DOCSLIB.ORG

Studio and Distributor Marketing Ephemera Collection Coll2012-170

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Studio and Distributor Marketing Ephemera Collection Coll2012-170 http://oac.cdlib.org/findaid/ark:/13030/c8h995s2 No online items Inventory of the studio and distributor marketing ephemera collection Coll2012-170 Staff Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California © 2012 909 West Adams Boulevard Los Angeles, California 90007 [email protected] URL: http://one.usc.edu Inventory of the studio and Coll2012-170450 1 distributor marketing ephemera collection Coll2012-170 Language of Material: English Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Title: Studio and distributor marketing ephemera collection Identifier/Call Number: Coll2012-170 Identifier/Call Number: 450 Physical Description: 29.2 Linear Feet Date (inclusive): 1950-2012 Date (bulk): 1970-1990 Abstract: Fliers, brochures, and clippings of marketing materials of studios and distributors of erotic images and products. Studios and distributors marketed a variety products including artworks, photographs, moving images, and assorted products. The collection documents the advertising and distribution of gay erotic materials. Advertisements were placed in magazines and newspapers marketed to gay men. Studios and distributors would primarily send fliers, catalogs, and requested merchandise through the mail. Arrangement The collection is arranged alphabetically by studio, distributor, or personal name. Administrative history The collection documents the advertising and distribution of gay erotic materials. Advertisements were placed in magazines and newspapers marketed to gay men. Studios and distributors would primarily send fliers, catalogs, and requested merchandise through the mail. Access The collection is open to researchers. There are no access restrictions. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. Permission for publication is given on behalf of ONE National Gay and Lesbian Archives at USC Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. Acquisition The collection consists of materials culled from the Kepner's original subject files and collected ephemera. Preferred Citation Box #, folder #, Studio and Distributor Marketing Ephemera Collection, Coll2012-170, ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Processing Information Materials were filed under the first name of the photographer where the name of the studio and/or distributor were synonymous. Collection processed by archival staff, December 2012. Scope and content Fliers, brochures, and clippings of marketing materials of studios and distributors of erotic images and products. Entries listed as "studios" were primarily creators, while "distributors" were primarily retailers or resellers. Studios and distributors marketed a variety products including artworks, photographs, moving images, and assorted products. Subjects and Indexing Terms Gay erotic art Gay erotic films Gay erotic photography Gay erotic videos # 65473 2 (periodical) 65483 undated 4 Play Video (studio) 65482 undated 8th Avenue E (studio) 65481 undated 10/9 Productions (studio) 65480 undated 10% Productions (distributor : Los Angeles, Calif.) 65479 1999 Inventory of the studio and Coll2012-170450 2 distributor marketing ephemera collection Coll2012-170 15 Association (San Francisco, Calif.) 65478 circa 1984-1988 18 Today (studio) 65477 circa 2000 21st Century Products (distributor : Scarsdale , N.Y. & Springdale, Conn.) 65476 undated 101 Book Sales (distributor : New York, N.Y.) 65475 1967-1969 976 the Video (studio) 65474 undated 19nitten.com (printed images) A 65368 A. Jay (Al Shapiro) (San Francisco) 65472 1985 A.R.C.O. (studio : New York, N.Y.) 65471 1964 Aaron Enterprises (Los Angeles, Calif.) 