Brand New Justice ANHO Fm.Qxd 13/10/04 8:03 PM Page Ii

Total Page:16

File Type:pdf, Size:1020Kb

Brand New Justice ANHO Fm.Qxd 13/10/04 8:03 PM Page Ii ANHO_Fm.qxd 13/10/04 8:03 PM Page i Brand New Justice ANHO_Fm.qxd 13/10/04 8:03 PM Page ii For Anna ANHO_Fm.qxd 13/10/04 8:03 PM Page iii Brand New Justice How branding places and products can help the developing world Revised edition Simon Anholt AMSTERDAM G BOSTON G HEIDELBERG G LONDON G NEW YORK G OXFORD PARIS G SAN DIEGO G SAN FRANCISCO G SINGAPORE G SYDNEY G TOKYO ANHO_Fm.qxd 13/10/04 8:03 PM Page iv Elsevier Butterworth-Heinemann Linacre House, Jordan Hill, Oxford OX2 8DP 30 Corporate Drive, Burlington, MA 01803 First published 2003 Revised edition 2005 Copyright © 2003, 2005, Simon Anholt. All rights reserved The right of Simon Anholt to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1T 4LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (ϩ44) 1865 843830, fax: (ϩ44) 1865 853333, e-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://www.elsevier.com), by selecting ‘Customer Support’ and then ‘Obtaining Permissions’ British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication Data A catalogue record for this book is available from the Library of Congress ISBN 0 7506 6600 5 For information on all Elsevier Butterworth-Heinemann publications visit our website at http://books.elsevier.com Typeset by Newgen Imaging Systems (P) Ltd, Chennai, India Printed and bound in Great Britain ANHO_Fm.qxd 13/10/04 8:03 PM Page v Contents Preface to the revised edition ix 1 Why brands count 1 Value you can’t see 1 How brands create wealth 2 How brands distribute wealth 6 Life on the lower tier 7 Isn’t it the poor world’s turn? 9 Branding the exports, branding the nation 10 Global brands from emerging markets 13 Making it happen 15 Justice being done 15 2 What brands do for countries 17 The first pan-European brands 18 How profit comes from polarization 20 Where this leaves the poorer countries 22 The risky business of being a supplier nation 25 Profiles of emerging market economies 27 Wal-Mart and Ugandan coffee 28 The case of Brazil 30 Japan, Korea and Taiwan: Asian brand champions 31 How the instinct to brand has become global 35 So where are the brands? 36 ‘Brand Leap’ 38 3 Developing markets, emerging brands 43 Deepak Kanegaonkar 43 Kamthorn and Panudda Kamthornthip 47 v ANHO_Fm.qxd 13/10/04 8:03 PM Page vi vi Contents Roustam Tariko 48 David Tang 50 Jiˇrí Kejval 50 Automotive 52 Food and drink 55 Beverages: a cornucopia of global brands 57 Fashion, footwear and accessories 60 Sporting goods 61 White goods and other consumer durables 63 Software, IT services and hardware 67 Other service brands 70 Branded industrial goods 71 Cosmetics and pharmaceuticals 74 Tata 76 4 The challenge of branded exports 78 The challenges and difficulties 81 Raising finance 84 Making do with less 86 Eleven levers for outsmarting the competition 88 Getting distribution and retail presence 92 Overseas marketing and branding 96 Tariffs and other trade barriers 98 Psychological barriers 100 What will become of our emerging market brands? 102 Quality standards and consumer perceptions 102 5 When countries become brands 104 Why countries need brands 104 Countries that change 106 How the nation-brand helps branded exports 108 The case of Brand Brazil 112 What’s wrong with where you’re from? 114 Using ‘country of origin’ more creatively 115 Changing a country’s brand image 116 What’s in a name? 121 You sound like you’re from . 123 Slogans, shorthand and the nature of the country brand 125 Good image, bad image 128 The dilemma of control 130 The importance of objectivity 132 Brands as vectors of national image 133 The importance of representing culture 136 Culture as a revenue earner 138 Why representing culture is central to nation branding 139 Further benefits of a strong national brand 141 ANHO_Fm.qxd 13/10/04 8:03 PM Page vii Contents vii 6 Now is the time 143 Why people want brands to come from somewhere 143 The decline of Brand America and the Top Ten 144 Western consumers and the search for exoticism 146 A taste for ethics 148 The Shared Equity Model 151 The Wild Coffee Project 152 The riddle of sustainability 157 Tourism and sustainability – another challenge 161 Some concluding thoughts 163 References 166 Index 170 ANHO_Fm.qxd 13/10/04 8:03 PM Page viii ANHO_Fm.qxd 13/10/04 8:03 PM Page ix Preface to the revised edition For poor and developing countries trying to compete in the global marketplace, there is no shortage of well-intentioned help and advice on offer – cash and food aid, loans, technology and skills transfer, twin- ning, training and resource sharing . the list is a long one, and it is a credit to the countries and organizations which offer the support that so much valuable help is on offer. Yet one crucial item is missing from the list, a tool which none of the richer countries would be able to operate without, and a primary component of their remarkable economic success during the last cen- tury. This is their ability to brand. Without brand value, capitalism could hardly exist – certainly not in its current