Studies 2016 Film & Culture Edited by: DOROTTYA JÁSZAY, ANDREA VELICH Layout design by: BENCE LEVENTE BODÓ Proofreader: ANDREA THURMER © AUTHORS 2016, © EDITORS 2016 ISBN 978-963-284-757-3 EÖTVÖS LORÁND TUDOMÁNYEGYETEM Supported by the Higher Education Restructuring Fund | Allocated to ELTE by the Hungarian Government 2016 FILM & CULTURE Marcell Gellért | Shakespeare on Film: Romeo and Table of Juliet Revisioned 75 Márta Hargitai | Hitchcock’s Macbeth 87 Contents Dorottya Holló | Culture(s) Through Films: Learning Opportunities 110 Géza Kállay | Introduction: Being Film 5 János Kenyeres | Multiculturalism, History and Identity in Canadian Film: Atom Egoyan’s Vera Benczik & Natália Pikli | James Bond in the Ararat 124 Classroom 19 Zsolt Komáromy | The Miraculous Life of Henry Zsolt Czigányik | Utopia and Dystopia Purcell: On the Cultural Historical Contexts of on the Screen 30 the Film England, my England 143 Ákos Farkas | Henry James in the Cinema: When Miklós Lojkó | The British Documentary Film the Adapters Turn the Screw 44 Movement from the mid-1920s to the mid-1940s: Its Social, Political, and Aesthetic Context 155 Cecilia Gall | Representation of Australian Aborigines in Australian film 62 Éva Péteri | John Huston’s Adaptation of James Joyce’s “The Dead”: A Literary Approach 186 FILM & CULTURE Eglantina Remport & Janina Vesztergom | Romantic Ireland and the Hollywood Film Industry: The Colleen -
Dogs in Warfare
On the history of dogs in warfare Boyd R Jones, BVSc, FACVSc, DECVIM-Ca, Professor Emeritus This year is the 100th anniversary of the commencement Hun used giant Molosser dogs (similar to the mastiff) of the 1914–18 war. There are commemorative events, in his military campaigns. stamp issues, new books, website information and Other civilisations used armoured dogs to defend newspaper articles on events and soldiers, marking the their position or attack enemies. Their key role was ‘Great War’. Animals – horses and dogs – played a to distract soldiers and unseat horsemen. Mastiffs significant role in that conflict. Horses were used as and other large breeds were used by the Spanish cavalry and for transport but the part dogs played is conquistadors against native Americans in the 1500s. often forgotten. I prepared a lecture on the history of Elizabeth I used dogs against the Irish in Ireland in working dogs for the World Small Animal Veterinary 1580. Frederick the Great and Napoleon both used Association Congress in Jeju, Korea a few years ago dogs as messengers and as guard dogs during their and recently read the article ‘Dogs of War’ in the campaigns. BSAVA Companion (October 2014). I thought I would depart from the academic/medical theme for this issue With the advent of ‘modern’ weapons and guns and write something about Dogs in Warfare. the role of dogs changed from attack to other less confrontational but essential aspects of warfare: for The use of ’War dogs’ goes back to ancient times sentry and guard duties, logistics and communications, before Christ: the Greeks, Persians, Egyptians, rescue and casualty, warning dogs, detection and Britons and Romans all used dogs (Figure 1), mostly tracking, medical research, scouting, drug and in a sentry role but sometimes taken into battle. -
Copyright by Joseph Paul Moser 2008
Copyright by Joseph Paul Moser 2008 The Dissertation Committee for Joseph Paul Moser certifies that this is the approved version of the following dissertation: Patriarchs, Pugilists, and Peacemakers: Interrogating Masculinity in Irish Film Committee: ____________________________ Elizabeth Butler Cullingford, Co-Supervisor ____________________________ Neville Hoad, Co-Supervisor ____________________________ Alan W. Friedman ____________________________ James N. Loehlin ____________________________ Charles Ramírez Berg Patriarchs, Pugilists, and Peacemakers: Interrogating Masculinity in Irish Film by Joseph Paul Moser, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 For my wife, Jennifer, who has given me love, support, and the freedom to be myself Acknowledgments I owe many people a huge debt for helping me complete this dissertation. Neville Hoad gave me a crash course in critical theory on gender; James Loehlin offered great feedback on the overall structure of the study; and Alan Friedman’s meticulous editing improved my writing immeasurably. I am lucky to have had the opportunity to study with Charles Ramírez Berg, who is as great a teacher and person as he is a scholar. He played a crucial role in shaping the chapters on John Ford and my overall understanding of film narrative, representation, and genre. By the same token, I am fortunate to have worked with Elizabeth Cullingford, who has been a great mentor. Her humility, wit, and generosity, as well as her brilliance and tenacity, have been a continual source of inspiration. -
UC Irvine Flashpoints
