June 2017 Final Colour
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Film, Television and Video Productions Featuring Brass Bands
Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light. -
Institute of Education, University of London Copyright Declaration
Institute of Education, University of London This is a thesis accepted for a Higher Degree at the Institute of Education, University of London. It is an unpublished document and the copyright is held by the author. The author has agreed to the distribution of his/her thesis through the Institute of Education Institutional Repository. All persons consulting the thesis must read and abide by the Copyright Declaration below. Copyright Declaration I recognise that the copyright of the above described thesis rests with the author and that no quotation from it or information derived from it may be published without the prior written consent of the author. Stuart Gardner Institutional Differences in 16-19 GCE Advanced Level Education in England Thesis submitted for the award of the degree of: Doctor of Philosophy Institute of Education University of London 2007 Abstract The primary focus of this thesis is on whether there are any significant differences in the experiences of young people aged 16-19 studying GCE Advanced Level which result from whether they attend a school sixth form, sixth form college or tertiary college in England. The study uses quantitative and qualitative data to consider whether there are differences in examination achievement by young people or in their perception of their wider educational experience. The study also uses qualitative data on the views of senior staff in those institutions and of policy makers. The study is original in three respects: young people in the three different types of institution completed an identical questionnaire, and were interviewed on the same basis; an original analysis of value-added data for tertiary colleges, separated from general further education colleges; and the research makes use of the researcher’s extensive access to, and involvement in, contemporaneous 14-19 policy development. -
Assisted Places Atqegs
Assisted places THE School Governors, after con tions resulted in a large number sultation with the headmaster of entries and I awarded 30 and staff, gave a cautious wel places at 11, 4 at 12 and 5 at 13; come to this new scheme, our 5 places at Sixth-form level designed to attract able boys (and were eagerly snapped up, one Sixth-form girls) into the school going to an internal candidate from back-grounds where fee atQEGS and two to boy-applicants and paying might present insurmount two to girl-applicants to the able problems. The difficulties of and financial considerations are It is a pity that a scheme Sixth-form_ In view of the interest the scheme (with the weight of strictly tied to a means test. which restores our birthright as in Sixth-form entry, mainly boys administration falling entirely (The old D.G. system could right the local Grammar School,should and girls in Lancashire compre upon the school) are outweighed ly be said to favour the middle have been accompanied by politi hensive schools without Sixth by its merits: unlike the former class, and - as I said on Radio cal controversy and that threat forms, the Governors decided to Direct Grant system, the criteria Blackburn in welcoming the to withdraw the scheme when the make certain other monies avail for selection is personal to the scheme, applicants need to come present Government shanges. Not able in bursaries to outside headmaster (and clearly here is an from ultra-large fami lies where withstanding this, much interest applicants, over and above the academic selection procedure) the father is in prison! l. -
Remediating the Eighties: Nostalgia and Retro in British Screen Fiction from 2005 to 2011
REMEDIATING THE EIGHTIES: NOSTALGIA AND RETRO IN BRITISH SCREEN FICTION FROM 2005 TO 2011 Thesis submitted by Caitlin Shaw In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2015 2 3 ABSTRACT This doctoral thesis studies a cycle of British film and television fictions produced in the years 2005-2011 and set retrospectively in the 1980s. In its identification and in-depth textual and contextual analysis of what it terms the ‘Eighties Cycle’, it offers a significant contribution to British film and television scholarship. It examines eighties- set productions as members of a sub-genre of British recent-past period dramas begging unique consideration outside of comparisons to British ‘heritage’ dramas, to contemporary social dramas or to actual history. It shows that incentives for depicting the eighties are wide-ranging; consequently, it situates productions within their cultural and industrial contexts, exploring how these dictate which eighties codes are cited and how they are textually used. The Introduction delineates the Eighties Cycle, establishes the project’s academic and historical basis and outlines its approach. Chapter 1 situates the work within the academic fields that inform it, briefly surveying histories and socio-cultural studies before examining and assessing existing scholarship on Eighties Cycle productions alongside critical literature on 1980s, 90s and contemporary British film and television; nostalgia and retro; modern media, history and memory; British and American period screen fiction; and transmedia storytelling. Chapter 2 considers how a selection of productions employing ‘the eighties’ as a visual and audio style invoke and assign meaning to commonly recognised aesthetic codes according to their targeted audiences and/or intended messages. -
