AYESHA: the Return of She

Total Page:16

File Type:pdf, Size:1020Kb

AYESHA: the Return of She AYESHA: The Return of She H. RIDER HAGGARD AYESHA: The Return of She Table of Contents AYESHA: The Return of She..................................................................................................................................1 H. RIDER HAGGARD..................................................................................................................................1 Dedication......................................................................................................................................................3 Author's Note.................................................................................................................................................3 Introduction....................................................................................................................................................3 AYESHA: The Further History of She−Who−Must−Be−Obeyed.............................................................................7 CHAPTER I. THE DOUBLE SIGN..............................................................................................................7 CHAPTER II. THE LAMASERY...............................................................................................................12 CHAPTER III. THE BEACON LIGHT......................................................................................................21 CHAPTER IV. THE AVALANCHE...........................................................................................................26 CHAPTER V. THE GLACIER...................................................................................................................32 CHAPTER VI. IN THE GATE....................................................................................................................37 CHAPTER VII. THE FIRST ORDEAL......................................................................................................44 CHAPTER VIII. THE DEATH−HOUNDS................................................................................................51 CHAPTER IX. THE COURT OF KALOON..............................................................................................58 CHAPTER X. IN THE SHAMAN'S CHAMBER.......................................................................................64 CHAPTER XI. THE HUNT AND THE KILL............................................................................................70 CHAPTER XII. THE MESSENGER..........................................................................................................78 CHAPTER XIII. BENEATH THE SHADOWING WINGS......................................................................90 CHAPTER XIV. THE COURT OF DEATH..............................................................................................99 CHAPTER XV. THE SECOND ORDEAL...............................................................................................107 CHAPTER XVI. THE CHANGE..............................................................................................................117 CHAPTER XVII. THE BETROTHAL.....................................................................................................124 CHAPTER XVIII. THE THIRD ORDEAL..............................................................................................128 CHAPTER XIX. LEO AND THE LEOPARD..........................................................................................135 CHAPTER XX. AYESHA'S ALCHEMY.................................................................................................143 CHAPTER XXI. THE PROPHECY OF ATENE.....................................................................................153 CHAPTER XXII. THE LOOSING OF THE POWERS............................................................................160 CHAPTER XXIII. THE YIELDING OF AYESHA.................................................................................170 CHAPTER XXIV. THE PASSING OF AYESHA....................................................................................176 i AYESHA: The Return of She H. RIDER HAGGARD This page copyright © 2002 Blackmask Online. http://www.blackmask.com • Dedication • Author's Note • Introduction • AYESHA: The Further History of She−Who−Must−Be−Obeyed • CHAPTER I. THE DOUBLE SIGN • CHAPTER II. THE LAMASERY • CHAPTER III. THE BEACON LIGHT • CHAPTER IV. THE AVALANCHE • CHAPTER V. THE GLACIER • CHAPTER VI. IN THE GATE • CHAPTER VII. THE FIRST ORDEAL • CHAPTER VIII. THE DEATH−HOUNDS • CHAPTER IX. THE COURT OF KALOON • CHAPTER X. IN THE SHAMAN'S CHAMBER • CHAPTER XI. THE HUNT AND THE KILL • CHAPTER XII. THE MESSENGER • CHAPTER XIII. BENEATH THE SHADOWING WINGS • CHAPTER XIV. THE COURT OF DEATH • CHAPTER XV. THE SECOND ORDEAL • CHAPTER XVI. THE CHANGE • CHAPTER XVII. THE BETROTHAL • CHAPTER XVIII. THE THIRD ORDEAL • CHAPTER XIX. LEO AND THE LEOPARD • CHAPTER XX. AYESHA'S ALCHEMY • CHAPTER XXI. THE PROPHECY OF ATENE • CHAPTER XXII. THE LOOSING OF THE POWERS • CHAPTER XXIII. THE YIELDING OF AYESHA • CHAPTER XXIV. THE PASSING OF AYESHA AYESHA: The Return of She 1 AYESHA: The Return of She Here ends this history so far as it concerns science and the outside world. What its end will be as regards Leo and myself is more than I can guess. But we feel that it is not reached. Often I