Reimagining Tolkien: a Post-Colonial Perspective on the Lord of the Rings
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Mythlore Index Plus
MYTHLORE INDEX PLUS MYTHLORE ISSUES 1–137 with Tolkien Journal Mythcon Conference Proceedings Mythopoeic Press Publications Compiled by Janet Brennan Croft and Edith Crowe 2020. This work, exclusive of the illustrations, is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Tim Kirk’s illustrations are reproduced from early issues of Mythlore with his kind permission. Sarah Beach’s illustrations are reproduced from early issues of Mythlore with her kind permission. Copyright Sarah L. Beach 2007. MYTHLORE INDEX PLUS An Index to Selected Publications of The Mythopoeic Society MYTHLORE, ISSUES 1–137 TOLKIEN JOURNAL, ISSUES 1–18 MYTHOPOEIC PRESS PUBLICATIONS AND MYTHCON CONFERENCE PROCEEDINGS COMPILED BY JANET BRENNAN CROFT AND EDITH CROWE Mythlore, January 1969 through Fall/Winter 2020, Issues 1–137, Volume 1.1 through 39.1 Tolkien Journal, Spring 1965 through 1976, Issues 1–18, Volume 1.1 through 5.4 Chad Walsh Reviews C.S. Lewis, The Masques of Amen House, Sayers on Holmes, The Pedant and the Shuffly, Tolkien on Film, The Travelling Rug, Past Watchful Dragons, The Intersection of Fantasy and Native America, Perilous and Fair, and Baptism of Fire Narnia Conference; Mythcon I, II, III, XVI, XXIII, and XXIX Table of Contents INTRODUCTION Janet Brennan Croft .....................................................................................................................................1 -
Encountering the Anima in Africa: H. Rider Haggard's
Jungian Journal of Scholarly Studies Vol. 10, No. 1, 2015 Encountering the Anima in Africa: H. Rider Haggard’s She Matthew A. Fike, Ph.D.* Winthrop University H. Rider Haggard’s She was one of Jung’s favorite novels and is frequently mentioned in The Collected Works. Although his view that She depicts an encounter with the anima is a critical commonplace, his reasons for considering Ayesha, the title character, to be a classic anima figure have not been sufficiently explored. This essay uses the anima’s widely ranging nature—specifically, Jung’s statements about the Kore and the stages of eroticism—to explain his interpretation and then to analyze Ayesha’s effect on Ludwig Horace Holly, the main character and narrative voice. His African journey is one of failed individuation: after repressing his anima in England, Holly projects his anima onto Ayesha in Africa, experiencing compensation and enantiodromia (a swing from misogyny to anima possession). In this fashion, She depicts the perils of directly confronting the anima archetype and the collective unconscious. In The Archetypes and the Collective Unconscious, C. G. Jung writes: “The anima . has not escaped the attentions of the poets. There are excellent descriptions of her, which at the same time tell us about the symbolic context in which the archetype is usually embedded. I give first place to Rider Haggard’s novels She, The Return of She [sic], and Wisdom’s Daughter” (CW 9i, par. 145). Similarly, in his “Foreword to Brunner,” he notes, “The motif of the anima is developed in its purist and most naïve form in Rider Haggard. -
Women in the Works and Life of JRR Tolkien
Journal of Tolkien Research Volume 1 | Issue 1 Article 8 2014 Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien (2015) ed. Janet Brennan Croft nda Leslie A. Donovan Deidre A. Dawson [email protected] Follow this and additional works at: http://scholar.valpo.edu/journaloftolkienresearch Part of the English Language and Literature Commons, and the Women's Studies Commons Recommended Citation Dawson, Deidre A. (2014) "Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien (2015) ed. Janet Brennan Croft nda Leslie A. Donovan," Journal of Tolkien Research: Vol. 1: Iss. 1, Article 8. Available at: http://scholar.valpo.edu/journaloftolkienresearch/vol1/iss1/8 This Book Review is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Dawson: Perilous and Fair: Women in the Works and Life of JRRT (2015) Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, edited by Janet Brennan Croft and Leslie A. Donovan. Altadena, CA: Mythopoeic Press, 2015. vii, 349 pp. $19.95 (trade paperback) ISBN 9781887726016. This excellent collection of essays is long overdue, for in spite of the breadth and depth of scholarship dealing with female characters or feminist themes in Tolkien’s work, there has not been, to my knowledge, an entire volume devoted to this topic. Furthermore, as Croft and Donovan note in their introduction there remains “a continuing and alarming tendency among some current Tolkien scholars to remain unfamiliar with or to disregard outright the more positive readings of Tolkien’s female characters and gender politics found easily in both classic and recent research”(2). -
