The Mythologies of Ancient Mexico and Peru
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Vol. 20 Num. 1 the FARMS Review
Review of Books on the Book of Mormon 1989–2011 Volume 20 Number 1 Article 19 2008 Vol. 20 Num. 1 The FARMS Review FARMS Review Follow this and additional works at: https://scholarsarchive.byu.edu/msr BYU ScholarsArchive Citation Review, FARMS (2008) "Vol. 20 Num. 1 The FARMS Review," Review of Books on the Book of Mormon 1989–2011: Vol. 20 : No. 1 , Article 19. Available at: https://scholarsarchive.byu.edu/msr/vol20/iss1/19 This Full Issue is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Review of Books on the Book of Mormon 1989–2011 by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The FARMS Review The FARMS Review Editor Daniel C. Peterson Associate Editors Louis C. Midgley George L. Mitton Production Editors Don L. Brugger Larry E. Morris Cover Design Andrew D. Livingston Layout Alison Coutts Jacob D. Rawlins The Neal A. Maxwell Institute for Religious Scholarship Executive Director M. Gerald Bradford Director, FARMS Paul Y. Hoskisson Director, METI Daniel C. Peterson Director, CPART Kristian Heal Director, Publications Alison Coutts The FARMS Review Volume 20 • Number 1 • 2008 ! The Neal A. Maxwell Institute for Religious Scholarship Brigham Young University © 2008 Neal A. Maxwell Institute for Religious Scholarship Brigham Young University All rights reserved Printed in the United States of America ISSN 1550-3194 To Our Readers The Neal A. Maxwell Institute for Religious Scholar ship encour- ages and supports re search on the Book of Mormon, the Book of Abraham, the Bible, other ancient scripture, and related subjects. -
The Myths of Mexico and Peru
THE MYTHS OF MEXICO AND PERU by Lewis Spence (1913) This material has been reconstructed from various unverified sources of very poor quality and reproduction by Campbell M Gold CMG Archives http://campbellmgold.com --()-- 1 Contents Contents .................................................................................................................................................. 2 Illustrations .............................................................................................................................................. 3 Map of the Valley of Mexico ................................................................................................................ 3 Ethnographic Map of Mexico ............................................................................................................... 4 Detail of Ethnographic Map of Mexico ................................................................................................. 5 Empire of the Incas .............................................................................................................................. 6 Preface .................................................................................................................................................... 7 Chapter 1 - The Civilisation of Mexico .................................................................................................... 9 Chapter 2 - Mexican Mythology ........................................................................................................... -
Truhanería Y Sexualidad:" Techalotl" Entre Los Nahuas Prehispánicos
Agnieszka Brylak (Universidad de Varsovia) TRUHANERÍA Y SEXUALIDAD: TECHALOTL ENTRE LOS NAHUAS PREHISPÁNICOS Resumen: El objetivo del presente trabajo es realizar un estudio preliminar del dios prehispánico nahua llamado Techalotl. En la primera parte se identifi ca al avatar animal de esta deidad, que en las fuentes coloniales oscila entre ardilla, zorrillo y topo, y que al mismo tiempo comparte muchas de sus características con el tlacuache. El siguiente paso consiste en cotejar los escasos datos acerca de Techalotl provenientes de los documentos pictográfi cos y alfabéticos del centro de México para determinar el campo de acción de dicho dios. Se observa que este a nivel iconográfi co se parece a los “dioses cinco” o macuiltonaleque, lo que le vincula con el ámbito de bailes, cantos, espectáculos, burlas (de ahí su descripción como “dios de los truhanes”) y excesos. Este último aspecto se traduce, entre otros, en su relación con la sexualidad y la transgresión, que se puede percibir a partir del contexto festivo en el que aparece la fi gura del representante de esta deidad, así como en el simbolismo de ardilla entre los nahuas y, más ampliamente, en Mesoamérica, que perdura hasta el día de hoy en varias comunidades indígenas. Palabras clave: ardilla, sexualidad, espectáculo, deidad, nahuas, cosmovisión Title: Buff oonery and Sexuality: Techalotl among the Pre-Hispanic Nahuas Abstract: Th e aim of the present paper is to carry out a preliminary study of the Nahua pre- Hispanic god called Techalotl. Th e fi rst part focuses on the animal avatar of this deity, whose identifi cation in colonial sources ranges from squirrel to skunk and mole, and which, at the same time, shares many characteristics with the opossum. -
