The Shanachie Volume 3
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Entertainment & Syndication Fitch Group Hearst Health Hearst Television Magazines Newspapers Ventures Real Estate & O
hearst properties WPBF-TV, West Palm Beach, FL SPAIN Friendswood Journal (TX) WYFF-TV, Greenville/Spartanburg, SC Hardin County News (TX) entertainment Hearst España, S.L. KOCO-TV, Oklahoma City, OK Herald Review (MI) & syndication WVTM-TV, Birmingham, AL Humble Observer (TX) WGAL-TV, Lancaster/Harrisburg, PA SWITZERLAND Jasper Newsboy (TX) CABLE TELEVISION NETWORKS & SERVICES KOAT-TV, Albuquerque, NM Hearst Digital SA Kingwood Observer (TX) WXII-TV, Greensboro/High Point/ La Voz de Houston (TX) A+E Networks Winston-Salem, NC TAIWAN Lake Houston Observer (TX) (including A&E, HISTORY, Lifetime, LMN WCWG-TV, Greensboro/High Point/ Local First (NY) & FYI—50% owned by Hearst) Winston-Salem, NC Hearst Magazines Taiwan Local Values (NY) Canal Cosmopolitan Iberia, S.L. WLKY-TV, Louisville, KY Magnolia Potpourri (TX) Cosmopolitan Television WDSU-TV, New Orleans, LA UNITED KINGDOM Memorial Examiner (TX) Canada Company KCCI-TV, Des Moines, IA Handbag.com Limited Milford-Orange Bulletin (CT) (46% owned by Hearst) KETV, Omaha, NE Muleshoe Journal (TX) ESPN, Inc. Hearst UK Limited WMTW-TV, Portland/Auburn, ME The National Magazine Company Limited New Canaan Advertiser (CT) (20% owned by Hearst) WPXT-TV, Portland/Auburn, ME New Canaan News (CT) VICE Media WJCL-TV, Savannah, GA News Advocate (TX) HEARST MAGAZINES UK (A+E Networks is a 17.8% investor in VICE) WAPT-TV, Jackson, MS Northeast Herald (TX) VICELAND WPTZ-TV, Burlington, VT/Plattsburgh, NY Best Pasadena Citizen (TX) (A+E Networks is a 50.1% investor in VICELAND) WNNE-TV, Burlington, VT/Plattsburgh, -
2013-14 Annual Report
2013-14 Annual Report Common Ground High School Lizanne Cox, Director 358 Springside Avenue New Haven, Connecticut 06515 (203) 389-4333 [email protected] Mission Statement Mission: Common Ground High School will graduate students with the knowledge, skills, and understanding to live healthy, powerful, and productive lives. We do so through authentic learning that develops academic excellence, ecological literacy, strong character, and commitment to community. Common Ground High School takes the urban environment as its organizing focus. Common Ground uses three sites as laboratories for learning: the urban farm that is the school’s campus, the natural environment of the adjacent West Rock Ridge State Park, and the urban setting of New Haven, Connecticut. Close study of these places develops understanding of local and global issues. Through this study and core academic work, students experience a rigorous high school curriculum that prepares them for competitive colleges, meaningful careers, and purposeful lives. Common Ground High School is a program of the New Haven Ecology Project, a non-profit center for environmental learning and leadership, whose mission is to cultivate habits of healthy living and sustainable environmental practices within a diverse community of children, young people, adults, and families. 2 Contents Letter from the Director of the School and Governing Board Chairperson ............................................. 4 About Our School ................................................................... 6 Curriculum -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
Napper Tandy
Napper Tandy The Story of a real Irish Patriot by Brian Igoe, Published: 2016 J J J J J I I I I I Table of Contents Introduction & Chapter 1 … The Last Invasion of Ireland. Chapter 2 … Meath and Dublin. Chapter 3 … London, Philadelphia. Chapter 4 … North Sea and Bergen. Chapter 5 … Hamburg. Chapter 6 … London. Chapter 7 … Dublin. Chapter 8 … Lifford. Chapter 9 … Bordeaux. Historical Note. Principal Sources. J J J J J I I I I I Introduction I met with Napper Tandy and he took me by the hand, How is dear old Ireland, and how does she stand? It's the most disgraceful country that I have ever seen, They're hanging men and women for the wearing of the green . —Anon, 1798 If you ask most people today, they will never have heard of Napper Tandy, unless they are Irish. Then they