65470 1978 Abandon Pictures 65469 undated Able-Gaard (distributor : Los Angeles, Calif.) 65468 undated Acculturation International (distributor : Maywood, Ill.) 65467 1974-1975 Action Male Magazine (Los Angeles, Calif.) 65466 undated Action Tapes (distributor : Santa Ana, Calif.) 65465 1983 Action Video (distributor : Toluca Lake, Calif.) 65464 1992 Action/Camera (distributor) 65463 1973 Adam (artist : Jack Bozzi) 65462 1985 Adam and Company (West Hollywood, Calif.) 65461 1985-1993 Adam's Men (San Francisco, Calif.) 65460 1976 Adonis (distributor : San Francisco, Calif.) 65459 undated Adonis Bookstall (distributor : Los Angeles, Calif.) 65458 undated Adonis Bookstore (distributor : San Francisco, Calif.) 65457 1977 Adonis of the West (studio) 65456 undated Adonis Studios (Oakland, Calif.) 65455 undated Adonis Theatre & Book Store (Los Angeles, Calif.) 65454 undated Adonis Video (distributor : San Francisco, Calif.) 65453 undated Adult Book Club (ABC) (Canoga Park & Culver City, Calif.) 65452 1979-1981 Adult book stores (topic) 65451 undated Adult theaters (topic) 65450 undated Adult Video News clippings (AVN) 65449 2002 Advance Specialty Co. (distributor : Glen Burnie, Maryland) 65448 1976 Advanced Direct (distributor : San Diego, Calif.) 65447 1990-1991 Advanced Video (distributor : San Diego, Calif.) 65446 undated Advocate Video (distributor : Los Angeles, Calif.) 65445 1985 AGV trading cards 65444 undated Ah Men (distributor : West Hollywood, Calif.) 65443 1982 Akio Studio (Orion International) (West Hollywood, Calif.) 65442 1992 Al Parker Productions (studio) 65441 undated Al Urban (studio : New York, N.Y.) 65440 1963 Alan B. Stone (studio : Quebec, Canada) 65439 1965 Alan Rand (studio : North Hollywood, Calif.) 65438 undated Alan Tuck Associates (distributor : Union, N.J.) 65437 1976 Alan von Giles Products (studio) 65436 undated Alan von Gold Productions (studio) 65435 undated Alcala, Terry (artist : Los Angeles, Calif.) 65434 undated Alexander (studio : New York, N.Y.) 65433 1978-1979 Alexander Marshall Productions (studio) 65432 undated ALFA-ONE (distributor : Pico Rivera, Calif.) 65431 1970 Alfred J. Heinecke (studio : Lakewood, N.J.) 65430 1960 All American Advertising (distributor : Los Angeles, Calif.) 65429 1972 All American Magazine Club (distributor : Los Angeles,Calif.) 65428 undated All American Military (studio) 65427 undated All Male Video Report (distributor) 65426 2000 All Star Enterprises (distributor : West Hollywood, Calif.) 65425 1970 All Worlds Video (studio : San Diego, Calif.) 65424 1985-2004 Inventory of the studio and Coll2012-170450 3 distributor marketing ephemera collection Coll2012-170 Allen Guides (distributor : San Francisco, Calif.) 65423 1969 Alpha/Omega Productions (studio) 65422 undated Alternate Publishing (San Francisco, Calif.) 65421 undated Altomar Video (studio : West Hollywod, Calif.) 65420 1987 Always New (studio) 65419 undated Amazon Productions (distributor : Los Angeles, Calif.) 65418 1968-1969 AMD Entertainment (distributor) 65417 1992 American Athletes (distributor : New York, N.Y.) 65416 1955 The American Scene 65415 1976 AMG Brasil (Athletic Model Guild) 65414 2004-2006 Androgyny/Alternatives Bookshop (distributor : Minneapolis-St. Paul, Minn. & Montreal, Québec, Canada) 65413 undated Angie's Mail Order (Dusseldorf, West Germany) 65412 undated The Angelo Studio (distributor : New York, N.Y.) 65411 undated Angry Young Man (distributor : San Diego, Calif.) 