form, providing enviable standards of living to hundreds of millions throughout the developed world. For branding is far more than a trick to sell more consumer goods at higher prices: it is part of the very foundations of competitiveness in a free marketplace, and with slight variations is to be found in education, in politics, in industry, in the labour market and throughout the public sector. Wherever an organi- zation of any kind needs to compete and thrive in a busy environment, then brand value – lent by quality, by personality, by product or serv- ice superiority, by strategy – is what makes the difference. The remarkable ability of branding to create, spread and sustain wealth throughout society means that any country which needs to improve its competitive edge should take a closer look at how it works, and the purpose of this book is to provide an introduction to branding as a tool for commercial, cultural and economic development. Simon Anholt ix ANHO_Fm.qxd 13/10/04 8:03 PM Page x Anho_Ch-01.qxd 20/9/04 11:50 AM Page 1 CHAPTER 1 Why brands count What I’m about to tell you is something you have probably heard before, but bear with me. It’s an important introduction to what follows. Here’s how brands work: On my left, a plastic bottle of sweet, fizzy brown fluid bearing the label ‘Cola’. It cost me around 50 cents. On my right, a nearly identical bottle of sweet fluid bearing the label ‘Coca-Cola’. It cost me just over a euro – or just over a dollar, if you prefer. On my left, a good quality plain white tee-shirt. Cost: around ten euros. On my right, an identical white tee-shirt with a small Versace logo printed in black on the front. Cost: around 30 euros. It seems almost criminal, doesn’t it? Well, that rather depends on who is doing it. This book explores the possibility that this phenomenon of branding, and certain other related techniques of wealth creation, could be better distributed around the world than they have been in the past. It shows how branding is, in fact, a powerful tool for economic development, and could make a very worthwhile contribution to the growth of the places which need it most. Value you can’t see The brand value which marketing adds to products and services is not tangible value: unlike sales, products, factories, land, raw materials or workforces, you can’t measure it very easily, but it represents capital because it enables producers and sellers to charge more money for their products and services and maintain a strong, long-term relationship with their customers. It is a multiplier of value, and as such, repre- sents a substantial advantage for its owner: it’s as good as money in 1 Anho_Ch-01.qxd 20/9/04 11:50 AM Page 2 2 Brand New Justice the bank. You can borrow against it, buy it, sell it, invest in it, and increase or decrease it by good or bad management. The concept of intangible value is a well established one in our capitalist system, and doesn’t make brands any more suspect or less valid than any other form of commercial worth. This additional value is not a trivial phenomenon; it forms a substantial part of the assets of the developed world. According to some estimates, brand value could be as much as one-third of the entire value of global wealth.
Recommended publications
  • The Production of Lexical Tone in Croatian
    The production of lexical tone in Croatian Inauguraldissertation zur Erlangung des Grades eines Doktors der Philosophie im Fachbereich Sprach- und Kulturwissenschaften der Johann Wolfgang Goethe-Universität zu Frankfurt am Main vorgelegt von Jevgenij Zintchenko Jurlina aus Kiew 2018 (Einreichungsjahr) 2019 (Erscheinungsjahr) 1. Gutacher: Prof. Dr. Henning Reetz 2. Gutachter: Prof. Dr. Sven Grawunder Tag der mündlichen Prüfung: 01.11.2018 ABSTRACT Jevgenij Zintchenko Jurlina: The production of lexical tone in Croatian (Under the direction of Prof. Dr. Henning Reetz and Prof. Dr. Sven Grawunder) This dissertation is an investigation of pitch accent, or lexical tone, in standard Croatian. The first chapter presents an in-depth overview of the history of the Croatian language, its relationship to Serbo-Croatian, its dialect groups and pronunciation variants, and general phonology. The second chapter explains the difference between various types of prosodic prominence and describes systems of pitch accent in various languages from different parts of the world: Yucatec Maya, Lithuanian and Limburgian. Following is a detailed account of the history of tone in Serbo-Croatian and Croatian, the specifics of its tonal system, intonational phonology and finally, a review of the most prominent phonetic investigations of tone in that language. The focal point of this dissertation is a production experiment, in which ten native speakers of Croatian from the region of Slavonia were recorded. The material recorded included a diverse selection of monosyllabic, bisyllabic, trisyllabic and quadrisyllabic words, containing all four accents of standard Croatian: short falling, long falling, short rising and long rising. Each target word was spoken in initial, medial and final positions of natural Croatian sentences.