UC Irvine FlashPoints Title The Fear of French Negroes: Transcolonial Collaboration in the Revolutionary Americas Permalink https://escholarship.org/uc/item/3j476038 ISBN 9780520271128 Author Johnson, Sara E. Publication Date 2012-09-15 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Fear of French Negroes Transcolonial Collaboration in the Revolutionary Americas Sara E. Johnson university of california press Berkeley • Los Angeles • London The Fear of French Negroes flashpoints The series solicits books that consider literature beyond strictly national and disciplin- ary frameworks, distinguished both by their historical grounding and their theoretical and conceptual strength. We seek studies that engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with mo- ments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how literature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Available online at http://repositories.cdlib.org/ucpress. Series Editors: Ali Behdad (Comparative Literature and English, UCLA); Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Founding Editor; Edward Dimendberg (Film & Media Studies, UC Irvine), Coordinator; Catherine Gallagher (English, UC Berkeley), Founding Editor; Jody Greene (Literature, UC Santa Cruz); Susan Gillman (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz) 1. On Pain of Speech: Fantasies of the First Order and the Literary Rant, by Dina Al-Kassim 2. Moses and Multiculturalism, by Barbara Johnson, with a foreword by Barbara Rietveld 3. -
(Ps Fisfffvobiems? Volcano Erupts in Philippines, Kills
hltgriiH i fii SJSjWp'l / jManrlfg0tgr If^ralb MONDAY, DECEMBER -8, IM l Manchester Stores W ill Be Open Until 5:30 P. M, Wednesday Anyone intaraatad ia invited to Bunaat Rebekah Lodga will haa bfcn donated for thia purpo**, amuaament. For tham eapeclally. meet in Odd Fellow* Hall thi* tha Aral project of the ManaAeld aa wall aa for all. television will attend tha aacoad TW C A Homa- Lions Donate ATtrag* Daily Net Press Run 'jUidatTown maker'a Holiday program at the evening. Nomination o f officera Parents Aiuoclation, Dr. Neil A. bring Joy in uktold measura. There Tha Waathar . Community T tomororw morning will taka place and mambara are Dayton, superintendent, stated ia also educational value in TV Fer the Week Ending rsfecaat e( IT. %, WeaOwr Banaa • t U » r g » T t t Itenr'a Mother* from 8:80 to 11 o'clock. From 8:30 reminded to return their cqin To TV Project while expressing hla piaasure and for the echool. For Timeless Beauty December 1 <anl« «Hll hold it* ftnnual Chrlet* to 10 a aoclal hour will be enjoyed cerde. Mre. Rthel Aapinwall. gratitude to the parents and Sixteen television set* are the Meetly eloaiy, not *e eeel to- M * party Wadnewtajr •venin|' at and then for the next hour Mra. noble grand of the lodge, will pro friend* of the Institution for their goal of the aaeoclatlon for Chriat 10,412 algfet. fola feegtuleg bMofe S o'clock ot th« home of Mr*. John Rmily Hou*e Maldment, a former vide entertainment numbera and Cliib (aive» New Mann* enthuaiaam, work and donations. -
Moving Gyeongseong: Korean Reaction to Changes in the Urban Landscape of Colonial Seoul in the 1920S
Moving Gyeongseong: Korean Reaction to Changes in the Urban Landscape of Colonial Seoul in the 1920s Jane Song Senior Honors Thesis International Relations, Asian Studies i Table of Contents Table of Contents .......................................................................................................................... ii List of Figures ................................................................................................................................ iii Acknowledgements ........................................................................................................................ iv Preface............................................................................................................................................. v Introduction ..................................................................................................................................... 1 Questions and Hypothesis ........................................................................................................ 5 Background History ................................................................................................................. 8 Sources ................................................................................................................................... 10 Literature Review and Approach............................................................................................ 13 Chapter 1: Gyeongseong‘s Landmarks as Symbols of Japan‘s Colonial Power ........................ 19 -
Military Working Dogs in the United States Armed Forces from World War I to Vietnam
MILITARY WORKING DOGS IN THE UNITED STATES ARMED FORCES FROM WORLD WAR I TO VIETNAM by Tristan J. Kelly A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Boise State University December 2018 © 2018 Tristan J. Kelly ALL RIGHTS RESERVED BOISE STATE UNIVERSITY GRADUATE COLLEGE DEFENSE COMMITTEE AND FINAL READING APPROVALS of the thesis submitted by Tristan J. Kelly Thesis Title: Military Working Dogs in the United States Armed Forces from World War I to Vietnam Date of Final Oral Examination: 15 October 2018 The following individuals read and discussed the thesis submitted by student Tristan J. Kelly, and they evaluated his presentation and response to questions during the final oral examination. They found that the student passed the final oral examination. David M. Walker, Ph.D. Chair, Supervisory Committee Raymond J. Krohn, Ph.D. Member, Supervisory Committee Emily Wakild, Ph.D. Member, Supervisory Committee The final reading approval of the thesis was granted by David M. Walker, Ph.D., Chair of the Supervisory Committee. The thesis was approved by the Graduate College. DEDICATION To the dogs: Brooks, Mariah, Wookie, Millie, Tessa, Bowser, Maya, and Keeta iv ACKNOWLEDGEMENTS I want to thank my family, especially my parents, for their continued support of my educational endeavors. I would like to thank Dr. Raymond Krohn for agreeing to be part of my advisory committee. He helped me tremendously through my writing process. A big thank you to Dr. Emily Wakild, without taking your class I would not have found such an interesting topic that suited me. -