Benefice of East Lonsdale Life April and May 2014
THE BELL Benefice of East Lonsdale Life April and May 2014 THE CHURCHES OF LECK, TUNSTALL, MELLING WRAY, TATHAM AND TATHAM FELLS YOUR CHURCH STAFF The team of clergy and lay-people who run our Services at the six churches are: Revd Mark Cannon (Priest in Charge) Tel: 21030 Revd Canon Professor Robert Hannaford Tel: 74376 Revd Canon Norman and Dr Ann Dawson Tel: 62936 Peter Osborne Tel: 61029 Mary Winter Tel: 21784 For further details please go to the Benefice website ‘Benefice of East Lonsdale’ http://eastlonsdalebenefice.wordpress.com WARDENS WRAY Mark Rowland Tel 22484 HOLY TRINITY TATHAM Phyllis Holt Tel 21443 ST JAMES THE LESS Norman Dove Tel 21557 TATHAM FELLS Carole Butcher Tel 63095 GOOD SHEPHERD CHURCH John Wilson Tel 61594 TUNSTALL Jane Greenhalgh Tel 74260 ST JOHN THE BAPTIST Gill Stephenson Tel 74250 MELLING Jac Beeson Tel 21638 ST WILFRID LECK Eleanor Denby Tel 21793 ST PETER Fanny Leech Tel 72009 This issue has been sponsored by The Church of the Good Shepherd, Tatham Fells Sponsorship: if you wish to sponsor an issue as an individual, in memory of someone, or as a business, please call Carole on 015242 63095. The cost will be £55 COPY DATE FOR JUNE/JULY ISSUE SATURDAY 10th MAY 2 Editorial: Spring is finally here and each day this week has been sunny and warm. The birds are singing loudly each morning and the fields have stopped shining, a sure sign that the water is draining away into the river Hindburn below our house at Ivah. In the absence of a diary from Mark, who I know is very busy, it has fallen to me to find something to fill this page; I hope you enjoy reading what I have chosen. -
November 2018
November 2018 Why daytime rocks VENUE: BUSINESS DESIGN CENTRE, LONDON N1 0QH RTS.org.uk/careersfair2019 #RTScareers Journal of The Royal Television Society November 2018 l Volume 55/10 From the CEO We have enjoyed A very different event, but just as Also in this issue, two book reviews abundant and vibrant insightful was our latest screening, by eminent people about eminent activity this autumn Tiny Shoulders: Rethinking Barbie, held at people – Lucy Lumsden on Jon Plow- across our regional the Curzon Cinema in Soho. A mas- man and Jon Thoday on Michael Ovitz. Centres, especially the sive thank you to Entertainment One Graeme Thompson’s interview with North East, as well as for arranging this. the director of BBC Two’s stunning in London. One of the Director Andrea Nevins secured series The Mighty Redcar turns the spot- highlights was a packed early-evening privileged access to the Barbie inner light on the North East. The region is, event that tackled the complex ques- sanctum at Mattel’s headquarters in of course, the location for MTV’s real- tion of how to successfully measure Los Angeles for her compelling film. ity sensation Geordie Shore. So I am audiences in the multi-device era. Following the screening, Andrea thrilled that we have a report from an “Who is watching: The challenge and Barbie design chief Kim Culmore RTS North East and the Border event of digital measurement” heard from joined us for a revealing question and dedicated to the show. platform owners, advertisers and answer session. I am very grateful to Last, but not least, Lisa Campbell Barb. -
Oxford DNB Sounds Linking, January 2016
Oxford DNB Sounds linking, January 2016 1. British Library Sounds a). Early spoken word A to C Cosmo Lang Henry Ainley Harold Larwood Francis Bourne David Lloyd George Herbert Henry Asquith Ramsay MacDonald Clement Attlee Compton Mackenzie Robert Baden Powell Thomas James Macnamara Stanley Baldwin Alfred Edward Woodley Mason Margaret Bondfield Cyril Maude William Booth Henry John Newbolt Xavier Boulestin Florence Nightingale Arthur Bourchier Alfred Noyes Francis Bourne Mildred Bruce P to W Frank Buchman Christbel Pankhurst Neville Chamberlain Katharine Stewart Murray Robert Gascoyne-Cecil Vita Sackville-West Philip Clayton (James) Arthur Salter John Clynes Herbert Samuel Rachel Crowdy Ernest Shackleton George Bernard Shaw D to N Hugh Richard Sheppard Arthur Conan Doyle Jan Christiaan Smuts John Drinkwater John Snagge Elizabeth Philip Snowden John Rupert Firth Henry de Vere Stacpoole Johnston Forbes-Robertson James Henry Thomas Mahatma Gandhi Benjamin Tillett George V Herbert Beerbom Tree George VI Edgar Wallace John Gielgud Lewis Waller Wilfred Grenfell Josiah Wedgwood Martin Bladen Hawke Edward VIII John Berry [Jack] Hobbs Margaret Wintringham William Wymark Jacobs Laming Worthington-Evans Amy Johnson Henry Cecil Kennedy Wyld Charles Kingsford Smith 1 b). Music and musicians (Louis) Boyd Neel Harriet Cohen Adrian Boult Henry Wood Albert Coates John Barbirolli Albert Sammons (member of London String John Pritchard Quartet) Landon Ronald Alberto Semprini Leon Goossens Basil Cameron Leopold Stokowski Clifford Curzon Louis Kentner Cyril Smith Malcolm Sargent Dennis Brain Mark Hambourg Dennis Matthews Moura Lympany Eileen Joyce Myra Hess Eugene Goossens Noel Mewton-Wood Evelyn Rothwell Percy Grainger Georg Solti Solomon Cutler George Malcolm Thomas Beecham Hamilton Harty c). -
