The Wright Stuff

Total Page:16

File Type:pdf, Size:1020Kb

The Wright Stuff THE WRIGHT STUFF Vol XXX No 2 The Official Newsletter of the U.S.S. Kitty Hawk NCC-1659 Mar/Apr 2019 C O N T E N T S THE CENTER SEAT ..................................................................................................... 3 John Troan COMPUTER OPERATIONS REPORT ......................................................................... 3 John Troan GARRETT WANG RETURNS ...................................................................................... 4 Brad McDonald ENGINEERING REPORT ............................................................................................. 5 Brad McDonald PLOT PLUGS #2 – ST II: THE WRATH OF KHAN ...................................................... 7 Brad McDonald ST:TOS – “Hades” ........................................................................................................ 10 Brad McDonald UPCOMING EVENTS ................................................................................................. 14 Volume 31 - Number 2 is a publication of the U.S.S. Kitty Hawk, the Raleigh, N.C., chapter of STARFLEET, an international STAR TREK fan organization. This publication is provided to all chapter members in good standing. Please address all correspondence to CATBIRD Publications, 5017 Glen Forest Dr., Raleigh, N.C. 27612. This publication is a non-profit enterprise and is not meant to infringe upon any copyright or trademark held by Paramount Pictures, Gulf & Western, or any other holder of STAR TREK copyrights or trademarks. Unless otherwise noted, ENTIRE CONTENTS ARE COPYRIGHT 2019 CATBIRD Publications, THE WRIGHT STUFF. Nothing in whole or in part may be used without the IMAGES - Title Banner written permission of the publisher. THE Wright Flyer from NASA/Ames PAO WRIGHT STUFF assumes all material photo archive; U.S.S. Kitty Hawk (USN submitted for publication is gratis. The CV-63) from navicp.navy.mil; publisher and editors reserve the right to edit Constitution class cruiser from all submissions. gwu.edu/~rljones/khawk. Publisher .......................................... J.R. Fisher Editors ........................................Elaine Pischke IMAGE - Featured Front Page John Troan Giant Black Hole Powers Cosmic Fountain. Before electricity, water fountains worked by relying on gravity to channel water from a higher elevation to a lower one. In space awesome gaseous fountains have been discovered in the centers of galaxy clusters. https://www.nasa.gov/image-feature/giant- black-hole-powers-cosmic-fountain THE WRIGHT STUFF PAGE 2 MAR / APR 2019 The Center Seat By John Troan I write this coming off a great only for the Kitty Hawk the last progress of the DS9 documentary week of Kitty Hawk events – couple of years, but even I might “What we Left Behind,” I recently hosting Garrett Wang and a fill-in wander off more this year.) saw news that a studio has now shift at UNC-TV to help cover a On a side note, the rights to picked up ownership of the work. last-minute gap they had for the “Supercon” name just recently One possible impact mentioned is answering phones to take pledges. got sold to another company, so that it could mean a bigger launch (A big “Thank You!” to the we’ll start seeing the new for the documentary when it’s “additional help” that joined me as “GalaxyCon” name as time goes released – which could, in turn, part of the ‘Hawk appearance.) on. It’s the same group behind the potentially lead to a full HD Comp Ops reports that con, but just a different name. remastering of the entire series. (I pictures for both events are A few Trek notes: contributed to the funding already up on the web site. Star Trek Discovery was campaign and will be receiving a There’s also an update to the renewed for a third season. copy of the documentary when it publishing schedule for Brad’s The new Picard series doesn’t does get released – and the DS9 Final Mission story. have a title yet, or at least not scenes in it will have been My April meeting notes will that I’ve seen at this time, but it’s remastered to HD.) have some information about scheduled to premiere later in Wrapping up this month, I ask options for our volunteer activities 2019 while Discovery is on everyone to consider writing an for late May. We might try to help hiatus. occasional piece for the at every event, but with only The fourth movie in the reboot newsletter. It doesn’t have to be smaller groups at each one (Kelvin timeline) has been long and I’m not asking for instead of everyone descending officially canceled, largely due to something from every person for on a single event. financial problems. each issue – just a little something July is coming up soon, which An adult animated series (Star to add more flavors to what we will keep us busy on back-to-back Trek: Lower Decks) was already have. (I repeat my offer of weekends. We’re still talking with previously announced last fall, help to anyone who has an idea, the N.C. Museum of History about but I’ve now seen reported that it but needs a little assistance in how we can help them with their was a two season commitment getting rolling – or even just a little July 20th celebration. I do expect from CBS All Access. editing help. ) us to “show the flag” in some form A kids’ animated Trek series is Esse Quam Videri or fashion. in the works for airing on The following weekend (July Nickelodeon. 