Encounter with the Plumed Serpent
Maarten Jansen and Gabina Aurora Pérez Jiménez ENCOUNTENCOUNTEERR withwith thethe Drama and Power in the Heart of Mesoamerica Preface Encounter WITH THE plumed serpent i Mesoamerican Worlds From the Olmecs to the Danzantes GENERAL EDITORS: DAVÍD CARRASCO AND EDUARDO MATOS MOCTEZUMA The Apotheosis of Janaab’ Pakal: Science, History, and Religion at Classic Maya Palenque, GERARDO ALDANA Commoner Ritual and Ideology in Ancient Mesoamerica, NANCY GONLIN AND JON C. LOHSE, EDITORS Eating Landscape: Aztec and European Occupation of Tlalocan, PHILIP P. ARNOLD Empires of Time: Calendars, Clocks, and Cultures, Revised Edition, ANTHONY AVENI Encounter with the Plumed Serpent: Drama and Power in the Heart of Mesoamerica, MAARTEN JANSEN AND GABINA AURORA PÉREZ JIMÉNEZ In the Realm of Nachan Kan: Postclassic Maya Archaeology at Laguna de On, Belize, MARILYN A. MASSON Life and Death in the Templo Mayor, EDUARDO MATOS MOCTEZUMA The Madrid Codex: New Approaches to Understanding an Ancient Maya Manuscript, GABRIELLE VAIL AND ANTHONY AVENI, EDITORS Mesoamerican Ritual Economy: Archaeological and Ethnological Perspectives, E. CHRISTIAN WELLS AND KARLA L. DAVIS-SALAZAR, EDITORS Mesoamerica’s Classic Heritage: Teotihuacan to the Aztecs, DAVÍD CARRASCO, LINDSAY JONES, AND SCOTT SESSIONS Mockeries and Metamorphoses of an Aztec God: Tezcatlipoca, “Lord of the Smoking Mirror,” GUILHEM OLIVIER, TRANSLATED BY MICHEL BESSON Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama, ALAIN BRETON, EDITOR; TRANSLATED BY TERESA LAVENDER FAGAN AND ROBERT SCHNEIDER Representing Aztec Ritual: Performance, Text, and Image in the Work of Sahagún, ELOISE QUIÑONES KEBER, EDITOR The Social Experience of Childhood in Mesoamerica, TRACI ARDREN AND SCOTT R. HUTSON, EDITORS Stone Houses and Earth Lords: Maya Religion in the Cave Context, KEITH M. -
Metáforas, Metonimias Y Digrafi Smos En La Parte Central
INSTITUTO DE ESTUDIOS IBÉRICOS E IBEROAMERICANOS UNIVERSIDAD DE VARSOVIA ITINERARIOS Revista de estudios lingüísticos, literarios, históricos y antropológicos Vol. 20 Varsovia 2014 Angélica Baena Ramírez METÁFORAS, METONIMIAS Y DIGRAFISMOS EN LA PARTE CENTRAL DEL CÓDICE BORGIA !29"32# Resumen: El Códice Borgia es un libro adivinatorio o tonalamatl . La parte central de este códice es única en su tipo, ya que no tiene ningún paralelo con ningún otro códice. A través del estudio de los difrasismos o digra% smos que aparecen en las imágenes (láminas 29-32), este artículo complementará el conocimiento que se tiene de la parte central de este códice, complementando o apartándose de las interpretaciones previas. El estudio de los digra% smos ayuda a entender, además, la con% guración del lenguaje visual en el México Antiguo. Palabras clave: difrasismo, digra% smo, Códice Borgia, imágenes, religión mesoamericana Title: Metaphors, Metonymies and Digraphisms in the Central Part of Codex Borgia (29-32) Abstract: * e Codex Borgia is a divinatory book or tonalamatl. * e central part of the Codex Borgia is unique because this information only appears in this tonalamatl. In order to understand better these images, I will explain the digraphisms in Codex Borgia (pages 29-32). * is work proposes that the study of diphrasisms and digraphisms will lead us a better understanding on how the visual language worked in the Ancient Mexico. Palabras clave: diphrasisms, digraphisms, Codex Borgia , images, mesoamerican religion ITINERARIOS VOL. 20 / 2014 200 Angélica Baena Ramírez INTRODUCCIÓN Las láminas centrales del Códice Borgia 1 han sido muy enigmáticas para los investiga- dores, debido a que no existen pasajes paralelos en otros códices con contenido similar 2. -
Collected Writings
THE DOCUMENTS O F TWENTIETH CENTURY ART General Editor, Jack Flam Founding Editor, Robert Motherwell Other titl es in the series available from University of California Press: Flight Out of Tillie: A Dada Diary by Hugo Ball John Elderfield Art as Art: The Selected Writings of Ad Reinhardt Barbara Rose Memo irs of a Dada Dnnnmer by Richard Huelsenbeck Hans J. Kl ein sc hmidt German Expressionism: Dowments jro111 the End of th e Wilhelmine Empire to th e Rise of National Socialis111 Rose-Carol Washton Long Matisse on Art, Revised Edition Jack Flam Pop Art: A Critical History Steven Henry Madoff Co llected Writings of Robert Mothen/le/1 Stephanie Terenzio Conversations with Cezanne Michael Doran ROBERT SMITHSON: THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Londo n University of Cali fornia Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1996 by the Estate of Robert Smithson Introduction © 1996 by Jack Flam Library of Congress Cataloging-in-Publication Data Smithson, Robert. Robert Smithson, the collected writings I edited, with an Introduction by Jack Flam. p. em.- (The documents of twentieth century art) Originally published: The writings of Robert Smithson. New York: New York University Press, 1979. Includes bibliographical references and index. ISBN 0-520-20385-2 (pbk.: alk. paper) r. Art. I. Title. II. Series. N7445.2.S62A3 5 1996 700-dc20 95-34773 C IP Printed in the United States of Am erica o8 07 o6 9 8 7 6 T he paper used in this publication meets the minimum requirements of ANSII NISO Z39·48-1992 (R 1997) (Per111anmce of Paper) . -
