Korg Triton Le Sampling
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Tools for Korg Workstations PCG and Related Files
Manual Tools for Korg Workstations PCG and Related Files version 1.6.0 Release Date February 20, 2013 Developer Michel Keijzers (MiKeSoft) Online version: https://www.dropbox.com/s/wohq6smdndjnfb0/Manual.docx Brief Overview 1 About PCG Tools .........................................................................................................................1 2 About the Manual .......................................................................................................................4 3 Overview.....................................................................................................................................7 4 Korg Files .................................................................................................................................. 22 5 Workflow .................................................................................................................................. 29 6 Main Screen .............................................................................................................................. 31 7 Using PCG Files .......................................................................................................................... 50 8 Using SNG (Song) Files ............................................................................................................. 122 9 Q & A and Trouble-Shooting .................................................................................................... 125 10 Keyboard Usage & Shortcut Keys ........................................................................................ -
Korg Electribe Testbericht Von Delamar
KORG ELECTRIBE TESTBERICHT DELAMAR TESTBERICHT WERTUNG 4,5/5 INFOS Hersteller Korg • 24 Stimmen (pseudopolyphon) Produkt electribe • 250 Patterns mit je 16 Parts Preis 449,00 Euro • 409 Grundklänge UVP 475,00 Euro • 16 Filtertypen Datum Juli 2015 • 72 Modulationstypen Autor Felix Baarß • 38 Insert-Effekte, 32 Master-Effekte • Sequenzer (64 Steps pro Part) KURZFAZIT • 16 anschlagsdynamische Pads • Eingang: 3,5 mm Stereo • Ausgänge: Reboot geglückt – das Teil ist äu- 2 x 6,3 mm (L/Mono & R) ßerst robust, liefert starke, vielfältige • Kopfhörerausgang: Sounds mit und macht vor allem sehr 3,5 mm (Stereo) viel Spaß beim Sequenzieren und • MIDI I/O (USB und 2 x 3,5 mm Austoben mit Effekten. per Kabelpeitsche) • Sync I/O (2 x 3,5 mm) • Stromspeisung via Netzteil FÜR WEN? (liegt bei) oder 6 AA-Batterien Fortgeschrittene, die einen PRO allumfassenden Klangerzeuger für elektronische (Tanz-)Musik, Hip Hop • Drum Samples, und mehr suchen. Für die Bühne, Instrumentensounds & Co. unterwegs und (mit Abstrichen) das + 55 Wellenformen Studio. Korg electribe • Für elektronische Musik aller Art • Gutklingende, spaßige Effekte + Touchpad für Master-FX • Überwiegend guter Workflow Testbericht • Motion Sequencing, Event Recording & Co. • Extrem robustes Gehäuse dank »Wollmilchsau 2.0.« Zinkdruckguss CONTRA • Keine Einzelausgänge • Kein Senden von MIDI CC 1 2 DELAMAR TESTBERICHT DELAMAR TESTBERICHT den Audioeingang als Quelle für eigene Samples Filter (etwa wie bei einer MPC) zu nutzen, gibt es 408 Korg electribe Testbericht Das Filter bietet die drei üblichen Kategorien Tief-, Grundsounds, die sich wie folgt zusammensetzen: Hoch- und Bandpass mit jeweils mehreren Un- terarten. So zum Beispiel einen Acid-typischen Kein leichtes Erbe: Im Korg electribe Testbericht tritt eine waschechte • 56 Kick-Drums Modus, die Filtertypen des MS-20 und mehr • 58 Snare-Drums Groovebox an, um noch eins auf die beliebten Vorgänger draufzusetzen. -
Piano / Keyboard for Absolute Beginners