25-28) is Raleigh Supercon (or And another new series is being GalaxyCon). Our double-table has developed (for CBS All Access) been secured (but I don’t know the that will be “a drama centered on Computer exact location yet), so everyone [Michelle] Yeoh’s Discovery should start looking at your character and her work for the Operations Report schedules and buy the convention mysterious Section 31,” By John Troan pass that fits your needs (and according to the article in wants!) It looks like there’s still a Variety. The web site’s LCARS II discount on passes, but not quite Time will tell if all of these makeover is done and completely as good as the one that just various series succeed, but I’m expired. rolled out across every web page. hoping they all do. (I don’t I’ve gotten a few comments about As a reminder: since remember where I read it, but everyone is paying their own way the characters being difficult to there was some comment made read for some. If you’re finding you into the convention, your priority is about how All Access wants to have the same problem with the to do the panels, photos, have new Trek material being text, please let me know and I’ll autographs, etc., that you want to released all year round once all look at options to help. One do... then come down to the Kitty the series are up and running.) For thought that came up early in the Hawk / SFI tables as your con anyone who’s been following the schedule permits. (I’ve been going discussion is that TNG’s LCARS is THE WRIGHT STUFF PAGE 3 MAR / APR 2019 all uppercase letters and our web situations” (also known as when other, Megan; and her daughter, site is mixed case (uppercase and things just aren’t quite right). Kealy. lowercase letters), which might be I’ll close on a final note from As people began to trickle in, contributing... so one possibility for Mars, with the official declaration they immediately lined up for a the web site is to change the text that the Opportunity rover (half of moment with Garrett. He was his to all uppercase. What do you the Mars Exploration Rovers) usual, fan friendly and outgoing think? mission has been ended. self. As I watched, I was taken by Content-wise, Final Mission Opportunity likely dropped below the fact that he took a special Chapter 2 was posted and minimum power levels when a interest in each person and treated Chapter 3 will (probably) have planet-wide dust storm got to its everyone with a generous dose of been posted before this issue of location in mid-2018 and it could kindness and respect. He admitted the newsletter is published. I’ve no longer get enough sunlight to later in the evening that he’s a sci- also posted pictures from hosting keep its battery charged. fi fan and understands completely. Garrett Wang and from our Opportunity now has the records Eventually, everyone found a evening at UNC-TV. for longest duration (fourteen-plus seat and Garrett began his lecture. For Final Mission, we’ve Earth years) and distance traveled Actually, it was more like a friendly changed the schedule (again) and (just over twenty-eight miles). A conversation with an old will now do one chapter each recent NASA/JPL news release acquaintance. As part of his month. Given that there are fifteen shows Opportunity’s final image – presentation, he included a chapters and (I hope) a monthly a 360-degree panorama from its question and answer session and publishing schedule, the location in Perseverance Valley even took requests for anything conclusion will be posted in April from impressions to the retelling of 2020. (That last posting will not a few favorite stories we had only be Chapter 15 and the heard last year. Epilogue, but also all of the extra Garrett Wang Garrett’s conversation notes and comments that can’t be Returns covered some familiar territory and posted without massively spoiling a number of new items as well. the story’s plot.) By Brad McDonald Most interesting to me was his ------------ observations regarding Asian Continuing to follow NASA’s On Sunday afternoon, March actors in the United States film InSight, the Mars lander has 10, a number of Kitty Hawk and television industry. One placed another instrument. This members and guests from particular point struck me as he time, it’s a temperature probe that Starfleet’s Region 1, gathered to related how it was okay for Asian will burrow deeper into the Martin meet and greet our favorite women to be seen in important surface than any other surface ensign.
