December 2010
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Barry Graves Studio 89 Playlist
Hinweis Wichtig: Vervielfältigung und Bearbeitung verboten. Geistiges Eigentum von www.studio89.de. Version: 27.07.2003 Studio 89 - Playlist geändert:21.04.2015 ca. 3150 Datensätze 1.Sendung 1979 1980 1981 1982 1983 1984 1985 1.digitale Sendung letzte Sendung Sendung vom... Titel Interpret Bemerkung Titel Nr. Zeit 3. Februar 1979 Over the Rainbow Meco Sendung lief evtl. noch notiert von Mike K.aus B. Hot Shot Karen Young unter anderen Namen I will survive Gloria Gaynor Instant Replay Dan Hartman My Roomate Village People One Chaint don't make no Prisoner Santana Do ya Think i'm sexy Rod Stewart You stepped into my life Melba Moore 10. Februar 1979 Baby i'm burnin' Dolly Porton Sendung lief evtl. noch notiert von Mike K.aus B. Come with me unter anderen Namen I need you You need me Joe Simon Never can say goodbye Gloria Gaynor Christal World Chrystal Grass Burnin' in the Peace Fire In the Bush Musique I'm a Man Macho LP-Version Devil's Gun C.J. & Co. 1977 Instant Replay Dan Hartman I Love The Nightlife Alicia Bridges Running Away Roy Ayers LP-Seite Got To Have Loving Dan Ray LP-Seite Risky Boogie Alkalino LP-Seite Risky Changes Bionic Boogie LP-Seite Moonlight Lovin' (Menage A Trois) Issac Hayes LP-Seite 17. Februar 1979 Copacabana Barry Manilow notiert von Mike K.aus B. Sinner Man Sara Dash LP-Version 1.Sendung unter dem Same old Song K.C.& the Sunshine Band Namen Studio 89 Crusader Trax noch unter Tahiti Tahiti Voyage Die RIAS-Disco The Woman / I'm a cruiser Village People Heart of Glas Blondie Hallelujah 2000 Joe Long & Robby Adcock Odyssesy 2001 Salsoul Orchestra 24. -
M7, 7 Records and Powderworks 1970-1987
AUSTRALIAN RECORD LABELS M7, 7 Records and Powderworks 1970-1987 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, JUNE 2019 M7 / 7 RECORDS BIRTHED DURING THE 1970 RECORD BAN, M7 WAS A SYDNEY-BASED LABEL SET UP AS A JOINT VENTURE BETWEEN THE MACQUARIE BROADCASTING SERVICE, THE HERALD AND WEEKLY TIMES LTD. AND FAIRFAX SUBSIDIARY AMALGAMATED TELEVISION SERVICES, OWNERS OF ATN-7. IN JULY 1970, WORLD BROADCASTING SYSTEM CHANGED ITS NAME TO M7 RECORDS PTY. LTD. M7 WAS DISTRIBUTED BY THE PAUL HAMLYN RECORD DIVISION (FROM JUNE 1971), THEN BY TEMPO (1974-1976), AND THEN ORGANISED ITS OWN DISTRIBUTION (1976-1978). ALLAN CRAWFORD WAS THE FIRST GENERAL MANAGER (1970-1972), FOLLOWED BY RON HURST (1972-1975). KEN HARDING JOINED M7 RECORDS IN 1973, BECOMING C.E.O. OF 7 RECORDS IN 1978, THE SAME YEAR HE SIGNED MIDNIGHT OIL TO THE LABEL. M7 RECORDS BECAME 7 RECORDS PTY. LTD. IN MAY 1978. AT THIS TIME, SALES AND DISTRIBUTION PASSED TO RCA. CATALOGUE PREFIXES MS M7 / SEVEN BGMS BLUE GOOSE MSA ARTIST OF AMERICA CHS CHAMPAGNE MSB BRITISH ARTISTS EUS EUREKA MSD SEVEN - 12” DISCO FSP FROG MSH HICKORY LRS LARRIKIN MSP PENNY FARTHING LW, LN M7 MSPD PENNY FARTHING – 12” DISCO RNO CREOLE MSS SPIRAL SAC AUSTRALIAN COUNTRY MST TRANSATLANTIC SS SATRIL MSY YOUNGBLOOD SUS STOCKADE M7 / 7 RECORDS 7” & 12” SINGLES LW 4512 C.C. RIDER / TRAVELLER S.C.R.A. 1971 LW 4522 HOUSE IN THE COUNTRY / LUCCA GREG BONHAM 6.71 LW 4532 IN VAIN THE CHRISTIAN / WHAT YOU’LL DO NOLAN 7.71 LW 4542 FRASER ISLAND / AUSTRALIA REVISITED REISSUED 1975 BY ‘TONI & ROYCE’ THE MEEPLES 6.71 LW -
Cet Étalon N'a Pas De Selle : Le Barebacking Dans La Pornographie