65410 undated Another Video Company (San Diego, Calif.) 65409 1992 Ansonia Book Shop (distributor : New York, N.Y.) 65408 1976 Anthony Guyther (distributor : New York, N.Y.) 65407 undated Anvil Studios (Los Angeles, Calif.) 65406 1968 Apex (distributor: Los Angeles, Calif.) 65405 1965 Apollo Arts (Hollywood, Calif.) 65404 undated Apollo Productions International (distributor : New York, London & Hollywood, Calif.) 65403 1955 Arcade (distributor) 65402 undated Aries (illustrator : Harry H. Long) 65401 undated Arion Studio (New York, N.Y.) 65400 1966 Armstrong, James (photographer : San Francisco & Los Angeles, Calif. ) 65399 undated Arnett, Chuck (San Francisco, California) 65398 undated Arnold, Steven, 1943-1994 65397 undated Art Enterprises (Hamilton, Canada) 65396 1966 Art Hamilton (The Living End Catalogue) (distributor : New York, N.Y.) 65395 1975 Art Marketing Associates (distributor : Denver, Colo.) 65394 1974 Art Modern (studio : Newark, N.J.) 65393 1960 Art Studies, Inc. (studio : Boston, Mass.) 65392 undated Art-Bob (Los Angeles, Calif.) 65390 undated Artemis Books (distributor : Los Angeles, Calif.) 65389 1977 Arthur Penso (studio : New York, N.Y.) 65388 undated Arts Unlimited (studio : Directory Services, Inc.) 65387 undated A-S Distributors (Van Nuys, Calif.) 65386 1973 Asian-Man Video (studio) 65385 undated Asphalt Visuals (New York, N.Y.) 65384 undated Associated Video Group (distributor : Glendale, Calif. & Burbank, Calif.) 65383 1979-1990 ASTA (studio : Jersey City, Calif.) 65382 1964 Astro (New York, N.Y.) 65381 1964 Astronics Tele-Cine (distributor : San Francisco, Calif.) 65380 undated Athens West (Hollywood, Calif.) 65379 1969-1971 Athletic Model Guild (studio : AMG) 65378 undated Atkol (distributor : Plainfield, N.J.) 65377 undated Atlantic & Pacific Video (studio : Hollywood, Calif.) 65376 undated Atron Productions (studio) 65375 1999 Aussie Man Video (studio) 65374 undated Avalon Video (distributor : Hollywood, Calif.) 65373 1985-2003 AVCA (distributor : Van Nuys, Calif.) 65372 undated Avenue Services (Mountain View, Calif.)
Load more

Recommended publications
  • Bel Ami Freshmen 2020 Bel Ami
    BRUNO GMUENDER Bel Ami Freshmen 2020 Bel Ami This stunning calendar features Bel Ami’s most charming young guys, captured on their way to becoming stunning men. Summary They might be young, but they’re anything but innocent! Here are Bel Ami’s most charming young guys, captured on their way to becoming stunning men. They like each other a lot, and so will you. This calendar features the hottest and freshest new Bel Ami guys. Contributor Bio Bel Ami is a gay film studio with offices in Bratislava, Prague and Budapest. It was established in 1993 by Bruno Gmuender filmmaker George Duroy, a Slovak native who took his pseudonym from the protagonist Georges Duroy in Guy 9783959853699 Pub Date: 7/1/19 de Maupassant's novel Bel Ami. In addition to DVDs, Bel Ami and Bruno Gmünder also produce calendars and $21.99 USD/$28.99 CAD photo books, and its performers are frequent headliners at nightclubs and similar venues around Europe, the United States and elsewhere. 14 Pages Carton Qty: 0 Series: Calendars 2020 16.5 in H | 12 in W Bel Ami Online Boys 2020 Bel Ami This calendar features the freshest Online Boys from Bel Ami's Internet presence BelamiOnline.com, one of the hottest sites on the net. Summary This calendar of the world-famous brand Bel Ami lets hearts beat faster around the globe. You will find the freshest Online Boys faces from their Internet presence BelamiOnline.com, one of the hottest sites on the net. This monthly calendar features the brand’s most successful boys and promising newcomers.
