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Foshay the Assets
AN EMPIRE BUILT ON PAPER FOSHAY: THE MAN AND THE CITY 1929-1934 It can be done! – Foshay’s motto During the “Decade of Excess” (1920-1929) Americans enjoyed exceptional prosperity. They became consumers of luxury goods purchased on credit. They invested heavily in the stock market with borrowed money. The financial sector was largely Photo: Minnesota Historical Society unregulated. This was the decade when Foshay was Wilbur B. Foshay building his securities empire. was born in 1881 and raised in Ossining, New York. Intending to become an artist, Foshay attended Columbia University until his Photo: Minnesota Historical Society father’s business failure ended his education. Scene in a St. Paul He worked with public utility companies out Broker’s office, 1929. Between 1929-1934, East, then came to Minneapolis in 1915. By 1917, with the help of a $6,000 loan, he built the city was in crisis. a financial empire by buying and selling public As in the rest of the country, bank after bank failed and utility companies and then selling their securities. the system nearly collapsed. People rushed their banks By 1929, his empire was spread out between October 29, 1929, just two trying to get their money out before it vanished. 12 states and five countries and was valued Nationally, one of three workers was jobless. at $25,000,000. months after the Foshay Tower When the stock market dedication, the stock market crashed, the banks refused Labor union unrest traumatized the city, ending in the The Foshay Tower, modeled after the Washington crashed and changed all that. -
Resurrecting an of the Washington Monument
Iconic Minnesota skyscraper is transformed, but restoration program returns a stunning centerpiece of the Interior color and design building’s 1920s origins to its onetime glory PROJECTS: Resurrecting an of the Washington Monument. Still, The Foshay has endured as a significant archi- tectural work of the 20th centu- ry since its completion in 1929, art- earning a place in the National Register of Historic Places in 1978 and, recently, undergo- ing a transformation to become the W Hotel Minneapolis-The deco Foshay, part of the upscale “W” hotel group operated by Starwood Hotels & Resorts Worldwide. The hotel developer—Ryan rehe Foshayl Tower,i an iconiccCompanies U.S. Inc.—and the design firm By Joe Maty Minneapolis landmark Munge Leung Design Associates presided Editor, JAC dating to the early days of over a major transformation of the building the American skyscraper, interior, integrating the upscale hotel can boast of a number of group’s trademark design and color interesting contradictions motifs—clearly of the contemporary vari- and mysteries: of fortunes ety—with the 1920s-vintage glamour and made and lost; of bad tim- glitz of an art-deco showpiece. The center- ing in the form of a debut at the wrong end of the piece of this art-deco pedigree, it turns out, Roaring ‘20s; of a quirky architectural combination is the elaborately crafted ceiling of the Tof art deco design with a geometric form evocative building’s lobby arcade, mostly obscured 8 / www.jacjournal.com Journal of Architectural Coatings / March / April 2009 or obliterated by periodic remodeling and Facing page: The first-floor redecorating, but rediscovered during the arcade of the Foshay Tower development project and restored to its one- (now the W Hotel time glory. -
Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579
Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579 YALE CLUB OF NEW YORK CITY 50 Vanderbilt Avenue (aka 49-55 East 44th Street), Manhattan Built 1913-15; architect, James Gamble Rogers Landmark site: Borough of Manhattan Tax Map Block 1279, Lot 28 On September 13, 2016, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Yale Club of New York City and the proposed designation of the related Landmark Site. The hearing had been duly advertised in accordance with provisions of law. Six people spoke in support of designation, including representatives of the Yale Club of New York City, Manhattan Borough President Gale A. Brewer, Historic