sit alone at night, staring with the eyes of my mind into the blackness of unborn time, and wondering in what shape and form the great drama will be finally developed, and where the scene of its next act will be laid. And when, ultimately, that final development occurs, as I have no doubt it must and will occur, in obedience to a fate that never swerves and a purpose which cannot be altered, what will be the part played therein by that beautiful Egyptian Amenar−tas, the Princess of the royal house of the Pharaohs, for the love of whom the priest Kallikrates broke his vows to Isis, and, pursued by the vengeance of the outraged goddess, fled down the coast of Lybia to meet his doom at Kor?"She, Silver Library Edition, p. 277. AYESHA: The Return of She 2 AYESHA: The Return of She Dedication MY DEAR LANG, The appointed yearsalas! how many of themare gone by, leaving Ayesha lovely and loving and ourselves alive. As it was promised in the Caves of Kor She has returned again. To you therefore who accepted the first, I offer this further history of one of the various incarnations of that Immortal, My hope is that after you have read her record, notwithstanding her subtleties and sins and the shortcomings of her chronicler (no easy office!) you may continue to wear your chain of " loyalty to our lady Ayesha." Such, I confess, is still the fate of your old friend H. RIDER HAGGARD. DITCHINGHAM, 1905. Author's Note Nor with a view of conciliating those readers who on principle object to sequels, but as a matter of fact, the Author wishes to say that he does not so regard this book. Rather does he venture to ask that it should be considered as the conclusion of an imaginative tragedy (if he may so call it) whereof one half has been already published. This conclusion it was always his desire to write should he be destined to live through those many years which, in obedience to his original design, must be allowed to lapse between the events of the first and second parts of the romance. In response to many enquiries he may add that the name Ayesha, which since the days of the prophet Mahomet, who had a wife so called, and perhaps before them, has been common in the East, should be pronounced Assha. Introduction VERILY and indeed it is the unexpected that happens! Probably if there was one person upon the earth from whom the Editor of this, and of a certain previous history, did not expect to hear again, that person was Ludwig Horace Holly. This, too, for a good reason; he believed him to have taken his departure from the earth. When Mr. Holly last wrote, many, many years ago, it was to transmit the manuscript of She, and to announce that he and his ward, Leo Vincey, the beloved of the divine Ayesha, were about to travel to Central Asia in the hope, I suppose, that there she would fulfil her promise and appear to them again. Often I have wondered, idly enough, what happened to them there; whether they were dead, or perhaps droning their lives away as monks in some Thibetan Lamasery, or studying magic and practising asceticism under the tuition of the Eastern Masters trusting that thus they would build a bridge by which they might pass to the side of their adored Immortal. Now at length, when I had not thought of them for months, without a single warning sign, out of the blue as it were, comes the answer to these wonderings! Dedication 3 AYESHA: The Return of She To thinkonly to thinkthat I, the Editor aforesaid, from its appearance suspecting something quite familiar and without interest, pushed aside that dingy, unregistered, brown−paper parcel directed in an unknown hand, and for two whole days let it lie forgotten. Indeed there it might be lying now, had not another person been moved to curiosity, and opening it, found within a bundle of manuscript badly burned upon the back, and with this two letters addressed to myself. Although so great a time had passed since I saw it, and it was shaky now because of the author's age or sickness, I knew the writing at oncenobody ever made an " H " with that peculiar twirl under it except Mr. Holly. I tore open the sealed envelope, and sure enough the first thing my eye fell upon was the signature, L. H. Holly. It is long since
Recommended publications
  • Mythlore Index Plus
    MYTHLORE INDEX PLUS MYTHLORE ISSUES 1–137 with Tolkien Journal Mythcon Conference Proceedings Mythopoeic Press Publications Compiled by Janet Brennan Croft and Edith Crowe 2020. This work, exclusive of the illustrations, is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Tim Kirk’s illustrations are reproduced from early issues of Mythlore with his kind permission. Sarah Beach’s illustrations are reproduced from early issues of Mythlore with her kind permission. Copyright Sarah L. Beach 2007. MYTHLORE INDEX PLUS An Index to Selected Publications of The Mythopoeic Society MYTHLORE, ISSUES 1–137 TOLKIEN JOURNAL, ISSUES 1–18 MYTHOPOEIC PRESS PUBLICATIONS AND MYTHCON CONFERENCE PROCEEDINGS COMPILED BY JANET BRENNAN CROFT AND EDITH CROWE Mythlore, January 1969 through Fall/Winter 2020, Issues 1–137, Volume 1.1 through 39.1 Tolkien Journal, Spring 1965 through 1976, Issues 1–18, Volume 1.1 through 5.4 Chad Walsh Reviews C.S. Lewis, The Masques of Amen House, Sayers on Holmes, The Pedant and the Shuffly, Tolkien on Film, The Travelling Rug, Past Watchful Dragons, The Intersection of Fantasy and Native America, Perilous and Fair, and Baptism of Fire Narnia Conference; Mythcon I, II, III, XVI, XXIII, and XXIX Table of Contents INTRODUCTION Janet Brennan Croft .....................................................................................................................................1
