A Portrait of a Mother As an Agent of Change in Some Selected Fiction
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Directions in Contemporary Literature CONTENTS to the Reader Ix PHILO M
Directions in Contemporary Literature CONTENTS To The Reader ix PHILO M. JR. BUCK 1. Introduction Fear 3 2. The Sacrifice for Beauty George Santayana 15 Professor of Comparative Literature, University of Wisconsin 3. A Return to Nature Gerhart Hauptmann 37 4. The Eternal Adolescent André Gide 59 OXFORD UNIVERSITY PRESS · New York 5. Futility in Masquerade Luigi Pirandello 79 6. The Waters Under the Earth Marcel Proust 101 (iii) 7. The New Tragedy Eugene O'Neill 125 8. The Conscience of India Rabindranath Tagore (vii) 149 COPYRIGHT 1942 BY OXFORD UNIVERSITY PRESS, 9. Sight to the Blind Aldous Huxley 169 NEW YORK, INC. 10. Go to the Ant Jules Romains 193 PRINTED IN THE UNITED STATES OF AMERICA 11. The Idol of the Tribe Mein Kampf 219 12. The Marxian Formula Mikhail Sholokhov 239 (iv) 13. Faith of Our Fathers T. S. Eliot 261 14. The Promise and Blessing Thomas Mann 291 ACKNOWLEDGMENTS A WORD must be said of appreciation to those who have aided me in this study. I would name 15. Till Hope Creates Conclusion 315 them, but they are too numerous. There are those who are associated with me in my academic A Suggested Bibliography 337 interests, and those who in one place or another have watched the genesis of the ideas that have Index (viii) 349 gone into these chapters. I must also acknowledge the aid I have received from the current translations of some of the authors, especially Mann and Proust and Sholokhov. In most of the other places the translations are my own. A word about the titles of foreign books: when the English titles are well known I have used them without giving the originals. -
German Nurses in the First World War
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2013 Sisters, Objects of Desire, or Barbarians: German Nurses in the First World War Jennifer Sue Montgomery [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the European History Commons Recommended Citation Montgomery, Jennifer Sue, "Sisters, Objects of Desire, or Barbarians: German Nurses in the First World War. " Master's Thesis, University of Tennessee, 2013. https://trace.tennessee.edu/utk_gradthes/2439 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Jennifer Sue Montgomery entitled "Sisters, Objects of Desire, or Barbarians: German Nurses in the First World War." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in History. Vejas G. Liulevicius, Major Professor We have read this thesis and recommend its acceptance: Monica Black, Margaret Andersen, Maria Stehle Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Sisters, Objects of Desire, or Barbarians: German Nurses in the First World War A Thesis Presented for the Master of Arts Degree The University of Tennessee, Knoxville Jennifer Sue Montgomery August 2013 Copyright © 2013 by Jennifer Montgomery. -
ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Susan Rodgers Sire Gar in a Gathering of Batak Village Grandmothers In
A BATAK LITERATURE OF MODERNIZATION* Susan Rodgers Sire gar In a gathering of Batak village grandmothers in my house in 1976 to tape record some traditional ritual speech, one old ompu* 1 took the time to survey the changes in Batak kinship she had witnessed in her lifetime. Like many of her contemporar ies, she spoke warmly of the "more orderly" kinship world of her childhood, when people "still married who they should." She contrasted this halcyon age to present- day conditions: young people were marrying against the grain of the adat, house holds were ignoring their adat obligations to lend labor assistance to relatives in favor of concentrating on their own fields and farmwork, and her neighbors were beginning to forget some of the courtly eulogistic terms once used in addressing kinsmen. Fixing me with a stare and breaking out of her customary Angkola Batak2 into Indonesian, she delivered a final withering epithet on modern-day Batak family life: just one quality characterized it, "Merdeka di segala-gala--Freedom in every thing! " Change in the Angkola Batak kinship system in the last seventy to eighty years has indeed been considerable. Many of these changes have been reflected in Batak literature, which, in turn, has influenced the process. In fact, Batak oral and written literature has served the Batak as a medium for reformulating their kinship system in a time of rapid educational improvements, migration out of the ethnic homelands, and increasing contact with other ethnic societies and Indonesian nation al culture. In this paper I would like to investigate the relationship between Angkola Batak kinship and its locally authored literature as the society has modernized, fo cusing in particular on the subjects of courtship and marriage. -
From Page to Page to Stage Olga Muratova