    [Show full text]
  • Judith Bernstein, Trailblazer in Erotic Art an Interview with the Feminist Visionary About Her Art and Its Current Revival
    805 Traction Avenue Los Angeles CA 90013 213.625.1747 www.theboxla.com Judith Bernstein, Trailblazer in Erotic Art An interview with the feminist visionary about her art and its current revival. BY HAZEL CILLS | JAN 20, 2016 (ELENA POLSON AND STEFANIE APPLE) As one of the founders of New York City's A.I.R. Gallery, the first-ever all-female art gallery in the United States, artist Judith Bernstein had a career that seemed to be on the rise in the early 1970s. The Newark-born, Yale-educated artist made bold, erotic large-scale charcoal drawings of phalluses that stood apart from the clean, conceptual minimalist works that populated galleries at the time. But when one of these pieces, a scratchy, mural-size illustration of a screw-shaped phallus titled Horizontal, was censored from the 1974 show "Women's Work" in Philadelphia, Bernstein had trouble getting her graphic art into galleries. 805 Traction Avenue Los Angeles CA 90013 213.625.1747 www.theboxla.com It wasn't until decades later, in 2008, that gallerist Mitchell Algus gave Bernstein a solo show in New York and Paul McCarthy fell in love with her work and exhibited her at his West Coast gallery the Box. Suddenly, Bernstein's long-underrated art was being given positive reviews at contemporary galleries, and from there, her textured penises, anti-war paintings, and vaginal icons made their way into the collections of the Whitney, MoMA, and the Jewish Museum, among others. Today, the art world is just beginning to recognize Bernstein as a trailblazer in erotic art, and her work that was once relegated to storage has a newfound audience.
    [Show full text]
  • Inserting Hans Bellmer's the Doll Into the History of Pornography
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2020 Softcore Surrealism: Inserting Hans Bellmer's The Doll into the History of Pornography Alexandra M. Varga Follow this and additional works at: https://scholarship.claremont.edu/scripps_theses Recommended Citation Varga, Alexandra M., "Softcore Surrealism: Inserting Hans Bellmer's The Doll into the History of Pornography" (2020). Scripps Senior Theses. 1566. https://scholarship.claremont.edu/scripps_theses/1566 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. 1 SOFTCORE SURREALISM: INSERTING HANS BELLMER’S THE DOLL INTO THE HISTORY OF PORNOGRAPHY, 2020 By ALEXANDRA M. VARGA SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR ARTS FIRST READER: PROFESSOR MACNAUGHTON, SCRIPPS COLLEGE SECOND READER: PROFESSOR NAKAUE, SCRIPPS COLLEGE MAY 4TH 2020 2 Contents Acknowledgments. 3 Introduction: Finding The Doll. 4 Critical Reception: Who Has Explored The Doll?. 10 Chapter 1: Construction of the Doll and Creation of the Book. 22 Chapter 2: Publication in Germany and France. 37 Conclusion: Too Real For Comfort. 51 Bibliography. 53 Figures: Die Puppe Sequence, 1934. 56 Figures: La Poupée Sequence, 1936. 64 Figures: 19th and 20th Century Pornography. 71 3 Acknowledgments This thesis could not have been written without the support of my thesis readers, Professors Mary MacNaughton and Melanie Nakaue. I would like to thank them for their unwavering support. Their guidance gave me the confidence to pursue such an eccentric topic.
    [Show full text]
  • The Allure and Magic of Renée Jacobs by Prof
    the allure and magic of renée jacobs by Prof. John Wood (From the introduction to PARIS) This is a book about Paris, about passion, into our lives the most essential creative mo- one of women as free spirit—as free as any and about pleasure. …Erotic art, like any ments in the lives of artists, such as Renée man. When I look at Jacobs’ images, I see other visual art, is only good if it pulls us Jacobs, and the lives of her models, as well. something universal: Everywoman—or at back again and again to gaze, to wonder, least the potential of every woman. In her and to consider. Its power is the same as Jacobs, of course, shapes the aesthetic di- work we see the quintessence of style, im- that of great music which demands we lis- mension of her photographs, but part of her ages that could have served as models for ten again and again, no matter how many work’s gift to the viewer is also shaped by that great painter Tamara de Lempicka, times we already have, or great poetry her models’ creative partnership with her. who captured “the woman” like no other whose melodies and metaphors make us Erotic art is clearly the most generous of the painter of the 20th Century. Jacobs pres- read, reread, and then read again. The visual arts. Artist and model jointly agree ents formal elegance, desire, and beauty mark of great art is that it is forever fresh to create and share with others a moment all coupled within the allure of sexual and forever rewarding.