Cet étalon n’a pas de selle : le barebacking dans la pornographie Nicolas SAUCIER Maîtrise en sociologie Université Laval, CÉLAT Résumé La pornographie est une industrie des plus intéressantes. Plus qu’un divertissent, c’est un média dans lequel on peut voir des discours de valeurs et d’idées et un agent d’imposition de plusieurs normes sexuelles (Mason-Grant, 2004). En s’appropriant ce média, les communautés de barebackers, prônant une idéologie de sexe non protégé entre hommes, transforment les normes sexuelles des communautés gays et véhiculent leurs discours. Étudier la pornographie bareback, comme véhicule du discours c’est tenter de les comprendre. Introduction Cet article est monté en deux volets. Premièrement, je me dois d'expliquer brièvement ce qu'est le barebacking, le contexte et les raisons de son émergence, principalement en me référant à Crossley (2001, 2004) et à Rofes (1998). Le second volet est plus une analyse de la pornographie gay bareback. Je vais y présenter quelques thèmes récurrents et ce que ces derniers nous enseignent sur les motivations et le discours des barebackers. Ces thèmes sont inspirés de mes travaux sur les forums et blogues de barebackers et le résultat de longues observations et analyse de la pornographie gay. Effectivement, pour écrire cette présentation, j'ai visionné de la pornographie : ceci comprend un corpus de plus de 60 longs- ou courts-métrages pornographiques et une quantité incalculable de petits vidéos en ligne. Ce corpus compte des films de toutes catégories, barebacks et certains non-barebacks, allant des classiques vintages aux fétiches des plus obscurs en passant par les films appelés «interraciaux», le cuir, les films japonais et le muscle worship1. -
Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015)
Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) Evangelos Tziallas A Thesis In the Department of The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Film and Moving Image Studies Concordia University Montreal, Quebec, Canada October 2015 © Evangelos Tziallas, 2015 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis is prepared By: Evangelos Tziallas Entitled: Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) and submitted in partial fulfillment of the requirements for the degree of Doctorate of Philosophy (Film and Moving Image Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: Chair Amy Swifen Examiner John Mercer Examiner Ara Osterweil Examiner Juliann Pidduck Supervisor Thomas Waugh Approved by Chair of Department of Graduate Program Director 2015 Dean of Faculty Abstract Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) Evangelos Tziallas, Ph.D. Concordia University, 2015 In this thesis I make the case for rethinking fictional and explicit queer representation as a form of surveillance. I put recent research in surveillance studies, particularly work on informational doubling, in conversation with the concepts of the uncanny and the doppelgänger to reconsider the legacy of screen theory and cinematic discipline in relation to the ongoing ideological struggle between normativity and queerness. I begin my investigation in and around the Stonewall era examining the gothic roots and incarnation of gay identity. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Too Dark, Too Hairy, Too Much!": Representations of Arab Men And
NOTE TO USERS This reproduction is the best copy available. UMJ "Too Dark, Too Hairy, Too Much!"1: Representations of Arab Men and "Arabness" in Contemporary Gay Male Pornography EVANGELOS TZIALLAS A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULLFULMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN FILM STUDIES YORK UNIVERSITY TORONTO, ONTARIO, CANADA AUGUST 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-53836-4 Our file Notre reference ISBN: 978-0-494-53836-4 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Top100-Ratings 2005-2017 1 30-12-2017 23:24:59 Radio Stad
