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SESION ORDINARIA No.034-2016 DEL 22 DE SETIEMBRE, 2016 1
1 SESION ORDINARIA No.034-2016 DEL 22 DE SETIEMBRE, 2016 Que celebra el Consejo de Administración de JAPDEVA en la Sala de Sesiones de JAPDEVA en Moin con la siguiente asistencia: Sr. Armando Foster Morgan Vicepresidente Sr. Eric Castro Vega Director Sr. Delroy Barton Brown Director Sr. Luis Fdo. Del Barco Garrón Director Sr. Pablo Díaz Chaves Gerente General Sr. Marvin Jiménez León Auditor General Sr. José Alonso Valverde Fonseca Jefe Departamento Legal Sra. Joyce Gayle Thompson Secretaria General La Sra. Ann Mc Kinley Meza, Presidenta Ejecutiva, Sr. José Aponte Quirós se encuentran en San José atendiendo reuniones en Casa Presidencial. La Sra. Magda Verónica Taylor Wa Chong- Directora por motivo de su salud no está presente y la Sra. Justa Romero Morales se disculpa por no poder asistir a la Sesión. Preside: Sr. Armando Foster Morgan -Vicepresidente Al ser las 09:20 horas inicia la sesión. ARTICULO I APROBACIÓN DE ACTAS I-a) SOLICITUD PARA CONVOCAR SESIÓN EXTRAORDINARIA EL VIERNES 23 DE SETIEMBRE 2016. SR. ARMANDO FOSTER: Vamos a iniciar con la Sesión Ordinaria No. 034-2016 de hoy 22 de Setiembre del 2016. Tenemos primeramente una moción que será presentada por el Gerente General: SR. PABLO DÍAZ: Muy buenos días señores directores, la moción va en el sentido de poder hacer una Sesión Extraordinaria el día de mañana y les proponemos la hora de las 08:00 de la mañana para conocer los siguientes temas: Presupuesto Ordinario 2017 y el Contrato para la compra de un remolcador. SR. ARMANDO FOSTER: En discusión. No hay comentarios, los que estamos de acuerdo en aprobar la moción favor indicarlo levantando la mano. -
Theguardian and NUS: Campaign DidnT Organise a Moves to Parliament Piss-Up in a Brewery
Issue 949 - Weekly Thursday 19th November 1998 Tuition Fees TheGuardian and NUS: Campaign Didnt organise a Moves to Parliament piss-up in a brewery he Guardian / NUS London”. Student Media Awards Tare the highlight of the The following academic year for all involved morning, back at in producing student media, the Media be it newspapers, magazines, Conference, NUS radio or television. President Andrew Pakes released a Last Saturday saw the 20th statement from Anniversary event, part of the the NUS which Student Media Conference, claimed that The take place at the Truman Guardian were Breweries building in East responsible for the London. Unfortunately around arrangements for Union Officers campaigning at Westminster 200 of the conference dele- the awards cere- n Thursday 12th November, students from gates were unable to get into mony and that it across the country converged on the awards ceremony due to was The Guardian OWestminster to take the Student Rights the ceremony taking place in a who had refused Charter to the Government. After the successful venue that could not cater for entry to confer- Day of Action held in the Unions on 30th October, the required number of peo- ence delegates, Some of the entries for the media awards with Pluto winning the coveted ple. who have in the campaign was taken to MPs in the Houses of Newspaper of the Year Award - full list of winners on page 2. Parliament. It was also a chance for Union officials previous years to gather more information about why the battle is As the situation developed the attended the the problem, but look forward workshops presented by so important to all students. -
WTC SUMMER HOMEWORK Read Charting the History of British Music Video (MM66), by Emily Caston. (BELOW) Answer the Following Quest
WTC SUMMER HOMEWORK Read Charting the History of British Music Video (MM66), by Emily Caston. (BELOW) Answer the following questions, drawing on the article for information and ideas. 1. According to the article’s writer, Emily Caston, how significant was MTV in the development of British music video production? 2. What criteria did Emily Caston and her team use for selecting music videos for their 6-DVD box set? What are your thoughts about the criteria? What music videos do you know that you would include in such a selection? 3. Bohemian Rhapsody is often quoted as being the first British music video. The article argues otherwise. Why is that? Why was ‘Bo-Rhap’ not included in the box set? 4. The box set is made up of six different categories: performance; concept; dance; stories; wit; portraits. If you were putting together a selection of videos, what categories would you choose to use? 5. The article ends by noting that videos are now consumed by millions globally, ‘uncurated on mobile platforms’. What might be the significance of a curated collection in light of these consumption patterns? Curating your own collection Imagine that you have been given the chance to curate a selection of music videos to represent your experience of secondary school, from the moment you joined until the end of Year 11. Select five videos that you want to include in your selection. Outline in writing what is significant about each video, both as an art form in its own right, and in relation to your time at secondary school. -