    [Show full text]
  • Art and Obscenity
    STEFAN MORAWSKI Art and Obscenity i no, can obscenity arise in art and, if so, what place does it occupy in the artistic IN EXPLORING the relationship between structure as a whole? These questions are of art and obscenity it is easy to stray into a a structural nature, but to answer them we whole labyrinth of disconnected issues. The must also investigate the genesis and func- problem lends itself to examination from tion of the views which maintain there is a variety of viewpoints: the purely analy- such a thing as pornography, a designa- tic, the purely pragmatic (the moral, tion, be it noted, often applied to objects religious, or political angle, for example), which do not, from the aesthetic point of or a combination of the two when it is view, admit of qualification as obscene. hoped that theoretical inquiry will yield Our first task, then, must be to clarify the guidance for a working strategy. Here I two key concepts used in the title of this have chosen for the path of analysis, but essay, which, according to some, may be even this is far from being clear-cut since complementary and, according to others, there are a number of avenues to choose are mutually exclusive. Obscenity and from: sociology (or, in broader terms, pornography, let me add, are used here as culturology), psychology, ethics, aesthetics. synonymous terms. Though obscenity us- Finally, this field can be observed from a ually is understood in a larger sense, com- wider perspective, not so much scientific prising also description of acts which do in the strict sense as philosophical.
    [Show full text]
  • Sexercising Our Opinion on Porn: a Virtual Discussion
    Psychology & Sexuality ISSN: 1941-9899 (Print) 1941-9902 (Online) Journal homepage: http://www.tandfonline.com/loi/rpse20 Sexercising our opinion on porn: a virtual discussion Elly-Jean Nielsen & Mark Kiss To cite this article: Elly-Jean Nielsen & Mark Kiss (2015) Sexercising our opinion on porn: a virtual discussion, Psychology & Sexuality, 6:1, 118-139, DOI: 10.1080/19419899.2014.984518 To link to this article: https://doi.org/10.1080/19419899.2014.984518 Published online: 22 Dec 2014. Submit your article to this journal Article views: 130 View Crossmark data Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rpse20 Psychology & Sexuality, 2015 Vol.6,No.1,118–139, http://dx.doi.org/10.1080/19419899.2014.984518 Sexercising our opinion on porn: a virtual discussion Elly-Jean Nielsen* and Mark Kiss Department of Psychology, University of Saskatchewan, Saskatoon, SK, Canada (Received 1 May 2014; accepted 11 July 2014) A variety of pressing questions on the current topics and trends in gay male porno- graphy were sent out to the contributors of this special issue. The answers provided were then collated into a ‘virtual’ discussion. In a brief concluding section, the contributors’ answers are reflected upon holistically in the hopes of shedding light on the changing face of gay male pornography. Keywords: gay male pornography; gay male culture; bareback sex; pornography It is safe to say that gay male pornography has changed. Gone are the brick and mortar adult video stores with wall-to-wall shelves of pornographic DVDs and Blu-rays for rental and sale.