Anuar Ştiinţific: Muzică, Teatru, Arte Plastice 2012, nr.1 FROM PAGE TO PAGE TO STAGE DE LA PAGINĂ LA PAGINĂ PE SCENĂ OLGA MURATOVA, lector, doctor, Colegiul Criminalistic de Justiţie penală, John Jay Universitatea orăşănească New York, Statele Unite ale Americii The author of the articole analyses, in a comparative way, three different aspects of the first edition of M. Gorky’s play “ Vassa Jeloznova”: the text itself, its translation into the British variant of the English language and its production in New York. Using Walter Benjamin’s theory of drama translation the author shows that the British translation, despite numerous inaccu- racies, has proved to be very effective for staging purposes. Using this interpretation the troupe of on American theatre, without reading the play in the original (the Russioan language) managed to convey exclusively adequately the essence of Gorky’s play, making it clear to the Western public. Keywords: stage, drama, an English translation (the British variant), production , the theory of translation of a drama work, the troupe of an American theatre, a play by M.Gorky, the Western public. În articol sunt analizate, în mod comparativ trei aspecte diferite ale primei versiuni a piesei „Vassa Jeleznova” de M.Gorky : însuşi textul, traducerea lui în varianta britanică a limbii engleze şi montarea acesteia la New York. În baza teoriei lui Valter Beniamin referitor la traducerea unei lucrări dramatice, autoarea demonstreză că traducerea în varianta britanică a limbii engleze s-a dovedit a fi destul de eficientă pentru punere în scenă în profida multiplelor erori de traducere. Folosind această traducere, trupa unui teatru american, fără să fi citit piesa respectivă în original (în limba rusă), a reuşit să redea în scenă deosebit de bine esenţa piesei de M.Gorky, prezentând-o uşor de înţeles pentru publicul din vest. -
The Road to Life
The Road To Life Anton Makerenko A CONVERSATION WITH THE CHIEF OF THE GUBERNIA DEPARTMENT OF PUBLIC EDUCATION 1 September of the year 1920 I was summoned by the Chief of the Gubernia Department of Public Education. "Look here, my friend," he said. "I'm told you're raising hell about this here...er...this...gubsovnarkhoz" [Gubernia Economic Council.--Tr.] place you've been allotted for your school!" "It's enough to make anyone raise hell," I replied. "Raise hell? I could sit down and cry! Is that a Craft School? A reeking, filthy hole like that? Is that your idea of a school?" "Oh, yes! I know what you'd like! Us to erect a new building, put in new desks, and you just move in and do your stuff! But it's not the building that matters, my friend--what matters is the creation of the new man, and you educational chaps do nothing but carp. 'The building won't do, and the tables aren't right!' You haven't got the ... er ...spirit, the revolutionary spirit, you know. You're one of those White-collar workers, that's what you are!" "Well, I don't wear a white collar, anyhow!" "All right-- you don't! But you're all a pack of lousy intellectuals. Here am I, looking everywhere for a man --and there's such a great work to be done! These homeless kids have increased and multiplied till you can hardly move for them in the streets, and they even break into the houses. And all I get for an answer is: 'It's your job, "it's the responsibility of the Department of Public Education'.. -
Feminist Education in Indonesian Novels Under the Domination of Patriarchy
International Journal of Gender and Women’s Studies December 2018, Vol. 6, No. 2, pp. 42-51 ISSN: 2333-6021 (Print), 2333-603X (Online) Copyright © The Author(s). All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijgws.v6n2p5 URL: https://doi.org/10.15640/ijgws.v6n2p5 Feminist Education in Indonesian Novels Under the Domination of Patriarchy Wiyatmi1 Abstract This article is aimed at studying the representation of feminist education in Indonesian novels. This objective is inspired by the fact that, since the beginning of its development, Indonesian novels have raised the issues of women education which, in the tradition of feminism studies, is known as feminist research. Research shows that, although there emerges awareness of the importance of education for women, they are still positioned within the domestic arena. After pursuing their education, mostly in elementary and secondary schools, they must return to home, getting married, playing the role as wife and mother expected to be capable of taking care of the home well, and serving their husband. This points out to the dominance of the patriarcical ideology that places women in the domestic arena and men in the public arena. Such awareness truly is not always followed by permitting and giving women these educated women to make use of their knowledge to take part in the public sector; not even to merely exercise their autonomy in their own home. This is shown in the novels Azab dan Sengsara by Armijn Pane, Sitti Nurbaya by Marah Rusli, Kehilangan Mestika by Hamidah, Widyawati by Arti Purbani, and Para Priyayi by Umar Kayam. -
Summer-Folk : Datchniki, Scenes from Life