Recommended publications
  • Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected]
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1986 Sexism in Space: The rF eudian Formula in "Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Sexism in Space: The rF eudian Formula in "Star Trek"" (1986). Sociology Department, Faculty Publications. 368. http://digitalcommons.unl.edu/sociologyfacpub/368 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THIS FILE CONTAINS THE FOLLOWING MATERIALS: Deegan, Mary Jo. 1986. “Sexism in Space: The Freudian Formula in ‘Star Trek.’” Pp. 209-224 in Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo. (Contributions to the Study of Science Fiction and Fantasy, No. 21). New York: Greenwood Press. 17 Sexism in Space: The Freudian Formula in IIStar Trek" MARY JO DEEGAN Space, the final frontier. These are the voyages of the starship Enterprise, its five year mission to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. These words, spoken at the beginning of each televised "Star Trek" episode, set the stage for the fan­ tastic future.
    [Show full text]
  • George Takei on "Star Trek" by John C
    Sulu Speaks : George Takei on "Star Trek" By John C. Tibbetts TIBBETTS INTRODUCTION TO THE INTERVIEW: The second filmin the "Star Trek" series, Star Trek: The Wrath of Khan, is now playing to packed theaters across the nation. The first film, guided by Gene Roddenberry and Robert Wise, was a thoughtfulexcursion into some of the philosophical implications of the original television series. The second film,according to George Takei, is "high adventure" all the way. Shooting began on Stage 9 at Paramount on November 9, 1981; principal photography concluded on January 29, 1982. It was directed by Nicholas (Time After Time) Meyer, scripted by Jack B. Sowards from a story by Harve Bennett and Jack Sowards, and produced by Harve Bennett and Robert Sallin. Needless to say, Mr. George Takei is delighted at the continuing success story of the "Star Trek" franchise.. George is a multitalented performer who, long before he donned the uniform and personna of "Sulu," had demonstrated a flair for the theatre. His first professional job in film entertainment was as a voice dubber forthe classic Japanese science fiction film,Rodan (1957). He appeared before the movie cameras for the first time while a student at UCLA. The film was Ice Palace (1960) with Richard Burton, Robert Ryan and Carolyn Jones. He also debuted on television for an episode of Playhouse 90 at this, same time. Then came many guest shots on other television series, including Hawaiian Eye, Maverick, 77 Sunset Strip, and Adventures in Paradise. The role of "Sulu," the helmsman for the U S. S.
    [Show full text]
  • Science Fiction, Gender, and Race
    Science Fiction, Gender, and Race: How Star Trek Has Failed to Live Up to its Progressive Ideals Justin Grays GNDR 360I-02 2 May 2012 Dr. Laura McCartan Grays 1 Table of Contents Section One: Introduction to Paper ​ Section Two: A Brief History of Star Trek ​ ​ Section Three: Gender, Race, and Intersection. ​ Section Four: Why Media Matters ​ rd Section Five: The 23 ​ Century: A Progressive Beginning ​ ​ Section Six: Problems in the Bright Future ​ th Section Seven: The 24 ​ Century: The Future is Less Bright ​ ​ nd Section Eight: The 22 ​ Century: Progress is Lost ​ ​ rd Section Nine: Rebook: A New Take on the 23 ​ Century ​ ​ Section Ten: Conclusion ​ Section Eleven: Works Cited ​ Grays 2 INTRODUCTION Star Trek, created by Gene Roddenberry, has been viewed as a progressive ​ franchise when the first television series, now recognized as Star Trek: The Original ​ Series, and the first spin-off series, Star Trek: The Animated Series, were compared to ​ ​ ​ the social and political stances of gender and race in the society of the era. When keeping the views of American society of the 1960s in mind, The Original Series and ​ The Animated Series had main characters, secondary characters, and supporting roles that alternated between defying traditional views of gender and race in society of that era. The Star Trek television shows made commentary about social and ​ ​ political mores of that time period. Because of television censor rules of what could and could not be shown on the air, Star Trek producers and writers had to find ways ​ to appease the network executives so that the Star Trek series’ could be aired on ​ American television.