Districts Council, New York Landmarks Conservancy, and the Municipal Art Society of New York. The Real Estate Board of New York submitted written testimony in opposition to designation. State Senator Brad Hoylman submitted written testimony in support of designation. Summary The Yale Club of New York City is a Renaissance Revival-style skyscraper at the northwest corner of Vanderbilt Avenue and East 44th Street. For more than a century it has played an important role in East Midtown, serving the Yale community and providing a handsome and complementary backdrop to Grand Central Terminal. Constructed on property that was once owned by the New York Central Railroad, it stands directly above two levels of train tracks and platforms. This was the ideal location to build the Yale Club, opposite the new terminal, which serves New Haven, where Yale University is located, and at the east end of “clubhouse row.” The architect was James Gamble Rogers, who graduated from Yale College in 1889 and attended the Ecole des Beaux Arts in Paris during the 1890s. -
National Register of Historic Places Inventory Nomination Form
NPS Form 10-900 0MB No. 1024-0018 (3-82) Exp. 10-31-84 United States Department of the Interior National Park Service ' National Register of Historic Places Inventory Nomination Form See instructions in How to Complete National Register Forms Type all entries complete applicable sections______________ 1. Name H historic DUBLIN r-Offl and/or common (Partial Inventory; Historic & Architectural Properties) street & number Incorporation limits of Dublin, N.H. n/W not for publication city, town Dublin n/a vicinity of state N.H. code 33 county Cheshire code 005 3. Classification Category Ownership Status Present Use district public , X occupied X agriculture museum building(s) private -_ unoccupied x commercial park structure x both work in progress X educational x private residence site Public Acquisition Accessible entertainment x religious object in process x yes: restricted X government scientific X multiple being considered yes: unrestricted industrial transportation resources X N/A" no military other: 4. Owner of Property name Multiple ownership street & number (-See Continuation Sheets and individual inventory forms) city, town vicinity of state 5. Location of Legal Description courthouse, registry of deeds, etc. Cheshire County Courthouse/Registry of Deeds street & number 12 Court Street city, town Keene state New Hampshire 6. Representation in Existing Surveys title See Continuation Sheets has this property been determined eligible? _X_ yes _JL no date state county local depository for survey records city, town state 7. Description N/A: See Accompanying Documentation. Condition Check one Check one __ excellent __ deteriorated __ unaltered __ original site _ggj|ood £ __ ruins __ altered __ moved date _1_ fair __ unexposed Describe the present and original (iff known) physical appearance jf Introductory Note The ensuing descriptive statement includes a full exposition of the information requested in the Interim Guidelines, though not in the precise order in which. -
Dorchester Pope Family
A HISTORY OF THE Dorchester Pope Family. 1634-1888. WITH SKETCHES OF OTHER POPES IN ENGLAND AND AMERICA, AND NOTES UPON SEVERAL INTERMARRYING FAMILIES, 0 CHARLES HENRY POPE, MllMBIUl N. E. HISTOalC GENIIALOGlCAl. SOCIETY. BOSTON~ MASS.: PUBLISHED BY THE AUTHOR, AT 79 FRANKLIN ST. 1888 PRESS OF L. BARTA & Co., BOSTON. BOSTON, MA88,,.... (~£P."/.,.. .w.;,.!' .. 190 L.. - f!cynduLdc ;-~,,__ a.ut ,,,,-Mrs. 0 ~. I - j)tt'"rrz-J (i'VU ;-k.Lf!· le a, ~ u1--(_,fl.,C./ cU!.,t,, u,_a,1,,~{a"-~ t L, Lt j-/ (y ~'--? L--y- a~ c/4-.t 7l~ ~~ -zup /r,//~//TJJUJ4y. a.