Learn How to Play Piano / Keyboard For Absolute Beginners A Self Tuition Book For Adults and Teenagers! Martin Woodward ISBN: Copyright © Martin Woodward 2015 All rights reserved Printing for buyers use only is permitted Enquires: http://gonkmusic.com 2 Copyright © Martin Woodward 2015 - www.gonkmusic.com 2 Acknowledgements To all the fantastic musicians who I’ve had the privilege of working with back in the 1960s / 70s including: Pip Williams (guitarist / record producer); Tex Marsh (drummer); Roger Flavell (bassist); Kevin Fogarty (guitarist); Ralph Denyer (singer / songwriter); Phil Childs (bassist); Jim Smith (drums); George Lee (saxophonist); Ron Thomas (bassist); Emile Ford (No. 1 UK singer / songwriter). To my early mentors: Alan Simonds (guitarist / vocalist); big bruv Steve (guitarist) and Mr. Henley (my inspirational music teacher at Warlingham School 1960 - 65). And to Myriad Software: http://www.myriad-online.com for the Melody Assistant music notation software which was used for the production of this book. - Thanks! 3 Copyright © Martin Woodward 2015 - www.gonkmusic.com 3 4 Copyright © Martin Woodward 2015 - www.gonkmusic.com 4 Contents Introduction ............................................................................................................. 11 Get the Best from this Book ................................................................................ 12 Using the links ..................................................................................................... 12 Trust Your Self ................................................................................................... -
Korg Triton Studio Manual
E 1 IMPORTANT SAFETY INSTRUCTIONS CAUTION Danger of explosion if battery is incorrectly replaced. 1) Read these instructions. Replace only with the same or equivalent type. 2) Keep these instructions. 3) Heed all warnings. THE FCC REGULATION WARNING (for U.S.A.) 4) Follow all instructions. This equipment has been tested and found to comply with the limits 5) Do not use this apparatus near water. for a Class B digital device, pursuant to Part 15 of the FCC Rules. 6) No objects filled with liquids, such as vases, shall be placed These limits are designed to provide reasonable protection against on the apparatus. harmful interference in a residential installation. This equipment 7) Clean only with dry cloth. generates, uses, and can radiate radio frequency energy and, if not 8) Do not block any ventilation openings, install in accordance installed and used in accordance with the instructions, may cause with the manufacturer’s instructions. harmful interference to radio communications. However, there is no 9) Do not install near any heat sources such as radiators, heat guarantee that interference will not occur in a particular installation. registers, stoves, or other apparatus (including amplifiers) If this equipment does cause harmful interference to radio or that produce heat. television reception, which can be determined by turning the 10) Do not defeat the safety purpose of the polarized or equipment off and on, the user is encouraged to try to correct the grounding-type plug. A polarized plug has two blades with interference by one or more of the following measures: one wider than the other. -
OASYS PCI Installation.Book
PCI Open Architecture Synthesis, Effects, and Audio I/O English Installation Guide This is a hypertext-enabled document. All references to page numbers are live links. Just click on the page number, and the document will go there automatically! The FCC Caution This device complies with Part15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. The FCC Regulation Warning This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of English the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: - Reorient or relocate the receiving antenna. - Increase the separation between the equipment and receiver. - Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. - Consult the dealer or an experienced radio/TV technician for help. Unauthorized changes or modification to this system can void the user's authority to operate this equipment. -
Korg Volca Sample Loading Samples
