Fine European Ceramics Including the Heinrich Rothberger Collection New Bond Street, London | Thursday 3 December 2020

Fine European Ceramics Including the Heinrich Rothberger Collection New Bond Street, London | Thursday 3 December 2020 at 2pm

VIEWING ENQUIRIES CUSTOMER SERVICES IMPORTANT INFORMATION Sunday 29 November Nette Megens Monday to Friday 8.30am to 6pm The United States Government 11am to 3pm Head of Department +44 (0) 20 7447 7447 has banned the import of ivory Monday 30 November +44 (0) 20 7468 8348 into the USA. Lots containing ivory are indicated by the 9am to 4.30pm [email protected] PHYSICAL CONDITION OF symbol printed beside the Tuesday 1 December LOTS IN THIS AUCTION Ф 9am to 4.30pm Sebastian Kuhn PLEASE NOTE THAT ANY lot number in this catalogue. Wednesday 2 December Department Director REFERENCE IN THIS 9am to 4.30pm +44 (0) 20 7468 8384 CATALOGUE TO THE PHYSICAL REGISTRATION Thursday 3 December [email protected] CONDITION OF ANY LOT IS IMPORTANT NOTICE 9am-12pm FOR GENERAL GUIDANCE REGISTRATION Sophie von der Goltz ONLY. INTENDING BIDDERS IMPORTANT NOTICE SALE NUMBER Specialist MUST SATISFY THEMSELVES Please note that all customers, 26283 +44 (0) 20 7468 8349 AS TO THE CONDITION OF irrespective of any previous [email protected] ANY LOT AS SPECIFIED IN activity with Bonhams, are CLAUSE 14 OF THE NOTICE TO required to complete the Bidder CATALOGUE BIDDERS CONTAINED AT THE Registration Form in advance of £25.00 END OF THIS CATALOGUE. the sale. The form can be found at the back of every catalogue BIDS As a courtesy to intending and on our website at www. +44 (0) 20 7447 7447 bidders, Bonhams will provide a bonhams.com and should be written indication of the physical returned by email or post to the To bid via the internet please condition of lots in this sale if a specialist department or to visit bonhams.com/26283 request is received up to 24 the bids department at bids@ hours before the auction starts. bonhams.com Please note that bids should This written Indication is issued To bid live online and / or leave be submitted no later than 4pm subject to Clause 3 of the Notice internet bids please go to on the day prior to the sale. to Bidders. www.bonhams.com/auctions/ New bidders must also provide 26283 and click on the Register to proof of identity when submitting bid link at the top left of the page. bids. Failure to do this may result in your bid not being processed.

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Payment at time of collection by: cash, cheque with banker’s card, credit, or debit card European Ceramics

London Sebastian Kuhn Department Director

Nette Megens Head of Department

Sophie von der Goltz Specialist The Heinrich Rothberger Collection

Heinrich Rothberger (1868-1953) was part of the great pre-War generation of cultured, knowledgeable and wealthy central European collectors that flourished between the end of the 19th century and the rise to power of the Nazis. Berlin and were the centres of this golden age, during which the best collections were formed with great knowledge and refined taste, rather than just an excess of wealth i .

i This introduction is based on the comprehensive and fascinating history of pre-War collecting in Vienna, the Rothberger family, their collections, and their fate before, during and after WWII published by Christina Gschiel, Ulrike Nimeth and Leonhard Wiedinger, schneidern und sammeln Die Wiener Familie Rothberger, Schriftenreihe der Kommission für Provenienzforschung 2 (2010). See also Leonhard Weidinger, The Viennese “ Scene” The Museum and Private Collections, in C. Thun-Hohenstein/R. Franz (eds.), 300 Jahre Wiener Porzellanmanufaktur/ 300 Years of the Manufactory (2018), pp. 93-99, for an excellent survey of pre-War porcelain collecting in Vienna. The historic photographs depicting members of the Rothberger family and the porcelain vitrines in Heinrich and Ella Rothberger’s apartment on the Stephansplatz in Vienna, which mostly date to the first decade of the 20th century, courtesy of the family of Mrs Bertha Gutmann.

4 | BONHAMS

The Rothberger Family

Heinrich was born into a prosperous mercantile family in fin-de-siècle The largely secular Rothberger family was rapidly assimilated into Vienna: a city that was both the centre of the traditions of the old Em- the Viennese upper-class and, in a reflection of this status, Jacob pire, as well of the intellectual and artistic avant-garde. His father, Jacob Rothberger moved into an apartment in one of the most prestig- Rothberger (1825-99), was born in Hungary in humble circumstances ious blocks in Vienna, the newly-built Philipphof (built in 1883-84 and probably arrived in Vienna in the 1840s, where he established next to the Albertinum and close to the Hofburg). His sons thrived himself as a tailor. The city of Vienna grew rapidly in the second half of in this flourishing intellectual and business climate: Moritz (1865- the 19th century and Jacob Rothberger prospered to the extent that, 1944), Heinrich and Alfred (1873-1932) entered the family business, in 1861, he was able to move his business to one of the city’s most while Carl Julius (1871-1945) pursued a highly successful career in prestigious and central addresses: the Stephansplatz, directly opposite medicine, becoming a world-renowned pathologist and, from 1912, St. Stephan’s cathedral. Rothberger introduced the practice whereby Professor at the University of Vienna. In addition to their business customers could trade in their old clothes in return for a discount on careers, Moritz and Alfred were talented artists (the former was also purchases, as well as prêt-à-porter, and his business was continued a distinguished collector of both contemporary art and pre-historic to prosper. By the mid-1890s, the Rothberger department store had and antique objects) and Carl Julius a keen amateur photographer. expanded across three buildings facing the cathedral. Members of the family and their business had occasionally been the subject of anti-semitic hostility, which became more overt during the 1930s. Carl Julius, for example, was passed over for the position of Director of the Institute of Pathology and in 1936 was forced into early retirement. Following the ‘Anschluss’ on 13 March 1938 the Rothberger family, along with all those defined by the Nazis as Jewish,

6 | BONHAMS Alfred, Heinrich and Carl Julius Rothberger (l. to r.) in Heinrich and Ella Rothberger’s apartment in Vienna on the Stephansplatz in 1901.

FINE EUROPEAN CERAMICS | 7 were subject to ever increasing restrictions and persecution. In Spring and assets altogether and their rights were successively diminished; 1938, Carl Julius was briefly arrested and the elder son of Heinrich both Moritz and Heinrich were forced to sell their collections. Some and Ella Rothberger (1878-1964), Johann Jacob, known as ‘Hans’ family members fled the country, including Heinrich and Ella, who left (1899-1987), was arrested and sent to Dachau and then Buchenwald Vienna at the beginning of November 1941 for Cuba, where they were concentration camps before being released in February 1939. He was obliged to remain during the war, after which they were able to join their effectively held hostage to put pressure on his family to relinquish their two sons in Canada. At the end of November 1941, all Jews no longer assets. From the end of April 1938, Jewish citizens were required to in the German Reich were stripped of their citizenship and forfeited their declare their assets to the authorities and in July the process of ‘ary- assets. Moritz and Carl Julius were able to remain in Vienna with their anisation’ of the family firm commenced and the family members were families: the former died in 1944 and Carl Julius and his wife, Leopol- forced to relinquish their shares. Following the pogrom of “Kristallnacht” dine, died in the one of the last bombing raids on Vienna on 12 March on 18/19 November 1938, Jews were forced to relinquish their property 1945; their daughter Bertha (1928-2018) was the sole survivor of the family in Vienna.

Stephansplatz, 1898

8 | BONHAMS

Heinrich Rothberger’s Collection

In keeping with the collecting fashion of his time, Heinrich Rothberger porcelain scholars of the day: Justus Brinckmann, Otto von Falke, collected in a variety of fields – glass, silver and paintings – but the Josef Folnesics, Gustav Pazaurek, Paul von Ostermann, Max main focus of his interest was 18th-century porcelain, of which he Sauerlandt and Emil Hannover; as well as the Keeper of the British was one of the earliest and finest collectors in Vienna. Until recently, Museum, Sir Hercules Read – included visits to see the collections little was published about him, but he ranks alongside Karl Mayer, of mostly Viennese porcelain of Rothberger, Karl Mayer and Graf Oscar Bondy and Dr. Max Strauss as one of the great collectors of Clam-Gallas ii. pre-War Vienna. Apparently an exceptionally cultured young man, he must have begun collecting in his twenties: photographs taken Although Heinrich collected a variety of 18th-century porcelain, of his apartment above the family business on the Stephansplatz the core of his collection was Viennese porcelain: ranging from the between 1901 and 1904 show an extensive and fine collection in earliest Baroque examples of Claudius Innocentius Du Paquier’s situ. Heinrich, along with the greatest collectors and aristocratic manufactory founded in 1718, to the technical mastery and exquisite owners of the day, was a lender to the renowned 1904 exhibition of taste of the Imperial factory at the end of the 18th century. His Viennese porcelain, “Alt-Wiener Porzellan”, which was held at the prescient interest in the early period at a time when it was still k.k. Ősterreichisches Museum für Kunst und Gewerbe in Vienna. little-known or understood is shown by the relatively high number This monumental exhibition included over 2,300 objects from over of examples of extraordinary quality and rarity. Not much is known 170 lenders and ran from March to May 1904 and led in turn to the about the sources of his acquisitions other than that he bought great scholarly work on Viennese porcelain by Josef Folnesics and several important pieces from the collectors Arnold and E.W. Braun that was published in 1907. Heinrich was among the Amelie Weissberger in the early 1900s. He was friendly with two elite group of collectors - including Ferdinand Bloch, Albert Figdor important dealers, Max Glückselig and Rudolf Drey, and he is known and Karl Mayer - who financed this publication. In 1912, a meeting to have made acquisitions abroad in Paris and London. He does not of museum curators in Vienna – including a roll-call of the greatest appear to have added much to the collection after the early 1920s and in 1938 his collection included around 200 pieces of porcelain.

ii Verhandlungen der fünfzehnten Versammlung des Verbandes von Museums-Beamten zur Abwehr von Fälschungen und unlauterem Geschäftsgebaren, Vienna (1912), p. 33

10 | BONHAMS FINE EUROPEAN CERAMICS | 11 A Du Paquier figure of a dancing girl, circa 1740, Metropolitan A Meissen figure of Augustus III, Elector of Saxony and King of Poland, Museum of Art, New York, Jack and Belle Linsky Collection, accession circa 1736, Saint Louis Art Museum, inv. no. 256:1951, Heinrich no. 1982.60.233, Heinrich Rothberger Collection, Vienna, until 1938, Rothberger Collection, Vienna, until 1938, and restituted to him in and restituted to him in 1947. 1947.

The Fate of the Collection

From 1938 Heinrich Rothberger was forced to sell his collection. At After the end of the war Heinrich Rothberger moved to Canada, from first, he could still decide what was to be sold, and in July 1938 he where he sought to recover whatever property he could from the mu- sought permission to export 97 pieces to the Berlin auctioneer, Hans seums in Vienna. In May 1947, the Kunstgewerbemuseum admitted W. Lange. In August, he was given permission to export 95 pieces to having 49 pieces from his collection, though it also recommended after he agreed to make a “gift” of three pieces to the Staatliches that the export from Austria be blocked for 18 of these, as well as for Kunstgewerbemuseum (later MAK) in Vienna (see lots ?? and ??). two other dishes (lot 4) that had been deposited by Heinrich’s lawyer, The proceeds of the sale on 18-19 November 1938 (where the prop- Dr. Camillo Limpens, in the museum in 1944 for safe-keeping. In late erty was designated “Sammlung R., Wien” and “nichtarischer Besitz” 1947, the museum – now renamed Museum für angewandte Kunst [non-aryan owner]) were put in a blocked account to which Hein- (MAK) – informed the Bundesdenkmalamt (Federal monuments office) rich had no access. On 21 November 1938, the Vienna municipal that Heinrich had agreed to give these pieces to the museum as a authorities seized his collection and shortly afterwards it was listed by gesture of gratitude for the museum looking after his pieces! As com- officials and the vitrines in his apartment were sealed. In April 1939, pensation for the two dishes (which had never been “purchased” by the Viennese auction house Weinmüller agreed the sale of eleven the museum) he was given some generic Chinese plates, apparently pieces to the Staatliche Kunstgewerbemuseum for a risible amount; from the large historic collection in the Hofburg. Heinrich organised in October, the museum purchased three more pieces from the auc- that the porcelain that was returned to him be shipped directly to tioneer Weinmüller (see lots 23 and 24, the third was a Meissen figure his old friend, Max Glückselig, in New York, who sold it to collec- of Augustus the Strong, restituted to Heinrich Rothberger in 1947 tors and museums in the US. The fact that so many ended up in the and now in the Saint Louis Art Museum, inv. No. 256:1951 – see Metropolitan Museum in New York, among others, is a testament to illustration), apparently unaware of the provenance; in August 1940, Heinrich Rothberger’s stature as a collector. In 2000, the process of the Städtische Sammlungen of Vienna purchased three items (see returning the property retained in 1947 by the Viennese museums lots 17 and 20); and in October 1940, a further 38 items were bought finally began. That particular injustice was finally rectified when the by the Kunstgewerbemuseum. porcelain was returned to his niece, Bertha, who as a girl has known the collection in Heinrich and Ella’s apartment overlooking St. Ste- phan’s cathedral in Vienna.

12 | BONHAMS “As a child I often visited my Aunt Ella when she invited me to the apartment on the Stephansplatz. I remember the vitrines filled with porcelain; looking was permitted, but not touching, of course. Uncle Heinrich was busy with the business during the day. I only know that he made trips to France and England in connection with porcelain and had lots of contacts in that world.”

– Bertha Gutmann née Rothberger iii

iii Interview mit der Tochter von Carl Julius und Leopoldine Rothberger, in C. Gschiel/U. Nimeth/L. Wiedinger (eds.), Schneidern und Sammeln Die Wiener Familie Rothberger (2010), p. 287

FINE EUROPEAN CERAMICS | 13 1 * A DU PAQUIER TOBACCO BOX AND COVER, CIRCA 1730 Of rectangular form with fluted corners and moulded with fluted Literature: brackets below the rim on the narrow sides (one pierced), painted J. Folnesics/E.W. Braun, Geschichte der K.K. Wiener Porzellan- with European flower sprays between formal Baroque borders of trellis Manufaktur (1907), pp. 26 and 35; pl. V, no.1 (ill.); panels flanked by scroll- and strapwork, the cover with a putto finial, W. Mrazek, Wiener Porzellan aus der Manufaktur Du Paquiers (1952), the rim and loop at one end silvered, the gilt-edged cover painted pl. 16; with a similar border, applied with a finial in the form of a seated putto J. Hayward, Viennese Porcelain of the Du Paquier Period (1952), pl. 47b; holding a gilt staff above his head, one end moulded with a gilt lock W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), through a loop, 17.5cm high, red-painted MAK inventory number Ke pl. 25, no. 84; 7742.29407 (chip to rim of box beneath cover) (2) M. Chilton/C. Lehner-Jobst (eds.), Fired by Passion (2009), cat. no. 369; C. Gschiel/U. Nimeth/L. Weidinger (eds.), Schneidern und Sammeln. £20,000 - 30,000 Die Wiener Famile Rothberger, Schriftenreihe der Kommission für €22,000 - 33,000 Provenienzforschung, vol. 2 (2010), pp. 95-97 (illustrated) US$26,000 - 39,000 Exhibited: Provenance: Troppau, Kaiser Franz Josef-Museum für Kunst und Gewerbe Arnold and Amelie Weissberger Collection, Prague; (Schlesisches Landesmuseum), Ausstellung von Alt-Wiener Porzellan Acquired by Heinrich Rothberger from the above by 1907; (1718-1864), 16 September-2 November 1903, cat. no. 30; Confiscated by the Vienna municipal authorities in November 1938; Vienna, K.K. Oe. Museum für Kunst und Industrie, Ausstellung von Alt- Acquired by the Staatliches Kunstgewerbemuseum (later Museum für Wiener Porzellan, March-May 1904, cat. no. 141 angewandte Kunst), Vienna, in October 1940 (inv. no. Ke7742); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2003; Thence by descent

For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 15 2 * A DU PAQUIER BOURDALOUE, CIRCA 1735 The decoration attributed to Jakob Helchis, painted on each side with Literature: a putto and a monkey within an elaborate purple scroll- and strapwork J. Folnesics/E.W. Braun, Geschichte der K.K. Wiener Porzellan- frame incorporating iron-red flowers and embellished with squirrels and Manufaktur (1907), pp. 24 and 27, p. 34 ill.; birds, the front moulded with a mask below a gilt scroll enclosed by W. Mrazek, Wiener Porzellan aus der Manufaktur Du Paquiers (1952), swags and puce scrollwork, the handle moulded with a scroll thumb- pl. 48; piece, painted with trellis panels and flowers, the inside with Oriental J. Hayward, Viennese Porcelain of the Du Paquier Period (1952), pl. 57b; flower sprigs, gilt-edged rims, 23.5cm across, red-painted MAK W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), pl. inventory number Ke 7517.20969 (very minor wear to gilding) 23, no. 143, b; W. Neuwirth, Wiener Porzellan 1718-1864, exhibition catalogue (1982), £30,000 - 50,000 no. 37; €33,000 - 55,000 E. Sturm-Bednarczyk (ed.), Claudius Innocentius Du Paquier (1994), US$39,000 - 65,000 no. 97; M. Chilton/C. Lehner-Jobst (eds.), Fired by Passion (2009), cat. no. 402; Provenance: C. Gschiel/U. Nimeth/L. Weidinger (eds.), Schneidern und Sammeln. Heinrich Rothberger Collection, Vienna (by 1907); Die Wiener Familie Rothberger, Schriftenreihe der Kommission für Confiscated by the Vienna municipal authorities in November 1938; Provenienzforschung, vol. 2 (2010), pp. 97-99 (illustrated); Acquired by the Staatliches Kunstgewerbemuseum (later Museum für Angewandte Kunst), Vienna, in May 1939 (inv. no. Ke7517); Exhibited: Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, East Berlin, Kunstgewerbemuseum Schloss Köpenick, Wiener in 2003; Porzellan 1718-1864, May-October 1982 Thence by descent The attribution to Helchis is based on anatomical and stylistic similarities to the putti on the two small ecuelles signed in full by Helchis (in the British Museum (Chilton/Lehner-Jobst, cat. no. 329) and lot 6 in this sale).

For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 17 3 * A DU PAQUIER FOOD WARMER AND COVER, CIRCA 1730 Column-shaped with fluted corners, moulded below the flared rim Literature: with green acanthus leaves at the corners and trellis panels flanking W. Mrazek, Wiener Porzellan aus der Manufaktur Du Paquiers (1952), a shell heightened in gilding and enamels to the sides, painted with p.56, fig. 18; sprays of fruit and foliage to each side and European flowers to the M. Newman, Porcelain Warming Urns, in Magazine Antiques corners, the broader, hollow base with a pierced trellis panels on each (May, 1968), p. 660; side moulded at the top with a gilt-edged panel painted with a flower W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), and hung with three tassels, each fluted corner applied with a figure in no. 89, pl. 16; Polish-style costume with the right hand either on the stomach or hat, M. Chilton/C. Lehner-Jobst (eds.), Fired by Passion (2009), cat. no. 397; the base and footrim with painted flower sprigs and a gilt line border, C. Gschiel/U. Nimeth/L. Weidinger (eds.), Schneidern und Sammeln. the domed cover with similar moulded trellis panels and painted flower Die Wiener Familie Rothberger, Schriftenreihe der Kommission für sprigs below moulded trefoil drapes with gilt tassels, painted with Provenienzforschung, vol. 2 (2010), pp. 100f. (illustrated); European flowers, surmounted by a pinecone finial edged in green J. Munger, European Porcelain in the Metropolitan Museum of Art with a gilt tip, 39.5cm high, red-painted MAK inventory number Ke (2018), p. 107, n. 6 7525.28977, old paper label numbered 372 (chip to tip of finial) (2) Only four other examples are known, all painted with flowers rather £50,000 - 70,000 than fruit: one in the Metropolitan Museum of Art, New York, with a €55,000 - 77,000 porcelain liner (Munger, no. 30); one in the Kunstgewerbemuseum, US$65,000 - 91,000 Cologne, lacking its cover; one in the Museo Civico, Turin; and one offered at auction, Sotheby’s London, 5 February 1952, lot 100). Provenance: Heinrich Rothberger Collection, Vienna; Confiscated by the Vienna municipal authorities in November 1938; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für angewandte Kunst), Vienna, in May 1939 (inv. no. Ke7525); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2003; Thence by descent

Du Paquier food warmer, circa 1735, Metropolitan Museum of Art, Gift of Irwin Untermyer, 1964, Accession no. 64.101.269

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 19 4 * A PAIR OF DU PAQUIER CHARGERS FROM THE LIECHTENSTEIN HUNTING SERVICE, CIRCA 1735 Each painted by Jakob Helchis in Schwarzlot, the first with a Literature: landscape scene depicting a standing figure with two horses by two G.E. Pazaurek, Alt-Wiener Porzellan: eine Ausstellungsbetrachtung, broken columns on a plinth and a dog in the foreground, the second in Kunstgewerbeblatt, N.F. XV, no. V (1904), p. 85 (one illustrated); with two horses and a dog drinking from a fountain with a figure at J. Folnescis/E.W. Braun, Geschichte der k.k. Wiener the rear, signed ‘J.H.’, the rims with gilt and Schwarzlot strap and Porzellanmanufaktur (1907), pp. 12 and 24; scrollwork borders, the reverse of each with three foliate strapwork F.H. Hofmann, Geschichte der Bayrischen Porzellan-Manufaktur motifs, 41.6cm and 41.8cm across, applied paper inventory labels with Nymphenburg I (1921), ill. 24 (one illustrated); printed numbers 1495 and 1496 and numbered in ink 1 and 2 and 290 G.E. Pazaurek, Deutsche Fayence- und Porzellan- I (1925), and 291 (one with small flat chip to rim at 9 o’clock and small burn p. 235, ill. 205 (one illustrated); mark to border, the second with small flat chip at 5.30 o’clock (visible M. Sauerlandt, Zwei Du Paquier-Porzellane von Jacobus Helchis, in Der on both sides), scattered wear to scenes overall) (2) Kunstwanderer 7/8 (1925-26), p. 316; I. Schlosser, A Contribution to the Preissler-Anreiter-Helchis Problem, £30,000 - 50,000 in Apollo (February 1952), p. 42, fig. XI; €33,000 - 55,000 J.F. Hayward, Viennese Porcelain of the Du Paquier Period (1952), US$39,000 - 65,000 pl. 40a and b; W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), Provenance: nos. 126 and 127; Amelie Weissberger Collection, Prague (by 1904); K. Hantschmann, Du Paquier contra Meissen. Frühe Wiener Heinrich Rothberger Collection, Vienna (by 1907); Porzellanservice (1994), cat. no. 6.27a and 6.28a Confiscated by the Vienna municipal authorities in November 1938; Placed for safe-keeping in the Staatliches Kunstgewerbemuseum, Exhibited: Vienna, in 1944; Troppau, Kaiser Franz Josef-Museum für Kunst und Gewerbe Acquired by the Museum für angewandte Kunst, Vienna, in 1947 (Schlesisches Landesmuseum), Alt-Wiener Porzellan’, 16 September-2 (inv. nos. Ke8033 and Ke8034); November 1903, nos. 65 and 66; Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, Munich, Bayerisches Nationalmuseum, Du Paquier contra Meissen. in 2015; Frühe Wiener Porzellanservice, 9 December 1994-5 March 1995 Thence by descent

For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 21 Two similarly-decorated Du Paquier hunting services - each including two different border patterns - are recorded: the first was originally owned by the Imperial family and was presented by the Empress Maria Theresia to the Benedictine abbey of Sankt Blasien in 1773; the second belonged to the Princes of Liechtenstein. The Sankt Blasien service was moved in the Napoleonic period to another Benedictine abbey in Austria, from where the surviving 54 pieces were sold to the Staatliche Kunstgewerbemuseum (now Museum für angewandte Kunst) in Vienna in 1925 (M. Chilton/C. Lehner-Jobst, Fired by Passion (2009), cat. no. 227).