Federal Register/Vol. 86, No. 145/Monday, August 2, 2021/Notices
41540 Federal Register / Vol. 86, No. 145 / Monday, August 2, 2021 / Notices DEPARTMENT OF COMMERCE III. Investigation Process Producers Will Face Increasing Import A. Initiation of Investigation Competition Bureau of Industry and Security B. Public Comments VIII. Conclusion C. Site Visits and Information Gathering A. Determination RIN 0694–XC078 Activities B. Economic Impacts of 25 Percent U.S.- D. Interagency Consultation Origin Requirement Publication of a Report on the Effect of E. Review of the Department of Commerce C. Public Policy Proposals Imports of Uranium on the National 1989 Section 232 Investigation on Security: An Investigation Conducted Uranium Imports Appendices Under Section 232 of the Trade IV. Product Scope of the Investigation Appendix A: Section 232 Investigation Expansion Act of 1962, as Amended V. Background on the U.S. Nuclear Industry Notification Letter to Secretary of Defense A. Summary of the U.S. Uranium Fuel James Mattis, July 18, 2018 AGENCY: Bureau of Industry and Cycle Appendix B: Federal Register Notices— Security, Commerce. B. Summary of U.S. Nuclear Power Notice of Requests for Public Comments on Generation Industry ACTION: Publication of a report. Section 232 National Security Investigation VI. Global Uranium Market Conditions of Imports of Uranium, July 25, 2018; SUMMARY: The Bureau of Industry and A. Summary of the Global Uranium Market Change in Comment Deadline for Section Security (BIS) in this notice is B. Uranium Transactions: Book Transfers 232 National Security Investigation of and Flag Swaps publishing a report that summarizes the Imports of Uranium, September 10, 2018 C. The Effect of the Fukushima Daiichi Appendix C: Summary of Public Comments findings of an investigation conducted Incident on U.S. -
Download Anor 42
Anor Issue 42, Michaelmas 2013 2 ]6h7 8.Öj]2 h 2]l7h6 Editor’s Note Mae govannen, mellyn nín! Welcome, my friends, to Issue 42 of the Cambridge Tolkien Society’s Anor! Many thanks to Heather Douglas for the front cover artwork and to our contributors who have provided us with a range of articles for you to enjoy! In the second instalment of his scholarly saga entitled Dwarven Economy and Society, James Baillie provides a comprehensive overview and enlightening discussion of Dwarf demographics and economy from the earliest days of their race right up to the War of the Ring and slightly beyond. James also presents two songs to add to our as yet non- existent songbook. As well as lyrical stylings, we also have the logical stylings of Hannah Strachan, who submits several rock-solid, utterly water-tight arguments for why Radagast is, in fact, Sauron! Jack Fleming discusses the nature of heroism in Tolkien’s Legendarium, inspired by the CTS’ meeting on this topic. Jack offers an argument for the significance of Saruman of Many Colours that goes far beyond him serving as a warning of the dangers of mixing colours in one’s laundry. Samuel Cook helps to bring some clarity to the chronology of the First Age for all those who are unsure who’s doing what where and when. Samuel also gives us a new Pentagon-style jargon, which has the potential to turn every noun into an impenetrable description of Entish proportions. And speaking of Ents, I present some speculations regarding the nature of the Entish mind based on the form and structure of Entish speech and the Entish language. -
Fire and Ice: the Traditional Heroine in <I>The Silmarillion</I>
Volume 18 Number 1 Article 7 Fall 10-15-1991 Fire and Ice: The Traditional Heroine in The Silmarillion Sarah Beach Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Beach, Sarah (1991) "Fire and Ice: The Traditional Heroine in The Silmarillion," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 18 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol18/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Defines the Light and Dark heroine, each of which may have a positive or negative aspect. Sees Finduilas and Nienor Níniel as negative, non-active, acted upon; Lúthien and Idril participate “in the course of their heroes’ actions.” Additional Keywords Fair and dark ladies; Heroines; Tolkien, J.R.R.—Characters—Finduilas; Tolkien, J.R.R.—Characters—Idril; Tolkien, J.R.R.—Characters—Lúthien Tinúviel; Tolkien, J.R.R.—Characters—Niënor/Níniel; Tolkien, J.R.R. -
Tolkien Encyclopedia