Marc Brennan Thesis
Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia Marc Brennan, BA (Hons) Creative Industries Research and Applications Centre (CIRAC) Thesis Submitted for the Completion of Doctor of Philosophy (Creative Industries), 2005 Writing to Reach You Keywords Journalism, Performance, Readerships, Music, Consumers, Frameworks, Publishing, Dialogue, Genre, Branding Consumption, Production, Internet, Customisation, Personalisation, Fragmentation Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. -
Pui Ching Middle School
Oasis 2010 PUI CHING MIDDLE SCHOOL PUI CHING MIDDLE SCHOOL 20 Pui Ching Road, Homantin, Hong Kong. Tel: 2711 9222 Fax: 2711 3201 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the copyright owner. First published Dec 2009 by PUI CHING MIDDLE SCHOOL Hong Kong. ISBN: 978-988-99247-7-5 Printed in Hong Kong by Chung Tai Printing & Hot Blocking Co. Dedication The collection is dedicated to God, the founders of the school, and the inspiring principals and teachers of Pui Ching, who seek to make the school the best cradle for nurturing talents and leaders of generations in the past now and the time to come. Foreword Dr. Yip Chee Tim It is indeed my pleasure to read all these wonderful pieces of literary works by our students. The articles, in one way or another, display the talent of the students of Pui Ching. They can write extremely well. I am deeply touched by their beautiful style of writing. Their skills in writing bring forth special effects to impress those who enjoy reading. I am much impressed. Good works speak for themselves. Yip Chee Tim Principal 20 November 2009 Words from the Editors Subsequent to the previous revised publication of Oasis , there comes the heartwarming applause from various sides. With the precious experience and generous comments, we are now very honored to present to the readers yet another issue of this continual series, with a compilation of our students’ creative expression of their perception towards life. -
Transizioni E Dissoluzioni Di Fine Anno Electroshitfing
SENTIREASCOLTARE online music magazine GENNAIO N. 27 The Shins 2006: transizioni e dissoluzioni di fine anno Electroshitfing Fabio Orsi Alessandro Raina Coaxial Jessica Bailiff Larkin Grimm The Low Lows Deerhunter Cul De Sac The Long Blondess e n tTerry i r e a s c o lRiley t a r e sommario 4 News 8 The Lights On The Low Lows, Coaxial, Larkin Grimm, Deerhunter 8 2 Speciali The Long Blondes, Alessandro Raina, Jessica Bailiff, Fabio Orsi, Electroshifting, The Shins, Il nostro 2006 9 Recensioni Arbouretum, Of Montreal, Tin Hat, James Holden, Lee Hazlewood, Ronin, The Earlies, Ghost, Field Music, Hella, Giardini Di Mirò, Mira Calix, Deerhoof... 8 Rubriche (Gi)Ant Steps Miles Davis We Are Demo Classic Ultravox!, Cul De Sac Cinema Cult: Angel Heart Visioni: A Scanner Darkly, Marie Antoinette, Flags Of Our Fathers… 2 I cosiddetti contemporanei Igor Stravinskij Direttore Edoardo Bridda Coordinamento Antonio Puglia 9 Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Teresa Greco Hanno collaborato Gianni Avella, Gaspare Caliri, Andrea Erra, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Stefano Renzi, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giusep- pe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Paola Squizzato, Squp, Edoardo Bridda 94 in copertina The Shins SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Ivano Rebustini Provider NGI S.p.A. Copyright © 2007 Edoardo Bridda. Tutti i diritti riservati. s e n t i r e a s c o l t a r e La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di SentireAscoltare news a cura di Teresa Greco E’ morto “Mr. -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
Australian Content Standard for Television & Paragraph 160(D) Of