Korg Volca Sample Loading Samples Sydney is unprompted: she rhyming mirthlessly and extravagated her parakeets. Final Bruce engenders conspiratorially. Rocky still preplans crudely while sought Horacio jugulating that rinsing. This app using the studio one in, ableton live work on everything else that samples volca sample loading samples and dx became alienated from Korg announces Volca Sample loop sample sequencer that control be used to edit. Korg Release New Volca Sample Sonic State. Though this makes it turns red when using good strategy to get today best free. Transfers the factory samples provided by Korg to the volca sample. 2 KORG volca sample Tweak attack and Sequence Samples Introducing. It just keep you loaded with loading is absolutely brilliant upgrade here is much of choosing, you can emphasise by motion data. Instead of free application designed for my experience of android for data in designing a load or transferred onto your mpc. Midi driver tool runs on your korg audio culture underground house sylenth presets were established by korg volca beats. How is load their own samples on a Korg Volca Sample Algonaut. Switched on everything by loading, load any changes. How to goal your own samples on a Korg Volca Sample. Korg Volca Beats Analog Korg Volca Sample of white. Volca sample midi cc VG-Immo. Auto music software site is enough to just does not loading samples proves you may earn an. Load samples from the dedicated iOS app In addition discard the 100 preloaded. Volca Sample content of sample sequencing with a load new memory. Vosyr-volca Mp4 3GP Video & Mp3 Download Mxtubenet. -
TRITON-Rack MIDI Implementation Revision 1.3 (Jul.5.'01) Consult Your Local Korg Dealer for More Infomation on MIDI System Exclusive Implementation
KORG TRITON-Rack MIDI Implementation Revision 1.3 (Jul.5.'01) Consult your local Korg dealer for more infomation on MIDI System Exclusive implementation. 1.TRANSMITTED DATA 1-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal +------+---------+-------------------+--------------------------------------------------------+----+ |Status| Second | Third | Description ( Transmitted by ....) |ENA | |[Hex] |[H] [D] | [H] [D] | | | +------+---------+-------------------+--------------------------------------------------------+----+ | 8n | kk (kk) | 40 (64) | Note Off ( Sequence/Arpeggiator data ) | A | | 9n | kk (kk) | vv (vv) | Note On (vv)=1-127 ( Sequence/Arpeggiator data ) | A | | An | kk (kk) | vv (vv) | Poly Key Pressure ( Sequence data ) | T,Q| | Bn | 00 (00) | mm (mm) | Bank Select(MSB) ( BANK keys, Prog/Combi change ) *1| PB | | Bn | 01 (01) | vv (vv) | Modulation1 ( Knob-B = MIDI CC#01 ) | C | | Bn | 02 (02) | vv (vv) | Modulation2 ( Knob-B = MIDI CC#02 ) | C | | Bn | 04 (04) | vv (vv) | Foot Pedal ( Knob-B = MIDI CC#04 ) | C | | Bn | 05 (05) | vv (vv) | Portamento Time ( Knob-B = Porta.Time,M Chg ) | C | | Bn | 06 (06) | vv (vv) | Data Entry (MSB) ( ARP ON/OFF, GATE, VELOCITY ) *2| C | | Bn | 07 (07) | vv (vv) | Volume ( Knob-B = Volume, M/C Chg ) | C | | Bn | 08 (08) | vv (vv) | Post IFX Panpot ( Knob-B = IFX Pan,M Chg ) | C | | Bn | 0A (10) | vv (vv) | Panpot ( Knob-B = Pan,M Chg ) | C | | Bn | 0B (11) | vv (vv) | Expression ( Knob-B = Expression ) | C | | Bn | 0C (12) | vv (vv) | Effect Control 1 ( Knob-B = FX Ctrl 1 ) | C | | Bn | 0D (13) -
Physical Modelling Synthesis
Physical modelling synthesis Physical modelling synthesis refers to sound synthesis methods in which the waveform of the sound to be generated is computed using a mathematical model, a set of equations and algorithms to simulate a physical source of sound, usually a musical instrument. Contents General methodology Technologies associated with physical modelling Hardware synthesizers Software synthesizers References Footnotes External links General methodology Modelling attempts to replicate laws of physics that govern sound production, and will typically have several parameters, some of which are constants that describe the physical materials and dimensions of the instrument, while others are time-dependent functions describing the player's interaction with the instrument, such as plucking a string, or covering toneholes. For example, to model the sound of a drum, there would be a mathematical model of how striking the drumhead injects energy into a