    [Show full text]
  • Reimagining Tolkien: a Post-Colonial Perspective on the Lord of the Rings
    Reimagining Tolkien: A Post-colonial Perspective on The Lord of the Rings Name: Louise Liebherr Award: PhD. Mary Immaculate College, University of Limerick Supervisor: Dr. John McDonagh Submitted to University of Limerick July 2012 i Declaration: I hereby declare that this thesis represents my own work and has not been submitted, in whole or in part, by me or any other person, for the purpose of obtaining any other qualification. Signed: __________________________________ Date: __________________________________ ii Dedication To my boyfriend Niall and my parents Michelle and Louis, the people who have most directly had to endure the wide range of emotions that this undertaking has subjected me to. iii Abstract This thesis analyses J. R. R. Tolkien’s The Lord of the Rings from a post-colonial perspective. An Oxford don and philologist, who was born in Bloemfontein, South Africa but spent the majority of his life in Britain, Tolkien is best known amongst the general reading public for being the author of The Hobbit and The Lord of the Rings, although he also published a number of other texts during his lifetime. The primary aim of this project is to conduct a close textual examination of Tolkien’s The Lord of the Rings in light of twentieth century post-colonial concerns regarding the representation of the Other, Orientalism, language and the environment. By approaching his text in this way, it will be possible to ascertain whether or not Tolkien utilises some of the issues which arise in his text in such a way that they engage with the concerns raised by twentieth century post-colonial theorists, a feat which would determine whether or not The Lord of the Rings can be seen to function as a twentieth century post-colonial critique of colonial attitudes and ideas.
    [Show full text]
  • Encountering the Anima in Africa: H. Rider Haggard's
    Jungian Journal of Scholarly Studies Vol. 10, No. 1, 2015 Encountering the Anima in Africa: H. Rider Haggard’s She Matthew A. Fike, Ph.D.* Winthrop University H. Rider Haggard’s She was one of Jung’s favorite novels and is frequently mentioned in The Collected Works. Although his view that She depicts an encounter with the anima is a critical commonplace, his reasons for considering Ayesha, the title character, to be a classic anima figure have not been sufficiently explored. This essay uses the anima’s widely ranging nature—specifically, Jung’s statements about the Kore and the stages of eroticism—to explain his interpretation and then to analyze Ayesha’s effect on Ludwig Horace Holly, the main character and narrative voice. His African journey is one of failed individuation: after repressing his anima in England, Holly projects his anima onto Ayesha in Africa, experiencing compensation and enantiodromia (a swing from misogyny to anima possession). In this fashion, She depicts the perils of directly confronting the anima archetype and the collective unconscious. In The Archetypes and the Collective Unconscious, C. G. Jung writes: “The anima . has not escaped the attentions of the poets. There are excellent descriptions of her, which at the same time tell us about the symbolic context in which the archetype is usually embedded. I give first place to Rider Haggard’s novels She, The Return of She [sic], and Wisdom’s Daughter” (CW 9i, par. 145). Similarly, in his “Foreword to Brunner,” he notes, “The motif of the anima is developed in its purist and most naïve form in Rider Haggard.
    [Show full text]
  • Women in the Works and Life of JRR Tolkien
    Journal of Tolkien Research Volume 1 | Issue 1 Article 8 2014 Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien (2015) ed. Janet Brennan Croft nda Leslie A. Donovan Deidre A. Dawson [email protected] Follow this and additional works at: http://scholar.valpo.edu/journaloftolkienresearch Part of the English Language and Literature Commons, and the Women's Studies Commons Recommended Citation Dawson, Deidre A. (2014) "Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien (2015) ed. Janet Brennan Croft nda Leslie A. Donovan," Journal of Tolkien Research: Vol. 1: Iss. 1, Article 8. Available at: http://scholar.valpo.edu/journaloftolkienresearch/vol1/iss1/8 This Book Review is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Dawson: Perilous and Fair: Women in the Works and Life of JRRT (2015) Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, edited by Janet Brennan Croft and Leslie A. Donovan. Altadena, CA: Mythopoeic Press, 2015. vii, 349 pp. $19.95 (trade paperback) ISBN 9781887726016. This excellent collection of essays is long overdue, for in spite of the breadth and depth of scholarship dealing with female characters or feminist themes in Tolkien’s work, there has not been, to my knowledge, an entire volume devoted to this topic. Furthermore, as Croft and Donovan note in their introduction there remains “a continuing and alarming tendency among some current Tolkien scholars to remain unfamiliar with or to disregard outright the more positive readings of Tolkien’s female characters and gender politics found easily in both classic and recent research”(2).