Parliament of the Commonwealth of Australia Australian Content Standard for Television & Paragraph 160(d) of the Broadcasting Services Act 1992 Report by the Senate Environment, Communications, Information Technology and the Arts Legislation Committee February 1999 © Copyright Commonwealth of Australia 1998 ISSN 1441-9920 This document was produced from camera ready copy prepared by the Senate Environment, Communications, Information Technology and the Arts Legislation Committee and printed by the Senate Printing Unit, Parliament House, Canberra iii ENVIRONMENT, COMMUNICATIONS, INFORMATION TECHNOLOGY AND THE ARTS LEGISLATION COMMITTEE MEMBERSHIP 1. Members Senator A Eggleston, Chair (LP, WA) Senator M Bishop, Deputy Chair (ALP, WA) Senator L Allison (AD, VIC) Senator the Hon N Bolkus (ALP, SA) Senator M Payne (LP, NSW) Senator J Tierney (LP, NSW) 2. Substitute Members Senator N Stott Despoja (AD, SA) to substitute for Senator Allison for matters relating to Information Technology 3. Participating Members Senator E Abetz (LP, TAS) Senator A Bartlett (AD, QLD) Senator R Boswell (NPA, QLD) Senator V Bourne (AD, NSW) Senator B Brown (AG, TAS) Senator D Brownhill (NPA, NSW) Senator G Campbell (ALP, NSW) Senator K Carr (ALP, VIC) Senator M Colston (IND, QLD) Senator H Coonan (LP, NSW) Senator B Harradine (IND, TAS) Senator M Lees (AD, SA) iv Senator K Lundy (ALP, ACT) Senator D Margetts (GWA, WA) Senator the Hon C Schacht (ALP, SA) 4. Committee Secretariat Ms Roxane Le Guen, Secretary Mr Geoff Dawson, Principal Research Officer Ms Tara Ducker, -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
The Development of the UK Television News Industry 1982 - 1998
-iì~ '1,,J C.12 The Development of the UK Television News Industry 1982 - 1998 Thesis submitted for the degree of Doctor of Philosophy by Alison Preston Deparent of Film and Media Studies University of Stirling July 1999 Abstract This thesis examines and assesses the development of the UK television news industry during the period 1982-1998. Its aim is to ascertain the degree to which a market for television news has developed, how such a market operates, and how it coexists with the 'public service' goals of news provision. A major purpose of the research is to investigate whether 'the market' and 'public service' requirements have to be the conceptual polarities they are commonly supposed to be in much media academic analysis of the television news genre. It has conducted such an analysis through an examination of the development strategies ofthe major news organisations of the BBC, ITN and Sky News, and an assessment of the changes that have taken place to the structure of the news industry as a whole. It places these developments within the determining contexts of Government economic policy and broadcasting regulation. The research method employed was primarily that of the in-depth interview with television news management, politicians and regulators: in other words, those instrumental in directing the strategic development within the television news industry. Its main findings are that there has indeed been a development of market activity within the television news industry, but that the amount of this activity has been limited by the particular economic attributes of the television news product. -
Lali: La Nuova Regina Del Pop Latino Live in Italia Con "Soy Tour", Il 9
MERCOLEDì 21 DICEMBRE 2016 Arriva live in Italia la nuova regina del pop latino Lali Esposito. Dopo l'uscita del disco "Soy" a settembre e gli showcase di Roma e Milano a novembre, l'esplosiva artista argentina annuncia due concerti esclusivi Lali: la nuova regina del pop latino del suo "Soy Tour" nel nostro paese: il 9 aprile 2017 sarà sul palco del live in Italia con "Soy Tour", il 9 Fabrique a Milano e il 10 aprile all'Orion di Roma. aprile 2017 al Fabrique di Milano e il 10 aprile all'Orion di Roma Cantante, attrice e influencer, Lali vanta una carriera vertiginosa, partita dalla tv: considerata dai media la "JLo latina", è diventata nota al grande pubblico per le sue interpretazioni nelle serie tv teen create da Cris Morena, una delle produttrici televisive più importanti in Argentina. A settembre Lali ha dato il via al suo tour in Sud America con quattro concerti all'Arena Teatro Ópera Allianz di Buenos Aires, tutti sold out: ANTONIO GALLUZZO una mega-produzione con luci, effetti speciali, ballerini sul palco. Lali è entrata nella top 100 Artists Chart di Billboard ed è stata proclamata "The queen of Latin Pop" dal famoso sito Perez Hilton.com, aggiudicandosi numerosi riconoscimenti come Favorite Latin Star ai Kids [email protected] Choice Awards del 2014 e Best New Pop Artist Album ai Gardel Awards SPETTACOLINEWS.IT nel 2015. I numeri di Lali sono impressionanti anche sui social con i suoi 4.370.000 followers su Twitter e i 2.800.000 followers su Instagram, e i suoi video contano milioni di views su YouTube (Asesina e Histeria hanno totalizzato oltre 11 milioni di visualizzazioni, A Bailar e Boomerang più di 8, Del Otro Lado più di 7, Unicooltre 4 milioni).