According to a 1748 inventory of the silver chamber of the Liechtenstein Schloss Feldsberg in southern Moravia, the “black hunting service” comprised 126 pieces: 80 plates, 8 round and 6 oval , 4 sauce boats, 13 small plates, and 7 eight-cornered and 8 oval dishes in two to three sizes. Of these, 24 pieces have survived in the possession of the Prince of Liechtenstein (Chilton/Lehner-Jobst, cat. no. 228). The Liechtenstein archives reveal that less than a tenth of the wares purchased by the Princes from the Du Paquier manufactory has survived in the family’s possession (K. Hantschmann, The Art of Dining, in Chilton/Lehner-Jobst, vol. 2, p. 835).

See also footnote to lot 6.

For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 23 5 * A DU PAQUIER ARMORIAL VASE, CIRCA 1730-35 Painted with the marriage arms of the von Er and von Tzöchaw families and finely-painted European flowers above a moulded foliate border above the footrim embellished in gilding, green, puce and blue, the knopped neck moulded with a band of foliate motifs edged in gilding and purple above a painted band of alternating trellis and seeded scrollwork panels, painted with similar European flowers below a band of gilt-edged, moulded scrollwork motifs below the gilt-edged rim, the top edge and inside of the rim painted with a green, blue and puce floral and geometric border, 29cm high, red-painted MAK inventory number Ke 7524.28976 (scattered spots of flaking to green enamel)

£60,000 - 80,000 €66,000 - 88,000 US$78,000 - 100,000

Provenance: Heinrich Rothberger Collection, Vienna (by 1904); Confiscated by the Vienna municipal authorities in November 1938; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für Angewandte Kunst), Vienna, in May 1939 (inv. no. Ke7524); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2003; Thence by descent

Literature: W. Mrazek, Wiener Porzellan aus der Manufaktur Du Paquiers (1952), pp. 9, 16, pl. 19; H. Kräftner (ed.), Baroque Luxury Porcelain (2005), no. 68; M. Chilton/C. Lehner-Jobst (eds.), Fired by Passion (2009), cat. no. 437b

Exhibited: Vienna, K.K. Oe. Museum für Kunst und Industrie, Alt-Wiener Porzellan, March-May 1904, no. 158; Vienna, Liechtenstein Museum, Barocker Luxus Porzellan. Die Manufakturen Du Paquier in Wien und Carlo Ginori in Florenz, 10 November 2005-29 January 2006

Part of a five-vase garniture, each with the arms of the Thuringian family, von Er, and the von Tzöchaw family of Meissen: the central vase is in the Art Institute of Chicago, another flanking vase of the same form as the present lot is in a German private collection, and the two, smaller outside vases are in the Museo Civico in Turin (a reconstruction of the garniture is published by G. Zelleke, Gifts, Diplomacy and Foreign Trade, in Chilton/ Lehner-Jobst, ill. 11:47. A two-handled tray with the same arms has also survived (Chilton/Lehner-Jobst, cat. no. 434).

(reverse)

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 25 6 * AN IMPORTANT DOCUMENTARY DU PAQUIER TWO-HANDLED ECUELLE, COVER AND STAND, CIRCA 1735-40 Painted by Jakob Helchis in Schwarzlot, the cover with a continuous landscape scene depicting four putti playing by classical vases and architectural fragments, signed ‘Jacobus Helchis fecit’, surmounted by a gilt finial, the ecuelle with a continuous scene depicting figures in a rocky wooded landscape with fortified buildings in the distance and applied with gilt figural handles, the stand with a large circular scene depicting a putto seated by trees looking through a telescope in the foreground, with two seated figures and a village in the distance, the shaped, gilt-edged rim with a scroll- and strapwork border enclosing trellis panels and heightened in gilding, the reverse of the stand with four flower sprigs, the ecuelle mounted on a high gilt-metal foot, the stand: 23.5cm across; the ecuelle: 21cm across handles, red-painted MAK inventory number Ke 7518.28970 (stand with haircrack to rim issuing from a flat chip on the reverse edge) (3)

£100,000 - 150,000 €110,000 - 170,000 US$130,000 - 200,000

Provenance: C.W. Reynolds Collection, Eaton Square, London (sold at Christie, Manson & Woods, London, 29 May-1 June 1871, or 25-27 February 1874); James Sanders Collection (sold at Christie, Manson & Woods, London, 4 May 1875, lot 130); Mrs Beresford Melville Collection; Heinrich Rothberger Collection, Vienna (by 1907); Confiscated by the Vienna municipal authorities in November 1938; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für angewandte Kunst), Vienna, in May 1939 (inv. no. Ke7518); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2003; Thence by descent

The British Museum, Franks collection, inventory number 263

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 27 Literature: Exhibited: W. Chaffers, Marks and Monograms on and Porcelain (1876), East Berlin, Kunstgewerbemuseum Schloss Köpenick, Wiener p. 428; Porzellan 1718-1864, May-October 1982 A. Wollaston Franks, Catalogue of a Collection of Continental Porcelain (1896), p. 38; Along with the signed companion piece in the British Museum, this J. Folnesics/E.W. Braun, Geschichte der K.K. Wiener Porzellan- lot is of documentary importance in the history of the Du Paquier Manufaktur (1907), pl. VI, no.1; manufactory: these ecuelles provide the basis for the attribution of E.W. Braun, Doccia Porcelain of the Earliest Period, in Burlington Jakob Helchis’s work at Du Paquier and the Schwarzlot style imitating Magazine XIII (1908), p. 145; engravings, in particular. M. Sauerlandt, Zwei Du Paquier-Porzellane von Jacobus Helchis, in Der Kunstwanderer 7/8 (1925-26), pp. 316-317 Jakob or Jacobus Helchis was born in Trieste and worked in Turin W. Mrazek, Wiener Porzellan aus der Manufaktur Du Paquiers (1952), and Venice before coming to Vienna. At his marriage on 15 August pls. 44 and 45; 1741, he was described in the register as “Jakob Felchis, porcelain J. Hayward, Viennese Porcelain of the Du Paquier Period (1952), pl. 58a; painter, widower, born in Triest, resident in the porcelain manufactory” I. Schlosser, A Contribution to the Preissler-Anreiter-Helchis Problem, (C. Lehner-Jobst, History of the First Vienna Porcelain Manufactory, in Apollo (February 1952), p. 42, figs. VIII-X; in Chilton/Lehner-Jobst, vol. 1, p. 212). He was subsequently in R. Charles, Continental Porcelain of the Eighteenth Century (1964). Munich, where - between 1747 and 1750 - he was involved in p. 73; the early attempts to produce porcelain at the nascent Neudeck W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), (later Nymphenburg) manufactory (F.H. Hofmann, Geschichte der pl. 25, no. 154a, b; Porzellanmanufaktur Nymphenburg, II (1922), p. 337). W. Neuwirth, Wiener Porzellan 1718-1864, exhibition catalogue (1982), pp. 56-57; The closely similar silver-mounted ecuelle and cover, also signed on the W. Koschatzky, Zur Kulturgeschichte des Porzellans, in Parnass 1 cover by Jacob Helchis but lacking a stand, is in the British Museum (1993), p. 52 (illustrated); (Sir A.W. Franks Collection, inv. no. 163; published by Chilton/Lehner- M. Chilton/C. Lehner-Jobst (eds.), Fired by Passion (2009), cat. no. 330; Jobst, no. 329). Both the Franks example and the present lot were in C. Gschiel/U. Nimeth/L. Weidinger (eds.), Schneidern und Sammeln. the collections of C.W. Reynolds (mostly sold at Christie’s in 1871, the Die Wiener Famile Rothberger, Schriftenreihe der Kommission für remainder in 1874) and, subsequently, James Sanders. Provenienzforschung, vol. 2 (2010), pp. 105-106 (illustrated)

28 | BONHAMS FINE EUROPEAN CERAMICS | 29 7 * AN EXTREMELY RARE VIENNA MODEL OF AN ELEPHANT, CIRCA 1750 In the white, naturalistically modelled standing with outstretched trunk and long tusks, 23cm high; 49.5cm across; shield mark in underglaze- blue, red-painted MAK inventory number Ke 7523.28975 (one toe chipped, smaller chips to toes, small chip to left ear)

£10,000 - 15,000 €11,000 - 17,000 US$13,000 - 20,000

Provenance: Heinrich Rothberger Collection, Vienna (by 1902); Confiscated by the Vienna municipal authorities in November 1938; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für angewandte Kunst), Vienna, in May 1939 (inv. no. Ke7523); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2003; Thence by descent

Literature: E.W. Braun, Altwiener Porzellan..., in Kunst und Kunsthandwerk VII (1904), ill. p. 222; W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), no. 333; C. Gschiel/U. Nimeth/L. Weidinger (eds.), Schneidern und Sammeln. Die Wiener Famile Rothberger, Schriftenreihe der Kommission für Provenienzforschung, vol. 2 (2010), pp. 108-112 (illustrated)

Exhibited: Vienna 1904, Ausstellung von Alt-Wiener Porzellan, K.K. Oesterr. Museum für Kunst und Industrie, no. 659

This is the only recorded example of this model. A different large model of an elephant was produced about ten years earlier by the Du Paquier manufactory of which only two examples are known: one forms part of an elaborate silver-mounted centrepiece probably given in 1740 to the Russian Empress Anna Ivanova and now in the State Hermitage Museum, St. Petersburg (M. Chilton/C. Lehner-Jobst, Fired by Passion (2009), cat. no. 148); and the second, unpainted example is in the Sullivan Collection (Chilton/Lehner-Jobst, cat. no. 149).

For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 31 8 * TWO VIENNA FIGURAL CANDLESTICKS, CIRCA 1744-49 Each with two putti with coloured robes supporting a cornucopia- shaped shaft applied with trailing flowers, the bases with gilt-edged scrollwork, the sconces edged in gilding, 24.3cm high, one with impressed shield mark and R, the second unmarked, (chip to scrollwork, small chips to applied flowers and leaves) (2)

£1,500 - 2,500 €1,700 - 2,800 US$2,000 - 3,300

Provenance: Heinrich Rothberger Collection, Vienna (by 1904); Confiscated by the Vienna municipal authorities in November 1938; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für angewandte Kunst), Vienna, in October 1940 (inv. nos. Ke 7771 and Ke 7772); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2003; Thence by descent

Literature: W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), nos. 371 and 372

Exhibited: Vienna, K.K. Oe. Museum für Kunst und Industrie, Alt-Wiener Porzellan, March-May 1904, nos. 241 and 242

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 33 9 * A PAIR OF VIENNA CIRCULAR PRÉSENTOIRS, CIRCA 1755 Each painted with a rococo scene on a scrollwork base hung with flower swags, one depicting an elegant couple seated on a bench with another figure at the rear, the second with a seated classical figure of a woman attended by two cupids, gilt scrollwork borders to the rims, 22cm diam., shield marks in underglaze-blue, both with incised M and 2 and 3, respectively, red-painted MAK inventory numbers Ke 7750 and 7751 (2)

£2,500 - 3,500 €2,800 - 3,900 US$3,300 - 4,600

Provenance: Heinrich Rothberger Collection, Vienna (by 1904); Confiscated by the Vienna municipal authorities in November 1938; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für angewandte Kunst), Vienna, in October 1940 (inv. nos. Ke7750 and Ke7751); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2003; Thence by descent

Literature: W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), nos. 235 and 236; W. Neuwirth, Wiener Porzellan 1718-1864, exhibition catalogue (1982), no. 89 (one only)

Exhibited: Vienna, K.K. Oe. Museum für Kunst und Industrie, Ausstellung von Alt- Wiener Porzellan, March-May 1904, nos. 316 and 317; East Berlin, Kunstgewerbemuseum Schloss Köpenick, Wiener Porzellan 1718-1864, May-October 1982 (one only)

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 35 10 * A VIENNA FIGURE OF A MAN SEATED AT A WRITING DESK, CIRCA 1744-49 After the Meissen model, seated on a stool covered in green fabric and holding a pen with a letter on the desk inscribed: Ce que je n’ose vous dire ne pouvoir je pas vous l’écrire. (that which I don’t dare to tell you, I will try and write to you), wearing a puce jacket, yellow waistcoat and black breeches, the desk legs heightened in blue, on a rectangular flat base, 15cm high, impressed shield mark and i to rear of base, red-painted MAK inventory number Ke 7765.29430, faint collectors marks in black ink (pen and seal on desk chipped, gilding worn)

£2,500 - 3,500 €2,800 - 3,900 US$3,300 - 4,600

Provenance: Heinrich Rothberger Collection, Vienna; Confiscated by the Vienna municipal authorities in November 1938; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für Angewandte Kunst), Vienna, in October 1940 (inv. no. Ke 7765); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2003; Thence by descent

Literature: W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), no. 339; W. Neuwirth, Wiener Porzellan 1718-1864, exhibition catalogue (1982), no.243

Exhibited: East Berlin, Kunstgewerbemuseum Schloss Köpenick, Wiener Porzellan 1718-1864, May-October 1982

For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 37 11 * 12 * A VIENNA FIGURE OF A WOMAN WITH FLOWER BASKET, A RARE VIENNA GROUP OF PANTALONE AND FAMILY, CIRCA 1744-49 CIRCA 1750 Wearing a yellow-edged puce crinoline skirt and white, flower-edged Pantalone dressed in iron-red breeches and jacket with a black coat jacket, yellow apron and a puce hat with flower sprig, carrying a basket and purple-striped sash and yellow shoes, his companion holding of flowers in her right hand, 15cm high, impressed shield mark and R, his pince-nez in her right hand and carrying a baby with the left, red-painted MAK inventory number Ke 7521.28972 (minor chips to wearing a green hat and purple skirt, on a grassy base applied with applied flowers in basket, chip to left toe and left sleeve at elbow, small leaves, flowers and a tree-stump support, 21.5cm high, shield mark in chip to edge of dress) underglaze-blue, impressed H, red-painted MAK inventory number Ke 7498.28699 (chip to leaf on back of base) £2,500 - 3,500 €2,800 - 3,900 £1,200 - 1,800 US$3,300 - 4,600 €1,300 - 2,000 US$1,600 - 2,300 Provenance: Heinrich Rothberger Collection, Vienna; Provenance: Confiscated by the Vienna municipal authorities in November 1938; Heinrich Rothberger Collection, Vienna; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für “Given” by Heinrich Rothberger in August 1938 to the Staatliches Angewandte Kunst), Vienna, in May 1939 (inv. no. Ke7521); Kunstgewerbemusem (later Museum für Angewandte Kunst), Vienna Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, (inv. no. Ke7498); in 2003; Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, Thence by descent in 2004; Thence by descent Literature: R.M. Vetter, Old Vienna Porcelain, in Antiques 2 (1949), p. 112, ill. 8; Another, slightly later example of this rare group is published in H. W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), Kräftner (pub.), Zeremonien Feste Kostüme. Die Wiener Porzellanfigur no. 324; in der Regierungszeit Maria Theresias (2010), no. 91. W. Neuwirth, Wiener Porzellan 1718-1864, exhibition catalogue (1982), no. 226; C. Gschiel/U. Nimeth/L. Weidinger (eds.), Schneidern und Sammeln. Die Wiener Famile Rothberger, Schriftenreihe der Kommission für Provenienzforschung, vol. 2 (2010), pp. 107-108 (illustrated)

Exhibited: East Berlin, Kunstgewerbemuseum Schloss Köpenick, Wiener Porzellan 1718-1864, May-October 1982

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 11

12

FINE EUROPEAN CERAMICS | 39 13 14

13 * 14 * A VIENNA HUNTING GROUP, CIRCA 1750-55 A VIENNA FIGURE OF A HUNTRESS, CIRCA 1744-49 Depicting a huntsman butchering a deer with a dog to one side, on Holding a rifle in her right hand and a dead bird in the left, wearing a a grassy square base applied with flowers and a tree, 16.5cm high, yellow and blue hunting costume with silvered edges, 15.5cm high, shield mark in underglaze-blue, red-painted MAK inventory number Ke incised 4, red-painted MAK inventory number Ke 7552.28974 (face 7768.29433 (two branches of tree chipped, his knife-blade broken off) and head restored with some visible cracks, rifle chipped, some losses to ribbons, some restoration to front of dress at right toe) £800 - 1,200 €880 - 1,300 £800 - 1,200 US$1,000 - 1,600 €880 - 1,300 US$1,000 - 1,600 Provenance: Heinrich Rothberger Collection, Vienna; Provenance: Confiscated by the Vienna municipal authorities in November 1938; Heinrich Rothberger Collection, Vienna; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für Confiscated by Vienna municipal authorities in November 1938; angewandte Kunst), Vienna, in October 1940 (inv. no. Ke7768); Acquired by the Staatliches Kunstgewerbemuseum (later Museum für Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, Angewandte Kunst), Vienna, in May 1939 (inv. no. Ke 7522); in 2003; Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, Thence by descent in 2003; Thence by descent Literature: W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), Literature: no. 335 W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), no. 323

Other examples of this figure are in the Museum für Angewandte Kunst, Vienna (Mrazek/Neuwirth, no. 322, formerly in the Karl Mayer Collection); the Victoria & Albert Museum, London (inv. no. C.67-1939); and published in H. Kräftner (pub.), Zeremonien Feste Kostüme. Die Wiener Porzellanfigur in der Regierungszeit Maria Theresias (2010), no. 114.