The Chronicle
The Chronicle GIGGLESWICK SENIOR SCHOOL GIGGLESWICK The Chronicle GIGGLESWICK SENIOR SCHOOL 2019 In this issue Reflections La Mitrailleuse Holistic Education Young Enterprise The all-new think Jack Harrison’s award- Embracing ambition Nurturing tomorrow’s piece section winning ‘Write on Art’ entry beyond the classroom entrepreneurs 1 CONTENTS 4-8 Welcome Performing Arts 46-59 Headmasters Welcome If music be the food of love…? Editors Introduction Services with a smile Romeo and Juliet Reflections 9-30 Sweeney Todd Jack Harrison wins Top Prize Bugsy Malone Ash Can Art Miles shooting for the stars Physical or mental health? It’s no longer George is born for the USA an either or. Should rugby be played in schools? Sport 60-75 Greta Thunberg - No One Is Too Small The Elite Sports Programme Review to Make a Difference Jonny Brownlee opens our state-of-the-art Is sport the tool for improving quality of life in developing countries we think it is? fitness centre Organ donation: a time for change? A Year in a Sportswoman’s Life…. Digital Strategy: a plan for 21st Century Girls’ Hockey 1st XI Learning Boys’ Hockey 1st XI Giggleswick Remembers Rugby 1st XV Rugby 1st VII Review Netball 1st VII Why is co-curricular of such value Cricket 1st XI in holistic education? 32-33 CCF 76-81 Academic 34-45 Sixth Form Success Pastoral 82-103 GCSE results celebrate talent of every kind Pastoral Care at Giggleswick Art within the curriculum at Giggleswick Well-being done well Young Enterprise: Colour County Chaplaincy The Glover Lecture 2019 House Reports Paley Society Lecture 2019 The Record 104-150 3 THE CHRONICLE 2019 WELCOME WELCOME decades of neglect and to make Britain a 'learning society', final next month (Marie Lothian, Chris Thornton and Toby developing the talents and raising the ambitions of all our Weatherill), this is the second time in three years that we young people. -
Cathedral Service for Harry King
Record bid for places Cathedral THE demand for places at A new staff common room erected by Premier Construction service for QEGS goes on and on. A rec was opened at School in of Blackburn, between the ord number of 311 boys applied January at the Head of the stairs Science block and Hartley Harry King to sit the entrance examination inside the South entrance re House to replace the classrooms in March and the role will placing two classrooms and the dispossessed by the new staff A MEMORIAL service for be 1,200 in September. There Second Master's room. room. It w ill also house a new Harry King (1923-30) was were 1,036 pupils when the A prefabricated building, laboratory for the Sixth Form. held at Blackburn Cathedral headmaster, Mr Johnston, took costing about £21,000 is to be on Wednesday, March 19. over in January 1978, inclu It was conducted by Canon ding 13 girls. There w ill be G.A. Williams with music by 80 girls in the Sixth-form the School under the direction September complement. The of Mr Jack Longstaff. cost of fees in 1978 was £777 The Headmaster read the a year, but they were increased lesson and the Provost of to £933 for the main school and Blackburn conducted prayers. £648 for Horncliffe. Harry King had a long association with Queen Eliza beth's — first as a pupil in the 1920's and later as chief assistant master. He retired three years ago. (See Magister 21). He was also a prominent church man being a lay reader at St Barnabas' Church, Black burn, and St. -
Time to Perform
Time to perform Excellence in Drama, Theatre and Performing Arts From the Director’s Chair “It’s an exciting time for performing arts at Giggleswick. We are creating a centre of excellence, which is developing a national reputation for both the academic and co-curricular celebration of drama. Every child between Year 7 and Year 9 is taught drama at Giggleswick and we have a proven track record of examination success which has ranked us as the best achieving school in the independent sector according to the Good Schools Guide. There are opportunities for everyone to get involved in a range of performances in our own live theatre. Passion, sheer enjoyment and downright good fun is our recipe for success. Together, our pupils form a theatre company, staging successful shows where everyone has a crucially important part to play, whether on or off stage Our students are confident and proud of what they achieve and they create memories for life in the drama studio and on stage.” GARETH WARBURTON HEAD OF DRAMA AND CREATIVE ARTS A tradition of performance Giggleswick has a long standing reputation and his energy and enthusiasm led to for excellence in the performing arts. the formation of the Drama Society, under the patronage of local author In recent times, actors such as Anthony and playwright Alan Bennett. Gareth Warburton, Head of Drama and Creative Arts Daniels (Star Wars), Jonathan Broadbent, Gareth is passionate about his subject and at the and William Gaunt have left Giggleswick One of Russell Harty’s pupils at cutting edge of developing the curriculum for young to pursue careers in the theatre.