Tolkien Encyclopedia The Accursed • Called: The Hornburg, Glæmscrafu • Uldor (Rohirrim) Adanedhel Aglon • Túrin • Himlad Adorn Akallabêth the Downfallen • A river in the Enedwaith near the fortress of • Andor Freca. Ailinel Adrahil • A daughter of Meneldur and Almarian, the • (Númenórean) Ondoher’s Captain of the wife of Orchaldor, and mother of Soronto. Left Wing Ainairos Adûnaic • An Elf of Alqualondë who stirred up the • The language of the King’s Men in Andor. Valar against Melkor. Adurant The Ainu of Evil • A tributary of Gelion. • Melkor Aeglos Aiwendil • The spear of Gil-galad. • An Istari sent by Yavanna. • Called: Radagast Aegnor • Elvish son of Finarfin. Alatar • Called: Egnor • An Istari sent by Oromë. Aelin-uial Alcarin • The Twilight Meres • Atanatar II Aerandir Alcarinquë and Elemmírë • A mariner who sailed with Eärendil to • Stars Aman. Alcarondas Aerin • Pharazôn’s mighty ship. • A relative of Húrin. The wife of Brodda, an • Called: Castle of the Sea Easterling. The daughter of Indor. Aldamir The After-born • (Eldarin) A son of Eldacar and father of • Men Hyarmendacil II. A king of Gondor. The Aftercomers Aldarion • Men • Anardil Agarwaen Aldaron • Túrin • Oromë Aghan Adelard Took • A Drûg leech and friend of Barach. • A hobbit friend of Bilbo. Aglarond Aldor • A fortress watching the Gap of • (Rohirrim) A son of Brego and father of Calenardhon. Fréa. A king of the Rohirrim who drove out the Dunlendings. Tolkien Encyclopedia Algund Amon Gwareth • A member of the Guar-waith. • (Sindarin) A mountain in Tumladen. Almarian Amon Obel • The daughter of Vëantur, husband of • (Sindarin) A mountain in Brethil. Meneldur, and mother of Anardil, Ailinel, and Almiel. -
7. Good at Being Evil: the Demons of the Vampire Chronicles
This PDF version is provided free of charge for personal and educational use, under the Creative Commons license with author’s permission. Commercial use requires a separate special permission. (cc) 2005 Frans Ilkka Mäyrä 7. Good at Being Evil: the Demons of The Vampire Chronicles Az, the evil mother of all demons, grew angry and raged for her own purposes. From the dirt of male and female demons she made this body and entered it. […] She created the body as a prison and chained the grieving soul into it. – “Adam, Child of Demons” (A Manichean Creation Myth)1 NATURALISTIC SUPERNATURAL IN HORROR The early 1970s were a time of renewal for the demons. They had a promi- nent role in the redefinition of horror fiction that was taking place in those days. The general thrust was that somewhat romantic and formulaic old hor- ror was being replaced by realistically depicted violence and by stories that took their inspiration from the fears of insanity in an increasingly anony- mous world. Alfred Hitchcock’s two classic films of the 1960s, Psycho (1960) and The Birds (1963) were indicative of this movement towards monsters that had different sort of claims on realism and even credibility than what had been the case before. This new style was especially striking in the movies – the comfortless graphic realism of The Night of the Living Dead (1968) and The Texas Chainsaw Massacre (1974) caused shocks and later campaigns to ban horror in home videos – but the new horror movies con- cerned with the demonic had their origins in novels. -
Mark J Langwith Phd Thesis
'A FAR GREEN COUNTRY' : AN ANALYSIS OF THE PRESENTATION OF NATURE IN WORKS OF EARLY MYTHOPOEIC FANTASY FICTION Mark J. Langwith A Thesis Submitted for the Degree of PhD at the University of St. Andrews 2007 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/313 This item is protected by original copyright This item is licensed under a Creative Commons License ‘A FAR GREEN COUNTRY’: AN ANALYSIS OF THE PRESENTATION OF NATURE IN WORKS OF EARLY MYTHOPOEIC FANTASY FICTION MARK J. LANGWITH A Thesis for the Degree of Doctorate of Philosophy University of St. Andrews 21 December 2006 ii ABSTRACT This study undertakes an examination of the representation of nature in works of literature that it regards as early British ‘mythopoeic fantasy’. By this term the thesis understands that fantasy fiction which is fundamentally concerned with myth or myth-making. It is the contention of the study that the connection of these works with myth or the idea of myth is integral to their presentation of nature. Specifically, this study identifies a connection between the idea of nature presented in these novels and the thought of the late-Victorian era regarding nature, primitivism, myth and the impulse behind mythopoesis. It is argued that this conceptual background is responsible for the notion of nature as a virtuous force of spiritual redemption in opposition to modernity and in particular to the dominant modern ideological model of scientific materialism. -
Studies in the Sources of J.R.R. Tolkien's the Lord of the Rings