&~ ,,l E kr1J-&1 1}U, ~L-U~ l 6-vl- ~-u _ r <,~ ?:~~L ~ I ~-{lu-,1 7~ _..l~ i allll :i1tft r~,~UL,vtA-, %tt. cz· -t~I;"'~::- /, ~ • I / CJf:z,-61 M, ~u_, PREFACE. IT was predicted of the Great Philanthropist, "He shall tum the hearts of the fathers to the children, and the hearts of children to their fathers." The writer seeks to contribute something toward the development of such mutual afiection between the members of the Pope Family. He has found his own heart tenderly drawn toward all whose names he has registered and whose biographies he has at tempted to write. The dead are his own, whose graves he has sought to strew with the tributes of love ; the living are his own, every one of whose careers he now watches with strong interest. He has given a large part of bis recreation hours and vacation time for eight years to the gathering of materials for the work ; written hundreds of letters ; examined a great many deeds and wills, town journals, church registers, and family records ; visited numerous persons and places, and pored over a large number of histories of towns and families ; and has gathered here the items and entries thus discovered. -
Biography [PDF]
NICELLE BEAUCHENE GALLERY RICHARD BOSMAN (b. 1944, Madras, India) Lives and works in Esopus, New York EDUCATION 1971 The New York Studio School, New York, NY 1970 Skowhegan School of Painting and Sculpture, Skowhegan, ME 1969 The Byam Shaw School of Painting and Drawing, London, UK SELECTED SOLO EXHIBITIONS 2019 High Anxiety, Nicelle Beauchene Gallery, New York, NY 2018 Doors, Freddy Gallery, Harris, NY Crazy Cats, Elizabeth Harris Gallery, New York, NY 2015 The Antipodes, William Mora Galleries, Melbourne, Australia Raw Cuts, Cross Contemporary Art, Saugerties, NY 2014 Death and The Sea, Owen James Gallery, Brooklyn, NY Paintings of Modern Life, Carroll and Sons, Boston, MA Some Stories, Elizabeth Harris Gallery, New York, NY 2012 Art History: Fact and Fiction, Carroll and Sons, Boston, MA 2011 Art History: Fact and Fiction, Byrdcliffe Guild, Woodstock, NY 2007 Rough Terrain, Elizabeth Harris Gallery, New York, NY 2005 New Paintings, Bernard Toale Gallery, Boston, MA 2004 Richard Bosman, Elizabeth Harris Gallery, New York, NY Richard Bosman, Mark Moore Gallery, Santa Monica, CA 2003 Richard Bosman, Elizabeth Harris Gallery, New York, NY Just Below the Surface: Current and Early Relief Prints, Solo Impression Inc, New York, NY 1996 Prints by Richard Bosman From the Collection of Wilson Nolen, The Century Association, New York, NY Close to the Surface - The Expressionist Prints of Eduard Munch and Richard Bosman, The Columbus Museum, Columbus, GA 1995 Prints by Richard Bosman, Quartet Editions, Chicago, IL 1994 Richard Bosman: Fragments, -
Union Collective
The magazine of Union Theological Seminary Spring 2019 UNION COLLECTIVE A More Plural Union At the Border Radical Legacy Black and Buddhist Union students and alums travel to Tijuana How James Cone’s work helped one Ga. Rima Vesely-Flad ’02, ’13 describes first-ever to protest U.S. abuse of migrants | p.2 town confront its racist past | p.4 gathering of Black Buddhist teachers | p.5 IN THIS ISSUE UNION COLLECTIVE Spring 2019 Published by Union Theological Seminary in the City of New York 3041 Broadway at 121st Street New York, NY 10027 TEL: 212-662-7100 WEB: utsnyc.edu Editor-in-Chief Emily Enders Odom ’90 Editorial Team Benjamin Perry ’15 Robin Reese Kate Sann EDS at union Writers 9 Emily Enders Odom ’90 Kelly Brown Douglas ’82, ’88 The Borders We Must Cross Simran Jeet Singh Dozens of Episcopal leaders visit the U.S. /Mexico border Serene Jones Pamela Ayo Yetunde Kenneth Claus ’70 Tom F. Driver ’53 articles Harmeet Kamboj ’20 Benjamin Perry ’15 LaGrange and the Lynching Tree 4 Lisa D. Rhodes Audrey Williamson Black and Buddhist 5 School of Sacred Music Alumni/ae Outliving Expectations 6 Copy Editor A More Plural Union 11 Eva Stimson Alumnae Receive Awards for Activism 20 Art Direction & Graphic Design Building a Legacy 25 Ron Hester Cover Photograph DEPARTMENTS Ron Hester 1 Letter from the President Back Cover Photographs 2 Union Making News Mohammad Mia ’21 9 Episcopal Divinity School at Union Highlights 15 Union Initiatives Stay Connected 18 Faculty News @unionseminary 21 Class Notes 23 In Memoriam 25 Giving Give to Union: utsnyc.edu/donate From the President Dear Friends, We are moving into a season of profound Union has long been a place that prepares change and spiritual renewal at Union people for ministry of all sorts, and while Theological Seminary. -