Top100-Ratings 2005-2017 Radio Stad Den Haag – Top 100 Ratings 2017 Status 2016 Artist Title Year Country 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 1 gelijk 1 The Creatures Believe In Yourself 1983 ITA 1 7 1 3 2 14 3 4 2 4 2 1 2 steiger 3 K. Barré Right By The Moon 1984 ITA 3 2 2 1 1 3 2 2 1 1 1 2 3 steiger 4 The Flirts Passion 1982 USA 4 8 4 2 5 1 5 9 6 16 10 4 4 steiger 5 Koto Visitors 1985 ITA 5 3 12 11 6 20 11 22 17 11 12 14 5 steiger 7 My Mine Hypnotic Tango 1983 ITA 7 4 3 4 8 9 6 3 5 3 4 5 6 steiger 8 Kano Another Life 1983 ITA 8 25 8 21 13 76 30 18 40 35 25 13 7 daler 2 Bobby Orlando She Has A Way 1982 USA 2 1 5 9 4 2 1 5 3 2 3 24 8 daler 6 Patrick Cowley Menergy 1981 USA 6 16 10 19 11 17 10 10 8 17 30 28 9 gelijk 9 Ken Laszlo Hey Hey Guy 1984 ITA 9 13 15 15 27 29 18 23 20 39 17 16 10 re-entry 337 Riky Maltese All The Night 1985 ITA 337 - - 87 NEW - - - - - - - 11 steiger 25 Diviacchi Waiting For Heaven 1985 ITA 25 12 63 13 30 12 35 7 19 5 6 6 12 gelijk 12 Mr. Flagio Take A Chance 1983 ITA 12 36 14 10 14 26 19 26 29 54 18 29 13 steiger 20 Den Harrow Future Brain 1985 ITA 20 11 16 6 3 6 4 1 4 6 8 12 14 steiger 61 Sunbelt Spin It 1981 USA 61 41 25 23 17 10 13 6 7 10 20 88 15 NEW - Andermay En Azul (Italoconnection Remix) 2017 ESP - - - - - - - - - - - - 16 steiger 69 New Order Blue Monday 1983 UK 69 17 23 30 37 33 24 31 64 29 58 71 17 daler 15 Italian Boys Forever Lovers 1987 ITA 15 30 69 51 50 38 RE - 49 55 9 53 18 re-entry 121 Tapps My Forbidden Lover 1983 CAN 121 52 17 20 26 21 12 16 14 13 27 27 19 daler 14 Miko -
ZOOM Karaoke Song Book
ZOOM Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID 10cc ABBA Donna ZKL017-15 Does Your Mother Know ZMH02-03 Donna ZVS006-10 Does Your Mother Know ZMP016-12 Dreadlock Holiday ZKH020-10 Fernando ZMP016-05 Dreadlock Holiday ZKL017-13 Gimme Gimme Gimme ZMGY79-12 Dreadlock Holiday ZMGY78-10 Gimme Gimme Gimme (A Man After Midnight) ZMH02-01 Dreadlock Holiday ZTP013-13 Gimme Gimme Gimme (A Man After Midnight) ZMP016-06 Dreadlock Holiday ZVS006-08 Gimme Gimme Gimme (A Man After Midnight) ZTP014-01 I'm Not In Love ZKL017-11 Honey Honey ZMH01-02 I'm Not In Love ZMGY75-06 Honey Honey ZMJB16-09 I'm Not In Love ZTP015-04 I Have A Dream ZMJB18-21 I'm Not In Love ZVS006-06 Knowing Me, Knowing You ZMGY77-02 Rubber Bullets ZKL017-12 Knowing Me, Knowing You ZMP016-09 Rubber Bullets ZMGY73-10 Knowing Me, Knowing You ZTP015-13 Rubber Bullets ZTP017-17 Lay All Your Love On Me ZMJB18-19 Rubber Bullets ZVS006-07 Mama Mia ZM70SH03-01 Things We Do For Love, The ZKH007-07 Mama Mia ZSM003-01 Things We Do For Love, The ZKL017-14 Mamma Mia ILKP001-3-17 Things We Do For Love, The ZVS006-09 Mamma Mia ZMAGPP02-1- 1910 Fruitgum Company 12 Simon Says ZMVS020-16 Mamma Mia ZMGY75-11 Simon Says ZSH001-3-06 Mamma Mia ZMH01-01 1975, The Mamma Mia ZMNEO002- Chocolate ZMPP16-1-08 0044 City ZMPP16-2-12 Mamma Mia ZMP016-02 Sex ZMPP16-2-07 Mamma Mia ZMVS021-25 4 Non Blondes Mamma Mia ZSH001-2-16 What's Up ZML004-14 Mamma Mia ZTP016-11 What's Up ZTP050-09 Mamma Mia ZUKPP01-4-12 5 Seconds Of Summer Money, Money, Money ZMJB18-18 Amnesia ZPCP025-01 Money, Money, Money ZMPP06-1-19 Don't Stop ZPCP023-07 Name Of The Game, The ZMP016-07 Good Girls ZMPB15-1-01 One Of Us ZMJB18-20 Good Girls ZPCP027-06 One Of Us ZMPP06-1-20 Jet Black Heart ZPCP036-06 Our Last Summer ZMH01-04 She Looks So Perfect ZPCP021-17 Our Last Summer ZMJB16-10 ABBA Ring Ring ZMPP06-1-18 ABBA Medley ZMP016-13 S.O.S. -