may, just MAY, remember the words of the ballad quoted above. By way of introduction, some words on the state of Ireland in general and Dublin in particular in the second half of the 18th century, the backdrop against which much of this story is painted, may be of interest. If not, skip forward to Chapter 1. It was in many respects a lawless place, quite literally, for there was no effective police force until well into the 19th century. And yet they were an extremely litigious crowd, those Georgian Irish. They fought with their tongues and their pens with great skill. But equally they fought with their swords and their pistols too. -
A Short History of Irish Memory in the Long Twentieth Century
Thomas Bartlett (ed.), The Cambridge History of Ireland Irish Memory in the Long Twentieth Century (Cambridge, 2018), vol. IV: 1800 to Present would later be developed by his disciple Maurice Halbwachs, who coined the term collective memory ('la memoire collective'). By calling attention to the social frameworks in which memory is framed ('les cadres sociaux de la 23 · memoire'), Halbwachs presented a sound theoretical model for understand ing how individual members of a society collectively remember their past. 3 A Short History of Irish Memory in The impression that modernisation had uprooted people from tradition and the Long Twentieth Century that mass society suffered from atomised impersonality gave birth to a vogue GUY BEINER for commemoration, which was seen as a fundamental act of communal soli darity, in that it projected an illusion of continuity with the past.4 Ireland, outside of Belfast, did not undergo industrialisation on a scale comparable with England, and yet Irish society was not spared the upheaval On the cusp of the twentieth century; Ireland was obsessed with memoriali of modernity. The Great Famine had decimated vernacular Gaelic culture sation. This condition reflected a transnational zeitgeist that was indicative of and resulted in massive emigration. An Irish variant of fin de siecle angst over a crisis of memory throughout Europe. The outcome of rapid modernisa degeneration fed on apprehensions that British rule would ultimately result tion, manifested through changes ushered in by such far-reaching processes in the loss of 'native' identity. The perceived threat to national culture, artic as industrialisation, urbanisation, commercialisation and migration, raised ulated in Douglas Hyde's manifesto on 'The Necessity for De-Anglicising fears that the rituals and customs through which the past had been habitually Ireland' (1892), stimulated a vigorous response in the form of the Irish Revival remembered in the countryside were destined to be swept away. -
The Brady Family of Athenry, Co. Galway: a Commercial Impact in the Early Twentieth Century
The Brady Family of Athenry, Co. Galway: A Commercial Impact in the Early Twentieth Century. Edward Brady M.A. in Irish Studies National University of Ireland, Galway 2012 Supervisors: Dr. Tony Varley Dr. Aidan Kane 1 Table of Contents List of Illustrations 3 Acknowledgements 4 Abstract 5 Introduction 6 Chapter 1: Family 9 Chapter 2: Diversity 19 Chapter 3: Opportunity 37 Chapter 4: Constraints 48 Conclusion 57 Bibliography 59 2 List of Illustrations Fig. 1 Family Tree 10 Fig. 2 Paper Bag from Grocery of Mary Brady (circa 1905) 16 Fig. 3 Irish Land Commission Purchase Certificate (1910) 17 Fig. 4 Michael Brady (1930) 18 Fig. 5 Live Stock Exporters and Traders’ Association Membership 1930 30 Fig.6 Land Registry Document: 102 Acres (Moanbaun) 31 Fig. 7 Invoice from Joseph Mooney, Dublin (1931) 32 Fig.8 Indenture of Roger Brady (Tailor Apprenticeship) 1911 33 Fig. 9 Advertising Invoice (The Redemptorist Record) 1939 34 Fig. 10 Legal Letter (Confirmation of Public House Purchase) 1926 35 Fig. 11 Page from Public House Cash Book 1930 36 Fig. 12 Purchase of 100 Apex (Trinidad) Oilfield Shares 1937 44 Fig. 13 Imperial Tobacco Company (Bonus Certificate) 1930 45 Fig. 14 Receipt from Andrew Dunne 1936 46 Fig. 15 Sale of Site to Michael Cronnelly 1937 47 Fig. 16 Stock Market Losses 1929 – 1930 53 Fig. 17 Michael Brady: List of Creditors 1934 54 Fig. 18 Michael Brady: List of Assets 1934 55 Fig. 19 Land Transfer to Richard Brady 1929 56 3 Acknowledgements Researching and detailing the history of the Brady family has been an overwhelmingly rewarding and exciting experience over the last number of years. -
