Critical Discourse Analysis of Tweets and Entries of Dissidents in Turkey: the Irresistible Lure of Voting
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Digital Populism: Trolls and Political Polarization of Twitter in Turkey
International Journal of Communication 11(2017), 4093–4117 1932–8036/20170005 Digital Populism: Trolls and Political Polarization of Twitter in Turkey ERGİN BULUT Koç University, Turkey ERDEM YÖRÜK Koç University, Turkey University of Oxford, UK This article analyzes political trolling in Turkey through the lens of mediated populism. Twitter trolling in Turkey has diverged from its original uses (i.e., poking fun, flaming, etc.) toward government-led polarization and right-wing populism. Failing to develop an effective strategy to mobilize online masses, Turkey’s ruling Justice and Development Party (JDP/AKP) relied on the polarizing performances of a large progovernment troll army. Trolls deploy three features of JDP’s populism: serving the people, fetish of the will of the people, and demonization. Whereas trolls traditionally target and mock institutions, Turkey’s political trolls act on behalf of the establishment. They produce a digital culture of lynching and censorship. Trolls’ language also impacts pro-JDP journalists who act like trolls and attack journalists, academics, and artists critical of the government. Keywords: trolls, mediated populism, Turkey, political polarization, Twitter Turkish media has undergone a transformation during the uninterrupted tenure of the ruling Justice and Development Party (JDP) since 2002. Not supported by the mainstream media when it first came to power, JDP created its own media army and transformed the mainstream media’s ideological composition. What has, however, destabilized the entire media environment was the Gezi Park protests of summer 2013.1 Activists’ use of social media not only facilitated political organizing, but also turned the news environment upside down. Having recognized that the mainstream media was not trustworthy, oppositional groups migrated to social media for organizing and producing content. -
Downloaded Is a VH1 Rockdoc About Napster and the Digital Revolution
MAGNOLIA PICTURES AND GREAT POINT MEDIA A TROUPER PRODUCTION IN ASSOCIATION WITH ZIPPER BROS FILMS AND ROXBOURNE MEDIA LIMITED Present ZAPPA A film by Alex Winter USA – 129 minutes THE FIRST ALL-ACCESS DOCUMENTARY ON THE LIFE AND TIMES OF FRANK ZAPPA Official Selection 2020 SXSW – World Premiere 2020 CPH:DOX FINAL PRESS NOTES Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: George Nicholis Tiffany Malloy Sara Tehrani Rebecca Fisher Tiffical Public Relations DDA PR Magnolia Pictures [email protected] [email protected] (212) 924-6701 201.925.1122 [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS With unfettered access to the Zappa Vault, and the archival footage contained within, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of its time. Alex Winter's assembly features appearances by Frank's widow Gail Zappa and several of Frank's musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes, Ruth Underwood, Ray White and others. 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com DIRECTOR’S STATEMENT – ALEX WINTER It seemed striking to me and producer Glen Zipper that there had yet to be a definitive, all-access documentary on the life and times of Frank Zappa. We set out to make that film, to tell a story that is not a music doc, or a conventional biopic, but the dramatic saga of a great American artist and thinker; a film that would set out to convey the scope of Zappa’s prodigious and varied creative output, and the breadth of his extraordinary personal and political life. -
Sign of the Librarian in the Cinema of Horror: an Exploration of Filmic Function Antoinette G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Sign of the Librarian in the Cinema of Horror: An Exploration of Filmic Function Antoinette G. Graham Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION AND INFORMATION SIGN OF THE LIBRARIAN IN THE CINEMA OF HORROR: AN EXPLORATION OF FILMIC FUNCTION By ANTOINETTE G. GRAHAM A Dissertation submitted to the School of Library and Information Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2010 Copyright © 2010 Antoinette G. Graham All Rights Reserved The members of the committee approve the dissertation of Antoinette G. Graham