Page 1 Kuni No Mahoroba ANIME
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Anime Galaxy Japanese Animation As New Media
i i i i i i i i i i i i i i i i i i i i Herlander Elias The Anime Galaxy Japanese Animation As New Media LabCom Books 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-090-6 Título: The Anime Galaxy Autor: Herlander Elias Ano: 2012 i i i i i i i i Índice ABSTRACT & KEYWORDS3 INTRODUCTION5 Objectives............................... 15 Research Methodologies....................... 17 Materials............................... 18 Most Relevant Artworks....................... 19 Research Hypothesis......................... 26 Expected Results........................... 26 Theoretical Background........................ 27 Authors and Concepts...................... 27 Topics.............................. 39 Common Approaches...................... 41 1 FROM LITERARY TO CINEMATIC 45 1.1 MANGA COMICS....................... 52 1.1.1 Origin.......................... 52 1.1.2 Visual Style....................... 57 1.1.3 The Manga Reader................... 61 1.2 ANIME FILM.......................... 65 1.2.1 The History of Anime................. 65 1.2.2 Technique and Aesthetic................ 69 1.2.3 Anime Viewers..................... 75 1.3 DIGITAL MANGA....................... 82 1.3.1 Participation, Subjectivity And Transport....... 82 i i i i i i i i i 1.3.2 Digital Graphic Novel: The Manga And Anime Con- vergence........................ 86 1.4 ANIME VIDEOGAMES.................... 90 1.4.1 Prolongament...................... 90 1.4.2 An Audience of Control................ 104 1.4.3 The Videogame-Film Symbiosis............ 106 1.5 COMMERCIALS AND VIDEOCLIPS............ 111 1.5.1 Advertisements Reconfigured............. 111 1.5.2 Anime Music Video And MTV Asia......... -
Marco Balzarotti
MARCO BALZAROTTI (Curriculum Professionale liberamente fornito dall'utente a Voci.FM) link originale (thanks to): http://www.antoniogenna.net/doppiaggio/voci/vocimbal.htm Alcuni attori e personaggi doppiati: FILM CINEMA Spencer Garrett in "Il nome del mio assassino" (Ag. Phil Lazarus), "Il cammino per Santiago" (Phil) Viggo Mortensen in "American Yakuza" (Nick Davis / David Brandt) Michael Wisdom in "Masked and Anonymous" (Lucius) John Hawkes in "La banda del porno - Dilettanti allo sbaraglio!" (Moe) Jake Busey in "The Hitcher II - Ti stavo aspettando" (Jim) Vinnie Jones in "Brivido biondo" (Lou Harris) Larry McHale in "Joaquin Phoenix - Io sono qui!" (Larry McHale) Paul Sadot in "Dead Man's Shoes - Cinque giorni di vendetta" (Tuff) Jerome Ehlers in "Presa mortale" (Van Buren) John Surman in "I'll Sleep When I'm Dead" (Anatomopatologo) Anthony Andrews in "Attacco nel deserto" (Magg. Meinertzhagen) William Bumiller in "OP Center" (Lou Bender) Miles O'Keefe in "Liberty & Bash" (Liberty) Colin Stinton in "The Commander" (Ambasc. George Norland) Norm McDonald in "Screwed" Jeroen Krabbé in "The Punisher - Il Vendicatore" (1989) (Gianni Franco, ridopp. TV) Malcolm Scott in "Air Bud vince ancora" (Gordon) Robert Lee Oliver in "Oh, mio Dio! Mia madre è cannibale" (Jeffrey Nathan) John Corbett in "Prancer - Una renna per amico" (Tom Sullivan) Paul Schrier in "Power Rangers: Il film" e "Turbo - A Power Rangers Movie" (Bulk) Samuel Le Bihan in "Frontiers - Ai confini dell'inferno" (Goetz) Stefan Jürgens in "Porky college 2 - Sempre più duro!" (Padre di Ryan) Tokuma Nishioka in "Godzilla contro King Ghidora" (Prof. Takehito Fujio) Kunihiko Mitamura in "Godzilla contro Biollante" (Kazuhito Kirishima) Choi Won-seok in "La leggenda del lago maledetto" (Maestro Myo-hyeon) Eugene Nomura in "Gengis Khan - Il grande conquistatore" (Borchu) FILM D'ANIMAZIONE (CINEMA E HOME-VIDEO) . -
Seven Seas Entertainment Manga