10 Deadliest World Events in Human History by Simon Rickards, January 3, 2013
10 Deadliest World Events In Human History by Simon Rickards, January 3, 2013 • • • Throughout human history, there have been many world events that have seen a multitude of deaths and widespread destruction. The ten entries on this list are ranked according to the number of deaths. While some of the events spanned just a few years, others occurred over centuries. Since these death toll estimates are always highly disputed, I have made it a rule to use the highest respectable estimate in every case. I have also chosen to focus this list on ‘man-made’ events – natural disasters have not been included. 10 Atlantic Slave Trade DeathD Toll Estimate: 15 Million The Atlantic (or Trans-Atlantic) slave trade began roughly in the 16th century, reaching its peak in the 17th century until finally being all but abolished in the 19th Century. The main driving force behind this trade was the need for European empires to establish themselves in the New World. European and American settlers therefore began to use mainly West African slaves to fill the vast labor needs on plantations. Estimates vary on the amount of slaves who died, but it is said that for every ten slaves taken on a ship, fourf would perish from causes related to mistreatment. 9 Late Yuan Warfare & Transition to Ming Dynasty DeathD Toll Estimate: 30 Million The Yuan dynasty was founded by Kublai Khan, the grandson of Genghis Khan, around 1260. Yuan literally translates as ‘Great is the Heavenly and Primal’, though there proved to be nothing either great or heavenly about it. -
Mirrors and Mimesis: an Examination of the Strategies of Image Appropriation and Repetition in the Work of Dara Birnbaum 4
n.paradoxa online, issue 3 May 1997 Editor: Katy Deepwell n.paradoxa online issue no.3 May 1997 ISSN: 1462-0426 1 Published in English as an online edition by KT press, www.ktpress.co.uk, as issue 3, n.paradoxa: international feminist art journal http://www.ktpress.co.uk/pdf/nparadoxaissue3.pdf May 1997, republished in this form: January 2010 ISSN: 1462-0426 All articles are copyright to the author All reproduction & distribution rights reserved to n.paradoxa and KT press. No part of this publication may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, including photocopying and recording, information storage or retrieval, without permission in writing from the editor of n.paradoxa. Views expressed in the online journal are those of the contributors and not necessarily those of the editor or publishers. Editor: [email protected] International Editorial Board: Hilary Robinson, Renee Baert, Janis Jefferies, Joanna Frueh, Hagiwara Hiroko, Olabisi Silva. www.ktpress.co.uk n.paradoxa online issue no.3 May 1997 ISSN: 1462-0426 2 List of Contents Dot Tuer Mirrors and Mimesis: An Examination of the Strategies of Image Appropriation and Repetition in the Work of Dara Birnbaum 4 Hilary Robinson Louise Bourgeois's 'Cells' Looking at Bourgeois through Irigaray's Gesturing Towards the Mother 17 Katy Deepwell Feminist Readings of Louise Bourgeois or Why Louise Bourgeois is a Feminist Icon 28 Nima Poovaya-Smith Arpana Caur : A Profile 39 Violetta Liagatchev Constitution Intempestive de la République -
Pop Mythology and Its Worth
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2010 Divining The Divine: Pop Mythology And Its Worth James Hall University of Central Florida Part of the Art and Design Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Hall, James, "Divining The Divine: Pop Mythology And Its Worth" (2010). Electronic Theses and Dissertations, 2004-2019. 4366. https://stars.library.ucf.edu/etd/4366 DIVINING THE DIVINE: POP MYTHOLOGY AND ITS WORTH by JAMES HALL B.F.A. University of Central Florida, 2010 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Art in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2010 © 2010 James Hall ii ABSTRACT My thesis compares classic mythology of cultures like ancient Greece to the mythology that has risen from the popular culture of contemporary western civilizations like America. While there are some differences, the two use the same archetypes that humanity has used for generations. In my work I use sculpture and photography to show their similarities and differences in form and story. iii AKNOWLEDGMENTS I would like to thank all of my professors for the support and knowledge they have given to me. -
Chicano Science Fiction and the Shattering of Colonized Reality: the Resurgence of the Alien Sublime