defended on October 5, 2010. _____________________________ Gary Burnett Professor Directing Dissertation _____________________________ Valliere Richard Auzenne University Representative _____________________________ Lisa Tripp Committee Member _____________________________ Eliza T. Dresang Committee Member Approved: _____________________________________ Larry Dennis, Dean College of Communication & Information _____________________________________ Corinne Jörgensen, Director School of Library & Information Studies The Graduate School has verified and approved the above-named committee members. ii TABLE OF CONTENTS Abstract ................................................................................................................ -
VYTAUTAS MAGNUS UNIVERSITY Maryna Kupriienko INFLUENCING
VYTAUTAS MAGNUS UNIVERSITY FACULTY OF POLITICAL SCIENCE AND DIPLOMACY PUBLIC COMMUNICATIONS DEPARTMENT Maryna Kupriienko INFLUENCING PUBLIC OPINION IN SOCIAL MEDIA. TROLLING AND DISINFORMATION STRATEGIES Final Master Thesis Journalism and Media Industries Study Program, state code 621P50002 Degree in Journalism Supervisor prof. Robert van Voren (acad. title, name, surname) Defended prof. Šarūnas Liekis (Dean of the Faculty) Kaunas, 2019 VYTAUTO DIDŽIOJO UNIVERSITETAS POLITIKOS MOKSLŲ IR DIPLOMATIJOS FAKULTETAS VIEŠOSIOS KOMUNIKACIJOS KATEDRA Maryna Kupriienko VIEŠOS NUOMONĖS ĮTAKA SOCIALINĖSE MEDIJOSE. TROLINIMO IR DEZINFORMACIJOS STRATEGIJOS Magistro baigiamasis darbas Žurnalistikos ir medijų industrijų studijų programa, valstybinis kodas 621P50002 Žurnalistikos studijų kryptis Vadovas (-ė) prof. Robert van Voren (Moksl. laipsnis, vardas, pavardė) Apginta prof. Šarūnas Liekis (Fakulteto/studijų instituto dekanas/direktorius) Kaunas, 2019 CONTENTS SUMMARY ................................................................................................................................................ 4 SANTRAUKA ............................................................................................................................................ 5 INTRODUCTION ..................................................................................................................................... 6 1. THEORETICAL FRAMEWORK ........................................................................................................ 9 1.1. Theoretical -
Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre. -
A Biographic Case Study of Peer Production Mechanisms on Eksisozluk.Com
User generated dissent: a biographic case study of peer production mechanisms on Eksisozluk.com Ivo Ozan Furman Goldsmiths College, University of London PhD in Sociology 1 I declare that the work presented in this thesis in my own 2 ACKNOWLEDGEMENTS I would like to express gratitude to my supervisor Brian Alleyne for his encouragement and guidance that allowed me to complete this dissertation. Also, I am particularly grateful for the assistance given by David Oswell, Nirmal Puwar and Chetan Bhatt who have all contributed with their experience and knowledge to this dissertation. I wish to acknowledge the support provided by Bridget Ward and everyone else at the department of sociology at Goldsmiths. I would also like to thank Beyza for her comments and endless support throughout this long and ardous journey. My colleagues and friends in London, Berlin, Bucharest and Istanbul, thank you for putting up with me during all those frustrating moments in the past six years. You were always there for me when I needed it. 3 ABSTRACT In a public sphere wherein corporate monopolies of mass media networks prevail and anti- democratic practices suppressing the freedom of speech are the norm, the widespread adoption of the Internet in Turkey has engendered the emergence of a sphere of dissent wherein participants use social media and Web 2.0 platforms to engage in cyberactivism, participate in networked social movements, and express alternative, non-hegemonic political identities and discourses. Sözlüks, a genre of content hosting platforms that can broadly be described as urban dictionaries, are unique within this ecology insofar as they rely on collaborative mechanisms to produce and organize dissent. -
Southern California Public Radio- FCC Quarterly Programming Report July 1- September 30,2016 KPCC-KUOR-KJAI-KVLA-K227BX-K210AD S