SEVEN SEAS ENTERTAINMENT Just added to August 2017 Nirvana, vol. 1 Story by Jin x Sayuki (ZOWLS) Art by Sayuki Faith and heroism will take on fate in this brand new action fantasy series! itose Yachiyo has always strived to be Hhelpful, volunteering and sacrificing her time and energy in respect of her late Mother’s memory. When the opportunity arises to travel overseas as a relief volunteer, Hitose is quick to accept. But when her plane crashes, she suddenly awakens to find herself in a strange world of magic and mysticism. In a realm where reincarnations and fate dictate the lives of those with in it, Hitose must discover how to get home, and why a mysterious keepsake from her Mother may be more important than she ever imagined. • COORDINATED DEBUT: English edition is scheduled within months of the original in Japan NEW SERIES Jin is a Japanese author best known for Nirvana and his submission to the Trinity Seven MANGA Comic Anthology. Trade Paperback ISBN: 978-1-626926-39-4 Sayuki is a Japanese manga artist best known for Gekka no Hazure Gedou and Nirvana. Rated: Teen (13+) On Sale: August 8, 2017 5” x 7.125”/ 180 pages $12.99/US | $14.99/CAN SEVEN SEAS ENTERTAINMENT October 2017 Captain Harlock: Dimensional Voyage, vol. 1 Story by Leiji Matsumoto Art by Kouichi Shimahoshi An all-new series featuring a contemporary take on one of the most revered and recognizable characters in science fiction history! hen Tadashi Daiba’s father is murdered Wby invaders known as the Mazon, he becomes frustrated in the face of the Earth government’s flippant attitude. -
Piracy Or Productivity: Unlawful Practices in Anime Fansubbing
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aaltodoc Publication Archive Aalto-yliopisto Teknillinen korkeakoulu Informaatio- ja luonnontieteiden tiedekunta Tietotekniikan tutkinto-/koulutusohjelma Teemu Mäntylä Piracy or productivity: unlawful practices in anime fansubbing Diplomityö Espoo 3. kesäkuuta 2010 Valvoja: Professori Tapio Takala Ohjaaja: - 2 Abstract Piracy or productivity: unlawful practices in anime fansubbing Over a short period of time, Japanese animation or anime has grown explosively in popularity worldwide. In the United States this growth has been based on copyright infringement, where fans have subtitled anime series and released them as fansubs. In the absence of official releases fansubs have created the current popularity of anime, which companies can now benefit from. From the beginning the companies have tolerated and even encouraged the fan activity, partly because the fans have followed their own rules, intended to stop the distribution of fansubs after official licensing. The work explores the history and current situation of fansubs, and seeks to explain how these practices adopted by fans have arisen, why both fans and companies accept them and act according to them, and whether the situation is sustainable. Keywords: Japanese animation, anime, fansub, copyright, piracy Tiivistelmä Piratismia vai tuottavuutta: laittomat toimintatavat animen fanikäännöksissä Japanilaisen animaation eli animen suosio maailmalla on lyhyessä ajassa kasvanut räjähdysmäisesti. Tämä kasvu on Yhdysvalloissa perustunut tekijänoikeuksien rikkomiseen, missä fanit ovat tekstittäneet animesarjoja itse ja julkaisseet ne fanikäännöksinä. Virallisten julkaisujen puutteessa fanikäännökset ovat luoneet animen nykyisen suosion, jota yhtiöt voivat nyt hyödyntää. Yhtiöt ovat alusta asti sietäneet ja jopa kannustaneet fanien toimia, osaksi koska fanit ovat noudattaneet omia sääntöjään, joiden on tarkoitus estää fanikäännösten levitys virallisen lisensoinnin jälkeen. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Japanese Animation Guide: the History of Robot Anime
Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Addition to the Release of this Report This report on robot anime was prepared based on information available through 2012, and at that time, with the exception of a handful of long-running series (Gundam, Macross, Evangelion, etc.) and some kiddie fare, no original new robot anime shows debuted at all. But as of today that situation has changed, and so I feel the need to add two points to this document. At the start of the anime season in April of 2013, three all-new robot anime series debuted. These were Production I.G.'s “Gargantia on the Verdurous Planet," Sunrise's “Valvrave the Liberator," and Dogakobo and Orange's “Majestic Prince of the Galactic Fleet." Each was broadcast in a late-night timeslot and succeeded in building fanbases. The second new development is the debut of the director Guillermo Del Toro's film “Pacific Rim," which was released in Japan on August 9, 2013. The plot involves humanity using giant robots controlled by human pilots to defend Earth’s cities from gigantic “kaiju.” At the end of the credits, the director dedicates the film to the memory of “monster masters” Ishiro Honda (who oversaw many of the “Godzilla” films) and Ray Harryhausen (who pioneered stop-motion animation techniques.) The film clearly took a great deal of inspiration from Japanese robot anime shows. -
Kyle Rea SAG -E
Kyle Rea SAG -E [email protected] Height: 6’2” Hair: Blond Eyes: Blue 503-869-7133 FILM Billy Boy: Clown of Many Mysteries Lead Clockwork Mind Pictures, LLC Lost Romantics Lead Tyler Bennink dir. The Essence of Joshua Tree Lead David Falossi II dir. Rift Supporting LazRael Lison dir./Gjenius Prod. Good Day LA Lead Petros Fitsialos dir. Necessary Evil Supporting Art of War Films, LLC Spicy Mac Project Supporting Spicy Mac dir. Twins Lead Kurt Tuffendsam dir./Jason Wiles Prod. TELEVISION / WEBISODES Blood for the Gods Day Player Discovery Channel/Flight 33 Prods. The Last Letter to Kennekuk Lead C.J. Longhammer dir. Harden High Co-star Remote Productions, Inc. The Greatest American Hero Lead Red Jammies Entertainment History of Zombies Lead History Channel THEATRE The Room Johnnie/Lead PCC Theater Group Shanghaied In Astoria Jano/Lead Astoria Theater Co. Medea Co-Star Independent Theater Co. VOICE OVER Digimon: Fusion Battles Carlton William Winckler Prods./TOEI Detachment (PROMO) Dr. Hart Tony Kaye dir. Zombrex: Dead Rising Supporting voices William Winckler Prods./CAPCOM Kitaro’s Graveyard Gang Hangyojin, Neko, Azu, adnl. William Winckler Prods./TOEI Starzinger I,II,III Bricke, Spider, Wolfman William Winckler Prods./TOEI Fist of the North Star 1-6 (Hokuto no Ken) Shin, Souther, Toki William Winckler Prods./TOEI The Adventures of Nadja I,II Leonardo, Rosso William Winckler Prods./TOEI Captain Harlock I,II Tochiro, Maji, Soldiers William Winckler Prods./TOEI Dangard Ace I,II,III Bunta, Futoshi, Akuza William Winckler Prods./TOEI Gaiking I,II,III Bunta,Dankel,Yamagatake William Winckler Prods./TOEI Underworld: Bloodties Aron, Collin Jessika Hallett dir. -
Costellazione Manga: Explaining Astronomy Using Japanese Comics and Animation
Costellazione Manga: explaining astronomy using Japanese comics and animation Downloaded from: https://research.chalmers.se, 2021-09-30 20:30 UTC Citation for the original published paper (version of record): Dall` Olio, D., Ranalli, P. (2018) Costellazione Manga: explaining astronomy using Japanese comics and animation Communicating Astronomy with the Public Journal(24): 7-16 N.B. When citing this work, cite the original published paper. research.chalmers.se offers the possibility of retrieving research publications produced at Chalmers University of Technology. It covers all kind of research output: articles, dissertations, conference papers, reports etc. since 2004. research.chalmers.se is administrated and maintained by Chalmers Library (article starts on next page) Costellazione Manga: Explaining Astronomy Using Japanese Comics and Animation Resources Daria Dall’Olio Piero Ranalli Keywords Onsala Space Observatory, Chalmers Combient AB, Göteborg, Sweden; Public outreach, science communication, University of Technology, Sweden; Lund Observatory, Sweden informal education, planetarium show, ARAR, Planetarium of Ravenna and ASCIG, Italy [email protected] learning development [email protected] Comics and animation are intensely engaging and can be successfully used to communicate science to the public. They appear to stimulate many aspects of the learning process and can help with the development of links between ideas. Given these pedagogical premises, we conducted a project called Costellazione Manga, in which we considered astronomical concepts present in several manga and anime (Japanese comics and animations) and highlighted the physics behind them. These references to astronomy allowed us to introduce interesting topics of modern astrophysics and communicate astronomy-related concepts to a large spectrum of people. -