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 15 * A VIENNA BLUE-GROUND TWO-HANDLED ECUELLE, COVER AND STAND, CIRCA 1775-80 The blue ground with a gilt caillouté pattern reserved with panels, Provenance: probably painted by Georg Lamprecht, depicting alternating scenes of Heinrich Rothberger Collection, Vienna; putti and trophies emblematic of the arts on the stand, two panels with Confiscated by the Vienna municipal authorities in November 1938; putti on the ecuelle and two with trophies on the cover, within floral Acquired by the Staatliches Kunstmuseum (later Museum für cartouches in two tones of gilding with seeded and trellis scrollwork Angewandte Kunst), Vienna, in October 1940 (inv. no. Ke7755); panels, gilt-edged scroll handles, the stand: 22.8cm diam.; the ecuelle: Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, 19.5cm across handles, shield marks in underglaze-blue, impressed in 2003; numerals 40 on the stand (probably for Joseph Tomasch) and 7 on the Thence by descent ecuelle (for Anton Fuchs) (very minor wear and some discolouration to gilding on stand, small retouched flat chip to rim of stand) (3) Literature: W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), £2,000 - 3,000 no. 580; €2,200 - 3,300 W. Neuwirth, Wiener Porzellan 1718-1864, exhibition catalogue (1982), US$2,600 - 3,900 no. 102

Exhibited: East Berlin, Kunstgewerbemuseum Schloss Köpenick, Wiener Porzellan 1718-1864, May-October 1982

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 41 16 * A VIENNA BLUE-GROUND GOLD-MOUNTED OVAL SNUFF BOX, CIRCA 1770-75 With oval panels painted with scenes depicting children in pastoral landscapes, reserved against the dark-blue ground with formal gilt decoration in two tones of gilding, the scenes within scrolling borders, the cover and base with curved panels reserved with floral and foliate motifs, the side with scrollwork columns flanked by trailing floral swags, the inside cover with an elaborate harbour scene in an Arcadian landscape, the mount chased with floral motifs enclosed by scrolling foliage, 9.3cm across, red-painted MAK inventory number Ke 7759.29424 (minor rubbing to base)

£7,000 - 9,000 €7,700 - 9,900 US$9,100 - 12,000

Provenance: Heinrich Rothberger Collection, Vienna (by 1904); Confiscated by the Vienna municipal authorities in November 1938; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für angewandte Kunst), Vienna, in October 1940 (inv. no. Ke7759); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2003; Thence by descent

Literature: W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), no. 247

Exhibited: Vienna, K.K. Oe. Museum für Kunst und Industrie, Alt-Wiener Porzellan, March-May 1904, no. 474

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 43 17 * A VIENNA, SORGENTHAL, CASED SOLITAIRE, CIRCA 1801 Painted with silhouette portraits depicting members of the royal family The silhouettes depict: of Naples-Sicily within gilt snake and chain borders, the gilt-edged rims King Ferdinand and Queen Maria Carolina of Naples-Sicily on the tray; with a tooled gilt formal border of alternating floral and foliate motifs, in Crown Prince Francesco (later King of the Two Sicilies) on the cup and the original leather case, comprising: his consort, Archduchess Maria Clementina of Austria, on the saucer; an oval tray, depicting Ferdinand and Maria Carolina and inscribed in Prince Leopold (sixth and youngest son of Ferdinand and Maria black ‘Gage et symbol de ma amitié’; Carolina) on the sugar bowl; a coffee pot and cover, depicting Marie Amélie and Maria Theresia; Princesses Maria Amalia (later Queen of the French) and Maria a sugar box and cover, depicting Leopold; Theresia (Empress of Austria), daughters of Ferdinand and Maria a milk jug and cover, depicting Carolina, inscribed ‘pensez à nous tous’ Carolina; on the reverse; Maria Carolina (later Duchess of Berry), daughter of Crown Prince and a cup and saucer, depicting Crown Prince Franz, the tray: 31.8cm Francesco across, shield marks in underglaze-blue, impressed date codes 800 and 801, further impressed P (the tray), 25 (sugar bowl), 47 (cup) and Maria Carolina of Austria married King Ferdinand IV of Naples in 1768. 8 (milk jug), some incised marks, applied paper labels to tray inscribed She was one of the daughters of Empress of Austria, 198 and printed 387 (the milk jug cover broken into three and restuck, who had orchestrated the marriage to ensure the continuation of the flat chip to spout of milk jug, slight wear to gilding on tray) (10) Habsburg empire throughout Europe. Maria Carolina grew up in the midst of precious and important porcelain, understanding its worldly £8,000 - 12,000 and diplomatic value. Indeed, in 1744 Empress Maria Theresa had €8,800 - 13,000 taken over and saved the financially failing Du Paquier porcelain US$10,000 - 16,000 factory, ensuring the continuation of the porcelain production in Vienna. Upon her marriage Maria Carolina brought the taste for Viennese Provenance: neo-classical porcelain to Naples, inspiring her husband Ferdinand IV Heinrich Rothberger Collection, Vienna (by 1904); to re-start the porcelain production in Naples with the Real Fabbrica Confiscated by the Vienna municipal authorities in November 1938; Ferdinandea manufactory in 1771. Acquired by the Städtische Sammlungen Vienna, Historisches Museum, in August 1940 (inv. no. 68.918/1-10); The relationship between Naples and Vienna continued when Maria Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, Theresia, the daughter of King Ferdinand and Queen Maria Carolina of in 2003; Naples-Sicily, married Archduke Franz of Austria in 1790, later Franz II, Thence by descent Holy Roman Emperor, and Emperor Franz I of Austria. The portraits in the present lot are after silhouettes by Franz Deiwel, Literature: court artist to the Holy Roman Emperor, Francis II (who was married E. Sturm-Bednarczyk/C. Jobst, Wiener Porzellan des Klassizismus to Maria Theresia, daughter of Ferdinand and Maria Carolina). It is (2000), no. 120 possible that this service was commissioned by Maria Carolina as a gift to her daughter, Maria Theresa, on the occasion of Maria Carolina’s Exhibited: visit to Vienna in 1802 (see above Literature, p. 118). Vienna, K.K. Oe. Museum für Kunst und Industrie, Alt-Wiener Porzellan, March-May 1904, no. 1708

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 45 Mariano Bovi, after Angelica Kauffmann

Maria Carolina of Austria married King Ferdinand IV of Naples in 1768. She was one of the daughters of Empress Maria Theresa of Austria, who had orchestrated the marriage to ensure the continuation of the Habsburg empire throughout Europe. Maria Carolina grew up in the midst of precious and important porcelain, understanding its worldly and diplomatic value. Indeed, in 1744 Empress Maria Theresa had taken over and saved the financially failing Du Paquier porcelain factory, ensuring the continuation of the porcelain production in Vienna. Upon her marriage Maria Carolina brought the taste for Viennese neo-classical porcelain to Naples, inspiring her husband Ferdinand IV to re-start the porcelain production in Naples with the Real Fabbrica Ferdinandea manufactory in 1771.

The relationship between Naples and Vienna continued when Maria Theresia, the daughter of King Ferdinand and Queen Maria Carolina of Naples-Sicily, married Archduke Franz of Austria in 1790, later Franz II, Holy Roman Emperor, and Emperor Franz I of Austria.

46 | BONHAMS FINE EUROPEAN CERAMICS | 47 18 * AN EXTREMELY RARE VIENNA CIRCULAR TABLE-TOP, CIRCA 1794 Painted by Georg Lamprecht with birds and scrolling foliage, green and formal gilt borders, mounted on a mahogany étagère with wheels, 40cm diam.; overall height 75.5cm shield mark in underglaze-blue, impressed date codes 94 and numeral 29 (for Michael Lorenz), red-painted MAK inventory number Ke 7760.29425

£8,000 - 12,000 €8,800 - 13,000 US$10,000 - 16,000

Provenance: Heinrich Rothberger Collection, Vienna; Confiscated by the Vienna municipal authorities in November 1938; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für angewandte Kunst), Vienna, in October 1940 (inv no. Ke7760); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2003; Thence by descent

Literature: W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), no. 587, pl. 81; W. Neuwirth, Wiener Porzellan 1718-1864, exhibition catalogue (1982), no. 150

Exhibited: East Berlin, Kunstgewerbemuseum Schloss Köpenick, Wiener Porzellan 1718-1864, May-October 1982

For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 49 19 * 20 * A VIENNA, SORGENTHAL, OVAL TRAY, CIRCA 1802 A VIENNA, SORGENTHAL, CUP AND SAUCER, CIRCA 1809 Painted by Anton Schaller with a scene depicting the Death of Dido, Decorated with a matte dark-blue ground with gilt trophies, the saucer after Heinrich Füger, titled on the reverse: ‘La mort de Dido/ l’original with a view of soldiers resting by the ‘Spinnerin am Kreuz’ and Vienna peint par mons: Henri Füger/ se trouve dans le Cabinet de Son in the distance, the cup with a Napoleonic scene within a burnished Altesse/ Serenissime Monsr. le prince Dominique Kaunitz.’ in black, gilt frame depicting two wounded soldiers and a proclamation dated within formal tooled gilt borders, signed bottom right ‘A. Schaller p. 15th August 1809, the cup: 6cm high; the saucer: 14cm diam., d’Après H. (Fü)ger’, 41.9cm across, impressed 803 and P (restored) shield marks in underglaze-blue, both impressed 809, the saucer with impressed 9, the cup with 47 and 4 (2) £1,500 - 2,500 €1,700 - 2,800 £1,500 - 2,500 US$2,000 - 3,300 €1,700 - 2,800 US$2,000 - 3,300 Provenance: Heinrich Rothberger Collection, Vienna, thence to his son; Provenance: Friedrich Rothberger (1902-2000); Heinrich Rothberger Collection, Vienna (by 1904); Thence to his cousin, Mrs Bertha Gutmann; Confiscated by the Vienna municipal authorities in November 1938; Thence by descent Acquired by the Städtische Sammlungen Vienna, Historisches Museum, in August 1940 (inv. no. 68.920); Anton Schaller (1773-1844) was active at the Vienna porcelain Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, manufactory between 1786 and 1826, though he was unable to work in 2003; between 1807 and 1818 due to illness. From 1831 he taught anatomy Thence by descent at the Vienna Academy. Literature: J. Folnesics/E.W. Braun, Geschichte der k.k. Wiener Porzellanmanufaktur (1907), p. 133, ill. p. 78; A. Brüning, Wiener Porzellan, in Kunst und Kunsthandwerk (1908), p. 284 (illustrated); G. Pazaurek, Zur Geschichte des Biedermeierglases, in Der Cicerone 14 (1922), p. 577, n.1

Exhibited: Vienna, K.K. Oe. Museum für Kunst und Industrie, Alt-Wiener Porzellan, March-May 1904, no. 567

For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 20

21

21 * A VIENNA, SORGENTHAL, CUP AND SAUCER, CIRCA 1797 Each decorated with a formal gilt floral pattern on a metallic purple ground below a tooled gilt zig-zag border, and a tooled gilt floral and foliate scrollwork band edged in purple on a pale-blue ground, gilt-edged rims, the cup: 5.3cm high; the saucer: 13.5cm diam., shield marks in underglaze-blue, impressed 97 to both and numerals 47 and 39, red- painted MAK inventory number Ke 7753/1 and 2 (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance: Heinrich Rothberger Collection, Vienna; Confiscated by the Vienna municipal authorities in November 1938; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für angewandte Kunst), Vienna, in October 1940 (inv. no. Ke7753); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2003; Thence by descent

Literature: W. Mrazek/W. Neuwirth, Wiener Porzellan 1718-1864 (n.d. - 1970), no. 610

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 51 22 * A SÈVRES BLEU CÉLESTE-GROUND MONTEITH, CIRCA 1768 Seau crénelé, each side reserved with a gilt-edged oval panel painted From the service made in 1768 and 1769, probably for Nikolai by Antoine-Joseph Chappuis with a scene depicting two birds in a Konstantinovich Chotinski, Russian chargé d’affaires to France from landscape below gilt flower swags, titled on the underside in black: 24 December 1767 to January 1774, and subsequently from 1780 to ‘pie bleu des indes/ pie de D’anemarc’ and ‘petit ManaKuin/ La 1782; for a discussion of the service and its components, see David pompadour’, gilt-edged foliate scroll handles, gilt-edged rims, 29.5cm Peters, Sèvres Plates and Services of the 18th Century (2005), II, no. across handles; 12.7cm high, interlaced LL monogram enclosing date 69-2. Twenty-four plates and two seau à glace were purchased on 9 letter P and painter’s mark ‘cp’ in blue, incised P, applied paper labels, March 1769 by M. de Cotensky, whom Peters identifies as probably black-painted Fitzwilliam Museum inventory number C.38-1961 having been Nikolai Konstantinovich Chotinski, the Russian chargé d’affaires to France. He assumes the purchase was a supplement to £6,000 - 8,000 an earlier service purchase on 5 November 1768 by an unnamed cash €6,600 - 8,800 buyer. According to the records this earlier purchase included six seau US$7,800 - 10,000 crénelé at a price of 198 livres. It seems likely that part of the service, including four seau crénelé, Provenance: ended up in the 19th century collection of Count A. D. Sheremetev Heinrich Rothberger Collection, Vienna; and was subsequently offered for sale in London in 1906 by the Bond Sold by Hans W. Lange, Berlin, 18-19 November 1938, lot 747; Street dealer, Asher Wertheimer. Louis C.G. Clarke Collection, Cambridge (by October 1948); Fitzwilliam Museum, Cambridge, inv. no. C.38-1961 (bequeathed The bird subjects on the service, all titled on the undersides and by the above in 1960); bases, are mainly after ornithological engravings in George Edwards, Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, A Natural History of Birds, Vols. 1-4 (1743-51), partially published in in 2003; France in 1745 and 1748 as Histoire naturelle des divers oiseaux. Thence by descent

(reverse)

For details of the charges payable in addition to the final Hammer Price of each Lot 52 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 53 23 * A DOCCIA CHOCOLATE CUP AND SAUCER, CIRCA 1760 The cup moulded in low relief with Apollo in his chariot, and Diana and her nymphs, the saucer with moulded swags and shell-shaped shields, all embellished in polychrome enamels and gilding, applied with a handle of entwined branches, the saucer similarly moulded and coloured with scroll- and strapwork cartouches enclosing a shell hung with floral swags, gilt-edged rims, the beaker: 7cm high; the saucer: 13.5cm diam. (one leaf of handle missing, haircrack to base of handle, two small retouched flat chips to rim of cup, minor flaking to gilt rim of saucer) (2)

£1,500 - 2,500 €1,700 - 2,800 US$2,000 - 3,300

Provenance: Heinrich Rothberger Collection, Vienna; Offered for sale at Hans W. Lange, Berlin, 18-19 November 1938, lot 734; Acquired by the Staatliches Kunstgewerbemuseum (later Museum für angewandte Kunst), Vienna, from the auctioneer Adolf Weinmüller, 23 Vienna, in October 1939 (inv. no. Ke7532); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2006; Thence by descent

24 * A MEISSEN GILT-METAL-MOUNTED NEEDLE CASE (ETUI), CIRCA 1760 Painted with exotic birds within flowers and trellis and insects, each end with a bird in flight, 12.3cm, red-painted MAK inventory number Ke 7532

£600 - 800 €660 - 880 US$780 - 1,000

Provenance: Heinrich Rothberger Collection, Vienna; Offered by Hans W. Lange, Berlin, 18-19 November 1938, lot 532; Purchased by the Staatliches Kunstgewerbemuseum (later Museum für Angewandte Kunst), Vienna, from the auctioneers Adolf Weinmüller, Vienna, in October 1939 (inv. no. Ke7532); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2006; Thence by descent 24

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 25 * A RARE PAIR OF FULDA FIGURES OF A MAN AND WOMAN FEEDING ANIMALS, CIRCA 1770-75 Modelled by Georg Ludwig Bartholomae, the woman feeding Provenance: chickens, wearing a grey-chequered bodice and striped skirt with puce Heinrich Rothberger Collection, Vienna; floral hem, holding grain gathered in her green apron, the man standing Sold by Hans W. Lange, Berlin, 18-19 November 1938, lot 696; by a dog kennel with a dog eating from a bowl and a cat watching, his Friedrich-Karl-August and Getrud-Agathe Hülsmann, Hamburg; left hand raised, wearing a puce-striped jacket reserved with flowers Museum Huelsmann, Bielefeld (bequest of the above in 1984); and green, patterned breeches, the base applied with leaves, 16.5cm Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, and 15.3cm high, cross marks in underglaze-blue, black-painted in 2017; inventory numbers H-K2, applied paper collectors’ labels inscribed Thence by descent in ink ‘No. 6.’ (twice) and ‘321’ and ‘322’ (two tiny chips to ribbons on lady’s shoulder and neck) (2) Literature: C. Fritzsche/G.K. Stasch, Hochfürstlich Fuldische Porzellainmanufaktur £7,000 - 9,000 1764-1789 (1994), p. 212, no. 007-10 and 008-10 €7,700 - 9,900 US$9,100 - 12,000 These figures are mentioned in a factory inventory of 1 July 1775: ‘Figuren so Hund und Hüner füttern’ [figures feeding a dog and chickens] as well as in a price-list of 1786 quoted by Fritzsche/Stasch, p.67; see also nos. 31 and 32 for similar figures in the Vonderau- Museum, Fulda, and a list of further recorded examples.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 55 26 * A PAIR OF FRANKENTHAL FIGURES OF DANCERS, CIRCA 1766 The gentleman wearing a plumed turban with a silvered crown, a lavender fur-lined cloak with gilt striped, a jacket with gilt flowers and a wide tunic with gilt stripes and a sword at the front, puce breeches and salmon-pink boots, she with a laced bodice, purple-striped skirt and apron decorated with green flowers, the grassy bases moulded with gilt-edged scrollwork, 16.8cm and 16cm high, crowned CT monograms and AB in underglaze-blue, with a additional 6 on the female figure, he incised S2, red-painted MAK inventory numbers Ke 7496.28697 (him) and Ke 7497.28698 (her) (two plumes restuck, sword handle broken off, her hat chipped) (2)

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

Provenance: Heinrich Rothberger Collection, Vienna (by 1903); “Given” by Hans W. Lange to the Staatliches Kunstgewerbemuseum (later Museum für Angewandte Kunst), Vienna (inv. nos. Ke7496 and Ke7497); Restituted to Heinrich Rothberger’s niece, Mrs Bertha Gutmann, in 2004; Thence by descent

Literature: F.H. Hofmann, Frankenthaler Porzellan, vol. I (1911), no. 360, pl. 82; C. Gschiel/U. Nimeth/L. Weidinger (eds.), Schneidern und Sammeln. Die Wiener Famile Rothberger, Schriftenreihe der Kommission für Provenienzforschung, vol. 2 (2010), pp. 114-116 (illustrated);

For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 57 Various Owners

27 A HISPANO-MORESQUE LUSTRE-DECORATED SMALL PLATE, PROBABLY VALENCIAN, CIRCA 1525-60 Decorated in copper lustre with eight radiating solid panels, alternating with white, and with semi-circles inside the trellis band around the rim, the reverse with spirals, the reverse inscribed in ink 4341/ ra(?)/ 1950, 23.7cm diam. (typical minor wear)

£600 - 800 €660 - 880 US$780 - 1,000

27

28 AN ITALIAN MAIOLICA ALBARELLO, POSSIBLY PESARO OR MERIDIONALE, CIRCA 1500 Of slightly waisted cylindrical form, painted with continuous angular geometric intertwining bands in shaded blue against an ochre background, enclosed by several geometric bands in blue, the neck with dash pattern border, 20cm high (cracked)

£4,000 - 5,000 €4,400 - 5,500 US$5,200 - 6,500

For archaeological fragments of Pesaro pieces with interwoven angular bands see Andrea Ciaroni, Maioliche del Quattrocento a Pesaro (2004), p. 171, cat.no. 3-55.

This albarello is being offered with a thermoluminescence analysis report from Oxford Authentication.

28

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 29 A HISPANO-MORESQUE DRUG JAR, VALENCIA (PATERNA OR MANISES), CIRCA 1400-1450 Of cylindrical form with an angled shoulder and tall neck, painted in blue with geometric and stylised foliate bands, 29cm high (rim section restuck, typical minor losses to glaze)

£8,000 - 12,000 €8,800 - 13,000 US$10,000 - 16,000

See A. Ray, Spanish Pottery 1248-1898 (2000), pp. 44-46, for a discussion of blue monochrome pottery in Valencia, and nos. 95 and 127 for drug jars with similar decorative elements.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 59 30 A MAIOLICA ISTORIATO DISH, URBINO, POSSIBLY THE WORKSHOP OF GUIDO DURANTINO (GUIDO FONTANA) CIRCA 1540 Decorated with a scene of a man on horseback, dressed in a suit of armour and with a plume on his helmet, his white horse galloping towards a man running from them, a small black porcupine with a blue band around its waist to his side, all within a naturalistic woodland setting, 23cm diam, paper label to the reverse (minimal typical losses to the glaze on the edge of the rim)

£8,000 - 12,000 €8,800 - 13,000 US$10,000 - 16,000

Provenance: German private collection

Guido Durantino, originally from Castel Durante, was known to have run one of the largest maiolica workshops in Urbino employing many of the best painters in the city, especially for istoriato painting. For further details and further pieces attributed to the workshop, see T. Wilson, Maiolica, Italian Renaissance Ceramics in the Metropolitan Museum of Art (2016), nos. 63, 67 and 68. Another piece from the workshop was sold in these rooms, 6 December 2018, lot 1, and is now in the collection of the University of Georgia.

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 31 AN URBINO ISTORIATO MAIOLICA OVAL COVER OR DISH, CIRCA 1530-50 Decorated on both sides, one with an unidentified mythological scene, likely Venus and Cupid, seated and eating from a small bowl of food between them, another figure rushing in, the other with a large angel holding an urn, surrounded by clouds, the side with an elaborate three-dimensional moulded pattern of circular and oval elements in blue, 18cm diam.

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance: Private collection, Italy 31

32 AN ITALIAN MAIOLICA ISTORIATO SHALLOW CIRCULAR DISH, MID 16TH CENTURY Painted with a landscape scene depicting Hercules standing by rockwork over a recumbent figure raising his club, 22.2cm diam. (haircrack to rim)

£3,000 - 4,000 €3,300 - 4,400 US$3,900 - 5,200

Provenance: Private collection, Italy

32

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 61 33 A CASTELLI MAIOLICA ARMORIAL SMALL DISH FIRST HALF 18TH CENTURY Decorated with a coat of arms and the initials A M, above a landscape scene with figures and a building at a lake, the rim with a band of foliate scrollwork, 24.3cm diam. (typical chips to rim)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Two similar dishes were sold at Christie’s Paris, 16 November 2008, lot 27, where the coat of arms was attributed to the Durini family. Unfortunately, only certain aspects correspond and it is more likely the coat of arms belongs to another family.