UNIVERITY OF CALIFORNIA RIVERSIDE Chicano Science Fiction and the Shattering of Colonized Reality: The Resurgence of the Alien Sublime A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Daniel Valencia March 2020 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Anthony Macías Dr. Michelle Raheja Dr. Richard Rodriguez Copyright by Daniel Valencia 2020 The Dissertation of Daniel Valencia is approved: _____________________________________________________ _____________________________________________________ _____________________________________________________ _____________________________________________________ Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION Chicano Science Fiction and the Shattering of Colonized Reality: The Resurgence of the Alien Sublime by Daniel Valencia Doctor of Philosophy, Graduate Program in English University of California, Riverside, March 2020 Dr. Sherryl Vint, Chairperson In this project I explore the uncharted domains of Chicana/o science fiction. Expanding on the interdisciplinary body of scholarship generated within the Chicana/o Studies tradition, which has generally focused on investigating the past as method to express the diverse Chicana/o experience, I deploy science fiction as method to theorize on a new consciousness of empowerment and liberation for Chicanas/os. I examine the ways in which Chicana/o science fiction not solely engages with speculative futures, but of greater magnitude, -
Sanctity and Malevolence of Cat in World Mythology and Persian Prose and Verse
Arabian Journal of Business and Management Review (Nigerian Chapter) Vol. 1, No. 7, 2013 Sanctity and Malevolence of Cat in World Mythology and Persian Prose and Verse Kamran Pashaei Fakhri1, Rogayeh Mahmudivand Bakhtiari2, Parvaneh Adelzadeh3 1, 3- Assistance professor, department of Persian Language and Literature, Islamic Azad University, Tabriz branch, Iran. 2- M A in Persian Language and Literature, Azerbaijan Sanaeh Kochak scientific and applied University, Tabriz branch, Iran Abstract The pioneers of the Persian literature have described utopia in the form of story in the prose and verse and have chosen animals instead of human characters and assigned humanly characteristics to the animals. In this regard, horse is noble and descent and owl is symbol of destruction .Indeed, these literary men have two goals, they wanted to transfer humanly exalted thoughts in the form of story in addition to entertaining the readers. Cat symbolizes greed, playfulness, arrogance, hostility, imprudence, cruelty, ostentation and cunning in Persian literature .Cat has heterogeneous status between propitious and malevolent in myths. But all indecent traits of cat symbolize human carnal soul that it sometimes becomes evil and sometimes achieves divine and humanly status. This article investigates the mythology and legends of cat and its attendance in Persian literature tales and verse. Key words: cat, Persian literature, nations’ mythology, Persian tales, Islamic traditions, folk beliefs. Introduction There are different viewpoints about cat in Persian literature and west and east mythology, so that its status fluctuates between sanctity and malevolence indicating fluctuation of human soul in descending to carnality and lust and ascending to divinity and perfection. -
The Tonsured Maize God and Chicome-Xochitl As Maize Bringers and Culture Heroes: a Gulf Coast Perspective
f No. 32, 2009 WAYEB NOTES ISSN 1379-8286 THE TONSURED MAIZE GOD AND CHICOME-XOCHITL AS MAIZE BRINGERS AND CULTURE HEROES: A GULF COAST PERSPECTIVE H.E.M. Braakhuis Utrecht University “He [the Maize Hero] spoke words like water being scattered” (Alcorn et al. 2006: 601) It is now slightly more than twenty-five years ago that Taube identified the ‘Tonsured Maize God’, a youthful deity whose emergence from a turtle shell has since become an icon of Classic Maya culture. The presence of the Twin heroes of the Popol Vuh, Hunahpu and Xbalanque, at the maize deity’s emergence contributed much to this status. Taube’s conclusion that the episode represents the bringing back to life of the Twins’ father, who had died in the Underworld, has been widely accepted.1 M. D. Coe (1989: 167) was one of the first to adopt this interpretation, and it has slowly become the orthodox view. It has also become common practice to refer to the Twins’ father, Hun-Hunahpu, as ‘the Maize God’, notwithstanding the fact that a maize god is not mentioned in the Popol Vuh. Schele and Freidel (1993: 59-116, 272-286), in particular, have helped to popularize Taube’s viewpoint. They developed it into an astral maize mythology of their own, a critical evaluation of which, though much needed, lies beyond the scope of this essay. When, fourteen years after Taube’s initial study, Quenon and Le Fort (1997) presented an overview of the then available iconographic material, in which they distinguish five broad ‘episodes’, their focus remained on the interaction of the Twins with Hun-Hunahpu.