    [Show full text]
  • Erotica Menu: Ideas for Alternatives to Traditional
    OHSU Program in Vulvar Health Erotica Menu Suggestions for Exploring Intimacy Without Pain Vulvar and vulvovaginal pain affect each woman and her sexuality differently. Some of you have not been able to feel or behave sexually for some time, and you may fear that you have lost your ability to do so. Part of your recovery from your pain is to (re)build your sexual and relationship confidence. We therefore encourage you to consider the kinds of relationship activities and ideas below as part of your treatment for your vulvar symptoms. Vaginal and penetrative intercourse is only one way of being sexual. And, although it is the behavior that most of us consider to be “having sex,” it is often not the most sexually gratifying activity for women. When you have vulvar pain, intercourse can become impossible. Although facing this can be difficult, it can also be an excellent opportunity for women and couples to find out what else they might like to do together that can help them to restore and/or maintain sexual and physical intimacy in their relationship. And for those of you not in relationships, it can be a time to learn a lot about what your own body enjoys and desires. In the spirit of exploration and pleasure enhancement for you and your partner (if you have one), we offer the following “menu.” Some of these activities are genitally/sexually focused, others are not. Please use them as guides and experiments. The list is not exhaustive and we encourage you to use the books, websites and other resources contained in these suggestions in order to further your own sexual research.
    [Show full text]
  • Copyright Law and the Commoditization of Sex
    COPYRIGHT LAW AND THE COMMODITIZATION OF SEX Ann Bartow* I. COPYRIGHT LAW PERFORMS A STRUCTURAL ROLE IN THE COMMODITIZATION OF SEX ............................................................................ 3 A. The Copyrightable Contours of Sex ........................................................ 5 B. Literal Copying is the Primary Basis for Infringement Allegations Brought by Pornographers ................................................ 11 1. Knowing Pornography When One Sees It ...................................... 13 C. Sex Can Be Legally Bought and Sold If It Is Fixed in a Tangible Medium of Expression ........................................................................... 16 II. THE COPYRIGHT ACT AUTHORIZES AND FACILITATES NON- CONTENT-NEUTRAL REGULATION OF EXPRESSIVE SPEECH ........................ 20 III. HARMFUL PORNOGRAPHY IS ―NON-PROGRESSIVE‖ AND ―NON- USEFUL‖ ....................................................................................................... 25 A. Pornography as Cultural Construct ...................................................... 25 B. Toward a Copyright Based Focus on Individual Works of Pornography ......................................................................................... 35 1. Defining and Promoting Progress .................................................. 37 2. Child Pornography ......................................................................... 39 2. Crush Pornography ........................................................................ 42 3. “Revenge Porn”
    [Show full text]
  • Virtual Prostitution: New Technologies and the World's Oldest Profession David Cardiff
    Hastings Communications and Entertainment Law Journal Volume 18 | Number 4 Article 6 1-1-1996 Virtual Prostitution: New Technologies and the World's Oldest Profession David Cardiff Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation David Cardiff, Virtual Prostitution: New Technologies and the World's Oldest Profession, 18 Hastings Comm. & Ent. L.J. 869 (1996). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol18/iss4/6 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Virtual Prostitution: New Technologies and the World's Oldest Profession by DAVID CARDIFF* Table of Contents I. Outline of the New Technologies .......................................... 874 II. A Brief History of the Laws Relating to Pornography ....... 877 A . Pornography in G eneral ................................................... 877 B . D ial-a-Porn C ases .............................................................. 882 C. Pornography as Prostitution Cases .................................. 887 III. Arguments For and Against Aggressive Porn R egulation ...............................................................................