For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 34 A LARGE COLOGNE/FRECHEN BELLARMINE BEARING THE ARMS OF AMSTERDAM, FIRST HALF 17TH CENTURY With neck-cordons and a strap handle, moulded with a bearded mask around the neck and moulded oval medallions to the side, with the coat of arms for the city of Amsterdam on the front, 41.8cm high (typical minor chips to footrim edge)

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

Another bellarmine with the arms of Amsterdam is in the collection of the British Museum, illustrated in D. Gaimster, German Stoneware 1200-1900 (1997), no. 67.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 63 35 A LARGE DUTCH DELFT BALUSTER VASE AND COVER, DE PAAUW FACTORY, CIRCA 1700 Decorated in blue and green with details in red and yellow with a peacock amidst flowering shrubs surrounded by scattered birds and insects in flight, above a stiff leaf border, the shoulder with a band of pendant motifs enclosing flower heads, the domed cover similarly decorated, 53cm high (cover restored) (2)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

Provenance: The Property of a Spanish Noble Family

The De Paauw factory was founded in 1651 in the east of the city of Delft. Marion van Aken-Fehmers in her seminal book Delfts Aardewerk, geschiedenis van een nationaal product (2001) describes the history of the factory in detail. The success of the factory can be measured at least in part by the rapid succession of owners. From 1701, the Kam family took ownership of the factory and under the leadership of father and son Gerrit and David Kam, the factory flourished. Like many Dutch delft potters, the Paauw factory produced sought- after blue and white objects designed after Chinese blue and white example. Another lucrative branch of the production of the Paauw factory were pieces decorated in berettino with a blue ground-colour picked out in lighter decorative schemes of flowers much in the style of Nevers production. The ambitious Paauw factory was responsible for several technical developments in the production of Dutch Delftware, which also included experiments with polychrome colours in grand feu, which were very hard to manage. In this vase, we can see blue, green and yellow tones, and traces of the cold-decorated red 35 too. From an inventory of the factory and house contents from 1725 and documented minutely by Van Aken-Fehmers (op. cit. pp.160-163), it becomes clear that in the living room on a large cabinet, there was a large Kaststel or garniture of vases. It is tempting to think this vase would have been one of that type. It is noted by Van Aken-Fehmers (op. cit. p.162) that the factory was producing eight-sided large garnitures. Examples of these kinds of polychrome wares are rare, and only a few vases with polychrome grand feu colours are known today, a fully marked garniture previously in the collection of Dr. F. H. Fentener van Vlissingen (1882-1962), is now with Aronson Antiquairs.

36 A DUTCH DELFT DISH, MID 18TH CENTURY Painted in blue in the centre with a scene showing figures in a boat on a canal by buildings with a fisherman in the foreground, within a yellow strapwork border edged in ochre, the rim with four blue garden views in yellow borders on a dense green foliate ground reserved with puce and yellow flowers, blue leaves and scrollwork and enclosing four blue putti, 35.5cm diam.

£800 - 1,200 €880 - 1,300 US$1,000 - 1,600

Provenance: The Gustav Leonhardt Collection, Sotheby’s London, 29 April 2014, lot 459 36

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 37 A DOCUMENTARY NUREMBERG FAIENCE PEWTER-MOUNTED JUG (ENGHALSKRUG), SIGNED BY GEORG FRIEDRICH GREBNER AND DATED 1728 The spirally-moulded body painted by Georg Friedrich Grebner in This documentary example of Georg Friedrich Grebner’s work is yellow, blue, manganese and green with a circular scene depicting unrecorded; Silvia Glaser (Nürnberger Fayencen (2017), pp. 110-112) a grape harvest with distant figures seated at a table and buildings, has listed 39 other pieces painted by Grebner at Nuremberg between within a band of foliate scrollwork flanked by cornucopiae filled with 1710 and 1730 that are signed and dated. Grebner is considered one fruit and a peacock perched on the edge, foliage and flowers, the of the most outstanding painters at Nuremberg. ribbed neck with insects below foliate scrollwork borders, the rope- twist handle striped in yellow and green, the pewter cover with a ball The last Enghalskrug by Georg Friedrich Grebner to appear at auction, thumb-piece, unmarked, 36.5cm high, signed ‘GF Grebner/ 1728./ d. signed and dated 16 September 1729, formerly in the collections 10. July’ on the base in manganese, (small flat chip to footrim) of Eugen Mayer, Carl Janicke and Dr. Ragnar Børsum, was sold at Sotheby’s London, 23 June 1992, lot 28, and is now in the Helmut £10,000 - 15,000 Neuner Collection (Alfred Ziffer, Malerei und Feuerkunst. Fayencen der €11,000 - 17,000 Sammlung Neuner (2005), no. 29). US$13,000 - 20,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 65 38 A VERY RARE PAIR OF LARGE HÖCHST FAIENCE MODELS OF PARROTS, CIRCA 1750-52 Modelled by Johann Gottfried Becker, decorated by Johannes Zeschinger, one signed, each seated on an elaborately pierced tree stump base decorated with applied leaves and foliage, the birds with exotic polychrome colours, 36.8cm and 38.4cm, the green bird with of a wheel and ‘Zeschinger’ in puce, the puce bird with quartered O and IE in blue (restoration to one tail and around the edge of each base) (2)

£40,000 - 60,000 €44,000 - 66,000 US$52,000 - 78,000

Similar models of parrots are in Schloss Favorite, the Metropolitan Museum of Art, New York, and formerly in the Pflüger Collection, New York; for a comprehensive discussion, see H. Reber, Die Kurmainzische Porzellan-Manufaktur Höchst: Fayencen (1986), figs. 18-32. The author notes that these models are derived from the large- scale porcelain models by J.J. Kaendler. Both Adam Friedrich von Löwenfinck and Johann Gottfried Becker had worked at Meissen and would have been familiar with Kaendler’s models, so it is not surprising that animal models, and in particularly large models of parrots, seem to have been one of the preferred models in Höchst faience between 1750-53. According to Reber (pp. 50-51), it is unlikely that the technical feat of producing these models in porcelain was beyond the Höchst manufactory, so it is surprising that the models were not made in porcelain. Johannes Zeschinger was one of the most talented painters at Höchst, where he worked for around seven years between 1746 and 1753, when he moved to Fürstenberg.

For details of the charges payable in addition to the final Hammer Price of each Lot 66 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 67 39 A PAIR OF DOCUMENTARY HÖCHST FAIENCE VASES AND COVERS, CIRCA 1750-53 Of baluster form with flared foot and domed cover, painted in polychrome enamels by Adam Ludwig and Philipp Zisler with butterflies and birds amidst flowering branches issuing from a terrace with pendant leaves and flowers, the reverse with scattered leaves and flowers, all below a border of trellis panels with a flowerhead and enclosed by foliage alternating with lappet-shaped panels enclosing a shell motif, flowers and foliage, the domed covers similarly decorated with a finial embellished with a black floral motif, 29.5cm high, ‘:P.Z:’ and ‘:A.L:’ flanking a wheel mark in black (some restoration to covers, chip to each footrim and one with small haircrack) (4)

£30,000 - 50,000 €33,000 - 55,000 US$39,000 - 65,000

Part of a garniture of which the central vase is in the Metropolitan Museum of Art, New York (inv. no. 50.211.196) and one of the beaker vases is in the Museum für Kunst und Gewerbe, Hamburg (inv. no. 1956.127), all of which are signed by both Adam Ludwig and Philipp Zisler.

See G-D. Helke, Fayencen (2006), p. 89, for the beaker vase in Hamburg; both the beaker vase and the central vase in the Metropolitan Museum are published by H. Reber, Die Kurmainzische Porzellanmanufaktur Höchst, II: Fayencen (1986), ills. 164 and 170, respectively.

Metropolitan Museum of Art, Gift of R.Thornton Wilson in memory of Ellsworth Wilson, 1950

For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 69 41 A FRENCH FAIENCE OVAL DISH, THIRD QUARTER 18TH CENTURY Painted in the centre with an amusing polychrome scene of figures in a landscape vignette flanked by elaborate rococo scrollwork and drapery, one seated with a book, another chained to his neck and a third seated at a rococo writing desk, the silver-shaped rim with a border of leaves, grasses and foliate scrollwork flanked by putti within blue and iron-red line borders, 46cm across

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

Provenance: Anon. sale in these Rooms, 14 May 2008, lot 35; Acquired by the present owner in the above sale

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 42 A PAIR OF LARGE FRENCH FAIENCE MODELS OF LIONS, CIRCA 1800 Each modelled seated on a stepped square plinth, their tails curled up their backs, decorated in shades of blue, yellow, red and black, 52.5cm high (typical glaze losses and small chips) (2)

£6,000 - 8,000 €6,600 - 8,800 US$7,800 - 10,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 71 43 A VERY RARE MEISSEN BÖTTGER STONEWARE (EISENPORZELLAN) CANDLESTICK, CIRCA 1710 After a silver model by J.J. Irminger, of hexagonal form with a stepped base rising to a flared shaft and knopped sconce, 14.3cm high, Japanese Palace inventory no. 206 painted in black

£20,000 - 30,000 €22,000 - 33,000 US$26,000 - 39,000

Provenance: The Royal collections of Saxony, Japanese Palace, Dresden, delivered in 1733 from the Dresden warehouse; Sold from the above by Rudolph Lepke’s Kunst-Auctions-Haus, Dresden, 12 October 1920, lot 94

Literature: U. Pietsch, Frühes Meissener Porzellan aus einer Privatsammlung (1993), no. 17

Exhibited: Lübeck, Museum für Kunst und Kulturgeschichte der Hansestadt (detail from above) Lübeck - St. Annen-Museum, ‘Frühes Meissener Porzellan aus einer Privatsammlung’, 14 November 1993-31 January 1994; Aachen, Museen der Stadt Aachen - Couven Museum, ‘Frühes Meissener Porzellan aus einer Privatsammlung’, 26 February-20 April 1994

According to the delivery specification of 15 March 1733 of porcelain and stoneware from the Dresden and Leipzig warehouses (the so-called ‘Böttgerische Credit Wesen’, ie. the administration of Böttger’s bankrupt estate), two “hohe Leuchter” [tall candlesticks] and six “niedrige Ditto” [small ditto] were among the “braunen unpolirten Porcelain” [brown unpolished porcelain] delivered from the Dresden warehouse, likely corresponding to nos. 205 and 206 in the 1770 Japanese Palace inventory; 206 lists ‘Sechs Stück niedrige Tisch-Leuchter, 6. Zoll hoch, No. 206’ [six low candlesticks, 6 zoll high...] (quoted by C. Boltz, Japanisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769, in Keramos 153 (1996), p. 107, and p. 113 for the 1733 delivery specification). Of these six candlesticks, four remain in the Dresden porcelain collection (inv. nos. PE 839, 840, 1702 and 1703) and the other was also sold by Lepke’s in 1920 (lot 83).

The rare iron-grey surface colour, known as ‘Eisenporzellan [iron- porcelain], was achieved by over-heating the kiln and belongs to the experimental phase of stoneware production (Pietsch, p. 30). According to J.G.T. Graesse, writing in the third quarter of the 19th (detail of Japanese Palace inventory number) century, Eisenporzellan was never sold and was highly regarded by Augustus the Strong).

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 73 44 AN EXTREMELY RARE MEISSEN DOUBLE FLASK, CIRCA 1725-30 Of bulbous shape with two outwards curving necks, on a small circular foot, decorated in underglaze-blue with flowering shrubs, scattered insects and leaves, the foot and rims with geometric borders, 21.5cm high, crossed swords mark in underglaze-blue, incised x inside footrim for J.D. Rehschuh

£50,000 - 70,000 €55,000 - 77,000 US$65,000 - 91,000

Literature: U. Pietsch, Frühes Meissener Porzellan aus einer Privatsammlung (1993), no. 62

Exhibited: Lübeck, Museum für Kunst und Kulturgeschichte der Hansestadt Lübeck - St. Annen-Museum, ‘Frühes Meissener Porzellan aus einer Privatsammlung’, 14 November 1993-31 January 1994; Aachen, Museen der Stadt Aachen - Couven Museum, ‘Frühes Meissener Porzellan aus einer Privatsammlung’, 26 February-20 April 1994

This form is described in an 18th-century inventory of Augustus the Strong’s collection as ‘Eßigkrug mit doppelten Hälsen’ [vinegar jug with double necks]; in China, such double-flasks were used in marriage rituals, with the bride and groom drinking from the same vessel, each with their own spout. It is possible that the Chinese example was made for the European market (J. Lessmann, Porzellan Glanzstücke der Sammlung des Museums für Kunst und Gewerbe Hamburg (2006), p. 31).

This form is based on a Chinese Kangxi example that was acquired for Augustus the Strong after July 1725 and is still in the Dresden porcelain collection (inv. no. PO 2339, published in Meissener Blaumalerei aus drei Jahrhunderten, exhibition catalogue (1989), no. 3). Only two other Meissen examples of this form are recorded: one is in the Dresden porcelain collection (inv. no. PE 5582, published in Meissener Blaumalereri aus drei Jahrhunderten (1982), no. 75); another is in the Museum für Kunst und Gewerbe, Hamburg (inv. no. 1886.15, published by Lessmann, loc. cit.).

(detail of base)

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 75 45 A RARE MEISSEN CIRCULAR DISH, CIRCA 1730 Painted in gilding and enamels with a willow tree and lotus flowers in the centre within a trellis border reserved with flower panels and chrysanthemums, the gilt-edged rim decorated with sprays of peonies below a similar trellis band, the reverse with flowering branches in iron- red below a floral trellis band, 21cm diam., crossed swords mark in underglaze-blue, incised Japanese Palace inventory mark N=5-/ W

£20,000 - 30,000 €22,000 - 33,000 US$26,000 - 39,000

Provenance: The Royal collections of Saxony, Japanese Palace, Dresden

The 1770 inventory of the Japanese Palace records: “Acht Stück kleine Saladieren, mit bunten Korn und Blumen à la mosaique gemahlt, 1 1/2. Zoll tief, 8 3/4. Zoll in Diam: [Eight small salad dishes, painted with coloured grain and flowers à la mosaique...]” (quoted by C. Bolz, Japanisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769, in Keramos 153 (1996), p. 72).

Two with Japanese Palace inventory marks were sold in the second sale of duplicates from the Johanneum, Lepke’s Berlin, 12 October 1920, lots 143 and 144, of which one is not illustrated (possibly the present lot). Two further dishes without inventory marks were in the first duplicates sale from the Johanneum, Lepke’s Kunst-Auctions-Haus, Berlin, 7-8 October 1919, lots 148 and 149.

46 NO LOT

For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 77 47 A MEISSEN CIRCULAR STAND, CIRCA 1725 Finely painted with four chinoiserie scenes along the rim within gilt scrollwork cartouches filled with Böttger lustre and iron-red and brown scrollwork alternating with gilt foliate scrollwork enclosing oval gilt and Böttger lustre medallions, the well with a ‘salami’ motif of chrysanthemums reserved against iron-red foliage, surrounded by a band of gilt and Böttger lustre trellis panels and foliate scrollwork, the reverse with two branches of indianische Blumen, 22cm diam., crossed swords mark in underglaze-blue

£20,000 - 30,000 €22,000 - 33,000 US$26,000 - 39,000

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 109

48 A MEISSEN CIRCULAR STAND, CIRCA 1725 Finely painted with four chinoiserie scenes along the rim within gilt scrollwork cartouches filled with Böttger lustre and iron-red and brown scrollwork alternating with gilt foliate scrollwork enclosing oval gilt and Böttger lustre medallions, the well with a ‘salami’ motif of chrysanthemums reserved against iron-red foliage, surrounded by a band of gilt and Böttger lustre trellis panels and foliate scrollwork, the reverse with two branches of indianische Blumen, 22.2cm diam., crossed swords mark in underglaze-blue (minor stacking wear)

£20,000 - 30,000 €22,000 - 33,000 US$26,000 - 39,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 79 49 A VERY RARE MEISSEN WINE POT, CIRCA 1725 In the form of a peach with a gilt branch handle and spout, the The form is based on a Chinese, Kangxi, example of the early 18th tops with smaller branch terminals applied with leaves to the body, century (fig. 1, published by Munger, op. cit., p. 65, fig. 29). each side finely painted with a chinoiserie scene of figures engaged in various pursuits, scattered insects in flight overhead, the details Only three other examples of this form with Meissen polychrome heightened in gilding, on a gilt scrollwork pedestal filled with Böttger chinoiserie decoration are recorded, all in museum collections, and lustre and edged with puce scrolls, a similar scene to the shoulder the present lot is the only one with fully gilt handle and spout: one is in above the spout and a gilt scrollwork motif with central flowerhead the Metropolitan Museum of Art, New York (formerly in the Walter von to the top, 14.5cm high (two small flat chips to footrim) Pannwitz Collection), published by Munger, op. cit., no. 16; another is in the , Toronto (inv. no. G83.1.584 - formerly in £50,000 - 80,000 the collection of Dr. Wilhlem Dosquet, Berlin (sold at Hans W. Lange, €55,000 - 88,000 Berlin, 19-21 May 1941, lot 485); and a third is in the Getty Museum US$65,000 - 100,000 (inv. no. 85.DE.381).

Provenance: Four other examples of the form are recorded: an unfinished example With Enrico Caviglia, Lugano, 1986; in the Dresden porcelain collection with gilt cartouches and ornamental Private Collection, Switzerland (sold at Christie’s London, scrollwork; one in the Metropolitan Museum of Art (inv. no. 54.147.70) 8 July 2002, lot 14) with gilt chinoiserie decoration executed in Augsburg; a third, similarly decorated in the Cagnola Collection (La Collezione Cagnola, II (1999), Literature: no. 65); and a fourth with Hausmaler decoration, possibly Bayreuth, J. Munger, European Porcelain in the Metropolitan Museum of Art depicting polychrome chinoiserie figures in the Pauls-Eisenbeiss (2018), p. 65 and n. 11 Collection (E. Pauls-Eisenbeiss, German Porcelain of the 18th Century, I (1972), p. 440.

Metropolitan Museum of Art, The Lesley and Emma Sheafer Collection, The Metropolitan Museum of Art, Wine Pot, Chinese, Jingdezhen ware, Bequest of Emma A. Sheafer, 1973 early 18th century.

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 81

FINE EUROPEAN CERAMICS | 83 50 A MEISSEN CREAM POT, COVER AND STAND, CIRCA 1725 The cream pot on three paw feet, decorated in the manner of P.E. Schindler with a chinoiserie scene within a gilt scrollwork cartouche filled with Böttger lustre and edged with iron-red and brown scrollwork, the handle embellished with iron-red scrolls and gilding flanked by branches of indianische Blumen surrounded by small scattered insects, the stand with a similar cartouche and with a gilt scrollwork border to the rim, the cover with a continuous chinoiserie scene, the pot: 10.2cm high; the stand: 16.2cm diam., gilt 12. to each, incised / inside footrim of stand (3)

£15,000 - 20,000 €17,000 - 22,000 US$20,000 - 26,000

Provenance: Private Collection, Germany (by 1997)

Literature: U. Pietsch/K. Jakobsen, Frühes Meissener Porzellan (1997), no. 9

Exhibited: Düsseldorf, Hetjens-Museum, ‘Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen’, 19 January-6 April 1997; Dresden, Staatliche Kunstsammlungen Dresden, Porzellansammlung im Zwinger, Albertinum, ‘Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen’, 7 May-13 July 1997

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 85 51 A RARE MEISSEN CIRCULAR STAND, CIRCA 1724 Painted in the centre with a circular panel depicting pagodas, fences and birds in flight over flowering trees and a bush, within a band of Böttger lustre embellished with gilt flowers flanked by scrollwork and edged with iron-red scrolling foliage, the rim with four quatrelobe panels with European harbour scenes in gilt scrollwork cartouches with Böttger lustre panels, all enclosed by dense gilt scroll- and strapwork, the reverse with three leafy, flowering branches in iron-red and green, 22.1cm diam., crossed swords mark in underglaze-blue (very minor wear)

£20,000 - 30,000 €22,000 - 33,000 US$26,000 - 39,000

Provenance: Baronne Alix de Rothschild, sold at Christies London, 28 June 1976, lot 173

For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 52 A RARE MEISSEN CIRCULAR STAND, CIRCA 1725-30 The centre painted with a chinoiserie scene, possibly by Johann Christoph Horn, depicting a standing figure wearing a black hat flanked by flowering plants with a fence and rockwork to one side, a bird and insects overhead, within a border of gilt strap- and scrollwork, the rim decorated with three chinoiserie scenes by a different hand depicting figures engaged in various amusing pursuits within gilt borders edged with Böttger lustre and iron-red scrolls, alternating with gilt foliate strapwork enclosing a floral motif, the reverse with two branches of indianische Blumen, 22.3cm diam., crossed swords mark in underglaze-blue (very minor rubbing to centre)

£25,000 - 35,000 €28,000 - 39,000 US$33,000 - 46,000

The style of decoration is related to two stands, formerly in the Hoffmeister Collection, Hamburg (sold in these Rooms, 25 November 2209, lot 9; the second offered 24 November 2010, lot 10) and another stand in the Dresden porcelain collection (inv. no. PE 1520, published by U. Pietsch/C. Banz (eds.), Triumph der blauen Schwerter (2000), no. 80), all of which have an iron-red mark that was first attributed by Ingelore Menzhausen to the painter Johann Christoph Horn.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 87 53 AN EXTREMELY RARE PAIR OF MEISSEN OLIO POTS AND COVERS CIRCA 1723-25 Each finely painted with chinoiserie scenes within gilt quatrelobe scrollwork cartouches filled with Böttger lustre and edged with scrollwork in shades of iron-red, the gilt-edged square handles flanked by indianische Blumen, raised on three feet embellished with gilt floral scrollwork motifs, the covers with three similar chinoiserie cartouches divided by gilt foliate strapwork, the gilt knopped finials with a gilt- edged green band, the rims with gilt borders of flower heads and scrolling foliage, the inside of each pot with a large gilt lobster on the Böttger lustre ground and a scrollwork border inside the rim, the insides of the cover decorated with two gilt flower sprays and a petal border around the middle all on a Böttger lustre ground, 16cm diam.; 16.5cm across handles; 13.2cm high (4)

£50,000 - 80,000 €55,000 - 88,000 US$65,000 - 100,000

Provenance: Sold at Drouot Paris, 24 May 2019, lot 241

The decoration of these two tureens - in particular, the gilt decoration on the lustre ground to the inside of the and underside of the cover - is exceptional and could suggest a gift or particular commission. It is interesting to note that the lavish gift of sent by Augustus the Strong to the French Cardinal, André- Hercule de Fleury, in late 1728 included three different pairs of tureens, covers and stands with ‘Japonischen Figuren: Große Suppen Schaalen [large soup bowls]; Olien-Becher [olio pots]; and Suppen-Töpffgen [soup pots] (the delivery specification is published in M. Cassidy-Geiger (ed.), Fragile Diplomacy (2007), p. 331).