    [Show full text]
  • Sneak Preview SHEER FOUNDATION PALETTES + POWDERS
    SNEAK PREVIEW SHEER FOUNDATION PALETTES + POWDERS MediaPRO Sheer Foundation Palettes Our 18-Color Sheer Foundation Palettes put artists in complete control with three ensembles designed for every complexion. Diverse Harmony Shimmer Powders HDFP-1 (left), Global HDFP-3 (center), Fair HDFP-2 (right). Radiant translucent powders feel smooth as silk. A light layer adds Expect 750-1,800 applications. 63gm./2.2oz. ravishing iridescence to face and body. For a dewy glow, dust over a light layer of moisturizer. Clockwise from left: Bronze SHP-7, Cameo SHP-1, Banana SHP-5. Expect 100-250 applications for face; 24 or more for body. 15gm./.53oz. Dome Jar. Bella Poudre Palette Mojave Poudre Palette Perfect for professionals working in film, HD broadcast, dramatic stage, Designer approved for olive to brown complexions. Pressed powder fashion, and bridal. Includes an array of shades for fair, medium and palettes keep essentials organized for touch-ups. Topaz MCH-40 is tan complexions. Expect 320-600 applications. HDCP-8 28gm./1oz. now included! Expect 320-600 applications. MHCP-8 28gm./1oz. Refillable Shades L/R Top: HDC-00, HDC-102, HDC-106, HDC-001; Palette. Shades L/R Top: MHC -31, MHC-33, MHC-37, MHC-39. Bottom: HDC-002, HDC-003, HDC-004, HDC-006. Refillable palette. Bottom: MHC-40, MHC-41, MHC-43, MHC-45. Refillable palette. Bella Luxury Powders Mojave Luxury Powders Luxury Powders feel silky smooth with just a hint of color. Introducing new These shades share the same ultra-fine formula as the Bella Powders. Colorless Luxury Powder. Colors: Banana, Rose Petal, Cameo, Buff, Beige The series offers a hint of golden to bronze hues for olive to brown Suede.
    [Show full text]
  • Product and Pricing Strategies MM – 102
    Product and Pricing Strategies MM – 102 GENERAL OBJECTIVES OF THE SUBJECT At the end of the course, individuals will examine the principles of Product & Pricing and apply them within the companies need critically reflect Marketing behavior within companies and their impact on the development of this course. 9. PRODUCT & PRICING STRATEGIES 9.1 Overview of Products & Pricing 9.2 Product Mix 9.3 Stages of New Product Development 9.4 Package & Label 9.5 Pricing Strategy 9.6 Breakeven Analysis 9.1 Overview of Products & Pricing This lesson deals with the first two components of a marketing mix: product strategy and pricing strategy. Marketers broadly define a product as a bundle of physical, service, and symbolic attributes designed to satisfy consumer wants. Therefore, product strategy involves considerably more than producing a physical good or service. It is a total product concept that includes decisions about package design, brand name, trademarks, warranties, guarantees, product image, and new-product development. The second element of the marketing mix is pricing strategy. Price is the exchange value of a good or service. An item is worth only what someone else is willing to pay for it. In a primitive society, the exchange value may be determined by trading a good for some other commodity. A horse may be worth ten coins; twelve apples may be worth two loaves of bread. More advanced societies use money for exchange. But in either case, the price of a good or service is its exchange value. Pricing strategy deals with the multitude of factors that influence the setting of a price.