Customs Disputes Quarterly List of Reviewed Material
Tariff Item / Numéro tarifaire 9899.00.00 Obscenity and Hate Propaganda Obscénité et propagande haineuse Quarterly List of Admissible and Prohibited Titles Liste trimestrielle des titres admissibles et prohibés April to June 2012 / avril à juin 2012 Prepared by / Préparé par : Prohibited Importations Unit, HQ L’Unité des importations prohibées, AC Quarterly List of Admissible and Prohibited Titles Liste trimestrielle des titres admissibles et prohibés Tariff item 9899.00.00 Numéro tarifaire 9899.00.00 April 1 to June 30, 2012 1er avril au 30 juin 2012 One of the roles of the Canada Border Services Agency Un des rôles de l’Agence des services frontaliers du Canada (CBSA) is to administer tariff item 9899.00.00 of the Schedule (ASFC) est de veiller à l’administration du numéro to the Customs Tariff, which prohibits the importation into tarifaire 9899.00.00 de l’Annexe du Tarif des douanes. Ce Canada of material that is considered to be obscenity, treason, numéro tarifaire interdit l'importation au Canada de matériel sedition or hate propaganda, as these terms are defined in the considéré comme étant obscène ou de nature à fomenter la Criminal Code of Canada. trahison ou la sédition, ou encore comme constituant de la propagande haineuse, conformément aux définitions du Code criminel du Canada. This report contains a list of titles reviewed by the Prohibited Le rapport ci-joint contient une liste des titres examinés par Importations Unit (PIU), Traveller Border Programs Division, at l’Unité des importations prohibées (l’UIP), Division des Headquarters in Ottawa, during the period April 1 to programmes frontaliers pour les voyageurs, à l’Administration er June 30, 2012. -
Université François – Rabelais De Tours
UNIVERSITÉ FRANÇOIS – RABELAIS DE TOURS ÉCOLE DOCTORALE « Sciences de l'Homme et de la Société » ICD THÈSE présentée par: Antoine SERVEL soutenue le: 17 juin 2016 pour obtenir le grade de: Docteur de l’université François – Rabelais de Tours Discipline/ Spécialité: Études anglophones (Civilisation américaine) POLITIQUES IDENTITAIRES LGBTQ ET CAPITALISME HISTOIRES CROISÉES DU MARCHÉ GAY ET DE L’ACTIVISME AUX ÉTATS-UNIS THÈSE dirigée par: GUILBERT, Georges-Claude - PR – UNIVERSITÉ FRANÇOIS RABELAIS TOURS RAPPORTEURS: MARCHE, Guillaume – PR – UNIVERSITÉ PARIS EST CRÉTEIL VAL DE MARNE MICHLIN, Monica – PR – UNIVERSITÉ PAUL VALÉRY MONTPELLIER 3 JURY: GUILBERT, Georges-Claude - PR – UNIVERSITÉ FRANÇOIS RABELAIS TOURS (DIR.) LEMOINE, Xavier - MCF – UNIVERSITÉ PARIS EST MARNE LA VALLÉE MARCHE, Guillaume – PR – UNIVERSITÉ PARIS EST CRÉTEIL VAL DE MARNE MICHLIN, Monica – PR – UNIVERSITÉ PAUL VALÉRY MONTPELLIER 3 SPALDING ANDRÉOLLE, Donna – PR – UNIVERSITÉ DU HAVRE « You better work » RuPaul, 1993. Remerciements Je remercie mon directeur de thèse, Monsieur le Professeur Georges-Claude Guilbert d’avoir accepté de diriger ce travail de recherche et de m’avoir encouragé, relu, et motivé. Merci à Monsieur Xavier Lemoine, Monsieur le Professeur Guillaume Marche, Madame la Professeure Monica Michlin et Madame la Professeure Donna Spalding Andréolle d’avoir accepté de faire partie de mon jury, d’avoir lu mon travail et de m’apporter conseils et critiques. Je remercie aussi l’École Doctorale de l’Université François Rabelais, ICD et l’Association Française des Études Américaines de m’avoir alloué des bourses de recherche sans lesquelles ce travail n’aurait jamais pu voir le jour. Je remercie aussi la GLBTQ Historical Society de San Francisco et la Bibliothèque universitaire de Berkley qui m’ont donné accès à de nombreux documents indispensables à la réalisation de ce travail. -