JUN17 World.Com PREVIEWS
#345 | JUN17 PREVIEWS world.com ORDERS DUE JUNE 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Jun17 Cover ROF and COF.indd 1 5/11/2017 3:04:11 PM June17 DST Ads.indd 2 5/11/2017 3:10:14 PM HALO: RISE OF MISTER MIRACLE #1 ATRIOX #1 DC ENTERTAINMENT DARK HORSE COMICS TEENAGE MUTANT NINJA TURTLES: DIMENSION X #1-5 IDW ENTERTAINMENT REDLANDS #1 IMAGE COMICS FIRST STRIKE #1 & 2 IDW ENTERTAINMENT DARK NIGHTS: METAL #1 DC ENTERTAINMENT MR. HIGGINS COMES INHUMANS: HOME HC ONCE AND FUTURE DARK HORSE COMICS KINGS #1 MAGE: MARVEL COMICS THE HERO DENIED #1 IMAGE COMICS June17 Gem Page ROF COF.indd 1 5/11/2017 3:41:33 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Equilibrium: Deconstruction #1 l AMERICAN MYTHOLOGY PRODUCTIONS Providence Act 3 HC l AVATAR PRESS INC Mech Cadet Yu #1 l BOOM! STUDIOS Adventure Time/Regular Show #1 l BOOM! STUDIOS Sheena #0 l D. E./DYNAMITE ENTERTAINMENT 1 The Shadow #1 l D. E./DYNAMITE ENTERTAINMENT Lark’s Killer #1 l DEVILS DUE /1FIRST COMICS Ghost In Shell Readme 1995-2017 HC l KODANSHA COMICS The Tick #1 l NEW ENGLAND COMICS Dead of Winter #1 l ONI PRESS INC. 1 Captain Harlock Dimensional Voyage Volume 1 GN l SEVEN SEAS ENTERTAINMENT LLC Cutie Honey A-Go-Go Volume 1 GN l SEVEN SEAS ENTERTAINMENT LLC Doctor Who: The Lost Dimension Alpha #1 l TITAN COMICS Quake Champions #1 l TITAN COMICS Back Issue #100 l TWOMORROWS PUBLISHING Robotech Visual Archive Macross Saga HC l UDON ENTERTAINMENT INC War Mother #1 l VALIANT ENTERTAINMENT LLC The Art of My Little Pony: The Movie l VIZ MEDIA LLC -
Opening Remarks J. Holder Bennett, FANS Chair
Fandom and Neomedia Studies Association 7th Annual Conference 29 June 2019 Dallas, Texas 9:00AM: DOORS OPEN 9:15AM: Opening Remarks J. Holder Bennett, FANS Chair 9:30AM: A Survey of Characteristics of Isekai Manga Dr. Paul S. Price, US Environmental Protection Agency 10:00AM: If You Give a Monster a Sword: Healing and the Divided Identities in InuYasha and Blue Exorcist Sarah Hashmi, University of Texas at Dallas 10:30AM: Terrorist Video Games and Social Media: How Terrorist Neomedia Strategies Mainstream Society and How Society Counteracts by Sabotaging Back Dr. Ronald Lorenzo, Prairie View A & M University Dr. Bilal Sert, Prairie View A & M University 11:00AM: Deviant Fandoms: The Social Character of Terrorism Fandom Production and Consumption Dr. Ronald Lorenzo, Prairie View A & M University Dr. Bilal Sert, Prairie View A & M University 11:30AM: Anime and Global Citizenship Identification Andrew Tague, FANS, Texas A & M University at Commerce Dr. Stephen Reysen, Texas A & M University at Commerce Dr. Iva Katzarska-Miller, Transylvania University Dr. Courtney N. Plante, MacEwan University Dr. Sharon E. Roberts, Renison University College, University of Waterloo Dr. Kathleen C. Gerbasi, Niagara County Community College Thomas R. Brooks, Texas A & M University at Commerce 12:00PM: LUNCH 1:00PM: KEYNOTE: Eulogy for Monkey Punch Dr. Darren Ashmore, FANS, Yamanashi Gakuin University 2:00PM: My Next Book: Leiji Matsumoto Helen McCarthy, FANS 3:00PM: BREAK 3:30PM: ESRB and You: A Fandom Parent’s Guide to Video Game Ratings (Workshop) Andrew Tague, FANS, Texas A & M University at Commerce 4:30PM: Grimdark-ian Man: The Sublime and Grotesque in Warhammer 40,000 Ryan Johnson, University of Texas at Dallas 5:00PM: Sex Differences in Parasocial Connection to Favorite Anime Characters: A Multi-Factor Approach Andrew Tague, FANS, Texas A & M University at Commerce Dr. -