    [Show full text]
  • The Impact of the Change in a Product Name on the Consumer's Perception
    BUSINESS ADMINISTRATION – 60 ETCS B A C H E L O R The impact of the change in a product T name on the consumer’s perception H and behavior. E S ELISE SOURDOT-DEREXEL TRIM GERLICA I S Strategic Marketing with independent project – 30 ECTS 1 TABLE OF CONTENT 1 Abstract .................................................................................................................... 5 2 Acknowledgement ..................................................................................................... 6 2.1 Disposal .............................................................................................................. 7 3 Introduction: ............................................................................................................. 8 3.1 Background ......................................................................................................... 8 3.2 Problem discussion ........................................................................................... 10 3.3 Purpose ............................................................................................................ 11 3.4 Research question ............................................................................................. 12 3.5 Delimitations .................................................................................................... 12 4 Theoretical framework ............................................................................................ 13 4.1 Notion of Product .............................................................................................
    [Show full text]
  • Products for the Entertainment Industry
    MAINSTAGE THEATRICAL SUPPLY, INC May 2006 ProductsProducts for for the the Entertainment Entertainment Industry Industry www.mainstage.com Est. 1981 ContactsContacts Milwaukee (800) 236-0878 - Pensacola (800) 851-3618 - Memphis (800) 757-6884 - www.mainstage.com ince being established in 1981 in Milwaukee, Wisconsin, Mainstage Theatrical Supply has remained committed to servicing our national and international customer base. Our growth allowed us to open a second office in SPensacola, Florida in 1992 to better serve the southern portion of the United States. On January 1, 2004, MTS arrived in Memphis, TN with the acquisition of Stage Lighting South, a longtime preferred supplier in that area. Through- out these periods of change, our goals remain the same: provide the personal contact that has made us a preferred supplier of theatrical goods and services; offer all basic entertainment products; make available the latest in entertain- ment technology; give our customers the information necessary to make informed decisions regarding the purchase of products and services; and always maintain a policy of fair and reasonable pricing. We at Mainstage thank you for your patronage! Milwaukee 129 W. Pittsburgh Avenue Craig R. Sternke: President Milwaukee, WI 53204 Robert L. Kane: Director of Operations (414) 278-0878 Robb Hrycay: Office Manager FAX (414) 278-0986 Matthew Michaelis:Sales Manager 1-800-236-0878 Kyle Olson: Inside Sales email: [email protected] Dan Weiermann: Outside Sales Joel Anderson: Service Manager Stephen Kokesh: Project
    [Show full text]
  • ED121078.Pdf
    DOCUMENT RESUME - ED 121 078 FL 007 541 AUTHOR Filipovic, Rudolf, Ed, TITLE Deports 4. The Yugoslav Serbo-Croatian-English ContrLstive Project. INSTITUTION Center for Applied Linguistics, Washington, D.C.; Zagreb Univ. (Yugoslavia). Inst. of Linguistics, PUB DATE 71 NOTE 151p.; For related documents, see ED 096 839, ED 108 465, and FL 007 537-552 AVAILABLE FROMDorothy Rapp, Center for Applied Linguistics, 1611 N. Kent St., Arlington, Va. 22209 ($3.00) EDRS PRICE MF-$0.83 HC-$8.69 Plus Postage DESCRIPTORS Adverbs; *Contrastive Linguistics; Descriptive Linguistics; *English; Language Patterns; NominaIs; *Serbocroatian; Slavic Languages; *Syntax; *Verbs IDENTIFIERS *Tense (Verbs) ABSTRACT The fourth volume in this series contains nine articles dealing with various aspects of Serbo-Croatian-English contrastive analysis. They are: "Adverbial Clauses of Cause, Place and Manner in English and Serbo-Croatian," by Gordana Gavrilovic: "Intransitiv.t Verbs+Adverbials or Complements Containing Non-Finite Verb Forms," by Omer Hadziselimovic; "Number Agreement in English and Correspondent Structures in Serbo-Croatian," by Vladimir Ivir; "The Expression of Future Time in English and Serbo-Croatian," by Damir Kalogjera; "Additional Notes on Noun Phrases in the Function of Subject in English and Serbo-Croatian," by Ljiljana Mihailovic; "Elliptical sentences in English and Their Serbo-Croatian Equivalents," by Mladen Mihajlovic; "The English Preterit Tense and Its Serbo-Croatian Equivalents" and "The English Past Perfect Tense and Its Serbo - Croatian Equivalents," both by Leonardo Spalatin; and "Adverbial Modifiers in Intransitive Sentences in English and Serbo-Croatian," by Ljubica Vojnovic.(CLK) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources.