Southern California Public Radio- FCC Quarterly Programming Report July 1- September 30,2016 KPCC-KUOR-KJAI-KVLA-K227BX-K210AD START TIME DURATION ISSUE TITLE AND NARRATIVE 7/1/2016 Take Two: Border Patrol: Yesterday, for the first time, the US Border patrol released the conclusions of that panel's investigations into four deadly shootings. Libby Denkmann spoke with LA Times national security correspondent, Brian Bennett, 9:07 9:00 Foreign News for more. Take Two: Social Media Accounts: A proposal floated by US Customs and Border Control would ask people to voluntarily tell border agents everything about their social media accounts and screen names. Russell Brandom reporter for The Verge, spoke 9:16 7:00 Foreign News to Libby Denkmann about it. Law & Order/Courts/Polic Take Two: Use of Force: One year ago, the LAPD began training officers to use de-escalation techniques. How are they working 9:23 8:00 e out? Maria Haberfeld, professor of police science at John Jay College of Criminal Justice spoke to A Martinez about it. Take Two: OC Refugee dinner: After 16 hours without food and water, one refugee family will break their Ramadan fast with mostly strangers. They are living in Orange County after years of going through the refugee process to enter the United States. 9:34 4:10 Orange County Nuran Alteir reports. Take Two: Road to Rio: A Martinez speaks with Desiree Linden, who will be running the women's marathon event for the US in 9:38 7:00 Sports this year's Olympics. Take Two: LA's best Hot dog: We here at Take Two were curious to know: what’s are our listeners' favorite LA hot dog? They tweeted and facebooked us with their most adored dogs, and Producers Francine Rios, Lori Galarreta and host Libby Denkmann 9:45 6:10 Arts And Culture hit the town for a Take Two taste test. -
Pay to Play: Video Game Monetization Patents and the Doctrine of Moral Utility
GEORGETOWN LAW TECHNOLOGY REVIEW PAY TO PLAY: VIDEO GAME MONETIZATION PATENTS AND THE DOCTRINE OF MORAL UTILITY Kirk A. Sigmon* CITE AS: 5 GEO. L. TECH. REV. 72 (2021) TABLE OF CONTENTS I. INTRODUCTION ...................................................................................... 72 II. THE GROWING COST OF VIDEO GAMES ................................................. 74 III. CONTROVERSIAL VIDEO GAME PATENTS ON DLC AND MICROTRANSACTIONS ................................................................................... 81 IV. THE CONTROVERSY BEHIND THE PSYCHOLOGY OF DLC AND MICROTRANSACTIONS ................................................................................... 86 V. A BRIEF HISTORY OF PATENTS AND “MORAL UTILITY” ........................ 89 VI. WHY MORAL UTILITY SHOULD NOT BE REVIVED FOR VIDEO GAMES .. 94 VII. CONCLUSION .......................................................................................... 98 I. INTRODUCTION Video games are now more complex and realistic than they ever have been—but making those games is not cheap. Video game development and marketing costs are sky high.1 To help recoup these costs, game developers and publishers have begun inventing increasingly clever ways to encourage users to spend more money on video games—and they are pursuing patents for those inventions. One recently granted patent seeks to drive in-game purchases by making multiplayer matches difficult for a player, encouraging that player to buy an item and, once that item is purchased and used, subtly rewarding the spending by making multiplayer matches easier.2 Another recently granted patent targets players more likely to spend money in-game by presenting them with exclusive spending opportunities, maximizing value * Shareholder, Banner Witcoff. Thanks to Ross A. Dannenberg, Scott M. Kelly, and Carlos Goldie for their invaluable input and assistance with this Article. 1 See infra Part II. 2 See U.S. Patent No. 9,789,406 (filed Oct. 17, 2017) [hereinafter Marr]. -
A Critical Analysis of the Black President in Film and Television
