Author: Mariam Hanna Title: Darius I As the Victor: a Question of Legitimacy Or Legacy? Source: Prandium - the Journal of Historical Studies, Vol
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Author: Mariam Hanna Title: Darius I as the Victor: A Question of Legitimacy or Legacy? Source: Prandium - The Journal of Historical Studies, Vol. 1, No. 1 (Spring, 2017). Published by: The Department of Historical Studies, University of Toronto Mississauga Stable URL: http://jps.library.utoronto.ca/index.php/prandium/article/view/28570 The facts involving the transfer of power from Cambyses to Darius I are ambiguous across ancient sources, most prominent among which is Darius’ own account in the Bisitun inscription and Herodotus’ account in Herodotus III, but even within a single source there are inconsistencies and contradictions that detract from the accounts’ plausibility as a whole.1 Darius’ deference to royal lineage and divine favour as reasons for his success are significant because they garnered him support and allowed him to craft a royal image of able kingship. Darius and Herodotus, although both problematic sources, create contrasts that make Darius seem like a legitimate king by placing his traits of competent kingship in juxtaposition with his opponents’ deficiencies. I will argue that contrasts of poor kingship reinforce Darius’ image as the rightful king. By examining the inconsistencies and contradictions of Herodotus’ account and Darius’ account, I will also argue that the details each source chooses to stress or evade reveals more about the source’s political agenda than it does about Darius’ legitimacy or illegitimacy. In the face of problematic sources, the question of legitimacy in Darius I’s ‘right’ to the Persian Empire, is of lesser consideration than the question of able kingship. Darius legitimized his reign not through royal lineage but through strategic (sometimes sly) political maneuvers that strengthened his claim to the throne—whether or not that claim was true—by demonstrating his capabilities as a ruler. While no single ancient account is entirely reliable, when we consider the political narrative and social motivations of the writers, certain patterns begin to emerge. Darius’ account is invested in legitimizing his seizure of power. To prove his legitimacy, he stresses divine favour and his supposed royal lineage, effectively advancing his assertion that he was the only person able to remove the imposters and restore order. He is vague on the genealogy of his royal lineage and the exact dates (though they are provided elsewhere in the account) of Cambyses’ death, and he shrouds in secrecy the identity of the imposter and how he uncovered his supposed deception while all others failed. Although neither account is entirely free from external agendas, both Herodotus and Darius, to different extents, are deliberately engaged in writing a victor’s tale and many features of their narrative revolve around establishing this. Three main arguments about Darius’ suitability for kingship run throughout his account: he is from a royal line, those who oppose him are rebels, and he has the favour of Auramazda (the high god). That Darius makes repeated references to his royal lineage and divine favour suggests these were considered important, perhaps even necessary, elements of Persian kingship. Darius unlike his predecessor Cambyses was favoured by the Greek sources and his own account is also clearly invested in painting an image of him as the legitimate king. In both these accounts, Darius emerges as a ‘good’ king and his ascension to the Persian throne a restoration of a supposed natural line. Whether or not Darius’ claim to the Persian throne was legitimate, the sources suggest that he nevertheless fulfilled many of the elements of ‘good’ Achaemenid kingship: he became king, he maintained kingship, he had divine favour, was militarily successful, he overcame revolts and ultimately maintained stability in his empire. 1 Mariam Hanna is currently a fourth-year student at UTM completing a specialist in History with a double minor in English and Ethics. Following graduation, Mariam hopes to apply the research and analytical skills she honed in her undergraduate studies to pursue a degree in law. A version of this essay was originally submitted for Professor Chrubasik’s CLA390 Fall 2016. Herodotus, meanwhile, is interested in crafting a “moralizing” narrative and it is repeatedly evident that his account is invested in the narrative pattern of fall of the bad king (Cambyses) and rise of good king (Darius).2 The narrative structure of ‘good’ king Darius rising to power after ‘bad’ king Cambyses is archetypical in that it follows similar Greek patterns and shares “common motifs” with Greek historical (or pseudo-historical) narratives.3 For example, Cambyses is presented as a “mad” king and his madness is consistent with his account of the madness of Croesus.4 The moralizing narrative of Cambyses’ corruption before Darius is important because it makes Darius appear all the better in contrast with the evil