88 | BONHAMS FINE EUROPEAN CERAMICS | 89 54 A DU PAQUIER SILVER-MOUNTED TANKARD AND COVER, CIRCA 1730 Painted with a landscape scene of a man with a spear fighting a dragon, a woman kneeling on the ground, surrounded by a gilt cartouche edged with iron-red scrollwork, branches of indianische Blumen on and around the handle, the cover with further flower sprays and a border of stylised flower heads, gilt rims, the mount with a shell thumbpiece, 13.5cm high

£10,000 - 15,000 €11,000 - 17,000 US$13,000 - 20,000

For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 55 A MEISSEN TWO-HANDLED ECUELLE, COVER AND STAND, CIRCA 1723 Decorated with chinoiserie scenes depicting figures engaged in various pursuits flanked by flowering plants and with insects and birds in flight, on the ecuelle and stand within a gilt scrollwork cartouche filled with Böttger lustre and edged with foliate scrollwork in two tones of iron- red, the cover with two vignettes within iron-red concentric circles and a gilt branch handle, the angled handles embellished in gilding, gilt scrollwork borders to the cover and stand, iron-red concentric circles on reverse of stand, the stand: 17.6cm diam., lustre marks to ecuelle and cover, incised x inside footrim of stand (some scattered minor flaking and a few spots of retouching to gilt rims) (3)

£15,000 - 25,000 €17,000 - 28,000 US$20,000 - 33,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 91 56 A MEISSEN SILVER-GILT-MOUNTED COFFEE POT AND COVER, CIRCA 1725 The pear-shaped body with a scroll handle, each side finely painted with a chinoiserie scene within a gilt scrollwork cartouche with panels of Böttger lustre and edged with iron-red and purple scrollwork, indianische Blumen and insects below the spout and handle, the handle embellished with gilt scrollwork and indianische Blumen, the rim with a border of gilt strap- and scrollwork, the domed cover with vignettes depicting a seated chinoiserie figure, a peacock and other birds and flowers, gilt finial, the silver-gilt mount with a scroll thumbpiece, marked for Elias Adam, Augsburg, 21.5cm high, gilt numeral 28. to both (very minor wear to gilding)

£15,000 - 25,000 €17,000 - 28,000 US$20,000 - 33,000

Provenance: The Collections of the Margraves and Grand Dukes of Baden, sold by Sotheby’s Baden-Baden, 7 October 1995, lot 1283

Literature: Karl Koelitz, Beschriebendes Inventar der Allerhöchsten Privatsammlung kunstgewerblicher Gegenstände (unpublished ms, Karlsruhe, 1883), inv. no. 1881; Richter, Inventar des Zähringer Museums (unpublished ms, Baden-Baden, 1919), inv. no. 1999

Exhibited: Karlsruhe, Zähringer Museum, Grand Ducal Residence, from 1879; Baden-Baden, Zähringer Museum, Neues Schloss, ca. 1960-93

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 93 57 A VERY RARE MEISSEN UNDERGLAZE-BLUE-GROUND BEAKER AND SAUCER, CIRCA 1722-23 Each side reserved with a figural scene depicting a lady in a feathered headdress and elegant robes and a man with a bow and quiver, a remote landscape in the distance, within a shaped gilt quatrelobe cartouche edged with gilt and brown scrollwork, the saucer with a chinoiserie scene of a man drinking tea within a gilt and underglaze-blue cartouche edged with shaded iron- red scrollwork, the reverse of the rim with an underglaze-blue ground, gilt-edged rims, the beaker: 7.7cm high; the saucer: 12.8cm diam. (minor rubbing to cartouches on beaker) (2)

£30,000 - 50,000 €33,000 - 55,000 US$39,000 - 65,000

Provenance: William W. Blackburn Collection, New York (by 1957); Private Collection, Switzerland; Acquired by the present owner from the above in 2007

Literature: W.W. Blackburn, The length of J.G. Herold’s career as an artist, and other notes, in Mitteilungsblatt der Keramikfreunde der Schweiz 39 (1957), p. 35, fig. 38 (the beaker illustrated); U. Pietsch/C. Banz (eds.), Triumph der blauen Schwerter (2010), cat. no. 46; C. Bodinek, Raffinesse im Akkord. Meissener Porzellanmalerei und ihre grafischen Vorlagen, II (2018), ill. 43a

Exhibited: Dresden, Japanese Palace, ‘Triumph der blauen Schwerter: Meissener Porzellan für Adel und Bürgertum’, 8 May-29 August 2010

The figure with bow and quiver on the beaker is based on the figure of ‘Sumatra’ in a card game, jeu de la Géographie, that was commissioned from Stefano della Bella by Cardinal Mazarin for the young Louis XIV (see Bodinek, p. 56 and ill. 43). The female figure on the reverse seems to come from the same series and may be after ‘Arabie Troglodytique’.

Only three other beakers and saucers from this service are recorded in the literature, of which all are now in museum collections: a beaker and saucer is in the Wark Collection (U. Pietsch, Early Meissen Porcelain (2011), no. 110); another beaker and saucer is in the Warda Stevens Stout collection in Memphis (C. Nelson/L. Roberts, A History of Eighteenth- Century German Porcelain (2013), cat. no. 19); a third beaker and saucer was sold at the Ernst Museum, Budapest, 21 February 1921ff., lot 904 and was subsequently in the Baron von Born collection in Budapest (sold at Rudolph Lepke’s, Berlin, 4 December 1929, lot 111), of which the beaker alone is now in the Kocher Collection, Historisches Museum, Bern, published by A. d’Agliano/E. Jezler-Hübner, Edles Gedeck Frühes Meissener Porzellan aus der Sammlung Kocher (2003), no. 5.

For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 95 58 TWO DU PAQUIER DOUBLE-HANDLED BEAKERS AND TREMBLEUSE STANDS FROM A SERVICE MADE FOR CARDINAL ABATI OLIVIERI, CIRCA 1735 Each side decorated with the arms of the Cardinal, black foliate Cardinal Fabio degli Abbati Olivieri (1658-1738) was born in Pesaro scrollwork above the handles embellished in gilding, the shaped and served in 1690 as an aide to his cousin, Cardinal Giovanni stands similarly decorated, the arms alternating with shells surrounded Francesco Albani, later Pope Clemnent XI (1700-21), who made him a by foliate scrollwork above trellis panels in black heightened in gilding, cardinal in 1715. Two other trembleuse cups and stands and a waste the centres applied with a scrolling pierced gallery, the rims gilt, bowl from the same service are in the Frick Collection, New York the undersides decorated with polychrome panels of shell motifs, (Gift from the Melinda and Paul Sullivan Collection), published in M. trelliswork and flowerheads, the beakers: 8.8cm high; the stands: Chilton/C. Lehner-Jobst, Fired by Passion (2009), cat. no. 96. 20.5cm long (4)

£30,000 - 50,000 €33,000 - 55,000 US$39,000 - 65,000

For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 97 59 A VERY RARE PAIR OF MEISSEN GILT-METAL-MOUNTED BOTTLES DECORATED BY IGNAZ BOTTENGRUBER, CIRCA 1725-30 Of slightly bulbous quadrangular form, painted by Ignaz Bottengruber in Breslau, each side with a gilt-edged brown scrollwork cartouche enclosing a purple or manganese monochrome scene depicting children in mythological or bacchanalian settings, all enclosed by elaborate gilt strap- and scrollwork edged in iron-red festooned with iron-red drapery and fruiting vines with bacchanalian children with animals, including a goat, leopard, parrots and other birds, the domed gilt-metal covers with turned finials, 16.8cm and 17.3cm (4)

£30,000 - 40,000 €33,000 - 44,000 US$39,000 - 52,000

Provenance: Private collection, Zürich (sold at Sothebys London, 15 April 1997, lot 128)

For a discussion of Ignaz Bottengruber, who was active as a Hausmaler between 1721 and at least 1728 in Breslau, and around 1730 in Vienna, see M. Cassidy-Geiger, The Porcelain Decoration of Ignaz Bottengruber, in Metropolitan Museum Journal 33 (1998), pp. 245-262, and fig. 35 for a very similar pair of flasks in the Museum für Kunst und Gewerbe, Hamburg (inv. no. 1927.271). The few surviving signed and dated examples of his work are all between 1726 and 1730. Several other examples of this bottle form decorated by Bottengruber are recorded, including a pair painted with military trophies (published by G. Pazaurek, Deutsche Fayence- und Porzellan- Hausmaler, I (1925), col. pl. 13 - then in the Georg Tillmann Collection, Hamburg); and a single example also with military trophies in the Metropolitan Museum of Art, New York (Cassidy- Geiger, fig. 17). Numerous bottles, including Baumölflaschchen are recorded in the weekly reports of the Meissen formers and turners around 1725; see C. Boltz, Die wöchentlichen Berichte über die Tätigkeit der Meissner Dreher und Former vom 6. Juni 1722 bis 31. Dezember 1728, in Keramos 178 (2002), p. 22 and p. 59. It is interesting that almost all the recorded examples of this form - another is in the Boston Museum of Fine Arts (probably decorated by Sabina Aufenwerth) - are decorated by Hausmaler; the only recorded example with factory decoration of underglaze-blue scrollwork and polychrome chinoiserie figures in the style of J.E. Stadler was in the C.H. Fischer Collection, Dresden (sold at Sotheby’s London, 2 March 1994, lot 12).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 99 60 61 A MEISSEN SILVER-MOUNTED HAUSMALER ECUELLE, COVER A MEISSEN HAUSMALER DOUBLE-HANDLED BEAKER AND AND STAND, CIRCA 1720, THE DECORATION CIRCA 1735 SAUCER, CIRCA 1720, THE DECORATION LATER Decorated in the Seuter workshop in Augsburg, painted by Abraham Decorated in in the Seuter workshop in Augsburg, each side painted Seuter in Schwarzlot and iron-red flesh tones with gallant figures in in Schwarzlot and iron-red flesh tones with a man and hound in a landscapes, within silver scroll- and strapwork cartouches, the cover landscape and a cook in a kitchen, details picked out in gilding, within with three cartouches enclosing bust portraits of ladies, alternating silver scrollwork cartouches, the handles and rims decorated in silver, with silver trellis panels, the silver mounts marked for Elias Adam, the saucer with a similar scene of men at a card game, the beaker: Augsburg, the ecuelle mounted with two pierced strap- and scrollwork 8cm high; the saucer: 12.8cm diam. (minor retouching to silvered rims) handles incorporating floral and shell motifs, the ecuelle: 10.7cm high; (2) the stand: 18.4cm diam., incised x inside footrim of stand for J.D. Rehschuh (some retouching to silver decoration on ecuelle and cover) £4,000 - 6,000 (3) €4,400 - 6,600 US$5,200 - 7,800 £20,000 - 30,000 €22,000 - 33,000 Provenance: US$26,000 - 39,000 With Dr. Strauß, Berlin; ‘The Property of a Lady’, Sotheby’s London, 27 November 1951, lot 93; Provenance: ‘The Property of a Gentleman’, Sotheby’s London, 24 May 1966, lot 157; Private Collection, Switzerland (anon. sale at Christie’s London, The Estate of the late Andreina Torre, Christie’s Geneva, 16 November 1992, lot 208; 11 December 2007, lot 81) Meissen Porcelain from a European Private Collection, Sotheby’s

London, 17 June 1997, lot 45 One of the scenes on the ecuelle is based on an engraving by

Thomasin fil. after Watteau, ‘Coquettes qui pour voir galans au rendez- Literature: vous’, published by S. Ducret, Meißner Porzellan bemalt in Augsburg, S. Ducret, Meissner Porzellan bemalt in Augsburg (1972), vol. II, p.144, II (1972), ill. 198; the scene on the stand is based on an engraving by nos. 158 and 159 Charles-Nicolia II Cochin, ‘Dans cette aimable solitude... Leur discours seroit plus tendre’, after a (lost) painting by Nicolas Lancret. The beaker and saucer were part of a service, parts of which are also illustrated by Ducret (1972), vol. II, nos. 153-162.

For details of the charges payable in addition to the final Hammer Price of each Lot 100 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 60

61

FINE EUROPEAN CERAMICS | 101 62 A MEISSEN HAUSMALER DOUBLE-HANDLED BEAKER AND SAUCER, CIRCA 1720, THE DECORATION LATER Decorated in the Seuter workshop in Augsburg in polychrome Literature: enamels and gilding, with a gilt ground reserved with a lady dressed U. Pietsch/K. Jakobsen, Frühes Meissener Porzellan (1997), no. 76 as a shepherdess reading a book of music and attended by two (together with the teabowl in the preceding lot) sheep, within a shaped panel edged with a tooled border above a gilt scrollwork pedestal, the beaker with a gardener on one side and a Exhibited: lady feeding a bird on the other, the beaker: 8.5cm high; the saucer: Mainz, Mittelrheinisches Landesmuseum, ‘Keramik aus Privatbesitz’, 12.5cm (very minor rubbing to gilding on beaker) (2) 10 May-4 June 1979; Düsseldorf, Hetjens-Museum, ‘Frühes Meissener Porzellan £5,000 - 7,000 Kostbarkeiten aus deutschen Privatsammlungen’, 19 January-6 April €5,500 - 7,700 1997; US$6,500 - 9,100 Dresden, Staatliche Kunstsammlungen Dresden, Porzellansammlung im Zwinger, Albertinum, ‘Frühes Meissener Porzellan Kostbarkeiten aus Provenance: deutschen Privatsammlungen’, 7 May-13 July 1997 Dr. Kaufmann, sold at Galerie Stuker, Bern, 21 November 1963 (the full service)

For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 63 A MEISSEN HAUSMALER TEABOWL AND SAUCER, CIRCA 1720, THE DECORATION LATER En-suite with the preceding lot, decorated in the Seuter workshop Literature: in Augsburg in polychrome enamels and gilding, with a gilt ground S. Ducret, Meissner Porzellan bemalt in Augsburg (1972), vol. II, p.175, reserved with a lady playing the lute and a putto playing the French no. 236 and colour plate VIII (the saucer, illustrated with a different horn, a hound at his side, within a shaped panel edged with a tooled teabowl); border above a gilt scrollwork pedestal, the teabowl with similar panels U. Pietsch/K. Jakobsen, Frühes Meissener Porzellan (1997), no. 76 depicting couples in landscapes, the teabowl: 4.6cm high; the saucer: (the teabowl) 12.3cm diam. (2) Exhibited: £5,000 - 7,000 Düsseldorf, Hetjens-Museum, ‘Frühes Meissener Porzellan €5,500 - 7,700 Kostbarkeiten aus deutschen Privatsammlungen’, 19 January-6 US$6,500 - 9,100 April 1997; Dresden, Staatliche Kunstsammlungen Dresden, Porzellansammlung Provenance: im Zwinger, Albertinum, ‘Frühes Meissener Porzellan Kostbarkeiten aus Dr. Kaufmann, sold at Galerie Stuker, Bern, 21 November 1963 deutschen Privatsammlungen’, 7 May-13 July 1997 (the full service); With Dr Andreina Torre, Zürich (the saucer) The present lot was part of a tea and coffee service that was sold at auction in Bern in 1963, see Ducret (1972), vol. II, p. 42, no. 123a. Ducret attributed the painting on the sugar box and cover to Elisabeth Wald-Aufenwerth, but the rest of the service’s decoration to Abraham Seuter. Further pieces from the service are also illustrated in Ducret (1972), vol. II, nos. 194, 233, 247, 258, 260, 263 and colour plate XII.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 103 64 A VERY RARE MEISSEN HAUSMALER BEAKER AND SAUCER, CIRCA 1728-30 Painted by Ignaz Bottengruber, Breslau, the beaker depicting Mars in From a series depicting the twelve months; a beaker and saucer from full armour holding a sword and shield, attended by a horse, enclosed the same series, formerly in the Arnhold Collection and now in the by elaborate gilt foliate scrollwork embellished with military trophies, Frick Museum, New York, is published by M. Cassidy-Geiger, The the reverse painted en grisaille with a battle scene, the saucer similarly Arnhold Collection of Meissen Porcelain 1710-50 (2008), no. 323. The decorated with Minerva enclosed by gilt scrollwork embellished with author notes (p. 637) that Bottengruber likely was influenced by prints a Medusa head, various trophies, owls and a monkey, above another after artists at the French court, such as Berain, Marot and Claude small monochrome scene, the beaker: 7.6cm high; the saucer: 12.5cm Audran, for which see D.O. Kisluk-Grosheide, “Cutting up Berchems, diam. (2) Watteaus and Audrans”: a Lacca Povera Secretary at the Metropolitan Museum of Art, in Metropolitan Museum Journal 31 (1996), figs. £20,000 - 30,000 28-33. Another beaker and saucer from the same series was in the €22,000 - 33,000 Margarete Oppenheim Collection (sold at Julius Böhler, Munich, 18-20 US$26,000 - 39,000 May 1936, lot 931; one is in the Museo civico in Turin (published by G. Pazaurek, Deutsche Fayence- und Porzellan-Hausmaler (1925), I, ill. Literature: 146; and a single beaker was sold in these Rooms, 6 December 2018, U. Pietsch/K. Jakobsen, Frühes Meissener Porzellan (1997), no. 72 lot 238.

Exhibited: Düsseldorf, Hetjens-Museum, ‘Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen’, 19 January-6 April 1997; Dresden, Staatliche Kunstsammlungen Dresden, Porzellansammlung im Zwinger, Albertinum, ‘Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen’, 7 May-13 July 1997

For details of the charges payable in addition to the final Hammer Price of each Lot 104 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 105 65

65 A MEISSEN HAUSMALER SET OF DOUBLE-HANDLED BEAKERS AND SAUCERS, CIRCA 1740-50 Decorated in Augsburg in finely tooled gilding over an underglaze-blue base of the Fels-und Vogel pattern, flowering shrubs and scattered insects to the reverse of the beakers, in a fitted oval case base, the beakers: 6.6cm high; the saucers: 13.1cm diam., crossed swords marks in blue, dots and various letter in underglaze-blue, impressed numerals (one saucer restored) (13)

£5,000 - 7,000 €5,500 - 7,700 US$6,500 - 9,100

66 A MEISSEN HAUSMALER SAUCER, THE PORCELAIN CIRCA 1735, THE DECORATION SLIGHTLY LATER Depicting ‘The Rape of Proserpina’, Pluto embracing a struggling Proserpina in a horse-drawn chariot, within a gilt rim, 13.5cm diam, crossed swords in underglaze-blue (minimal rubbing to gilt rim, small restored chip to the rim)

£600 - 800 €660 - 880 US$780 - 1,000

The fine decoration and classical subject matter of this saucer could be associated with Ignaz Bottengruber. Some details, such as the treatment of the clouds and the hound and the stippled shadows seem in congruence with work traditionally 66 attributed to him.