oet Hore ipiaps; SUMMER FOLK (DATCHNIKI) MAXIM GORKI Richard G. Badger, Publisher, Bosto n LIBRARY 'INIVERSITY OF CALIFORNIA RIVERSIDE VOLUME XVI AUTUMN 1905 NUMBER III ^SUMMER-FOLK* [DATCHNIKI] Scenes from Life By Maxim Gorki Translated from the Russian by Aline Delano DRAMATIS PERSON/E Serguey Vassilievitch Bassoff, Lawyer, 40. Varvara Michailovna, his wife, 27. Kaleria, his sister, 29. Vlass, brother of Bassoff's wife, 25. Piotr Ivanovitch Sussloff, Civil Engineer, 42. Yulia Fillipovna, his wife, 30. Kyrill Akimovitch Dudakoff, Physician, 40. Olga Alekseyevna, his wife, 35. Iakov Petrovitch Shalimoff, Author, 40. Pavel Sergueyevitch Rumin, 32. Marya Lvovna, Physician, 37. Semion Semionytch Dvoetchie [Colon], Susslofs uncle, 55. Nikalay Petrovitch Zamysloff, Bassofs junior partner, 28. Zimin, a student, 23. Pustobaika [Talker], First Watchman, 50. Kropilkin, Second Watchman. Sasha, Bassoff' s Maid-Servant. * Copyright, 1905, by Aline Delano (0 SUMMER-FOLK A woman with a bandaged cheek. Mr. Seminoff. A lady in a yellow gown A young man in a plaid suit ( Theatrical in blue A young lady ( Amateurs A young lady in pink A Cadet A gentleman in a tall hat Scene : A Country place near St. Petersburg. Time : The Present. Act I. A Summer room in Bassofli's country-house. Act II. A Field in front of the house. Act III. A Glade in the Forest. Act IV. Same as Act II. ACT I Bassofs' Country-house. A large room which is both parlor and dining-room. In the rear, to the left, an open door leading to Bassoff's study, to the right, a door into his THEwife's bed-room. -
Poetry and Psychiatry
POETRY AND PSYCHIATRY Essays on Early Twentieth-Century Russian Symbolist Culture S t u d i e S i n S l av i c a n d R u ss i a n l i t e R at u R e S , c u lt u R e S , a n d H i S to Ry Series Editor: Lazar FLeishman (Stanford University) POETRY a n d PSYCHIATRY Essays on Early Twentieth-Century Russian Symbolist Culture Magnus L junggren Translated by Charles rougle Boston / 2014 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2014 Academic Studies Press All rights reserved. ISBN 978-1-61811-350-4 (cloth) ISBN 978-1-61811-361-0 (electronic) ISBN 978-1-61811-369-6 (paper) Book design by Ivan Grave On the cover: Sergey Solovyov and Andrey Bely, 1904. Published by Academic Studies Press in 2014 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. -
The Construction of the Role of Women in Indonesia Novels in the 1920S
Advances in Social Science, Education and Humanities Research, volume 263 International Conference on Language, Literature, and Education (ICLLE 2018) The Construction of The Role of Women in Indonesia Novels in the 1920s Ade Putra, Yasnur Asri, Yenni Hayati Universitas Negeri Padang [email protected] Abstract--This study aimed to describe the construction of the role of women in the novels of Indonesia in the 1920s. The data in study were figure of speeches, speeches of the narrator, description of the behavior of character. Issue in this study is about the construction role of women contained in the novels of Indonesia in the 1920s. This study used four novels as the sources; Sitti Nurbaya by Marah Rusli, Azab dan Sengsara by Merari Siregar, Kehilangan Mestika by Hamidah, and Manusia Bebas by Suwarsih Djojopuspito. This study used a qualitative content analysis techniques. Data validation was done by triangulation techniques, which checks the validity of data that take advantage of something else outside of the data. Based on the results, we can conclude the role of women in the novels Indonesia in the 1920s is divided into two parts. First, the domestic role of women in the world that includes the role as a child, the role of wife and motherhood. Second, the role of the public world that includes the role of education and role in the public organization. Keywords--gender construction; Indonesian women; and 1920s novels I. INTRODUCTION The position of women in the social environment has been constructed for long ago. This construction as a friend put women behind men whose lives revolve around the issue only wells, mattresses and kitchen. -
S. Rodgers Imagining Tradition, Imagining Modernity; a Southern Batak Novel from the 1920S
S. Rodgers Imagining tradition, imagining modernity; A southern Batak novel from the 1920s In: Bijdragen tot de Taal-, Land- en Volkenkunde 147 (1991), no: 2/3, Leiden, 273-297 This PDF-file was downloaded from http://www.kitlv-journals.nl SUSAN RODGERS IMAGINING TRADITION, IMAGINING MODERNITY: A SOUTHERN BATAK NOVEL FROM THE 1920s Introduction Navigating the journey from a-'traditional past' of purportedly limited social horizons toward a more cosmopolitan and 'enlightened' modern existence in a multi-ethnic Indonesia has been a central, recurrent theme of Indonesian-language fiction since the 1920s. The social dilemmas and emotional pain entailed in this transition from tradition (often, ethnic tradition) toward modernity typically provides much of the tension of novels as diverse as Abdul Muis's Salah Asuhan (1928), Merari Siregar's Azab dan Sengsara (1927), Marah Rush's Sitti Nurbaya (1922), and Pra- moedya Ananta Toer's much more recent BumiManusia (1980) and Anak Semua Bangsa (1980).1 Different generations of Indonesian novelists have portrayed the purportedly competitive worlds of tradition and modernity in different ways, as have important essayists such as those who discuss the same matter in the pre-war issues of Pudjangga Baru. Some writers have been optimistic about the chances of moving into an age of moder- nity, while others (a larger group) have generally taken the bleaker view that life in a modern state will necessarily lay personal lives to waste.2 The latter tended to be the consensus view of many of the more prom- inent Balai Pustaka novelists of the 1920s and 30s. Their familiar love story novels and accounts of growing up are often 'journey novels' of 1 Particularly good background sources on this general topic include Keith Foulcher's study of the imagery of time in 1920s poetry (1977), C.W.