of his predecessor. Furthermore, Herodotus’ account of Cambyses’ death draws parallels between his killings of the Apis bull and completes the narrative that he was an immoral king who (rightly) came to a bad end. Herodotus recounts Cambyses sacrilege of the Egyptian temples, sacrifices and festivals as well as his blatant scorn for the Egyptian gods: “When the priests brought the Apis, Cambyses, now half insane, drew his dagger intending to stab the Apis in the belly, but struck his thigh…”5 Similar motifs are present elsewhere in Herodotus’ account. For example, the role of Prexaspes as a double-agent is “not unique in Herodotus's Histories,” and it is therefore, “necessary” to contextualize him amongst other “Herodotean double-agents in order to filter out what is peculiar to him.”6 Furthermore, Herodotus’ Greek political influence is also evident in his narrative. While the Bisitun inscription maintains that Darius ascended the throne because of his royal lineage, Herodotus asserts that “after the Pseudo-Smerdis [Gaumata] had been deposed…the seven conspirators, Otanes, Aspathines, Gobyras, Intaphrenes, Megabyzus, and Darius, met to discuss and decide the government of the state.”7 Patrick Brannan argues that this conference or “constitutional debate” in Herodotus seems more plausible than Darius’ account of natural lineal ascension to the throne.8 However, this reading is problematic. A constitutional debate to decide on a form of government seems more in-line with Greek expectations of government than Persian notions of kingship. It seems much more like a Greek attempt to make palatable the Persian styles of kingship. Therefore, while it would be unwise to dismiss Herodotus’ account entirely, recognizing his political, social and literary agendas and expectations is necessary when making claims about Darius’ ‘right’ to the Persian Empire. Darius’ account is a conscious effort to legitimize his kingship and his emphasis on divine favour along with his royal lineage are center around creating a strong image of kingship. Darius’ repeated assertions in his account suggest that he was aware of the precariousness of his position and recognized the necessity of writing himself into divine favour and royal lineage. Like Herodotus, he presents contrasts that further enforce his image as the legitimate king. 2 Briant, Pierre. From Cyrus to Alexander: A History of the Persian Empire. Translated by Peter T. Daniels. (Indiana: Eisenbrauns, 2002), 97. 3 Khurt, Amelie. The Persian Empire: A Corpus of Sources from the Achaemenid Period. (New York: Routledge, 2007), 98-99. 4 Briant, From Cyrus to Alexander, 97. 5 Citations from Herodotus come from: Amelie Khurt. The Persian Empire: A Corpus of Sources from the Achaemenid Period. (New York: Routledge, 2007). 27-9. 6 Mabel L. Lang. “Prexaspes and Usurper Smerdis.” Journal of Near Eastern Studies 51, no. 3 (Jul., 1992): 202. 7 Patrick T. Brannan, “Herodotus And History: The Constitutional Debate Preceding Darius' Accession.” Traditio 19, (1963): 429. 8 Brannan, “Herodotus and History,” 438. However, he also “stresses that no one, neither Persian nor Mede nor anyone else, dared to rise up against the false Bardiya” but in contrast, Darius was able to.9 Darius is invested in creating a “the royal image” that “presented [him] as the only person who could eliminate the usurper.”10 The figure of Darius who stood up to an imposter when no other person dared and succeeded in overthrowing him further reinforces his image as true king. The logic being that he was successful because of divine favour and royal lineage. This creates a clear contrast between Darius and all the other nobles and adds another element to his legitimacy—not only is he backed by divine power and royal lineage he is also (perhaps because of the first two elements) the strongest among strong men. Darius’ position in his first year was precarious and the emphasis on his kingly traits in contrast to the vices of his opposition serve to make him appear more legitimate and kingly.11 Even before detailing how he came to power, Darius asserts his royal lineage, his favour from Auramazda and the fact that many peoples/countries already obey him.12 He is clearly invested in presenting the story of someone who has already won, and rightfully so. The Bisitun inscription begins by asserting Darius’ connection with the royal line, “...we are called Achaemenids. From long ago we are noble; from long ago we are royal...Eight of our family were kings before; I am the ninth; nine kings were in succession.”13 He then goes on to assert (and continues to do so throughout) that he is king “by favour of Auramazda.”14 After recounting how he seized the throne Darius again returns to the notion that his kingship is a matter of natural progression: “the kingdom which had been taken away from our family, I re-established it, I put it back in its place…I strove until I restored our house to its legitimate place.”15 In this way, Darius’ ascension to the throne was successful because it was a divinely sanctioned restoration of the royal lineage.