Village People New York City Mp3, Flac, Wma
Village People New York City mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul / Pop Album: New York City Country: UK Released: 1985 Style: Disco, Contemporary R&B MP3 version RAR size: 1455 mb FLAC version RAR size: 1309 mb WMA version RAR size: 1122 mb Rating: 4.4 Votes: 286 Other Formats: ADX MP4 AU VQF XM AC3 DTS Tracklist A1 Sex Over The Phone 4:22 A2 New York City 6:00 A3 Just Give Me What I Want 6:14 A4 I Won't Take No For Answer 5:06 B1 Power Of The Night 5:58 B2 Sexual Education 5:33 B3 Sensual 4:36 B4 Sex Over The Phone (Special Remix) 4:12 Credits Arranged By – Fred Zarr Artwork – C. Caudron* Composed By – Bruce Vilanch (tracks: A1,A2,A3,A4,B1,B2,B3,B4), Fred Zarr (tracks: A1,A2,A3,A4,B1,B2,B3,B4), Jacques Morali (tracks: A1,A2,A3,A4,B1,B2,B3,B4), Ray Stephens (tracks: A3) Executive Producer – Henri Belolo Photography By – B. Leloup* Producer – Jacques Morali Notes Produced by Jacques Morali (Toutoune Productions) for Can't Stop Productions - NYC Costumes of Alex Briley, Felipe Rose and Ray Stephens courtesy of Nicolas Harle'/Paris Costumes of Jeff Olson and Glenn Hughes furnished by Nino/Paris Assistant to Jacques Morali: Frank Hudon Other versions Category Artist Title (Format) Label Category Country Year SCM 19306 Village Sex Over The Phone SCM 19306 Black Scorpio France 1985 N People (LP, Album) N Village Sex Over The Phone TC 6004 Three Eggs TC 6004 Greece 1985 People (Cass, Album) Village Sex Over The Phone TT10091 TX2 TT10091 Europe 2002 People (CD, Album, RM) Village Sex Over The Phone Can't Stop 6.11331 6.11331 Hong Kong 1985 People (LP, Album) Productions, Inc. -
Virtual Friction: Networking Sexuality and HIV Prevention in the Digital Age
Virtual Friction: Networking Sexuality and HIV Prevention in the Digital Age by Margaret Ann MacAulay B.A., University of Winnipeg, 2008 M.A., Carleton University, 2010 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Arts, and Technology Margaret Ann MacAulay 2018 SIMON FRASER UNIVERSITY Spring 2018 Approval Name: Margaret Ann MacAulay Degree: Doctor of Philosophy (Communication) Title: Virtual Friction: Networking Sexuality and HIV Prevention in the Digital Age Examining Committee: Chair: Ellen Balka Professor Peter Chow-White Senior Supervisor Associate Professor Andrew Feenberg Supervisor Professor Kitty Corbett Supervisor Professor School of Public Health and Health Systems University of Waterloo Anne-Marie Nicol Internal Examiner Associate Professor Faculty of Health Sciences Kane Race External Examiner Associate Professor Department of Gender and Cultural Studies University of Sydney Date Defended/Approved: December 6, 2017 ii Ethics Statement iii Abstract From advances in HIV prevention science bringing us pre-exposure prophylaxis (PrEP) to the proliferation of hook-up apps like Grindr, the late 20th/early 21st centuries have introduced intense socio-technical transformations in gay men’s intimate lives. In particular, the networked decentralization and privatization of sexuality has generated a corresponding set of discourses within gay men’s communities and in the social world of HIV prevention. Community narratives either construct the Internet as a virtual community where acceptance, solidarity, friendship, romance, and sex become easily accessible in a largely hetero-normative world, or a virtual bathhouse accelerating the depoliticization and commodification of gay life (Kapp, 2011; Ward & Arsenault, 2012).