    [Show full text]
  • A Complete Listing of All Star Trek Shows Ebook Free Download
    STAR TREK GUIDE : A COMPLETE LISTING OF ALL STAR TREK SHOWS PDF, EPUB, EBOOK J E Clauss | none | 01 Aug 1991 | Amereon Limited | 9780884110798 | English | United States Star Trek Guide : A Complete Listing of All Star Trek Shows PDF Book It still holds up today. The first season dealt almost exclusively with the Klingon War, while season 2 took a more thoughtful approach - partially by borrowing the once and future captain of the Enterprise, Christopher Pike. One of the recurring plot threads in "Enterprise" gestures to the far- flung future of the "Star Trek" universe and one episode even goes as far to awkwardly shoehorn a recurring villain from "The Next Generation" in over years before their forces reach that section of space. While Star Trek: The Original Series was unceremoniously cancelled after its third season, the show would go on to become a phenomenon in syndication. A being that controls matter and creates planets wants to play with the Enterprise crew. Spock kidnaps the crippled Capt. It has, in a way, never stopped being relevant; "Star Trek" didn't just change television, it challenged television to do better. Just remember that, while the show inspired a raft of sci-fi shows in the early '90s, none of them are worth your time or attention. When faced with a homicidal artificial intelligence called Control, the crew of the Discovery realized the only way to save all organic life in the universe would be to jump significantly into the future - but we'll get to that in a bit. Enterprise to return to the restricted Genesis Planet to recover Spock's body.
    [Show full text]
  • 2014 Star Trek TOS Portfolio Prints Checklist Base Cards # Card Title
    2014 Star Trek TOS Portfolio Prints Checklist Base Cards # Card Title [ ] 01 The Cage [ ] 02 Where No Man Has Gone Before [ ] 03 The Corbomite Maneuver [ ] 04 Mudd's Women [ ] 05 The Enemy Within [ ] 06 The Man Trap [ ] 07 The Naked Time [ ] 08 Charlie X [ ] 09 Balance of Terror [ ] 10 What Are Little Girls Made Of? [ ] 11 Dagger of the Mind [ ] 12 Miri [ ] 13 The Conscience of the King [ ] 14 The Galileo Seven [ ] 15 Court Martial [ ] 16 The Menagerie, Part 1 [ ] 17 The Menagerie, Part 2 [ ] 18 Shore Leave [ ] 19 The Squire of Gothos [ ] 20 Arena [ ] 21 The Alternative Factor [ ] 22 Tomorrow is Yesterday [ ] 23 The Return of the Archons [ ] 24 A Taste of Armageddon [ ] 25 Space Seed [ ] 26 This Side of Paradise [ ] 27 The Devil in the Dark [ ] 28 Errand of Mercy [ ] 29 The City on the Edge of Forever [ ] 30 Operation -- Annihilate! [ ] 31 Catspaw [ ] 32 Metamorphosis [ ] 33 Friday's Child [ ] 34 Who Mourns for Adonais? [ ] 35 Amok Time [ ] 36 The Doomsday Machine [ ] 37 Wolf in The Fold [ ] 38 The Changeling [ ] 39 The Apple [ ] 40 Mirror, Mirror [ ] 41 The Deadly Years [ ] 42 I, Mudd [ ] 43 The Trouble With Tribbles [ ] 44 Bread and Circuses [ ] 45 Journey to Babel [ ] 46 A Private Little War [ ] 47 The Gamesters of Triskelion [ ] 48 Obsession [ ] 49 The Immunity Syndrome [ ] 50 A Piece of the Action [ ] 51 By Any Other Name [ ] 52 Return to Tomorrow [ ] 53 Patterns of Force [ ] 54 The Ultimate Computer [ ] 55 The Omega Glory [ ] 56 Assignment: Earth [ ] 57 Spectre of the Gun [ ] 58 Elaan of Troyius [ ] 59 The Paradise Syndrome [ ] 60 The Enterprise Incident [ ] 61 And the Children Shall Lead [ ] 62 Spock's Brain [ ] 63 Is There in Truth No Beauty? [ ] 64 The Empath [ ] 65 The Tholian Web [ ] 66 For the World is Hollow….