    [Show full text]
  • Federal Register/Vol. 86, No. 145/Monday, August 2, 2021/Notices
    41540 Federal Register / Vol. 86, No. 145 / Monday, August 2, 2021 / Notices DEPARTMENT OF COMMERCE III. Investigation Process Producers Will Face Increasing Import A. Initiation of Investigation Competition Bureau of Industry and Security B. Public Comments VIII. Conclusion C. Site Visits and Information Gathering A. Determination RIN 0694–XC078 Activities B. Economic Impacts of 25 Percent U.S.- D. Interagency Consultation Origin Requirement Publication of a Report on the Effect of E. Review of the Department of Commerce C. Public Policy Proposals Imports of Uranium on the National 1989 Section 232 Investigation on Security: An Investigation Conducted Uranium Imports Appendices Under Section 232 of the Trade IV. Product Scope of the Investigation Appendix A: Section 232 Investigation Expansion Act of 1962, as Amended V. Background on the U.S. Nuclear Industry Notification Letter to Secretary of Defense A. Summary of the U.S. Uranium Fuel James Mattis, July 18, 2018 AGENCY: Bureau of Industry and Cycle Appendix B: Federal Register Notices— Security, Commerce. B. Summary of U.S. Nuclear Power Notice of Requests for Public Comments on Generation Industry ACTION: Publication of a report. Section 232 National Security Investigation VI. Global Uranium Market Conditions of Imports of Uranium, July 25, 2018; SUMMARY: The Bureau of Industry and A. Summary of the Global Uranium Market Change in Comment Deadline for Section Security (BIS) in this notice is B. Uranium Transactions: Book Transfers 232 National Security Investigation of and Flag Swaps publishing a report that summarizes the Imports of Uranium, September 10, 2018 C. The Effect of the Fukushima Daiichi Appendix C: Summary of Public Comments findings of an investigation conducted Incident on U.S.
    [Show full text]
  • 7. Good at Being Evil: the Demons of the Vampire Chronicles
    This PDF version is provided free of charge for personal and educational use, under the Creative Commons license with author’s permission. Commercial use requires a separate special permission. (cc) 2005 Frans Ilkka Mäyrä 7. Good at Being Evil: the Demons of The Vampire Chronicles Az, the evil mother of all demons, grew angry and raged for her own purposes. From the dirt of male and female demons she made this body and entered it. […] She created the body as a prison and chained the grieving soul into it. – “Adam, Child of Demons” (A Manichean Creation Myth)1 NATURALISTIC SUPERNATURAL IN HORROR The early 1970s were a time of renewal for the demons. They had a promi- nent role in the redefinition of horror fiction that was taking place in those days. The general thrust was that somewhat romantic and formulaic old hor- ror was being replaced by realistically depicted violence and by stories that took their inspiration from the fears of insanity in an increasingly anony- mous world. Alfred Hitchcock’s two classic films of the 1960s, Psycho (1960) and The Birds (1963) were indicative of this movement towards monsters that had different sort of claims on realism and even credibility than what had been the case before. This new style was especially striking in the movies – the comfortless graphic realism of The Night of the Living Dead (1968) and The Texas Chainsaw Massacre (1974) caused shocks and later campaigns to ban horror in home videos – but the new horror movies con- cerned with the demonic had their origins in novels.
    [Show full text]
  • Mark J Langwith Phd Thesis
    'A FAR GREEN COUNTRY' : AN ANALYSIS OF THE PRESENTATION OF NATURE IN WORKS OF EARLY MYTHOPOEIC FANTASY FICTION Mark J. Langwith A Thesis Submitted for the Degree of PhD at the University of St. Andrews 2007 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/313 This item is protected by original copyright This item is licensed under a Creative Commons License ‘A FAR GREEN COUNTRY’: AN ANALYSIS OF THE PRESENTATION OF NATURE IN WORKS OF EARLY MYTHOPOEIC FANTASY FICTION MARK J. LANGWITH A Thesis for the Degree of Doctorate of Philosophy University of St. Andrews 21 December 2006 ii ABSTRACT This study undertakes an examination of the representation of nature in works of literature that it regards as early British ‘mythopoeic fantasy’. By this term the thesis understands that fantasy fiction which is fundamentally concerned with myth or myth-making. It is the contention of the study that the connection of these works with myth or the idea of myth is integral to their presentation of nature. Specifically, this study identifies a connection between the idea of nature presented in these novels and the thought of the late-Victorian era regarding nature, primitivism, myth and the impulse behind mythopoesis. It is argued that this conceptual background is responsible for the notion of nature as a virtuous force of spiritual redemption in opposition to modernity and in particular to the dominant modern ideological model of scientific materialism.