For details of the charges payable in addition to the final Hammer Price of each Lot 106 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 67 67 A MEISSEN TEAPOT AND COVER, CIRCA 1725-28 Each side painted with a chinoiserie scene depicting figures engaged in various pursuits, the details heightened with gilding, surrounded by gilt scrollwork cartouches filled with Böttger lustre and edged with iron-red and purple scrolls, sprays of indianische Blumen flanking the spout and handle, a gilt strapwork border under the rim, the cover with a continuous chinoiserie scene, 13cm high, crossed swords mark in underglaze-blue (some areas of retouching to gilding) (2)

£7,000 - 9,000 €7,700 - 9,900 US$9,100 - 12,000

68 AN EARLY MEISSEN TEABOWL AND SAUCER, CIRCA 1723 Each painted with a chinoiserie scene within a gilt scrollwork quatrelobe cartouche filled with Böttger lustre and edged with iron-red and brown scrollwork, the reverse of the teabowl with a branch of indianische Blumen and scattered insects, the rims gilt, the teabowl: 5cm high; the saucer: 12.4cm diam., incised II inside saucer footrim (2)

£2,500 - 3,000 €2,800 - 3,300 US$3,300 - 3,900

68

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 107 69

70

69 70 A MEISSEN DOUBLE-HANDLED BEAKER AND SAUCER, A MEISSEN DOUBLE-HANDLED BEAKER AND SAUCER, CIRCA 1725-30 CIRCA 1730 The beaker decorated on each side with a polychrome chinoiserie Decorated with Kauffahrtei scenes in puce camaieu within gilt scene, the details heightened in gilding, within a gilt scrollwork and scrollwork cartouches filled with Boettger lustre and edged with iron- Böttger-lustre cartouche edged with purple and iron-red scrollwork, the red and puce scrolls, gilt scroll- and strapwork borders to the rims, the saucer with a similar scene and cartouche, gilt strap- and scrollwork handles gilt, three iron-red concentric circles to reverse of saucer, the borders to the rims, the beaker: 8.2cm high; the saucer: 13.8cm beaker: 7cm high; the saucer: 14cm diam., crossed swords marks in diam., gilt R. to both (tiny flat chip to beaker footrim) (2) blue enamel (saucer) and underglaze-blue (beaker), gilt numeral 8. to both, incised / inside footrim of saucer (2) £3,000 - 5,000 €3,300 - 5,500 £2,500 - 3,500 US$3,900 - 6,500 €2,800 - 3,900 US$3,300 - 4,600 Provenance: With A. Recher, Paris (paper label to underside of saucer)

For details of the charges payable in addition to the final Hammer Price of each Lot 108 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 71 A MEISSEN SILVER-GILT-MOUNTED COFFEE POT AND COVER, CIRCA 1722-25 Decorated with European landscape scenes depicting classical ruins by a river on one side and a half-timbered house and church with a capital in the foreground on the reverse, within gilt scrollwork cartouches filled with Böttger lustre edged with foliate scrolls in shades of iron- red, further painted with scattered insects and birds and indianische Blumen to the handle and spout, a gilt strapwork border under the rim, the domed cover with similar indianische Blumen issuing from stylised rockwork, the silver-gilt mount with a thumbpiece with strapwork, marked for Elias Adam, Augsburg, 20.5cm high (2)

£15,000 - 25,000 €17,000 - 28,000 US$20,000 - 33,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 109 72 A MEISSEN FIGURE OF ST. JOHN NEPOMUK, CIRCA 1731 Modelled by Johann Gottlieb Kirchner, in two parts, the group kneeling Ernst Zimmermann linked this model in 1929 to an archive reference on a cloud borne by four angels, on it five gilt relief stars (symbolising that refers to Kirchner working on a figure of Nepomuk in Autumn the word ‘tacui’ [I am silent]), the Saint wearing an ermine cloak 1731 ‘so nebst Postament 1 elle lang ist’ [along with the pedestal 1 trimmed in gold, the angels and saint coloured in flesh tones, their elle long]. In October 1731, drawings for ‘Altären’ [altars] had been wings picked out in gilding, fitted on an ormolu metal base fitting onto sent by Augustus the Strong to the Meissen manufactory as a context the elaborate scrollwork base surmounted by another angel holding for Kirchner’s model. Due to technical difficulties, he made at least five a biretta, the scrollwork elaborately detailed in relief, the strapwork models, of which two examples of the figure were successfully fired picked out in gilding, the trefoil base with gilt scrollwork and stylised in November 1731 and three were ready for firing in December (J.L. floral patterns in gold, 54 cm high, crossed swords mark to the base Sponsel, Kabinettstücke (1900), p. 52). Among the deliveries to the (some restoration) (2) Dresden depot for Augustus III on 7 March 1733, there is: ‘1 Johannes nepomucenus-Figur mit beschlaganem Postamente und 1 Crucifix £50,000 - 70,000 dabey’ [1 figure of St. John Nepomuk with ornamental pedestal and €55,000 - 77,000 1 Crucifix] (quaoted by K. Berling, Festive Publication (1911), p. 13; E. US$65,000 - 91,000 Zimmermann, E. Kirchner (1929), pp. 14-15, 30). In February 1744, J.J. Kaendler copied Kirchner’s figure for his group of Nepomuk on the The martyr St. John Nepomuk, who was canonised in 1729, was bridge (R. Rückert, Meissener Porzellan (1966), no. 914). drowned in the Vltava River in Prague in 1393 by order of the king of the Romans and of Bohemia. He was patron saint of Bohemia and greatly venerated in the Hapsburg lands and southern Germany. The Crown Princess of Saxony, the Habsburg princess Maria Josepha was particularly devoted to the Saint and the north-east chapel in the Hofkirche was later dedicated to him. Because of the manner of his death, he is regarded as the protector from floods and drowning, and bridges in Central Europe often bear his statue.

For details of the charges payable in addition to the final Hammer Price of each Lot 110 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 111 73 A MEISSEN ARMORIAL TEAPOT AND COVER FROM THE SERVICE FOR CHRISTIAN VI OF , CIRCA 1730-35 Each side painted with the royal arms of Christian VI of Denmark Exhibited: flanked by a landscape vignette with a large chinoiserie figure engaged Düsseldorf, Hetjens-Museum, ‘Frühes Meissener Porzellan in various pursuits, the scroll handle partially gilt with a sprig of iron-red Kostbarkeiten aus deutschen Privatsammlungen’, 19 January-6 April indianische Blumen, the animal spout entirely gilt, the rim with a band 1997; of gilt scrollwork, the cover with a continuous harbour view with figures Dresden, Staatliche Kunstsammlungen Dresden, Porzellansammlung and trees, 12.3cm high, K.P.M in underglaze-blue, gilt 1. to both (2) im Zwinger, Albertinum, ‘Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen’, 7 May-13 July 1997 £25,000 - 35,000 €28,000 - 39,000 This service was unusual for its size as well as the combination of US$33,000 - 46,000 chinoiserie decoration and European harbour scenes. When it was sold in 1797 it was described as including two waste bowls, two sugar Provenance: boxes and eighteen pairs of teabowls, but no coffee pot. The waste Given by Augustus the Strong, King of Poland and Elector of Saxony, bowl, two beakers and saucers and two teabowls and saucers were to King Christian VI of Denmark; his consort acquired by in 1986. A teabowl and saucer from the Queen Sophie Magdalene of Denmark (1700-70); Christiansborg service was in the Arnhold Collection, New York (M. Cassidy-Geiger, Palace, Copenhagen, to 1794; The Arnhold Collection of Meissen Porcelain (2008), no. 100); another Rosenborg Castle, Copenhagen, 1795-97; is in the Carabelli Collection (U. Pietsch, Frühes Meißener Porzellan Sold in 1797 as part of lot 7 in the sale of property damaged in the Sammlung Carabelli (2000), no. 57); and others were sold in these 1795 fire at Christianborg Palace; Rooms, from the Marouf Collection on 2 December 2015. lot 41, Sold by the descendants of the purchaser in the above sale, Christie’s on 5 July 2018, lot 40, and on 22 July 2020, lot 45 (formerly in the London, 1 December 1986, lot 176 Hoffmeister Collection, sold in these Rooms, 26 May 2010, lot 70). A Meissen desk set in the Museum für Kunst und Gewerbe in Hamburg Literature: is decorated with a fragment of a court calendar recording the G. Reinheckel, Meissener Prunkservice (1989), ill. 10; birthdays of Christian VI and his consort, Sophia Magdalena, in 1735 U. Pietsch/K. Jakobsen, Frühes Meissener Porzellan (1997), no. 18; (J. Lessmann, Porzellan (2006), p. 36). M. Bencard, Denmark and Saxony Family Ties and Meissen Porcelain Part 2, in M. Cassidy-Geiger (ed.), Fragile Diplomacy (2007). pp. 184-185

For details of the charges payable in addition to the final Hammer Price of each Lot 112 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 113 74 A MEISSEN LOBED BEAKER AND COVER FROM THE TOILETTE SERVICE IN SCHLOSS GLÜCKSBURG, CIRCA 1740-45 Finely painted with panels depicting figures in European landscape, harbour and palace settings, above gilt shell motifs, alternating with gilt ground panels reserved with flowers flanked by scrollwork, the cover similarly decorated and applied with a branch handle with flowers and leaves, 13.5cm high, crossed swords mark in underglaze-blue (small restored haircrack, restoration to finial) (2)

£4,000 - 5,000 €4,400 - 5,500 US$5,200 - 6,500

Provenance: Private Collection, Switzerland (sold at Galerie Jürg Stuker, Bern, 16 November 1978, lot 228); Max Hoffmann Collection, Basel (sold at Christie’s London, 21 November 2005, lot 45)

The present lot was part of an extensive and lavishly decorated toilette service, now in Schloss Glücksburg, whose original owner is unknown, though it may have been in the possession of the Kings of Denmark or the Dukes of Schleswig-Holstein-Sonderburg-Glücksburg; see H. Jedding, Eine Meißener Toilette-Garnitur in Schloss Glücksburg, in Keramos 130 (1990), pp. 3-16. Another piece of the toilette service was in the Brigitte Britzke Collection, sold in these rooms, 14 December 2016, lot 101.

For details of the charges payable in addition to the final Hammer Price of each Lot 114 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 115 75 A MAGNIFICENT AND RARE PAIR OF BERLIN ORMOLU- MOUNTED YELLOW GROUND TABLE CANDELABRA MOST LIKELY ORDERED BY FREDERICK THE GREAT, CIRCA 1771 Each with a circular base raised on gilt-edged scrolls and painted with loose flower sprays alternated with moulded scrolls, the mounted shaft of waisted triangular section knopped at the base and moulded with gilt-edged rocailles, rising to arched reserves painted with scattered flowers, the shoulders moulded with three scroll terminals each applied with railing flowering vines, each beaker-shaped sconce with floral reserves embellished with moulded gilt-edged scrollwork, mounted with a five-arm ormolu candelabra with scrolling leaf tendrils applied with colourful porcelain flowers, each arm surmounted by a drip-pan and sconce spirally moulded with gilt-edged scrolls and yellow-ground sections alternating with single flowers. 67cm each, one with sceptre mark in underglaze-blue to the base, both impressed xo (some restoration) (2)

£60,000 - 80,000 €66,000 - 88,000 US$78,000 - 100,000

The only other published examples of this exceptionally large and elaborate form of candelabra are those belonging to the dessert service given by Frederick the Great to Catherine II of Russia in 1772. The service was produced between 1770-72 and was presented to the Empress to mark the agreement of a political alliance with Prussia; see ‘Von Sanssouci nach Europa, Geschenke Friedrichs der Großen an europäische Höfe’, exhibition catalogue Stiftung Preussische Schlösser und Gärten Potsdam-Sanssouci, Neues Palais, 10 August to 16 October 1994, no. 19.1 (one illustrated, another of the set is illustrated by Georg Lenz, Berliner Porzellan, Vol II (1913), pl.88).

For details of the charges payable in addition to the final Hammer Price of each Lot 116 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 117 Neues Palais, Potsdam, Park Sanssouci

It is tempting to suppose that such a large and elaborate candelabra must invariably have been an important commission: either a gift from Frederick the Great as in the case of the dessert service for Catherine II, or intended for one of his own palaces. The relatively rare yellow ground raises the possibility that these candelabra were part of the so-called gelbes Tafelservice (yellow table service) which was ordered less than three months before the service for Catherine II. This service was ordered by Frederick the Great for the Potsdam Stadtschloss on 18 January 1770 and delivered on 3 August 1771. The service is described in the King’s Privy Purse accounts as a Tafel-Service vom antiquen Dessein, für 20 Couverts, für das Potsdamer Stadtschloss... gemahlt mit natürliche Blumen und Guirlanden Gold, Laubkänntgen, umzogene Zierathen, nebst gelben Fond (a table service of antique design, for 20 covers for the Potsdam Stadtschloss...painted with naturalistic flowers and gold garlands, foliate edges, surrounding ornamentation), published by Lenz (op. cit. Vol I, p.15). The accounts unfortunately do not list the individual pieces of the service.

The second possibility presented by the Privy Purse accounts is an entry recording a gift of Frederick the Great to the Princess of Orange delivered on 29 June 1773: 2 Tafel Leuchter extra gross, mit bronze Armen zu 5 Lichtern, Geschenk des Königs an die Prinzess von Oranien (2 table candelabra, extra large, with bronze arms of five lights, gift of the King to the Princess of Orange); quoted by Lenz, (loc. cit., p.22). Princess Wilhelmine of Orange (1751-1820) was the niece of Frederick the Great and one of his most frequent and favoured recipients of gifts of porcelain. He sent her a table service in October 1767 on the occasion of her wedding and a dessert service three years later. In 1773 the Princess visited the Berlin manufactory with her brother the Crown Prince of Prussia and was presented with numerous gifts; see ‘Von Sansoucci nach Europa’, p.88. The accounts do not described the candelabra in any more detail, though this is the only entry which explicitly mentions candelabra with ormolu branches.

118 | BONHAMS FINE EUROPEAN CERAMICS | 119 Georg Engelhard Schröder, 1733, Nationalmuseum,

76 TWO MEISSEN ARMORIAL DOUBLE-HANDLED BEAKERS AND SAUCERS FROM THE SERVICE FOR QUEEN ULRIKA ELEONORA OF , CIRCA 1734 Each finely painted with the arms of Queen Ulrika Eleonora of Sweden on an elaborate gilt scrollwork pedestal, the beakers with Kauffahrtei and harbour scenes within gilt shaped quatrelobe scrollwork cartouches filled with Böttger lustre and edged with iron- red and purple scrolls, the handles half gilt, the saucers with sprigs of indianische Blumen on the reverse, gilt foliate scrollwork borders to the rims, the beakers: 7cm high; the saucers: 13cm diam., crossed swords marks in underglaze-blue, impressed Dreher’s marks : for Johann Martin Kittel to saucers (4)

£30,000 - 50,000 €33,000 - 55,000 US$39,000 - 65,000

Provenance: Ordered by Augustus the Strong, probably in late 1732; Given by Augustus III of Poland and Saxony to Queen Ulrika Eleonora of Sweden in May 1734; Transferred to the Royal Wardrobe after Queen Ulrika Eleonora’s death in 1741; Anon. sale, Auktionverket Stockholm, 1 December 1992, lots 5247 and 5248

Literature: U. Pietsch/K. Jakobsen, Frühes Meissener Porzellan (1997), no. 19; L. Ljungström, Sweden, Hesse-Cassel, and Meissen, in M. Cassidy- Geiger (ed.), Fragile Diplomacy (2007), p. 265 and n. 24

Exhibited: Düsseldorf, Hetjens-Museum, ‘Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen’, 19 January-6 April 1997; Dresden, Staatliche Kunstsammlungen Dresden, Porzellansammlung im Zwinger, Albertinum, ‘Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen’, 7 May-13 July 1997

For details of the charges payable in addition to the final Hammer Price of each Lot 120 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 121 (reverse)

Part of a lavish gift of Meissen porcelain presented to Queen Ulrika Eleonora of Sweden in late May, 1734, by a Swedish colonel in the Saxon Swiss Guards, Count Axel Cronhielm, on behalf of Augustus III, King of Poland and Elector of Saxony. The gift, which consisted of several services and sets of decorative objects, is mostly still preserved in Swedish collections (see Ljungström, pp.257-273). Queen Ulrika Eleonora (1688-1741), the daughter of Charles XI, reigned in her own right for only a short time, from the death of her brother in November 1718 until February 1720, when she abdicated in favour of her husband, Friedrich, Landgrave of Hessen-Kassel (Frederik I of Sweden). The political and diplomatic purpose of Augustus III’s gifts to Queen Ulrika Eleonora and her husband, lay in his plans to succeed his father as King of Poland, although in a letter to the queen he himself claimed that the initiative for the gift was originally his father’s (see Ljungström for a comprehensive discussion).

The Meissen manufactory archives include a list dated 1st February 1733 of finished and unfinished porcelain for the gift to Sweden (‘Was vor Ihro Königl. Majestät in Schweden an Porcellain Geschirren bereits verferttiget und noch zu verferttigen ist..’), which indicates that the present tea and chocolate service for the Queen had already been finished: ‘2 Thee- und Chocolade-Servise, als: 1 fein emaillirtes mit Seefahrten, Landschaften und Wappen (ist verferttiget und geliefert)..’ (2 tea and chocolate services, as: 1 finely enamelled with sea journeys, landscapes and arms (is completed and delivered). An earlier report of August 1732 indicates that one tea service (as well as a small table service and two chimney garnitures) had already been completed (quoted by G. Reinheckel, Prachtvolle Service aus Meissner Porzellan (1989), p. 196, no. 66).

An undated document quoted by Rainer Rückert suggests that the gift to Sweden was ordered by Augustus the Strong personally during a visit to Meissen before mid January 1733 (R. Rückert, R. Rückert, Alchemistische Symbolzeichen..., in Keramos 151 (1996), p. 86).

The teapot, coffee pot, sugar bowl and cover, tea caddy and six teabowls and saucers, were given to Skokloster Castle in 1840 by Count . They were probably inherited by his mother, Countess Lolotte Stenbock, from the estate of Princess Sofia Albertina of Sweden (1753-1829), whose Lady-in-Waiting she was (Ljungström 2007, loc. cit.). Two further beakers and saucers were sold in these rooms from the Hoffmeister Collection, 25 Nov 2009, lot 80, and 24 Nov 2010, lot 65. A waste bowl from the service was also in the Hoffmeister Collection and sold in these rooms, 26 May 2010, lot 69.

122 | BONHAMS FINE EUROPEAN CERAMICS | 123 77 A LARGE AND RARE MEISSEN WHITE ‘SULKOWSKI SERVICE’ CANDELABRA, CIRCA 1736-40 Modelled by J.J. Kaendler, as a classical figure of a seated lady holding a cornucopia issuing two foliate branches mounted with another four branches with sconce terminals, and a large foliate scroll at the rear resting on her head and supporting a fifth sconce, seated on a waisted pedestal moulded with scrolls and applied at the front with two armorial shields flanking a scroll and reeds with lion-mask terminal flanked by putti, the base moulded with scroll brackets at the sides and hanging drapery with tassels at the front and rear, 61.3cm high (some restoration and replacements)

£18,000 - 22,000 €20,000 - 24,000 US$23,000 - 29,000

This model for the famous table service delivered to Count Alexander von Sulkowski is mentioned repeatedly in Kaendler’s work records between February and September 1736; see Rainer Rückert, Meissener Porzellan 1710-1810 (1966), no. 489, for one of the examples in the Schneider Collection decorated with the arms of Sulkowski and his wife. Another undecorated example of this model was in the collection of Albert Dasch, Teplitz, sold by Lepke’s Berlin, 4 March 1913, lot 55. Other than the four in the Schneider Collection, another painted armorial example is in the Metropolitan Museum of Art, New York (acc. no. 1988.167). The model was also used around 1739-40 for the service made for Johann Christian Hennicke (see J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern, vol. II (2013), ill. 61).

78 A RARE MEISSEN ARMORIAL PLATE FROM THE ‘CORONATION SERVICE’, CIRCA 1733-34 The centre painted with the quartered Arms of Saxony and Poland within a crowned escutcheon surrounded by scattered flowers and banded hedges in style, the rim with a broad band of elaborate gilt scrollwork, 24cm diam., crossed swords mark in underglaze-blue, incised Dreher’s mark for Johann Christoph Pietzsch, incised Japanese Palace inventory number N=147-/ W (very minor wear)

£15,000 - 20,000 €17,000 - 22,000 US$20,000 - 26,000

Provenance: The Royal collections of Saxony, Japanese Palace, Dresden (from 1734); Private Collection, Germany (by 1997)

Literature: U. Pietsch/K. Jakobsen, Frühes Meissener Porzellan (1997), no. 22

Exhibited: Düsseldorf, Hetjens-Museum, ‘Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen’, 19 January-6 April 1997; Dresden, Staatliche Kunstsammlungen Dresden, Porzellansammlung im Zwinger, Albertinum, ‘Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen’, 7 May-13 July 1997

For details of the charges payable in addition to the final Hammer Price of each Lot 124 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. (detail)

A lack of archival evidence means that it remains uncertain whether with very rich gold decorations]. The inventory lists the same pieces this service was ordered by Augustus the Strong before his death on 1 as the 1734 delivery specification, except for three missing tureens February 1733, or by his son in anticipation of his election to the Polish and a broken plate. According to the catalogue of the Wark Collection throne in Warsaw in January 1734. The prominence of the Polish arms catalogue (1984, no. 516), part of the service was transferred to the perhaps suggests the latter, though the name ‘Coronation service’ is a Hofconditorei (court pantry) in 1792, and was used at the Dresden 19th-century title. Residence for special court functions.