    [Show full text]
  • Robert H. Justman Collection of Star Trek Television Series Scripts, 1966-1968
    http://oac.cdlib.org/findaid/ark:/13030/tf038n99s7 No online items Finding Aid for the Robert H. Justman Collection of Star Trek Television Series Scripts, 1966-1968 Processed by Arts Library-Special Collections staff; machine-readable finding aid created by D.MacGill; Arts Library-Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 1998 The Regents of the University of California. All rights reserved. 89 1 Finding Aid for the Robert H. Justman Collection of Star Trek Television Series scripts, 1966-1968 Collection number: 89 UCLA Arts Library-Special Collections Los Angeles, CA Contact Information University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm Processed by: Art Library-Special Collections staff Date Completed: Unknown Encoded by: D.MacGill © 1998 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Robert H. Justman Collection of Star Trek Television Series Scripts, Date (inclusive): 1966-1968 Collection number: 89 Origination: Justman, Robert H. Extent: 8 boxes (3.4 linear ft.) Repository: University of California, Los Angeles. Library. Arts Special Collections Los Angeles, California 90095-1575 Shelf location: Held at SRLF. Please contact the Performing Arts Special Collections for paging information.
    [Show full text]
  • Stellar Cosmopolitans: Star Trek and a Federation of Species." Nerd Ecology: Defending the Earth with Unpopular Culture
    Lioi, Anthony. "Stellar Cosmopolitans: Star Trek and a Federation of Species." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 65–96. Environmental Cultures. Bloomsbury Collections. Web. 4 Oct. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-003>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 4 October 2021, 08:38 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 2 Stellar Cosmopolitans: Star Trek and a Federation of Species In which I trace the plot of alliance in Star Trek through the figure of Mr. Spock, the nerd protagonist of a stellar cosmopolis. The movement fromLoser to Alliance constitutes a metanarrative endemic to nerd culture. As the “alien half-breed” of the original series, Spock inhabits the paradoxical role of the superior degenerate, a corruption of pure blood from an advanced civilization. At the same time, he is the machine, the personification of mathematical accuracy, redeemed from his isolation by friendship with the crew of the Enterprise. The ship thereby becomes a microcosm of the United Federation of Planets, a galactic and democratic state. Spock serves as the lynchpin of Trek’s cosmopolitan project, revaluing the nerd as the hero of trans-species friendship. By virtue of this trajectory, Spock invites resistance from the proponents of eugenics, whose avatar is Khan Noonian Singh, the mortal foe of the Enterprise. Khan stands for the tyranny of pure blood, and by rejecting him, Trek grounds its cosmopolitics in egalitarian pluralism, which gradually extends to Hortas and whales, Klingons and cyborgs.