    [Show full text]
  • Phone Sex Or Unconventional Desires That Participants Can- Susan M
    1 semi-anonymous outlet for socially unacceptable Erotica: phone sex or unconventional desires that participants can- SUSAN M. BLOCK not or will not fulfill in real life. This may be due The Dr. Susan Block Institute for the Erotic Arts & to moral considerations, legal consequences, psy- Sciences, Los Angeles, California, United States chological inhibition, physical disability, bodily dangers, the reluctance or refusal of a regular Phone sex is a virtual sexual activity involving partner, or fear of social stigma. erotic or explicit conversation between two or more people by telephone, usually while one or more of the participants are masturbating. Unlike The history of phone sex an obscene phone call, which is an unsolicited, nonconsensual act, “phone sex” is consensual. There does not appear to have been a moment People have phone sex in the context of a personal when phone sex was “invented.” Throughout his- relationship, as a commercial transaction between tory, technological advances have had direct, if a paying client and a paid professional phone sex unpredictable effects on human sexuality. This is operator (PSO), or a combination of these. certainly true of the telephone. People may have There are many varieties of “phone sex,” includ- been having some kind of phone sex since ing mutual self-pleasuring with sexual sounds, Alexander Graham Bell first invented the instru- guided masturbation, fantasy role-play, erotic ment. The use of party lines in the early decades of storytelling, sexual confessions, recalling sexual the twentieth century, foreshadowing modern chat memories, dirty talk, sexual psychodrama, erotic lines, were often opportunities for erotic, though hypnosis, phone domination, pornographic dis- rarely explicit communication.
    [Show full text]
  • Psychopathic Traits and Substance Use in the Context of Erotic
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School June 2017 Psychopathic Traits and Substance Use in the Context of Erotic Services and Sex Exchange among College Students Bethany Edwards University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Clinical Psychology Commons Scholar Commons Citation Edwards, Bethany, "Psychopathic Traits and Substance Use in the Context of Erotic Services and Sex Exchange among College Students" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6829 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Psychopathic Traits and Substance Use in the Context of Erotic Services and Sex Exchange among College Students by Bethany G. Edwards A thesis submitted in partial fulfillment of requirements for the degree of Master of Arts Department of Psychology College of Arts and Sciences University of South Florida Major Professor: Edelyn Verona, Ph.D. Jill McCracken, Ph.D. Robert Schlauch, Ph.D. Joseph Vandello, Ph.D. Date of Approval: May 3, 2017 Keywords: sex work, psychopathy, alcohol, drug, undergraduate Copyright © 2017, Bethany G. Edwards DEDICATION The following thesis is dedicated to my family, friends, and mentors, without whom this work might not have been completed and to whom I am forever grateful. In particular, I would like to thank my parents, sister, and brother-in-law, for their endless love and support through this challenging process and whose heartfelt encouragement has given me the confidence and strength to pursue my goals.
    [Show full text]
  • Cet Étalon N'a Pas De Selle : Le Barebacking Dans La Pornographie
    Cet étalon n’a pas de selle : le barebacking dans la pornographie Nicolas SAUCIER Maîtrise en sociologie Université Laval, CÉLAT Résumé La pornographie est une industrie des plus intéressantes. Plus qu’un divertissent, c’est un média dans lequel on peut voir des discours de valeurs et d’idées et un agent d’imposition de plusieurs normes sexuelles (Mason-Grant, 2004). En s’appropriant ce média, les communautés de barebackers, prônant une idéologie de sexe non protégé entre hommes, transforment les normes sexuelles des communautés gays et véhiculent leurs discours. Étudier la pornographie bareback, comme véhicule du discours c’est tenter de les comprendre. Introduction Cet article est monté en deux volets. Premièrement, je me dois d'expliquer brièvement ce qu'est le barebacking, le contexte et les raisons de son émergence, principalement en me référant à Crossley (2001, 2004) et à Rofes (1998). Le second volet est plus une analyse de la pornographie gay bareback. Je vais y présenter quelques thèmes récurrents et ce que ces derniers nous enseignent sur les motivations et le discours des barebackers. Ces thèmes sont inspirés de mes travaux sur les forums et blogues de barebackers et le résultat de longues observations et analyse de la pornographie gay. Effectivement, pour écrire cette présentation, j'ai visionné de la pornographie : ceci comprend un corpus de plus de 60 longs- ou courts-métrages pornographiques et une quantité incalculable de petits vidéos en ligne. Ce corpus compte des films de toutes catégories, barebacks et certains non-barebacks, allant des classiques vintages aux fétiches des plus obscurs en passant par les films appelés «interraciaux», le cuir, les films japonais et le muscle worship1.
    [Show full text]