The service was delivered to the Japanese Palace in Dresden in 1734, In addition to the examples listed by Dieter Hoffmeister (Meissen when, according to a delivery specification (published by C. Boltz, Porzellan des 18. Jahrhunderts Sammlung Hoffmeister, vol. II (1999), Japanisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769, nos. 343-344) other plates from the service are in the Seattle Art in Keramos 153 (July 1996), p. 91), it comprised 77 parts in total, Museum (inv. no. 69.201, gift of Martha and Henry Isaacson); in the including 37 plates, and only six such small lobed dishes. The 1770 Ludwig Collection, Bamberg (R. Hanemann (pub.), Goldchinesen und inventory of the Japanese Palace (Boltz, ibid., p. 76), lists the service Indianischen Blumen (2010), no. 69); and in the Arnhold Collection, under number 147: ‘Ein Tafel-Service, mit dem Königl. Pohlnis, und New York (M. Cassidy-Geiger, The Arnhold Collection of Meissen ChurFürstl. Sächsi. Wappen, fein mit Golde und Zierrathen, aufm Porcelain 1710-50 (2008), no. 186). Two plates were sold in these Boden mit gebundenen Korn-Aehren, und kleinen Blümgen, der Rand Rooms from the Hoffmeister Collection, 25 November 2009, lot 74, sehr reich mit vergoldeten Zierrathen eingefaßt’ [a table service with the and 26 May 2010, lot 65, and a circular dish was sold in these Rooms Royal Polish and Electoral Saxon arms, fine with gold and decorations, from a Private European Collection, 6 Dec 2018, lot 260. with bundles of corn sheaves and small flowers on the surface, the rim

FINE EUROPEAN CERAMICS | 125 The Empress Elizabeth of Russia on Horseback, Attended by a Page Georg Christoph Grooth, circa 1743, Tretyakov Gallery, Moscow

79 A PAIR OF MEISSEN DEEP DISHES FROM THE EMPRESS ELISABETH SERVICE, CIRCA 1741 Moulded with Gotzkowsky-Relief modelled by Johann Friedrich This suggestion is questioned, however, by a report by the Saxon Eberlein, a floral wreath in the well and four flower panels around the ambassador to Russia, Nicolaus Williband Baron von Gersdorf, who rim, painted in the centre with a bird perched on indianische Blumen, reported in the summer of 1744 that the Empress Elizabeth had and four European estuary and landscape scenes around the rim, told him that she did not believe that she has a complete service of each within a gilt border and blue scale-ground cartouche edged with [Meissen] porcelain (quoted by Liackhova, op.cit., p. 72). This was iron-red and purple scrolls, the pierced and barbed rim decorated with quickly remedied by the magnificent gift of the St. Andrew Service in gilt stripes above a line border, 28.5cm diam., crossed swords marks 1745, which demonstrates both the high value placed upon Meissen in underglaze-blue, impressed 20 and incised // inside footrim (one porcelain as a diplomatic gift, and the importance to Saxony of cleanly restuck) (2) Russian support in their conflict with Prussia.

£20,000 - 30,000 Another riddle associated with this service is that appears to have €22,000 - 33,000 been produced in two groups: the first, to which the present plate US$26,000 - 39,000 belongs, is decorated with indianische Blumen and has mainly harbour scenes around the rims; the second group, which appears to date Provenance: from around 1744-45, is painted with more naturalistic botanical flower Given by Augustus III, Elector of Saxony and King of Poland, to studies and has Dutch-style landscapes and gallant scenes around the Empress Elizabeth Petrovna of Russia rim, among other smaller differences.

This service has been published in detail by Claus Boltz, and more Of the sixty-nine pieces from this service in the Hermitage in 1910, recently, Lydia Liackhova (in U. Pietsch (ed), Meissen for the Czars twenty-seven were apportioned in 1929 to ‘Gostorg’ - an organisation (2004), pp. 58ff.), but its history remains incomplete. Johann Friedrich founded after the revolution to dispose of art works from Russian Eberlein’s work records show that work began on the service at museums - for sale inside Russia; ten pieces were received by the the end of April 1741, at which time Russia was ruled by Anna company ‘Antiquariat’ in 1932 for sale outside of Russia; and in Leopoldovna, Princess of Mecklenburg, on behalf of her two-month October 1930, sixteen pieces, including seven plates, appeared old son, Emperor Ivan VI. The regent had a romance with the Saxon at auction in Berlin (Rudolph Lepke’s Kunst-Auctions-Haus, 21-22 envoy, Count zu Lynar, which may lend weight to the hypothesis that October 1930, lot 203) in a sale of property from the Hermitage. A the service was ordered for her. According to the Meissen manufactory slightly smaller dish from the service was sold in these Rooms, 18 archives, the service was still in production at the end of November June 2014, lot 62. 1741. Peter I’s daughter, Elizabeth Petrovna, seized power in a palace coup one week later so the service could not have been delivered to Anna Leopoldovna but was presumably delivered to the new Empress.

For details of the charges payable in addition to the final Hammer Price of each Lot 126 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 127 80 A RARE MEISSEN TOBACCO JAR WITH A SILVER COVER, CIRCA 1725 The cylindrical form superbly painted with a continuous chinoiserie scene depicting figures engaged in various amusing pursuits, flanked by flowering plants, a fence and various fantasy animals including a dragon, birds and insects in flight, above iron-red lines, gilt scroll- and strapwork borders to the rims, the interior gilt, the silver-gilt domed cover chased with alternating foliate and floral motifs on a stippled ground, ball finial, 15.4cm high overall; the jar: 10cm high (minor retouching to gilt scrollwork, tiny rim chips) (2)

£25,000 - 35,000 €28,000 - 39,000 US$33,000 - 46,000

For details of the charges payable in addition to the final Hammer Price of each Lot 128 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 81 A MEISSEN KPM SILVER-GILT-MOUNTED TEAPOT AND COVER, CIRCA 1725 Each side painted with a chinoiserie scene depicting figures engaged in various pursuits, small details heightened with gilding, surrounded by gilt scrollwork cartouches filled with Böttger lustre and edged with iron- red and purple scrolls, scattered insects to the sides and indianische Blumen to the spout and handle, a gilt strapwork border under the rim, the cover with a continuous chinoiserie scene, the mount with marks for Elias Adam, Augsburg, 12.7cm high, KPM and crossed swords mark in underglaze-blue, gilt numeral 29. to both (2)

£15,000 - 20,000 €17,000 - 22,000 US$20,000 - 26,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 82 A MEISSEN PART TEA AND COFFEE SERVICE, CIRCA 1730 Finely painted in Schwarzlot or black monochrome with Kauffahrtei scenes depicting merchants and their wares by a quayside and figures in European landscapes, within gilt scrollwork cartouches filled with Böttger lustre and edged with purple trellis panels and foliate scrollwork, the sugar box and domed covers with a continuous scene, further painted with purple sprays of indianische Blumen, gilt borders of overlapping scales with dots, comprising: a coffee pot and cover; a teapot and cover; an oval sugar bowl and cover; a waste bowl; four teabowls and saucers, the coffee pot: 19.8cm high, crossed swords marks in underglaze-blue and gilding (waste bowl), the coffee pot unmarked, all with gilt numeral 96., incised / inside footrims the waste bowl restuck with small area filled in (15)

£20,000 - 30,000 €22,000 - 33,000 US$26,000 - 39,000

For details of the charges payable in addition to the final Hammer Price of each Lot 130 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 131 83 A MEISSEN SMALL TURQUOISE-GROUND ECUELLE, COVER AND STAND, CIRCA 1740 Reserved with Kauffahrtei scenes of merchants and their wares at a quayside within gilt quatrelobe cartouches, gilt rims, the centre of the stand with a flowering shrub of indianische Blumen, the cover applied with a gilt finial in the shape of a dragon, the ecuelle: 10.7cm high; the stand: 18.3cm diam., crossed swords marks in underglaze-blue (small restoration to cover rim) (3)

£2,500 - 3,500 €2,800 - 3,900 US$3,300 - 4,600

For details of the charges payable in addition to the final Hammer Price of each Lot 132 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 84 A MEISSEN KPM TEAPOT AND COVER, CIRCA 1726-30 Each side finely painted with a Kauffahrtei scene of merchants and their wares at a quay side with ships in the background, surrounded by a gilt scrollwork cartouche filled with Böttger lustre and edged with puce and iron-red scrollwork, further painted with scattered insects and branches of indianische Blumen below the spout and handle, the gilt curved, eagle-head spout with moulded gilt acanthus leaves at the base and painted with a sprig of indianische Blumen, the scroll handle embellished in gilding and further floral branch, the cover decorated with a similar continuous scene, 12.8cm high, K.P.M in underglaze- blue, crossed swords mark in blue enamel and gilt numeral 53. to both teapot and cover (minor rubbing to gilding) (2)

£12,000 - 18,000 €13,000 - 20,000 US$16,000 - 23,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 133 85

85 86 A MEISSEN TEAPOT AND COVER, CIRCA 1730 A MEISSEN GROUP OF SCARAMOUCHE WITH A LADY, Each side finely painted in purple monochrome with a European CIRCA 1741 landscape scene depicting a river with figures, buildings and woods Modelled by J.J. Kaendler, Scaramouche wearing a black hat, on the banks, within a quatrelobe gilt scrollwork cartouche filled with diamond-patterned tunic and yellow breeches, embracing a lady Böttger lustre and edged with purple scrollwork, further painted with holding a birdcage and wearing an iron-red bodice with black purple indianische Blumen, the handle and spout embellished in stomacher, green and white striped skirt and a white apron with puce gilding, gilt scrollwork border to the rim, the cover with a continuous foliate scrolls, a pug dog lying at their feet and a flowering tree to the harbour scene between gilt borders, 13.5cm high, crossed swords side, the base applied with leaves and flowers, 17.8cm high (her left mark in underglaze-blue, incised / inside footrim (some flaking to arm restuck through shoulder) gilding around edge of cover rim) (2) £15,000 - 20,000 £8,000 - 12,000 €17,000 - 22,000 €8,800 - 13,000 US$20,000 - 26,000 US$10,000 - 16,000 The group is recorded in Kaendler’s Taxa:’Groupgen von 2 Figuren, bestehend, so einander umarmen, das Frauenzimmer aber hält in der lincken Hand einen Vogelgebauer’ [group made up of 2 figures, embracing each other, the woman however holding a birdcage in her left arm].

Further examples are in the Porcelain Collections, Dresden (illustrated in R. Jansen (ed.), Commedia dell’Arte Fest der Komödianten (2001), no. 18), the Pauls-Eisenbeiss Collection, Basel (illustrated in Dr Erika Pauls-Eisenbeiss, German Porcelain of the 18th Century (1972), vol. I, pp. 284-287), the Gardiner Museum, Toronto (illustrated in Meredith Chilton, Harlequin Unmasked (2001), no. 82, fig. 298), the Victoria and Albert Museum, London, and the Metropolitan Museum of Art, New York, amongst others.

For details of the charges payable in addition to the final Hammer Price of each Lot 134 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.

87 A MEISSEN DEEP PLATE, CIRCA 1735 Painted in the style of A.F. von Löwenfinck in polychrome enamels heightened in gilding with a chinoiserie scene after an engraving by Petrus Schenk the Younger, depicting a man on horseback and a guard walking at his side within an exotic landscape, a bird in flight overhead, scattered floral sprigs to the moulded rim, 22cm diam., crossed swords mark in underglaze-blue, impressed Dreher’s mark for Johann Christoph Fleischer, incised W.4.

£12,000 - 18,000 €13,000 - 20,000 US$16,000 - 23,000

Provenance: Paul Schnyder von Wartensee Collection, Luzern (anon. sale, Sotheby’s London, 29 June 1982, lot 86); Swiss Private Collection, sold at Christie’s London, 8 July 2002, lot 83

Literature: S. Ducret, Unbekannte Porzellane des 18. Jahrhunderts (1956), ill. 48

Exhibited: Zürich, Kunsthaus, ‘Schönheit des 18. Jahrhunderts, 10 September-6 November 1955, no. P191; Zürch, Kunstgewerbemuseum, ‘Ross und Reiter, December 1956

The scene is based on an engraving by Petrus Schenk the Younger from the series Nieuwe geinventeerde Sineesen, published in Amsterdam; illustrated by C. Bodinek, Raffinesse im Akkord, II (2018), no. 289, and fully by A.L. den Blaauwen, Keramik mit Chinoiserien nach Stichen von Petrus Schenk Jun., in Keramos 31 (1966), pp.3- 18. A yellow-ground vase decorated with the same scene is in the collection of the Rijksmuseum, Amsterdam (see A.L. den Blaauwen, Meissen Porcelain in the Rijksmuseum (2000), no. 196).

For details of the charges payable in addition to the final Hammer Price of each Lot 136 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 137 88 A MEISSEN OVAL DOUBLE-HANDLED TUREEN AND COVER, CIRCA 1736 Painted by Adam Friedrich von Löwenfinck with polychrome Chinoiserie scenes of figures and animals engaged at various pursuits surrounded by indianische Blumen, details heightened in gilding, between moulded bands of Sulkowski-Ozier basketwork, the scrolling handles with moulded bearded mask terminals, the cover similarly decorated, 31.5cm wide, 27.5cm high, crossed swords mark in blue, impressed Dreher’s mark for Andreas Schiefer (fine haircrack, repairs to finial and handle) (2)

£50,000 - 70,000 €55,000 - 77,000 US$65,000 - 91,000

Literature: U. Pietsch, Phantastische Welten. Malerei auf Meissener Porzellan und deutschen Fayencen von Adam Friedrich von Löwenfinck 1714-1754 (2014), no. 63

Pietsch suggests that the scene on the tureen of a man being pulled in a wagon was taken from an original Chinese bowl which was in the collection of the Elector, now in the Dresden Porcelain Collections (see Pietsch, op. cit., pp. 75 and 77). Another similar tureen and cover is also illustrated in U. Pietsch, op. cit., no. 62.

For details of the charges payable in addition to the final Hammer Price of each Lot 138 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 139 140 | BONHAMS FINE EUROPEAN CERAMICS | 141 89 A MEISSEN MODEL OF A PARROT, CIRCA 1750 Modelled by J.J. Kaendler, naturalistically modelled and coloured in shades of grey, black and red, perched on a tree stump applied with leaves and flowers, a branch with leaves and berries, 19.5cm high, crossed swords mark in blue, impressed numeral 45(?) (restoration to leaves)

£6,000 - 8,000 €6,600 - 8,800 US$7,800 - 10,000

90 A MEISSEN MODEL OF A PARROT, MID 18TH CENTURY Modelled by J.J. Kaendler, perched on a tree-stump applied with leaves and flowers and shaded in green and brown with its head turned to the right side, the plumage coloured in green, purple, blue and yellow, 14.4cm high, faint crossed swords mark in blue (small chip and minor repairs to applied leaves)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

91 A MEISSEN MODEL OF A PARROT, CIRCA 1740 Modelled by J.J. Kaendler, naturalistically modelled and coloured in shades of green, red, blues and pale yellow, 14.2cm high, faint crossed swords mark in blue (restoration to feathers)

£6,000 - 8,000 €6,600 - 8,800 US$7,800 - 10,000

Kaendler modelled a variety of parrots around the same time - another example of the present lot is illustrated by Rainer Rückert, Meissener Porzellan 1710-1810 (1966), no. 1083.

For details of the charges payable in addition to the final Hammer Price of each Lot 142 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 89

90

91

FINE EUROPEAN CERAMICS | 143 92 A RARE MEISSEN -GROUND TEA KETTLE AND COVER, CIRCA 1730-35 The globular body with a short triangular spout and loop handle terminating at either end with a gilt-edged circular boss, each side reserved with a gilt-edged quatrelobe panel painted in Kakiemon style with the ‘Quail Pattern’, he cover with foliage, the handle with turquoise foliate scrollwork and an iron-red flower head, the spout with turquoise and red foliage, 16.5cm high (tiny chips to inside flange of teapot) (2)

£6,000 - 8,000 €6,600 - 8,800 US$7,800 - 10,000

A similarly decorated celadon-ground vessel is in the Dr. Ernst Schneider Collection (published by Julia Weber, Meißener Porzellans mit Dekoren nach ostasiatischen Vorbildern (2013), vol. II, no. 130) and another was sold in these rooms, 5 June 2013, lot 28. The form is based on a Japanese sake pot, of which Augustus the Strong’s collection did include several examples, though they are not on the list of pieces sent to the Meissen manufactory for copying. The form may have been introduced as early as 1727, and five examples were listed among the porcelain seized in 1731 from Count Hoym’s palace that was intended for the Paris merchant, Lemaire, and was subsequently sent to the Japanese Palace. Other examples were delivered to Count Brühl in 1732 and 1733 (Weber, loc. cit.).

For details of the charges payable in addition to the final Hammer Price of each Lot 144 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. (reverse)

93 A MEISSEN OCTAGONAL DISH, CIRCA 1737 Decorated in Kakiemon style with the Shiba Onko pattern and a foliate and floral border around the brown-edged rim, 23.7cm across, crossed swords marks in underglaze-blue, incised X inside footrim, incised Japanese Palace inventory number N=211-/ W

£10,000 - 15,000 €11,000 - 17,000 US$13,000 - 20,000

Provenance: The Royal collections of Saxony, Japanese Palace, Dresden (delivered in June 1737)

Six dishes of this size decorated with the Shiba Onko pattern (including the present lot) - along with others of different sizes - are included in a list of porcelain delivered to the Japanese Palace dated 25 June 1737 (published by C. Boltz, Japanische Palais-Inventar 1770 und Turmzimmer-Inventar 1769, in Keramos 153 (1996), p. 97. All six dishes were still there in 1770, when they are recorded in the inventory of the Japanese Palace (Boltz, p. 80).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 145 94

94 A PAIR OF MEISSEN SMALL DOUBLE-HANDLED VASES, CIRCA 1735 Of baluster form on a flared foot, applied with two S-scroll handles, painted in Kakiemon style with flowering chrysanthemum bushes on each side, the neck and foot with scattered flower sprigs, the footrim with a turquoise seeded band reserved with iron-red chrysanthemums, the rim with a seeded trellis border, the handles with iron-red Karakusa scrollwork and edged in gilding, 14cm and 14.4cm high, crossed swords marks in underglaze-blue, incised x (restored) (2)

£1,500 - 2,500 €1,700 - 2,800 US$2,000 - 3,300

95 A PAIR OF MEISSEN MINIATURE VASES FROM THE JAPANESE PALACE, CIRCA 1724 Painted in polychrome enamels with flowering branches issuing from stylised rockwork, the necks with similar flowering branches, 8cm high, Japanese Palace inventory numbers N=94./ W. painted in black (both with a restored chip to rim) (2)

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

Provenance: The Royal collections of Saxony, Japanese Palace, Dresden, delivered in December 1724

The form is based on Chinese examples from the collection of Augustus the Strong. In December 1724, 36 “kleine Bouteillen von kleinen Aufsäzgen 3 Z. hoch und 2. Z. in diam” were delivered to the King and listed in the inventory under no. 94 (quoted by J. Weber, 95 Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern, II (2013), p. 263). The 1770 inventory of the Japanese Palace lists only a garniture of five various pieces, mostly damaged, under no. 94, suggesting that the vases may by then have been kept elsewhere, perhaps in the Hofconditorei.

Two miniature vases of this type with Japanese Palace inventory number 94 - possibly the present lot - were sold from the royal collections of Saxony in Dresden by Rudolph Lepke’s Kunst-Auctions- Haus, 7-8 October 1919, lots 234-235; another is illustrated by C. Boltz, Die wöchentlichen Berichte über die Tätigkeit der Meissner Dreher und Former vom 6. Juni 1722 bis 31. Dezember 1728, in Keramos 178 (2002), p. 19, ill. 4.

For details of the charges payable in addition to the final Hammer Price of each Lot 146 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 96 A PAIR OF MEISSEN GILT-BRONZE-MOUNTED TWO-HANDLED OVAL BASKETS, CIRCA 1735 Modelled by J.J. Kaendler, the exterior moulded with basketwork, the basketwork handles with mask terminals emblematic of the Seasons, the inside painted with sprigs of indianische Blumen below a seeded band reserved with mostly purple chrysanthemums and peonies and foliage, reserved with panels painted with a butterfly below each handle, mounted on later gilt-bronze foliate scrollwork mounts, 25.5cm across, crossed swords marks in underglaze-blue, one with incised 12 inside footrim (very minor chips) (2)

£10,000 - 15,000 €11,000 - 17,000 US$13,000 - 20,000

Provenance: Ottmar Strauss Collection, Cologne (sold at Hugo Helbing, Frankfurt, 7-8 November 1934, lot 492; Anon. sale, Sotheby’s London, 12 May 2015, lot 11 (subject to an agreement with the heirs of Ottmar Strauss)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 147 97 A PAIR OF MEISSEN MINIATURE VASES FROM THE JAPANESE PALACE, CIRCA 1724-25 Each painted with flowering branches and with insects to the neck, 7.7cm high, Japanese Palace inventory numbers N:96-/ W. painted in black (one with small restored rim chip) (2)

£1,500 - 2,500 €1,700 - 2,800 US$2,000 - 3,300

Provenance: The Royal collections of Saxony, Japanese Palace, Dresden, delivered in 1725

Twenty-four “kleine Aufsatz Bouteillen” [small display bottles] were delivered to Augustus the Strong’s collection in January 1725, as well as another 48 in May of the same year, which were listed in the Japanese Palace inventory of 1721-27 under no. 96 (published in Böttgersteinzeug Böttgerporzellan aus der Dresdener Porzellansammlung (1969), pp. 52-53). Two of these bottles with inventory number 96 - possibly the present lot - were sold from the Saxon Royal collections in Dresden by Rudolph Lepke, 7-8 October 1919, lots 236-237.