    [Show full text]
  • His Name Is Mudd *Audio from Mudd's Women* KIRK
    Women at Warp Episode 11: His Name is Mudd *audio from Mudd’s Women* KIRK: Captain's log: star date 1329.1. The Enterprise brings aboard the survivors of an ill fated vessel. EVE: *seductively* Hello. KIRK: Hello ladies. Is this your crew, captain? MUDD: This is my cargo. JARRAH: Hi and welcome to Women At Warp. Join us as our crew of four women Star Trek fans boldly go on our biweekly mission to explore our favorite franchise. My name's Jarrah and thanks for tuning in. ANDI: Hi I'm Andy. SUE: Hi, this is Sue. GRACE: Hi, and I'm Grace. JARRAH: If you stick with us until the very end of the episode you'll get to hear a sneak preview from Grace's new Ferengi Bodice Ripper novel: a Price Beyond Latinum. And today we are going to talk about Harcourt Fenton Mudd. Everyone's *sarcastic* favorite lovable rogue. But before we get into that, we have some housekeeping. First we want you to just take a second to remind you about the Women At Warp Patreon. If you're enjoying Women At Warp it would super help us to have your support on our Patreon, which is a system where people can pledge a really small monthly donation as little as a dollar a month. And that helps us do things like pay for our website hosting, and our equipment, produce materials, so basically we can get our feminist Star Trek podcasting to a bigger audience. So if you're interested in supporting us head over to Patreon.com/womenatwarp.
    [Show full text]
  • X201c;Ahead, Warp Factor Three, Mr. Sulu&
    “Ahead, Warp Factor Three, Mr. Sulu”: Imagining Interstellar Faster-Than-Light Travel in Space Science Fiction MARGARET A. WEITEKAMP ICTIONAL SPACESHIPS TRAVEL AT THE SPEED OF PLOT.SO SAYS J. Michael Straczynski, creator of the American cable television F shows Babylon 5 (PTEN & TNT, 1994–98) and Crusade (TNT, 1999). No matter where imagined spacecraft begin their journeys, he suggests, or how they are powered, or how far they have to travel, in the end they arrive right where and when the writer needs them—ei- ther just in the nick of time or tragically a moment too late—to serve the dramatic interests of the story. Straczynski identified this trope when jokingly describing the specifications of one of his television productions’ main spacecraft.1 In doing so, he broke the fourth wall of the show’s dramatic stage to address the real mechanism propelling such vehicles: literary creativity. But his comment also highlights a relatively recent addition to the elements of space-themed science fic- tion: the actual travel across the immensity of space. For hundreds of years, writers imagined cosmic adventures but largely ignored the trips themselves. Stories focused instead on the ends of the journey, skipping quickly from planning the expeditions to the events in other-worldly destinations. That changed in the 1950s. After real- world technologies demonstrated that speed barriers could be sur- passed and human beings shot into space, science fiction creators began to offer more detailed fictional explanations of how their adventurers got from place to place. In literature, film, and eventually television, writers envisioned space travel in ways both grounded in practicality and playful in imagination.
    [Show full text]
  • ?R A,"T 2Lzar. THESIS COMMITTEE MEMBER SIGNATURE DATE Dr
    CALIFORNIA STATE UNIVERSITY SAN MARCOS THESIS SIGNATTIRE PAGE THESIS SUBMITTED IN PARTIAL FULLFILLMENT OT THE REQUIRXMENTS FOR THE DEGREE MASTEROF ARTS IN HISTORY The Origins ofthe Sta Trck Phenomaoa: Gme Roddaber4y, tie Origiml Ssieg and Science Fiction Sandom in the 1960s THESIS TITLE: AUTHOR; LaUra J. Sweeney DATE OF SUCCESSFUL DEFENSE: Apri127,2012 THE THESIS HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULLFILLMENT OF THE REQUIREMENTS FORTHE DEGREE OF MASTEROF ARTS Dr. Jill Vflatts y'/"2/-,2 THESIS COMMITTEE CHAIR oArp Dr. Peter Arnade ?r A,"t 2lzAr. THESIS COMMITTEE MEMBER SIGNATURE DATE Dr. Katherine Hrjar rfzt l,- I THESIS COMMITTEE MEMBER DATE The Origins of the Star Trek Phenomenon: Gene Roddenberry, the Original Series, and Science Fiction Fandom in the 1960s Laura J. Sweeney Department of History California State University San Marcos © 2012 Dedication Mom, you are the only one that has been there for me through thick and thin consistently in my life. Without you, I would not have been able to attend graduate school and write this thesis. Thank you for all your support. I love you always. iii Acknowledgements There are so many wonderful people to thank for making this thesis possible. When I was researching graduate schools, I found California State University San Marcos History Department fascinating and I was overjoyed to be accepted. Yet, I had no idea what it would truly be like and still felt apprehensive on taking a chance. Many chances I took in life did not turn out so well, but this time I was incredibly blessed with good fortune.