.-- . .,l,.. .I~ i . ,. s._ .i. -_. _..-..e.. _ . (3 f Preface i In the Spring of 1968 while I was studying the Old English poem Beowulf with Dr. Rudolph Bambas, my colleague and classmate Judith Moore suggested that I might enjoy reading a new work by J:R.R. Tolkien, known to us as the editor of Sir Gawain and the Green Knight and the author of that seminal article -- “Beowulf: The Monsters and the Critics.” The Hobbit and The Lord of the Rings delighted me that summer. In the fall, at the urging of another colleague, I enrolled in the Old Norse seminar. That conjunction of events proved to be the beginning of a lifelong study of Northern literature and its contributions to the cauldron of story which produced The Lord of the Rings, The Hobbit, The Silmarillion, and The Unfinished Tales. The first version of this study became my doctoral dissertation -- “Studies in the Sources of J.R.R. Tolkien’s The Lord of the Rings.“1 Throughout the years that followed while I was either teaching college English or working as a librarian, I have continued my research. The original study was based on about twenty-five sagas; that number has been tripled. Christopher Tolkien’s careful publication of The Silmarillion, The Unfinished Tales, and six volumes of The Historv of Middle-earth has greatlyreatly expanded the canon available for scholarly study. Humphrey Carpenter’s authorized biography has also been helpful. However, the Letters of J.R.R. Tolkien have produced both the . greatest joy and the greatest terror. -
A Structural Analysis of J.R.R. Tolkien's Textural Composition
A Structural Analysis of J.R.R. Tolkien’s Textural Composition Centering on The Silmarillion 文学研究科英文学専攻博士後期課程在学 松 本 裕 子 Yuko Matsumoto 1: Introduction/2: Methods/3: Textural Analysis/ 4: Compound Text/5: Conclusion Chapter 1: Introduction The purpose of this present thesis is to analyze the textural composition of John Ronald Reuel Tolkien’s The Silmarillion: The Silmarillion as a single published work separate from The Lord of the Rings (LOTR). Certainly, the former is very closely connected with the latter, especially, its last part, OF THE RINGS OF POWER AND THE THIRD AGE; the latter can be said to be a natural extension of the former in this sense. On the other hand, however, Quenta Silmarillion is formally supposed to be a single piece of work,1 though it is the essential part of The Silmarillion as a book. In brief there are two kinds of The Silmarillion, or more correctly, two levels of The Silmarillion: The Silmarillion in a broad sense and The (Quenta) Silmarillion in a narrow sense. This thesis treats The Silmarillion in the broad sense. Here we must not miss the following points. The work involved is based upon a vast corpus of materials put together under the title of The History of Middle-Earth: from which another book, Unfinished Tales, was published by Christopher Tolkien, his son, after Tolkien’s death. So it cannot be regarded as Tolkien’s edited work. Christopher Tolkien made a comment on that issue in the introduction of Unfinished Tales;2 1 The Silmarillion is made up of five parts of the tales: AINULINDALЁ, VALAQUENTA, Quenta Silmarillion, AKALLABÊTH, and OF THE RINGS OF POWER AND THE THIRD AGE. -
Tolkien's Women
Tolkien’s women (and men): the films and the book Jane Chance . R. R. Tolkien s epic fantasy, The Lord o f the Rings, is Such rewriting is not wholly unexpected on the part of hor now beginning to be accepted by the academic world as ror-film-specialist Jackson. The dead bodies and severed Jcanonical in the literature ot the twentieth century, in part heads littering the floor of the Mines of Moria constitute the because of the BBCAVaterstone Bookstore’s book poll in same kind of Jacksonian grotesquerie found in his film The Britain in the ’nineties (Shippey, Author of the Century xxi), Frighteners (1996). But this is an inexplicable step backward but more importantly because of the three recent films by New from his fine, critically acclaimed film Heavenly Creatures Zealand director Peter Jackson for New Line Cinema, in 2001, (1994), which dealt with the murder of a mother by her four- 2002, and 2003.1 The films’ popularity has prompted Tolkien teen-year-old daughter and her daughter’s best friend, Juliet fans, readers, and scholars to ask how clearly and well Jackson Hulme (later to earn fame as Anne Perry, detective-story has adapted to film medium this important modern classic, and writer). The sensitivity shown in this film would have what in particular he has left out or changed (and to what pur enhanced his treatment of the quieter scenes in The Lord o f the pose). Rings. These questions bear a certain importance for scholars, in If Jackson’s film adaptation of Tolkien may more precisely particular, who know something about the