From Carnism to Veganism: “Once I Knew, I Didn’T Want to Have Any Part in It Whatsoever”
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. From Carnism to Veganism: “once I knew, I didn’t want to have any part in it whatsoever” A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in Psychology at Massey University, Albany, Aotearoa New Zealand. Emilie Rita Field 2020 i ii Abstract Widespread and intensive animal agriculture practices generate extreme suffering and have devastating environmental consequences; thus, veganism is a significant and timely social justice movement. On an individual level, becoming and being vegan can have far-reaching emotional and social consequences. This research aims to explore the experiences of the transition to veganism and of being vegan in a hegemonic meat culture. Assuming a Critical Animal Studies standpoint, personal narrative analysis was used to explore the stories of 12 vegans. Apparent was that the transition to veganism consists of various pathways involving a disruption in some form, critical awareness, engagement in moral reflexivity, and ultimately a determination made on the basis of core beliefs. The characteristic of openness and the personal value of justice appear to be critical in facilitating this process. Once vegan, experiences are generally different to participants’ previous expectations of veganism. They report hoping that the sharing of their practice on an individual level can lead to broader social transformation by offering examples of new ways of living and counter-discourses to the norm of carnism. -
John Ford Birth Name: John Martin Feeney (Sean Aloysius O'fearna)
John Ford Birth Name: John Martin Feeney (Sean Aloysius O'Fearna) Director, Producer Birth Feb 1, 1895 (Cape Elizabeth, ME) Death Aug 31, 1973 (Palm Desert, CA) Genres Drama, Western, Romance, Comedy Maine-born John Ford originally went to Hollywood in the shadow of his older brother, Francis, an actor/writer/director who had worked on Broadway. Originally a laborer, propman's assistant, and occasional stuntman for his brother, he rose to became an assistant director and supporting actor before turning to directing in 1917. Ford became best known for his Westerns, of which he made dozens through the 1920s, but he didn't achieve status as a major director until the mid-'30s, when his films for RKO (The Lost Patrol [1934], The Informer [1935]), 20th Century Fox (Young Mr. Lincoln [1939], The Grapes of Wrath [1940]), and Walter Wanger (Stagecoach [1939]), won over the public, the critics, and earned various Oscars and Academy nominations. His 1940s films included one military-produced documentary co-directed by Ford and cinematographer Gregg Toland, December 7th (1943), which creaks badly today (especially compared with Frank Capra's Why We Fight series); a major war film (They Were Expendable [1945]); the historically-based drama My Darling Clementine (1946); and the "cavalry trilogy" of Fort Apache (1948), She Wore a Yellow Ribbon (1949), and Rio Grande (1950), each of which starred John Wayne. My Darling Clementine and the cavalry trilogy contain some of the most powerful images of the American West ever shot, and are considered definitive examples of the Western. Ford also had a weakness for Irish and Gaelic subject matter, in which a great degree of sentimentality was evident, most notably How Green Was My Valley (1941) and The Quiet Man (1952), which was his most personal film, and one of his most popular. -
Sangre Fácil
PROJECCIÓ 167 Antiga Audiència, dimarts 11 de març de 2003 Las uvas de la ira The Grapes of Wrath, John Ford, 1940 Aquest film és el relat més impressionant sobre la depressió que hi va haver a Estats Units durant els anys 30. Tota una crida a la solidaritat. A Las uvas de la ira una família de grangers intenta És un dels sis pilars del temple Hollywood, un Fitxa tècnica sobreviure a l’Amèrica de la gran depressió, després de d’aquells homes que va modelar el rostre del que els hagin expropiat les terres. Amb un vell camió cinema. Fitxa tècnica recorreran tot l’Estat a la cerca de terres on puguin Realitzador: John Ford La simplicitat és una de les virtuts predominants a treballar com a jornalers. La seva situació és crítica, ja que Productor: Darryl F.Zanuck les 140 pel·lícules que va rodar entre el 1917 i el no hi ha feina i són molts els qui es troben en la mateixa Muntatge: Gregg Toland 1966, tot un exemple de direcció d’actors. situació. Guió: John Steinbeck i Nunally Johnson Simplicitat d’una acció concentrada i depurada Fotografia: Gregg Toland Aquest film, basat en la novel·la de John fins a la perfecció, digna de tots els elogis dels Música: Alfred Newman Steinbeck és, fonamentalment, una dura crítica al cineastes, crítics i públic de tot el món. La carrera Companyia productora: Twentieth Century Fox somni americà que tant ens volen vendre. Ens de John Ford es podria dividir en quatre períodes: Nacionalitat: Estats Units mostra la vertadera realitat d’una època de L’època muda (1917-1928).