    [Show full text]
  • STAR TREK: Arbeitsbibliographie 2003
    Repositorium für die Medienwissenschaft Nina Rogotzki; Hans Jürgen Wulff STAR TREK: Arbeitsbibliographie 2003 https://doi.org/10.25969/mediarep/12835 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Rogotzki, Nina; Wulff, Hans Jürgen: STAR TREK: Arbeitsbibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 32). DOI: https://doi.org/10.25969/mediarep/12835. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0032_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 32, 2000: STAR TREK Bibliographie. ISSN 1615-7060. Copyright dieser Ausgabe: Nina Rogotzki, Hans J. Wulff. Letzte redaktionelle Änderung: 24. Februar 2012. Eine erste Fassung der folgenden Bibliographie haben wir in: Faszinierend! Star Trek und die Wissenschaften. 2. (hrsg. v. Nina Rogotzki [...]. Kiel: Ludwig 2003, S. 222-240) vorgestellt. URL der Hamburger Fassung: http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0032_03.pdf. STAR TREK: Arbeitsbibliographie Zusammengestellt von Nina Rogotzki und Hans J. Wulff Cinefantastique, Okt. 1992, pp. 32-105. in cultural practices. The author uses Star ¬ Ausführliche Vorschau auf die sechste Staffel. Mit vie- Trek and its audience as a case study, analy- len Interviews. zes fan narratives, and explores how fans in- terpret the show, its meaning, and group Moviestar, Sonderband 5 (1996): STAR TREK: DEEP viewing conduct.
    [Show full text]
  • Space Exploration in 20Th Century American and Soviet Literature and Art
    Kornelia Boczkowska Space exploration in 20th century American and Soviet literature and art Praca doktorska napisana na Wydziale Anglistyki Uniwersytetu im. Adama Mickiewicza w Poznaniu pod kierunkiem prof. zw. dr hab. Wojciecha Lipońskiego Poznań, 2015 Poznań, dnia ............................ OŚWIADCZENIE Ja, niżej podpisany/a ...................................................................... student/ka Wydziału Anglistyki Uniwersytetu im. Adama Mickiewicza w Poznaniu oświadczam, że przedkładaną pracę dyplomową pt: ........................................................................................................... ........................................................................................................... napisałem/napisałam samodzielnie. Oznacza to, że przy pisaniu pracy, poza niezbędnymi konsultacjami, nie korzystałem/am z pomocy innych osób, a w szczególności nie zlecałem/am opracowania rozprawy lub jej części innym osobom, ani nie odpisywałem/am tej rozprawy lub jej części od innych osób. Oświadczam również, że egzemplarz pracy dyplomowej w formie wydruku komputerowego jest zgodny z egzemplarzem pracy dyplomowej w formie elektronicznej. Jednocześnie przyjmuję do wiadomości, że przypisanie sobie, w pracy dyplomowej, autorstwa istotnego fragmentu lub innych elementów cudzego utworu lub ustalenia naukowego stanowi podstawę stwierdzenia nieważności postępowania w sprawie nadania tytułu zawodowego. [ ]* - wyrażam zgodę na udostępnianie mojej pracy w czytelni Archiwum UAM [ ]* - wyrażam zgodę na udostępnianie
    [Show full text]