Building Cultures by Designing Buildings: Corporatism, Eero Saarinen, and Thevivian Beaumont Repertory Theater at the Lincoln Center for the Performing Arts
85TH ACSA ANNUAL MEETING ANDTECHNOLOGY CONFERENCE 457 Building Cultures by Designing Buildings: Corporatism, Eero Saarinen, and theVivian Beaumont Repertory Theater at the Lincoln Center for the Performing Arts WESLEY R. JANZ, AIA Ball State University In 1964, the inaugural production of the Lincoln Center the temporary facility. The second considers the architec- repertory company opened to critical acclaim. The debut of tural intentions of these non-architects as they gave physical Arthur Miller's play After The Fall was "an impressive start" form to the preeminent culture they envisioned. (chapman); one that would "arouse an audience and enrich a season" (Nadel). The cast, which included Faye Dunaway, THE CAMPUS OF THE LINCOLN CENTER FOR Hal Holbrook, and leading man Jason Robards, Jr. was THE PERFORMING ARTS lauded: "no performance was less than compelling," stated Lincoln Center was the focus of the eighteen-block Lincoln Howard Taubman, the theater critic of the New York Times. Square Urban Redevelopment Project on the Upper West The theater, a temporary facility that was designed and Side of New York City. Spearheading the Lincoln Center built under the guidance of co-producing directors Robert component were Coinmissioner Robert Moses, Dwight Whitehead and Elia Kazan, was also praised. The critic John Eisenhower, the President of the United States; Nelson A. McClain termed the playhouse "a quite fabulous structure," Rockefeller, the Governor of the State of New York; and the and Howard Clunnan agreed; "the moment you enter it your third John D. Rockefeller. The Center's unofficial title, the attention is riveted on the stage" (Hyams). -
Should Your Company's Health Care Premiu Cover the Cost of Paper Worl
THE UNIVERSITY OF MINNESOTA Should your company's health care premiu cover the cost of paper worl<? Blue Cross thinks so ... Yes, Blu e Cross t hinks so . And it's no minor co nveni · (Incidentally, last year Minnesota Blue Cross proc· ence . The fact t hat Blue Cross does handle all the paper essed over 200,000 hospital claims.) work of your health care program saves you time and This efficiency of administration does not mean costly personnel . .. this translates into money. you 're getting less for your health care dollar. In fa ct. First, when Blue Cross handles all the paper work, year after year, Blue Cross returns over 90 cents of it saves the expense of office space, files, supplies and every health care dollar to members in the form of expensive man hours. (This cuts your overhead and benefits. frees personnel to handle other important tasks.) Shouldn't you expect your hea lth care premium to Second, when Blue Cross processes claims, you include the cost of paper work? Blue Cross thinks so . have a staff of professionals working for you . They audit every bil l . an efficient check and balance on Why not ca ll the man from Blue Cross? He's an the money you're spending for a health care program . expert in designing health care programs. NOW AVAILABLE A booklet titled "How to Evaluate Group Hospitaliza· tion Today" will be sent to you-no cost or obligation. The booklet wi ll prove helpful to you in ana lyzi ng mii you'r present hospitalization program. -
Boston Symphony Orchestra Concert Programs, Season 113, 1993-1994
Boston Symphony Orchestra Twentieth Anniversary Season 19 9 3-94 *,* 'K> ye €B€L the architects of ti m e beluQO Soft and elegant. Hand sculpted in Switzerland exclusively in 18 karat gold. Water resistant Five year international limited warranty. Intelligently priced. E.B. HORN Jewelers Since 1839 Positively The Best Value In Jewelry 429 WASHINGTON ST BOSTON 02108 ALL MAJOR CREDIT CARDS ACCEPTED • BUDGET TERMS MAIL OR PHONE ORDERS 542-3902 • OPEN MON. AND THURS. TIL 7 Seiji Ozawa, Music Director One Hundred and Thirteenth Season, 1993-94 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman andTreasurer David B. Arnold, Jr. Nina L. Doggett George Krupp Peter A. Brooke Dean Freed R. Willis Leith, Jr. James F. Cleary Avram J. Goldberg Mrs. August R. Meyer