    [Show full text]
  • Marketing-Strategy-Ferrel-Hartline.Pdf
    Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. Marketing Strategy Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. This is an electronic version of the print textbook. Due to electronic rights restrictions, some third party content may be suppressed. Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. The publisher reserves the right to remove content from this title at any time if subsequent rights restrictions require it. For valuable information on pricing, previous editions, changes to current editions, and alternate formats, please visit www.cengage.com/highered to search by ISBN#, author, title, or keyword for materials in your areas of interest. Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).
    [Show full text]
  • Europe (In Theory)
    EUROPE (IN THEORY) ∫ 2007 Duke University Press All rights reserved Printed in the United States of America on acid-free paper $ Designed by C. H. Westmoreland Typeset in Minion with Univers display by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. There is a damaging and self-defeating assumption that theory is necessarily the elite language of the socially and culturally privileged. It is said that the place of the academic critic is inevitably within the Eurocentric archives of an imperialist or neo-colonial West. —HOMI K. BHABHA, The Location of Culture Contents Acknowledgments ix Introduction: A pigs Eye View of Europe 1 1 The Discovery of Europe: Some Critical Points 11 2 Montesquieu’s North and South: History as a Theory of Europe 52 3 Republics of Letters: What Is European Literature? 87 4 Mme de Staël to Hegel: The End of French Europe 134 5 Orientalism, Mediterranean Style: The Limits of History at the Margins of Europe 172 Notes 219 Works Cited 239 Index 267 Acknowledgments I want to thank for their suggestions, time, and support all the people who have heard, read, and commented on parts of this book: Albert Ascoli, David Bell, Joe Buttigieg, miriam cooke, Sergio Ferrarese, Ro- berto Ferrera, Mia Fuller, Edna Goldstaub, Margaret Greer, Michele Longino, Walter Mignolo, Marc Scachter, Helen Solterer, Barbara Spack- man, Philip Stewart, Carlotta Surini, Eric Zakim, and Robert Zimmer- man. Also invaluable has been the help o√ered by the Ethical Cosmopol- itanism group and the Franklin Humanities Seminar at Duke University; by the Program in Comparative Literature at Notre Dame; by the Khan Institute Colloquium at Smith College; by the Mediterranean Studies groups of both Duke and New York University; and by European studies and the Italian studies program at the University of North Carolina at Chapel Hill.
    [Show full text]
  • Amstat News May 2011 President's Invited Column
    May 2011 • Issue #407 AMSTATNEWS The Membership Magazine of the American Statistical Association • http://magazine.amstat.org Croatia Bosnia Serbia Herzegovina ThroughPeace Statistics ALSO: Meet Susan Boehmer, New IRS Statistics of Income Director Publications Agreement No. 41544521 Mining the Science out of Marketing Math Sciences in 2025 AMSTATNews May 2011 • Issue #407 Executive Director Ron Wasserstein: [email protected] Associate Executive Director and Director of Operations features Stephen Porzio: [email protected] 3 President’s Invited Column Director of Education Martha Aliaga: [email protected] 5 Pfizer Contributes to ASA's Educational Ambassador Program Director of Science Policy 5 TAS Article Cited in Supreme Court Case Steve Pierson: [email protected] 7 Writing Workshop for Junior Researchers to Take Place at JSM Managing Editor Megan Murphy: [email protected] 8 Meet Susan Boehmer, New IRS Statistics of Income Director Production Coordinators/Graphic Designers 10 Peace Through Statistics Melissa Muko: [email protected] 15 Statistics in Biopharmaceutical Research Kathryn Wright: [email protected] May Issue of SBR: A Festschrift for Gary Koch Publications Coordinator Val Nirala: [email protected] 16 Journal of the American Statistical Association March JASA Features ASA President’s Invited Address Advertising Manager Claudine Donovan: [email protected] 19 Technometrics Fingerprint Individuality Assessment Featured in May Issue Contributing Staff Members Pam Craven • Rosanne Desmone • Fay Gallagher • Eric Sampson Amstat News welcomes news items and letters from readers on matters of interest to the association and the profession. Address correspondence to Managing Editor, Amstat News, American Statistical Association, 732 North Washington Street, Alexandria VA 22314-1943 USA, or email amstat@ columns amstat.org.
    [Show full text]
  • Why Do U.S. Consumers Purchase Ethnically Disparate Products?