Potter & Williams Collection on Irish Culture
1/30/2019 009-04-01-FA - Google Docs PROVIDENCE PUBLIC LIBRARY Special Collections 009-04-01 Potter & Williams Collection on Irish Culture, Broadside Ballads 1860s-1880s OVERVIEW OF THE COLLECTION Number: 009-04-01 Title: Potter & Williams Collection on Irish Culture, Broadside Ballads Creator: Williams, Alfred M. (Alfred Mason), 1840-1896. Dates: 1860s-1880s Quantity: 2 containers (total .8 linear feet) ADMINISTRATIVE INFORMATION Acquisition: Donated by the estate of Alfred M. Williams upon his death in 1896 as part of the initially named “Alfred M. Williams Collection of Folklore.” Included scrapbooks of ballads collected by the library after the initial bequest including a purchase of three ballads in 1953 from Dana’s Old Corner Bookshop, Providence; purchase of a scrapbook of 40 ballads from William Wreden. A letter from PPL library director in 1967 noted a total of 1,141 irish broadside ballads mostly printed in Dublin or Belfast. 124 English broadside ballads. Accruals: No accruals are expected. Custodial history: The bulk of the ballads were collected by Alfred M. Williams. He collected some himself while in Ireland in 1865-1866. Additional materials were given to him by Sir Samuel Ferguson in 1879 and by Miss Mary Banim in 1886. A note by Williams in the flyleaf of one of the scrapbooks noted that the collection may have been created by Dublin printer, P. Bereton around 1869. Additional items in the collection are stamped with the National Library of Ireland. It is unclear when PPL acquired these items. Processed by: The collection was processed by Kate Wells in 2019. -
Letha Yurko Griffin January 31, 2015
Letha Yurko Griffin January 31, 2015 Universities Attended: West Virginia University, summer school Ohio State University Degree: B.S., College of Biological Sciences Major: Microbiology Status: summa cum laude Ohio State University Degree: M.Sc., Department of Microbiology Field: Immunology Status: summa cum laude Ohio State University Degree: Ph.D., Academic Faculty of Microbial and Cellular Biology Field: Immunology Status: summa cum laude Ohio State University Degree: M.D., College of Medicine Status: summa cum laude Post Graduate Medical Training Intern, General Surgery, University of Michigan Hospital. Resident, Orthopaedic Surgery, University of Michigan Hospital. Certification: Certification, American Board of Orthopaedic Surgery, July, 1982 Recertification, American Board of Orthopaedic Surgery, July, 1994; July 2003; July 2014 Added Qualification in Sports Medicine, American Board of Orthopaedic Surgery, November 2011 Employment: July, 1978-September, 1979. Instructor, Department of Surgery, University of Michigan. September, 1979-August, 1981. Assistant Professor, Department of Orthopaedics, Division of Sports Medicine, University of Washington. September, 1979-August, 1981. Team Physician to Varsity Athletes, University of Washington. August, 1981-present. Clinical Staff, Peachtree Orthopaedic Clinic, P.A., Atlanta, Georgia. January, 1982-1984. Clinical Staff, Scottish Rite Sports Medicine Clinic, Atlanta, Georgia. 1 January, 1984-1993. Clinical Instructor, Emory University School of Medicine, Atlanta, Georgia. September, -
Visual Gender Separation During the Troubles
Irish Communication Review Volume 17 Issue 1 Article 6 July 2020 Posters, Handkerchiefs and Murals: Visual Gender Separation During the Troubles Bradley Rohlf Mount Aloysius College, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/icr Part of the Communication Commons, History of Gender Commons, Visual Studies Commons, and the Women's Studies Commons Recommended Citation Rohlf, Bradley (2020) "Posters, Handkerchiefs and Murals: Visual Gender Separation During the Troubles," Irish Communication Review: Vol. 17: Iss. 1, Article 6. Available at: https://arrow.tudublin.ie/icr/vol17/iss1/6 This Article is brought to you for free and open access by the Current Publications at