    [Show full text]
  • Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
    DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.
    [Show full text]
  • Allan Quatermain by H. Rider Haggard INTRODUCTION December 23 'I Have Just Buried My Boy, My Poor Handsome Boy of Whom I Was So
    Allan Quatermain by H. Rider Haggard INTRODUCTION December 23 'I have just buried my boy, my poor handsome boy of whom I was so proud, and my heart is broken. It is very hard having only one son to lose him thus, but God's will be done. Who am I that I should complain? The great wheel of Fate rolls on like a Juggernaut, and crushes us all in turn, some soon, some late--it does not matter when, in the end, it crushes us all. We do not prostrate ourselves before it like the poor Indians; we fly hither and thither--we cry for mercy; but it is of no use, the black Fate thunders on and in its season reduces us to powder. 'Poor Harry to go so soon! just when his life was opening to him. He was doing so well at the hospital, he had passed his last examination with honours, and I was proud of them, much prouder than he was, I think. And then he must needs go to that smallpox hospital. He wrote to me that he was not afraid of smallpox and wanted to gain the experience; and now the disease has killed him, and I, old and grey and withered, am left to mourn over him, without a chick or child to comfort me. I might have saved him, too--I have money enough for both of us, and much more than enough--King Solomon's Mines provided me with that; but I said, "No, let the boy earn his living, let him labour that he may enjoy rest." But the rest has come to him before the labour.
    [Show full text]
  • Maiwa's Revenge
    Maiwa's Revenge H. Rider Haggard Project Gutenberg Etext of Maiwa's Revenge, by H. Rider Haggard #11 in our series by H. Rider Haggard Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. *It must legally be the first thing seen when opening the book.* In fact, our legal advisors said we can't even change margins. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Title: Maiwa's Revenge or Title: The War of the Little Hand Author: H. Rider Haggard July, 2001 [Etext #2713] [Yes, we are about one year ahead of schedule] Project Gutenberg Etext of Maiwa's Revenge, by H. Rider Haggard *****This file should be named maiwa10.txt or maiwa10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, maiwa11.txt VERSIONS based on separate sources get new LETTER, maiwa10a.txt Etext prepared by John Bickers, [email protected] Dagny, [email protected] and Emma Dudding, [email protected] Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included.
    [Show full text]
  • Rider Haggard's Short Stories
    University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1991 Telling tales: Rider Haggard's short stories Michael Arrighi University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Arrighi, Michael, Telling tales: Rider Haggard's short stories, Master of Arts (Hons.) thesis, Department of English, University of Wollongong, 1991. https://ro.uow.edu.au/theses/2200 Research Online is the open access institutional repository for the University of Wollongong.
    [Show full text]
  • Marie Corelli: Science, Society and the Best Seller
    MARIE CORELLI: SCIENCE, SOCIETY AND THE BEST SELLER by Robyn Hallim A thesis presented in satisfaction of the requirements of the degree of Doctor of Philosophy Department of English University of Sydney May 2002 CONTENTS Acknowledgements i Abstract ii A Note on the Text iii PART I: SCIENCE, LITERATURE AND MARIE CORELLI Chapter 1: Science, Literature and Popular Culture 2 Chapter 2: The Lives of Marie Corelli 15 Chapter 3: The Novels of Marie Corelli 37 Chapter 4: A Critical View 52 PART II: CORELLI, SCIENCE AND RELIGION Chapter 5: Science and Religion: Spiritualism 75 Chapter 6: A Romance of Two Worlds 92 Chapter 7: Science and Religion: Progressive Evolution 128 Chapter 8: The Life Everlasting: A Reality of Romance 138 PART III: CORELLI, SCIENCE AND FEMINISM Chapter 9: The Woman Question 164 Chapter 10: My Wonderful Wife: A Study in Smoke 186 Chapter 11: A Question of Feminism 208 Chapter 12: The Secret Power 234 CONCLUSION 254 BIBLIOGRAPHY 258 i ACKNOWLEDGEMENTS With gratitude to my mother who taught me to read Victorian literature, and to my father who had always hoped I would complete a university degree. My thanks to Judith Barbour, who introduced me to the significance of the interaction between late nineteenth-century science and literature, and to Rob Jackson, who helped me to identify the work of Marie Corelli as an example the uses of science in popular literature. A special thanks to the staff of Fisher Library at the University of Sydney, particularly those in the Inter-Library Loans Section, without whose assistance this thesis would never have been completed.
    [Show full text]