“WELL, IT IS BECAUSE HE’S BLACK”: A CRITICAL ANALYSIS OF THE BLACK PRESIDENT IN FILM AND TELEVISION Phillip Lamarr Cunningham A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2011 Committee: Dr. Angela M. Nelson, Advisor Dr. Ashutosh Sohoni Graduate Faculty Representative Dr. Michael Butterworth Dr. Susana Peña Dr. Maisha Wester © 2011 Phillip Lamarr Cunningham All Rights Reserved iii ABSTRACT Angela Nelson, Ph.D., Advisor With the election of the United States’ first black president Barack Obama, scholars have begun to examine the myriad of ways Obama has been represented in popular culture. However, before Obama’s election, a black American president had already appeared in popular culture, especially in comedic and sci-fi/disaster films and television series. Thus far, scholars have tread lightly on fictional black presidents in popular culture; however, those who have tend to suggest that these presidents—and the apparent unimportance of their race in these films—are evidence of the post-racial nature of these texts. However, this dissertation argues the contrary. This study’s contention is that, though the black president appears in films and televisions series in which his presidency is presented as evidence of a post-racial America, he actually fails to transcend race. Instead, these black cinematic presidents reaffirm race’s primacy in American culture through consistent portrayals and continued involvement in comedies and disasters. In order to support these assertions, this study first constructs a critical history of the fears of a black presidency, tracing those fears from this nation’s formative years to the present. -
The I-Word Isn't Impeachment — It's Idiocracy
The I-Word Isn't Impeachment -- It's Idiocracy | HuffPost US EDITION THE BLOG 11/17/2014 02:26 pm ET | Updated Jan 17, 2015 The I-Word Isn’t Impeachment — It’s Idiocracy By Marty Kaplan SAUL LOEB VIA GETTY IMAGES Is he — finally — the one we’ve been waiting for? Just days after the midterm election, President Barack Obama made a big climate change deal with China, asked the F.C.C. to regulate Internet service providers as if they were public utilities and pledged to address the immigration mess on his own instead of continuing to wait for Congress to arise from its dysfunctional deathbed. The president’s inaction on these issues until now was intended to prevent the electoral debacle and partisan caterwauling that happened anyway. His previous patience has proven to be time squandered, and his search for common ground with folks who wanted his head on a pike turned out to be a case study in bad poker playing, if not wishful thinking. This post-election Obama is the one voters thought they put into office in 2008, but who spent the next six years being called naïve for projecting their civic hopes onto a cypher. Whatever triggered his transformation — legacy clock ticking, nothing left to lose, stopbullying.gov — it’s a heartening moment for his base. The challenge now for him is to deliver on that change; the challenge for his supporters is to rescue the stakes of these changes from soap opera. We loves us our political melodrama. “Will the Republicans force a government shutdown by baiting Obama to veto a budget that defunds immigration -
Parker Posey to Host 2012 Sundance Film Festival Awards Ceremony
FOR IMMEDIATE RELEASE Media Contacts: January 10, 2012 Sarah Eaton 310.360.1981 [email protected] Casey De La Rosa 310.360.1981 [email protected] PARKER POSEY TO HOST 2012 SUNDANCE FILM FESTIVAL AWARDS CEREMONY JURY MEMBERS ANNOUNCED Charles Ferguson, Nick Fraser, Mike Judge, Justin Lin, Anthony Mackie, Cliff Martinez, Julia Ormond, Dee Rees and Lynn Shelton Among Jurors Park City, UT — Sundance Institute announced today the 23 members of the six juries awarding prizes at the 2012 Sundance Film Festival, as well as the host of the Awards Ceremony on January 28. The Festival takes place January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. Actress and writer Parker Posey will serve as the host of the 2012 Sundance Film Festival Awards Ceremony, set to take place January 28 at 7:00 p.m. MT at the Basin Recreation Field House in Park City, Utah and live-streamed at www.sundance.org/festival. Named "Queen of the Indies" by TIME Magazine, Posey has appeared in more than a dozen films at the Sundance Film Festival, including Party Girl (1995), House of Yes (1997) and Broken English (2007). Posey also appears in Price Check in the out-of-competition Premieres section at this year’s Festival. Awards for short films will also be announced at a separate ceremony on January 24 at Park City’s Jupiter Bowl. Photos and extended biographies of the jurors and Awards Ceremony host, in addition to the complete Festival lineup and schedule, are available at www.sundance.org/festival. -
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