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2015 Why Do U.S. Consumers Purchase Ethnically Disparate Products? Jong Han Hyun University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Marketing Commons Recommended Citation Hyun, Jong Han, "Why Do U.S. Consumers Purchase Ethnically Disparate Products?. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3339 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Jong Han Hyun entitled "Why Do U.S. Consumers Purchase Ethnically Disparate Products?." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Retail, Hospitality, and Tourism Management. Ann E. Fairhurst, Major Professor We have read this dissertation and recommend its acceptance: Hee-Jin Lim, Sejin Ha, Stephanie M. Noble Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Why Do U.S. Consumers Purchase Ethnically Disparate Products? A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Jong Han Hyun May 2015 Copyright © 2015 by Jong Han Hyun All rights reserved.
    [Show full text]
  • Makeup Catalog Contents
    2020 MAKEUP CATALOG CONTENTS 1 MediaPRO® Sheer Foundations 9 Eye Shadows + Palettes 15 Eye Liners & Mascara Poudre Compacts + Palettes 10 Pearl Sheen Shadows + Palettes Eyebrow & Eye Liner Pencils 2 MatteHD Foundations + Palettes Golden Glam Palette 16 Lipsticks & Lip Pencils Studio Color MatteHD Palettes Rio Nights Palette Lip Palettes, Colors + Gloss 3 Divine Madness Palette 17 ProColor Airbrush Foundations, 18 MagiCake® & MagiCakeFX Contours & Concealers 11 Lumière Grande Colour + Palettes Death Color Cakes Luxe & UltraLuxe Powders 4 Color Cake Foundations 19 Primary & Pro Creme Colors Creme Foundations 12 Lumière Metallics Master Creme Palette 5 Studio Color Contour Palettes Luxe Sparkle Powders Clown White & Clown White Lite Creme Rouge, Highlights Sparklers & Aqua Glitters MagiColor Pencils & Crayons Glitter Glue & Glitz-It Gel & Shadows + Wheels FX Creme Colors + Palettes Lumière Cremes + Palettes 20 MediaPRO Concealers & Adjusters 13 Creme Death Foundations 6 Fireworks + Wheel 7 Concealer Palettes & Crayons Shimmer Crayons 21 Pro FX Wheels Alcohol Tattoo Cover & Heavy Metal Alcohol Palette ProColor Airbrush Paint Concealer Palettes 22 14 Luxury Powders Grime FX Quick Liquids Powder Blush + Palettes 8 Classic Powders 23 Grime FX Powders Shimmer Powders Alcohol FX Palettes 24 Sealers, Cleansers & Removers 25 Hair Colors & Crepe Wool Hair Tooth Colors & Bronzing Tint 26 Blood & Character Effects Front Cover Latex & Nose Wax Makeup Artists 27 (Clockwise from top L): Adhesives & Glitter Glue “Abstract Art” 28 Tools & Applicators Stan Edmonds 29 Professional Brushes “Ogre” Darren Jinks 32 Theatrical Creme Kits Turandot’s “Ice Princess” Personal Creme Kits Tiiu Luht 33 Cake Kit “Vision” Master Production Kit Lianne Mosley “Djinn” BACK COVER Darren Jinks Moulage Kits “Peonies” Nelly Rechia, Makeup Artist Assisted by Andrew Velazquez During a visit to Ben Nye, Nelly Rechia and Andrew Velazquez chose their must-have Powder Blush shades which evolved into our redesigned Studio Color Blush Palettes.
    [Show full text]
  • Principles of Brand Management
    Brand management is the application of marketing techniques to a specific product, product line, or brand. It seeks to increase a product's perceived value to the customer and thereby increase brand franchise and brand equity. Marketers see a brand as an implied promise that the level of quality people have come to expect from a brand will continue with future purchases of the same product. This may increase sales by making a comparison with competing products more favorable. It may also enable the manufacturer to charge more for the product. The value of the brand is determined by the amount of profit it generates for the manufacturer. This can result from a combination of increased sales and increased price, and/or reduced COGS (cost of goods sold), and/or reduced or more efficient marketing investment. All of these enhancements may improve the profitability of a brand, and thus, "Brand Managers" often carry line-management accountability for a brand's P&L (Profit and Loss) profitability, in contrast to marketing staff manager roles, which are allocated budgets from above, to manage and execute. In this regard, Brand Management is often viewed in organizations as a broader and more strategic role than Marketing alone. The annual list of the world’s most valuable brands, published by Interbrand and Business Week, indicates that the market value of companies often consists largely of brand equity. Research by McKinsey & Company, a global consulting firm, in 2000 suggested that strong, well-leveraged brands produce higher returns to shareholders than weaker, narrower brands.[citation needed] Taken together, this means that brands seriously impact shareholder value, which ultimately makes branding a CEO responsibility.
    [Show full text]