Q-Tec Provides 2D-3D Conversion and Premium
PRESS RELEASE November 9 th , 2013 Q-TEC, INC. Q-TEC PROVIDE S 2D -3D CONVERS ION AND PREMIUM “FORS CINEMA ” AUDIO/VIDEO TECHNOLOG IES FOR NEW ANIMAT ED FEATURE “HARLOCK: SPACE PIRATE ” (RELEASE DATE: SEPTEMBER 7TH) Q-TEC, INC. (Headquarter: Minato-ku, Tokyo, CEO: Toru Kajio) proudly announces that it provided its original 2D-3D conversion technology and high quality audio and video technology “FORS CINEMA” for new animated feature film “Harlock: Space Pirate” (Production Company: Toei Animation Co,ltd / Director: Shinji Aramaki / Release Date: September 7th , 2013). “Harlock: Space Pirate” is the first theatrical adaptation in thirty years of a longtime popular comic saga created by Leiji Matsumoto in 1977, who is also well-known for his other comic masterpieces such as “Galaxy Express 999,” and has already drawn attention around the world for its high production quality including master director James Cameron, who praised the film and described “Mythic, epic, and visually unprecedented, 'Harlock' will take you to a whole new universe of ideas.” It was also invited as an official selection at this year’s Venice International Film Festival and won many positive reviews on US trade papers such as Variety, Hollywood Reporter, Screen International and other media. While theatrically released at 578 screens on September 7th in Japan, it has also received distribution offers from 78 countries. © LEIJI MATSUMOTO / CAPTAIN HARLOCK Film Partners For this film, Q-TEC participated in its post-production Official Website: http://harlock-movie.com for 2D-3D conversion, editing, color grading as well as DCP production. Comment from 2D -3D Conversion Team : Kunihiko Mita (S3D Director, CGI Department of Q-TEC) “Mr. -
2014: of the Heartland
2 2014: Gem of the Heartland TABLE OF CONTENTS Convention Info.........................4 Cosplay......................................17 Registration...............................5 Program Schedule.....................22 Sponsors...................................6 Panel Descriptions.....................25 Volunteers.................................7 Family Programming..................30 Guests of Honor........................8 Video Gaming............................32 Charity Auction.........................12 Tabletop Gaming.......................33 Attractions.................................12 Video Room Schedule..............35 Amenities..................................13 Show Summaries......................39 Cafe Ai......................................14 Staff & Thanks..........................43 Photoshoot...............................16 Autographs...............................44 HOURS OF OPERATION Convention Hours Registration 8AM FRI- 7PM SUN FRI: 9AM -10PM Opening Ceremonies SAT: 10AM-6PM FRI: 5-6PM SUN: 10AM-4PM Closing Ceremonies Pre-registration for 2015: SUN: 5-6PM SUN: 3PM-6PM Anime Marketplace Cosplay Central FRI: 4PM-8PM FRI: 12PM-10PM SAT: 10AM-6PM SAT: 9AM-3PM SUN: 10AM-4PM SUN: 10AM-2PM **Room opens ½ hour earlier each day for our AnimeIowa Sponsors! Masquerade SAT: 6:30PM-8:30PM Maid Cafe Ai FRI: 12PM-4PM Consweet Sign-up: 8AM - 11AM FRI: 2PM - Con Closing **Session info: see page 14 (While supplies last!) 1 Convention Rules & Info Hotel: 1. Don’t Litter: Trash bins are all around the convention center and hotel. Keep it clean! 2. Signs and Adhesives: Bring your signs and posters to the BRIDGE before you hang them. Tape and adhesives are not to be used on hotel walls, doors, or any other surface. See the INFO DESK for more information. 3. Sleeping in Convention Spaces: Sleeping is not allowed in public spaces (ie: hallways, stairways, elevators, video rooms, tables, restrooms, etc). If you are found doing so, you will be asked to move. If found again, we will ask you to leave the convention.