John F. Cogan, Jr. Thelma E. Goldberg Molly Beals Millman Julian Cohen Julian T. Houston Mrs. Robert B. Newman William F. Connell Mrs. BelaT. Kalman Peter C. Read William M. Crozier, Jr. Allen Z. Kluchman Richard A. Smith Deborah B. Davis Harvey Chet Krentzman Ray Stata Trustees Emeriti Vernon R. Alden Archie C. Epps Irving W. Rabb Philip K. Allen Mrs. Harris Fahnestock Mrs. George Lee Sargent Allen G. Barry Mrs. John L. Grandin Sidney Stoneman Leo L. Beranek Mrs. George I. Kaplan John Hoyt Stookey AbramT. Collier Albert L. Nickerson John L. Thorndike Nelson J. Darling, Jr. Thomas D. Perry, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. -
Audio Signal Processing in Faust
Audio Signal Processing in Faust Julius O. Smith III Center for Computer Research in Music and Acoustics (CCRMA) Department of Music, Stanford University, Stanford, California 94305 USA jos at ccrma.stanford.edu Abstract Faust is a high-level programming language for digital signal processing, with special sup- port for real-time audio applications and plugins on various software platforms including Linux, Mac-OS-X, iOS, Android, Windows, and embedded computing environments. Audio plugin formats supported include VST, lv2, AU, Pd, Max/MSP, SuperCollider, and more. This tuto- rial provides an introduction focusing on a simple example of white noise filtered by a variable resonator. Contents 1 Introduction 3 1.1 Installing Faust ...................................... 4 1.2 Faust Examples ...................................... 5 2 Primer on the Faust Language 5 2.1 Basic Signal Processing Blocks (Elementary Operators onSignals) .......... 7 2.2 BlockDiagramOperators . ...... 7 2.3 Examples ........................................ 8 2.4 InfixNotationRewriting. ....... 8 2.5 Encoding Block Diagrams in the Faust Language ................... 9 2.6 Statements ...................................... ... 9 2.7 FunctionDefinition............................... ...... 9 2.8 PartialFunctionApplication . ......... 10 2.9 FunctionalNotationforOperators . .......... 11 2.10Examples ....................................... 11 1 2.11 Summary of Faust NotationStyles ........................... 11 2.12UnaryMinus ..................................... 12 2.13 Fixing -
Theological Library Automation in 1995 196 Louis Charles Willard the Only Thing 217
The American Theological Library Association Essays in Celebration of the First Fifty Years Edited by M. Patrick Graham Valerie R. Hotchkiss Kenneth E. Rowe The American Theological Library Association 1996 Copyright © 1996 By The American Theological Library Association All rights reserved Published in the United States by The American Theological Library Association, .820 Church Street, Suite 300, Evanston, Illinois 60201 Prepress production, including text and cover, by Albert E. Hurd. ISBN: 0-524-10300-3 ATLA Cataloging in publication: The American Theological Library Association : essays in celebration of the first fifty years / edited by M. Patrick Graham, Valerie R. Hotchkiss and Kenneth E. Rowe. — Evanston, 111. : American Theological Library Association, 1996. p. ; cm. Includes bibliographical references. Contents: ISBN 0-524-10300-3 1. American Theological Library Association. 2. Library science— Societies, etc. 3. Theological libraries. 4. Theology—Study and teaching. I. Graham, Matt Patrick. II. Hotchkiss, Valerie R., 1960- III. Theological Library Association׳ Rowe, Kenneth E. IV. American Z675.T4A62 1996 Printed on 50# Natural; an acid free paper by McNaughton & Gunn, Inc. Contents The Editors Acknowledgments v Albert E. Hurd Preface vil THE DEVELOPMENT OF THE AMERICAN THEOLOGICAL LIBRARY ASSOCIATION Elmer J. and Betty A. O'Brien From Volunteerism to Corporate Professionalism: A Historical Sketch of the American Theological Library Association 3 John A. Bottler The Internationalization of the American Theological Library Association 25 Alan D. Krieger From the Outside In: A History of Roman Catholic Participation in the ATLA 36 Cindy Derrenbacker A Brief Reflection on ATLA Membership 43 Myron B. Chace ATLA's Preservation Microfilming Program: Growing Out of Our Work 47 Paul F.