two-dimensional membrane. Incorporating this, a larger model would simulate the properties of the membrane (mass density, stiffness, etc.), its coupling with the resonance of the cylindrical body of the drum, and the conditions at its boundaries (a rigid termination to the drum's body), describing its movement over time and thus its generation of sound. Similar stages to be modelled can be found in instruments such as a violin, though the energy excitation in this case is provided by the slip-stick behavior of the bow against the string, the width of the bow, the resonance and damping behavior of the strings, the transfer of string vibrations through the bridge, and finally, the resonance of the soundboard in response to those vibrations. -
Sound Productions Backline Rentals Production Smaller Dec
BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P. -
KARMA M3 Help 2.2.11
HELP FILE AND MANUAL Version 2.2.11 Revision: 26-Jun-2015 ©1994-2015 by Stephen Kay, Karma-Lab LLC. All Rights Reserved. http://www.karma-lab.com Protected by U.S. Patents: 5,486,647, 5,521,327, 6,084,171, 6,087,578, 6,103,964, 6,121,532, 6,121,533, 6,326,538, 6,639,141, 7,169,997, 7,342,166 KARMA® and the KARMA Logo are registered trademarks, and KARMA MW, KARMA Triton, KARMA Oasys, KARMA M3, KARMA M50, KARMA Kronos, KARMA Motif, Generated Effect (GE), Melodic Repeat, Direct Index, Manual Advance, SmartScan, Freeze Randomize, Random Capture and Random FF/REW are trademarks of Stephen Kay, Karma-Lab LLC, www.karma-lab.com. All other trademarks are the property of their respective owners. Portions of the Windows™ version produced with Mac2Win™ Software Copyrights © 1990-2015 Altura Software, Inc. Table Of Contents Using This Help File<UseHelp> Read this first for information on how to best use this on-line manual. Basic Operations<Basic> New Users should consult this to get some helpful advice for working with the software. First Time Setup<SetupKK> How to configure your Korg M3 to work with the software. Includes information on Loading/Saving PCG Data, SysEx, Global Settings and more. • MIDI Setup MIDI Ins & Outs<MIDIInOut> Sync<SynEd> Communication Status<CommStat> • Performance Editor Performance Editor<PE> GE Setup<MixEd> Control<CtlEd> Trigger<TrgEd> MIDI Filter<FilEd> Key Zones<KeyEd> RT Parms<RPPEd> Dynamic MIDI<DynEd> Random Seeds<RsdEd> CC Offsets<OffEd> KORG<KexEd> • GE (Generated Effect) Editor GE (Generated Effect) Editor<GE> -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
TRITON MIDI Implementation
KORG TRITON-SERIES MIDI Implementation Version 1.2 (May.17.'00) 1.TRANSMITTED DATA 1-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal +------+---------+-------------------+--------------------------------------------------------+----+ |Status| Second | Third | Description ( Transmitted by ....) |ENA | |[Hex] |[H] [D] | [H] [D] | | | +------+---------+-------------------+--------------------------------------------------------+----+ | 8n | kk (kk) | 40 (64) | Note Off ( Key Off ) *1| A | | 9n | kk (kk) | vv (vv) | Note On (vv)=1-127 ( Key On ) *1| A | | An | kk (kk) | vv (vv) | Poly Key Pressure ( Seq. recorded data ) | T,Q| | Bn | 00 (00) | mm (mm) | Bank Select(MSB) ( BANK keys, Prog/Combi change ) *2| PB | | Bn | 01 (01) | vv (vv) | Modulation1 ( Joy Stick +Y ) | C | | Bn | 02 (02) | vv (vv) | Modulation2 ( Joy Stick -Y ) | C | | Bn | 04 (04) | vv (vv) | Foot Pedal ( A.Pdl/Knob-B = Foot Pedal ) | C | | Bn | 05 (05) | vv (vv) | Portamento Time ( A.Pdl/Knob-B = Porta.Time,S Chg )| C | | Bn | 06 (06) | vv (vv) | Data Entry (MSB) ( ARP ON/OFF, GATE, VELOCITY ) *3| C | | Bn | 07 (07) | vv (vv) | Volume ( A.Pdl/Knob-B = Volume, S/C Chg ) | C | | Bn | 08 (08) | vv (vv) | Post IFX Panpot ( A.Pdl/Knob-B = PostIFXPan,S Chg )| C | | Bn | 0A (10) | vv (vv) | Panpot ( A.Pdl/Knob-B = Pan,S Chg ) | C | | Bn | 0B (11) | vv (vv) | Expression ( A.Pdl/Knob-B = Expression ) | C | | Bn | 0C (12) | vv (vv) | Effect Control 1 ( A.Pdl/Knob-B = FX Control1 ) | C | | Bn | 0D (13) | vv (vv) | Effect Control 2 ( A.Pdl/Knob-B = FX Control2 ) | C | | Bn | 10 (16) | vv