ARROW@TU Dublin. It has been accepted for inclusion in Irish Communication Review by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Irish Communications Review vol 17 (2020) Posters, handkerchiefs and murals: Visual gender separation during the Troubles Bradley Rohlf, Mount Aloysius College (Pennsylvania) Abstract The Troubles in Northern Ireland provide a complex and intriguing topic for many scholars in various academic disciplines. Their violence, publicity and tragedy are common themes that elicit a plethora of emotional responses throughout the world. However, the very intimate nature of this conflict creates a much more complex system of friends, foes and experiences for those involved. While the very heart of the Irish nationalist movement is founded on liberal and progressive concepts such as socialism and equality, the media associated with it sometimes promote tradition and conservatism, especially regarding gender. -
Colorado K. of C. Will Train Uy Apostolate
COLORADO K. OF C. WILL TRAIN U Y APOSTOLATE FINE CAREERS Contents Copyrighted— Permission to Reproduce Giveh After 12 M. fe d a y Following Issue EVIDENCE GUILD Colorado CathoUci regard with great sympathy the battle of Cali* rornia prirate, non-profit schools BY GRADUATES WORK WILL b e to rid themseWes of haring to pay DENVER CATHOLIC taxes. The burden of many Cath U C I ' I T CIS v « i n v^ iv. Q j y Q j . olic parishes with schools has been unspeakable. When the writer was in California last fall, he was told FROM LORETTO hy a priest of one of the. large parishes that a check for ^ ,0 0 0 , representing the year’s taxes, had 101 ‘Seculars’ and 63 Religious Have Ob just been sent in. Just imagine New National Movement of Order to Get the annual anguish of making up tained Degrees From College a sum like that, on top of all First Start in Diocese of Denver other expenses. The parish in question was going badly into the ^ ; (By Marie McNamara) Colorado took the lead in one of the biggest move red. No wonder! The National Catholic Welfare Conference News Service Supplies The Denver Catholic Register. We Have ments being sponsored by the Church in America when In Denver in the month of June several hundreds of Also the International News Service (Wire and Mail), a Large Special Service, and Seven Smaller Services. the state convention of the Knights of Columbus, meeting The chief obstacle in the way high school boys and girls, college men and women, will at Canon City May 28 and 29, decided upon the establish of relieving the private schools of be thrust upon the ^orld in the form of graduation. -
A Poet's Rising
A POET’S RISING A POET’S RISING In 2015 the Irish Writers Centre answered the Arts Council’s Open Call for 2016 and A Poet’s Rising was born. Our idea was this: to commission six of Ireland’s most eminent poets to respond through poetry focusing on a key historical figure and a particular location associated with the Rising. The poets would then be filmed in each discreet location and made permanent by way of an app, freely available for download. The resulting poems are beautiful, important works that deserve to be at the forefront of the wealth of artistic responses generated during this significant year in Ireland’s history. We are particularly proud to be producing this exceptional oeuvre in the year of our own 25th anniversary since the opening of the Irish Writers Centre. • James Connolly at Liberty Hall poem by Eiléan Ní Chuilleanáin • Pádraig Pearse in the GPO poem by Paul Muldoon • Kathleen Lynn in City Hall poem by Jessica Traynor • The Ó Rathaille at O’Rahilly Parade poem by Nuala Ní Dhomhnaill • Elizabeth O’Farrell in Moore Lane poem by Theo Dorgan • The Fallen at the Garden of Remembrance poem by Thomas McCarthy We wish to thank Eiléan Ní Chuilleanáin, Paul Muldoon, Jessica Traynor, Nuala Ní Dhomhnaill, Theo Dorgan and Thomas McCarthy for agreeing to take part and for their resonant contributions, and to Conor Kostick for writing the historical context links between each poem featured on the app. A special thanks goes to Colm Mac Con Iomaire, who has composed a beautiful and emotive score, entitled ‘Solasta’, featured throughout the app.