98 A MEISSEN MINIATURE BOTTLE, CIRCA 1740-50 Decorated in Kakiemon style with the ‘Three Friends of Winter’: prunus, pine and bamboo issuing from banded hedges, a bird perched on one branch and another in flight, 6.5cm high, crossed swords mark in underglaze-blue, K.H.C. mark in purple (small chip to footrim)

£800 - 1,200 €880 - 1,300 US$1,000 - 1,600

Provenance: Saxon Royal Court Pantry (Hofkonditorei)

99 A PAIR OF MEISSEN MINIATURE BOTTLES, CIRCA 1735 Each decorated in Kakiemon style with the ‘Three Friends of Winter’: prunus, pine and bamboo issuing from banded hedges, a bird perched on one branch and another in flight, 7.5cm high, crossed swords marks in blue (tiny restored chips to rims) (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

100 A MEISSEN OCTAGONAL BOWL, CIRCA 1735 Painted in Kakiemon style with sprays of chrysanthemum, prunus, peony and iris, the flared, brown-edged rim with a foliate border with flower-heads, 7.6cm high; 12.5cm across, crossed swords mark in underglaze-blue, incised x inside footrim

£6,000 - 8,000 €6,600 - 8,800 US$7,800 - 10,000

For details of the charges payable in addition to the final Hammer Price of each Lot 148 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 97

98

99

100

FINE EUROPEAN CERAMICS | 149 101 TWO MEISSEN OIL AND VINEGAR EWERS AND COVERS, CIRCA 1735 Modelled by J.J. Kaendler, of fluted and lobed baluster form moulded The first mention in Kaendler’s work records of models for vinegar, with grotesque mask spouts, painted with sprays of indianische oil and mustard jugs is in June 1733; Rainer Rückert suggests that Blumen, the moulded borders, handles and spouts embellished the entry probably refers to the present model with relief-moulded in gilding, the finials decorated in enamels and gilding, 17cm high, decoration around the body (quoted by J. Weber, Meißener Porzellane one with crossed swords mark in underglaze-blue and unidentified mit Dekoren nach ostasiatischen Vorbildern, vol. II (2013), cat. no. impressed Dreher’s mark of triangle on a + (some restoration) (4) 142 - a similar oil or vinegar jug in the Schneider Collection, Schloss Lustheim; another, formerly in the Gustav von Gerhardt Collection, £3,000 - 4,000 Budapest, was in the R.M. Collection, sold by Lepke’s Berlin, 1 €3,300 - 4,400 December 1925, lot 107). US$3,900 - 5,200

For details of the charges payable in addition to the final Hammer Price of each Lot 150 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 102 A MEISSEN PLATE, CIRCA 1729-31 Painted in Kakiemon style with the Shiba Onko pattern and a foliate Exhibited: and floral border around the brown-edged rim, 23.1cm diam., crossed Lübeck, Museum für Kunst und Kulturgeschichte der Hansestadt swords mark in underglaze-blue, incised Former’s mark x for Johann Lübeck - St. Annen-Museum, ‘Frühes Meissener Porzellan aus einer Daniel Rehschuh, incised Japanese Palace inventory number N=75-/ Privatsammlung’, 14 November 1993-31 January 1994; W (very minor wear) Aachen, Museen der Stadt Aachen - Couven Museum, ‘Frühes Meissener Porzellan aus einer Privatsammlung’, 26 February-20 April £10,000 - 15,000 1994 €11,000 - 17,000 US$13,000 - 20,000 The 1770 inventory of the Japanese Palace records: ‘Eilf Stück Teller mit braunen Rande, inwendig Pagoden und Blumen gemahlt, 9½. (sic.) Provenance: Zoll tief, 9¾. Zoll in Diam: No. 75’ [eleven plates with brown rims, the The Royal collections of Saxony, Japanese Palace, Dresden; inside painted with pagodas and flowers...] (quoted by Claus Boltz, Anon. sale, Christie’s Geneva, 3 December 1982, lot 152 Japanisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769, in Keramos 153 (July 1996), p. 74. Literature: U. Pietsch, Frühes Meissener Porzellan aus einer Privatsammlung (1993), no. 71

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 151 103 A MEISSEN LEAF-SHAPED DISH, CIRCA 1735 Painted in Kakiemon style with tied wheat sheaves and scattered flower sprigs and branches, applied with a branch handle, brown- edged rim, 35cm long, crossed swords mark in blue, impressed Dreher’s mark for Andreas Schiefer, collector’s inventory mark A 221 in black pen

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

103

104 A RARE MEISSEN VASE, CIRCA 1725-30 Of ovoid form with a flared foot and neck knopped at the base, painted in underglaze-blue, polychrome enamels and gilding with two chinoiserie figures by a kettle on a table flanked by a flower vase on a trellis pedestal and flowering branches of Oriental flowers, between formal floral bands, the rims with trellis borders enclosing flower heads, gilt-edged rim, 11.5cm high, crossed swords and caduceus mark in underglaze-blue, incised x

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

104

105 A MEISSEN LOBED SAUCER, CIRCA 1740 Decorated with a large yellow tiger with blue feet looking up at a bird in flight, standing next to a flowering rock sprouting Kakiemon flowers, under a brown rim, 14cm diam., crossed swords in underglaze-blue, impressed 24

£600 - 800 €660 - 880 US$780 - 1,000

105

For details of the charges payable in addition to the final Hammer Price of each Lot 152 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 106 A RARE MEISSEN DOUBLE-HANDLED OVAL BASKET, CIRCA 1736 Probably modelled by J.J. Kaendler, with a basketwork exterior This large basket model may be the one referred to by Kaendler is applied with two handles with a gilt flower, each with a male and his work notes for September 1736: ‘Ein Körpgen Von ziemlicher female terminal emblematic of the Seasons and embellished in enamel Größe nach einer darzu gegebenen Zeichnung in Thon geflochten colours, the interior base painted with bamboo flanked by flowers, the und gefertiget mit Henckeln, woran die 4 Jahres zeiten durch die sides with sprigs of indianische Blumen and insects below a geometric gewöhnlich Gesichter, welche mit Früchten verzieret sind, vorgestellt and foliate border, 25.5cm across handles, crossed swords mark in worden [A basket of large size after a supplied drawing modelled blue (minor chips) in clay and finished with handles on which the Four Seasons are represented by the usual faces decorated with fruit] (quoted by £3,000 - 5,000 J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen €3,300 - 5,500 Vorbildern, II (2013), p. 189; for another example of the form without US$3,900 - 6,500 the masks cat. no. 161).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 153 107

107 THREE MEISSEN TEABOWLS, MID 18TH CENTURY Painted in underglaze-blue, enamels and gilding with reserves of bamboo and peonies issuing from stylised rockwork alternating with panels of dense elaborate gilt scrollwork between iron-red flowerheads, above underglaze-blue lines, the interiors with flowering shrubs, 4.8cm high, crossed swords marks in underglaze-blue, K in underglaze-blue, impressed numerals (minor wear) (3)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

A teabowl of the same type is in the Dr. Ernst Schneider Collection and illustrated in Julia Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern, vol. II (2013), no. 104.

108 A RARE MEISSEN LOBED CIRCULAR STAND, 108 CIRCA 1730-35 Painted in Kakiemon style with scattered flower sprigs, brown-edged rim, 22.5cm across, crossed swords mark in underglaze-blue, incised / and two dots inside footrim

£700 - 900 €770 - 990 US$910 - 1,200

109 A MEISSEN CIRCULAR TUREEN AND COVER, CIRCA 1740 Each moulded with the Alt Brandenstein pattern to the rims, painted in a Kakiemon palette with the ‘Gelber Löwe’ pattern of a tiger curled around bamboo and flanked by flowers, with further scattered flowers and insects, gilt-edged rims, the cover with a branch handle with flower terminals, 14.5cm high; 17cm across, crossed swords mark in underglaze-blue, impressed 24 (2)

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

109

For details of the charges payable in addition to the final Hammer Price of each Lot 154 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 110 A RARE MEISSEN SMALL TUREEN AND COVER, CIRCA 1740 Of baluster form, applied with dolphin handles and a finial of two entwined dolphins, modelled by J.F. Eberlein and J.J. Kaendler, painted in Kakiemon style 110 with the “flying fox” pattern of a fox over a squirrel on banded hedges, the inside of the cover with a wheat sheaf and flowers, 10cm high; 13.2cm across handles, crossed swords mark in underglaze-blue (some restoration to finial and handles) (2)

£800 - 1,200 €880 - 1,300 US$1,000 - 1,600

111 A RARE MEISSEN PLATE, CIRCA 1735 Painted in variation of Kakiemon style with a blue lion curling around a bamboo shoot with peony opposite further flowering peony branches, three flower sprigs around the rim, 22.5cm diam., crossed swords mark in underglaze-blue, impressed Dreher’s mark for Johann Christoph Pietzsch (minor scattered wear to enamels in well)

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

111

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 155 112

113

112 A MEISSEN PLATE, CIRCA 1730-35 Painted in Kakiemon style with a phoenix in flight above flowers, the brown-edged rim with two trailing flower branches and two insects, 23cm diam. crossed swords mark in underglaze-blue, incised x inside footrim for Johann Daniel Rehschuh

£700 - 900 €770 - 990 US$910 - 1,200

113 A MEISSEN PLATE, CIRCA 1735-40 Painted in Famille verte-style, with a bird perched on a branch flanked by flowering plants issuing from stylised rockwork, scattered flower sprigs to the brown-edged rim, 22.2cm diam., crossed swords mark in underglaze-blue (very minor rubbing)

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

For a short discussion of the pattern and several similar plates in the Schneider Collection, Schloss Lustheim, Munich, see J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern (2013), vol. II, pp. 361 -364.

114 A RARE MEISSEN TRAY, CIRCA 1739 Of fan-shaped, trefoil form applied with a handle, painted on the handle and in the centre with sprigs of indianische Blumen and scattered leaves and flowers, the rim with a pale iron-red ground border decorated with gilt and iron-red foliage and reserved with purple and yellow flower-heads, 30.6cm across (including handle), incised mark for Andreas Schiefer and impressed 26

£2,500 - 3,500 €2,800 - 3,900 US$3,300 - 4,600

114

For details of the charges payable in addition to the final Hammer Price of each Lot 156 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 115 A MEISSEN SILVER-GILT-MOUNTED TANKARD, CIRCA 1740 Painted in Kakiemon style with a phoenix perched on flowering branches issuing from banded hedges and another phoenix in flight overhead, the back with scattered butterflies and flowers, the strap handle with an iron-red flower, moulded with an acanthus leaf terminal, the silver-gilt cover unmarked, with a scroll thumbpiece, the tip inscribed ‘L.O.S.S/ A.AA.D.W/ 1782/ OS’ within foliate scrollwork, the footrim mount with a foliate band, 16cm high, crossed swords mark in blue 115

£8,000 - 12,000 €8,800 - 13,000 US$10,000 - 16,000

Provenance: Pauls-Eisenbeiss Collection, Riehen (applied collectors’ label to base)

116 A MEISSEN WHITE FIGURE OF A CHINESE MAN, CIRCA 1745 Modelled by P.Reinicke, dressed in a long coat with hanging kimono sleeves, a large hat with fluted rim, carrying a tray with a tall chocolate cup, 16cm high (small restoration to tray)

£1,200 - 1,800 €1,300 - 2,000 US$1,600 - 2,300

From a series of five Chinoiserie figures modelled by P. Reinicke in 1743 for the Hofkonditorei of Graf Brühl.

116

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 157 117

117 A MEISSEN TEABOWL AND SAUCER, CIRCA 1739 Painted in the style of J.E. Stadler, with a Chinoiserie scene of a figure holding a large fan flanked by a fence and flowering shrubs, the rims with a purple trellis band reserved with panels enclosing chrysanthemums, the teabowl: 5cm high; the saucer: 13.5cm diam., crossed swords marks in underglaze-blue, impressed Dreher’s marks for Johann Christoph Schumann to both, impressed numeral inside footrim to saucer / incised inside footrim to teabowl (flat chip to teabowl footrim) (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

118 A SMALL MEISSEN AUGUSTUS REX VASE, CIRCA 1730 Of flared beaker form, painted in the manner of J.E. Stadler with a vignette depicting chinoiserie figures holding parasols and a fan flanked by fences and flowers, a bird in flight overhead an a spray of indianische Blumen on the reverse, gilt-edged rim, 13.2cm high, AR monogram in underglaze-blue, incised Z (two restored flat chips to footrim)

£6,000 - 8,000 €6,600 - 8,800 US$7,800 - 10,000

118

For details of the charges payable in addition to the final Hammer Price of each Lot 158 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 119

119 A PAIR OF MEISSEN CANDLESTICKS, CIRCA 1735-39 The knopped shaft rising from a domed foot, moulded with panels of bell-flowers and acanthus leaves below the sconce heightened in gilding, the foot and sconce moulded with a basketwork pattern (Sulkowski-Ozier), painted in Kakiemon style with tied wheat sheaves and scattered flower sprays, 23.5cm high, crossed swords marks in underglaze-blue, impressed Dreher’s marks for Johann George Schlicke (2)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

120 A MEISSEN OCTAGONAL PURPLE-GROUND HOT WATER JUG AND COVER, CIRCA 1735 Reserved with purple-edged panels painted in Kakiemon style with two quail flanked by flowering prunus and other flowers, the spout and handle embellished with flower sprigs, 16.5cm high, crossed swords mark in underglaze-blue (finial restuck and restored chip to cover) (2)

£1,500 - 2,500 €1,700 - 2,800 US$2,000 - 3,300

120

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 159 121 124 A MEISSEN MODEL OF A SHEEP, MID 18TH CENTURY A MEISSEN MODEL OF A PARTRIDGE, MID 18TH CENTURY Modelled by Peter Reinicke, naturalistically coloured, on a base applied Naturalistically modelled and coloured in shades of brown, the base with branches, leaves and flowers, 14.5cm high, crossed swords in applied with pale yellow foliage, 15cm high, traces of crossed swords underglaze-blue to the back of the base mark in blue (tiny chips to foliage)

£1,000 - 1,500 £2,000 - 3,000 €1,100 - 1,700 €2,200 - 3,300 US$1,300 - 2,000 US$2,600 - 3,900

Provenance: 125 T.A. Hall, Burnley (paper label to the base) A MEISSEN FIGURE OF A PHEASANT, CIRCA 1745 Modelled by J.J. Kaendler, naturalistically coloured, its tail raised and Another example of the model looking to the left is in the collection perched on a tree stump applied with a leafy and berried branch, of the Landesmuseum, Schwerin, illustrated in Carl Albiker, Die 17.5cm high, faint traces of crossed swords mark in blue (restoration Meissener Porzellantiere im 18. Jahrhundert (1959), no. 213. He to tail and beak) mentions Reinicke’s work records: ‘detto (Schaf) aufrecht stehend ... zum Basseng in Thon boussirt.’ (Albiker (1959), p. 24.). A pair of similar £2,000 - 3,000 sheep were sold in these rooms, 5 July 2018, lot 103. €2,200 - 3,300 US$2,600 - 3,900 122 A PAIR OF MEISSEN MODELS OF PARTRIDGES, MID 18TH Another example and its counterpart are illustrated in Carl Albiker, Die CENTURY Meissener Porzellantiere im 18 Jahrhundert (1959), no. 127. Naturalistically modelled and coloured, the bases applied with yellow or green foliage, 14.3cm high, crossed swords marks in underglaze- blue to the rear of the bases (one with minor restoration to beak and tail) (2)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

Literature: U. Pietsch/K. Jakobsen, Frühes Meissener Porzellan (1997), no. 236

Exhibited: Düsseldorf, Hetjens-Museum, ‘Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen’, 19 January-6 April 1997; Dresden, Staatliche Kunstsammlungen Dresden, Porzellansammlung im Zwinger, Albertinum, ‘Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen’, 7 May-13 July 1997

123 TWO BERLIN MODELS OF WILLOW GROUSE, CIRCA 1765-70 Each naturalistically modelled, probably by Johann Baptist Pedrozzi, perched on rockwork with one claw clutching a feather, the bases applied with leaves, 16.3cm high, incised 4/I to one and ?/4 to other (minor restoration) (2)

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

Similar models attributed to Pedrozzi are illustrated in D. Heim, Die Berliner Porzellanplastik und ihre skulpturale Dimension 1751-1825 (2016), p. 574.

121

For details of the charges payable in addition to the final Hammer Price of each Lot 160 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 122

123

124

125

FINE EUROPEAN CERAMICS | 161 126

126 TWO MEISSEN FIGURES OF TURKISH LADIES, MID 18TH CENTURY 126 Both wearing fitted pink caps embellished in gilding, floral gowns with wide sleeves and a waist sash, one holding a fan decorated with small puce stars, the other dancing, her left foot outstretched, 15.5cm high, faint traces of crossed swords marks in blue (one restuck through middle) (2)

£1,500 - 2,000 €1,700 - 2,200 US$2,000 - 2,600

127 A MEISSEN SHAPED PEDESTAL, MID 18TH CENTURY Moulded with four rocaille cartouches surmounted by a shell and heightened in gilding, three enclosing military battle scenes and one a naval battle scene, the stepped base embellished with gilt bands, the top painted with scattered deutsche Blumen, 11.9cm high, 24.7cm wide, crossed swords mark in underglaze-blue (minor wear)

£1,800 - 2,200 €2,000 - 2,400 US$2,300 - 2,900

127

For details of the charges payable in addition to the final Hammer Price of each Lot 162 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 128 A MEISSEN WASTE BOWL, CIRCA 1735-40 Superbly painted with a continuous battle scene after G.F. Rugendas depicting Turkish and European cavalry in combat with a camp on one side and cannon, flags and drums in the foreground, the interior with a burnished gold ground reserved in the centre with a purple monochrome landscape scene with horsemen within iron- red concentric circles, 16.8cm across; 8.1cm high, crossed swords mark in underglaze-blue, gilt H., incised V inside footrim (very minor scattered wear to interior)

£6,000 - 8,000 €6,600 - 8,800 US$7,800 - 10,000

Provenance: Private Collection, Germany (sold in these Rooms, 14 May 2008, lot 51)

The figures are based on three different engravings by Georg Conrad Bodenehr after Georg Philipp Rugendas the Elder; see C. Bodeniek, Raffinesse im Akkord, II (2018), nos. 253, 255 and 260, for the prints in the Meissen manufactory archive.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 163 129 A VERY RARE MEISSEN ‘CHINOISERIE WAR-CHESS’ SET, LATE 18TH CENTURY Comprising 16 white and 16 polychrome pieces painted in shades The rules of the Chinoiserie ‘Kriegsspiel’ [war-chess] were partly of purple and in flesh tones, including a general flanked by two based on the rules of chess and varied in different ways at the end mandarins, elephants with high houdas, horses and chariots, the front of the 18th and beginning of the 19th centuries. See H. Krieger, rank with five soldiers flanked by two cannons, the general: 8cm high Meissener Schachfiguren. Anmerkungen zu ihrer Geschichte, (some restoration, one cannon a made-up replacement) (32) in Ein Königliches Vergnügen Meissener Schachfiguren aus drei Jahrhunderten, Meissener Manuskripte, Sonderheft VI (1998), p. £8,000 - 12,000 16). A complete cased set with different decoration, formerly in €8,800 - 13,000 the pre-War collection of Dr. Fritz Clemm, Berlin, and now in the US$10,000 - 16,000 Ludwig Collection, Bamberg, is illustrated by Krieger, p. 14, and in R. Hanemann (pub.), Goldchinesen und Indianischen Blumen (2010), Provenance: no. 82, in which it is noted that the Chinoiserie War-Chess game was The Property of the late the Hon. Mrs Nellie Ionides, Buxted Park (sold closer to an Indian version of chess rather than the European game. by order of the Executors), Sotheby’s London, 7 July 1964, lot 132 Unlike the set in the Ludwig Collection, which includes nine soldiers (known in Chinese chess as “Ping”), the present lot has five, which corresponds to the Chinese version of the game. Unlike the European game, the figures were placed at the intersections of the lines rather than within each square and the moves were different.

For details of the charges payable in addition to the final Hammer Price of each Lot 164 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 165 130 130 A MEISSEN DEEP DISH, CIRCA 1765 Painted in underglaze-blue, enamels and gilding with a central floral motif of radiating panels of gilt and iron-red flowers alternating with gilt foliage on an underglaze-blue ground, enclosed by spiral panels of gilt and iron-red flowers reserved against underglaze-blue alternating with glowering branches, the gilt-edged rim with underglaze-blue trefoil panels reserved with flowers against extensive landscapes with pagodas, the reverse with chrysanthemum demi- florets and flowering branches above a geometric border around the footrim, a iron-red and gilt flower sprig to the base next to the mark, 21.8cm diam., crossed swords mark, dot and K in underglaze-blue, impressed 10

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

A similar dish was sold in these Rooms from the Hoffmeister Collection, 26 May 2010, lot 18.

131 A MEISSEN SAUCIÈRE, LAST QUARTER 18TH CENTURY Of moulded diamond shape on a moulded oval foot, the handles with applied scrollwork leaves, all decorated in underglaze-blue with the Zwiebelmuster pattern, 21.7cm diam, crossed swords mark, asterisk and Roman numerals XI in underglaze-blue (minute chip to scroll on one handle)

£500 - 700 €550 - 770 US$650 - 910 131

For details of the charges payable in addition to the final Hammer Price of each Lot 166 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 132 A MEISSEN MODEL OF A SPARROW HAWK, CIRCA 1740 Modelled by J.J. Kaendler, naturalistically modelled and coloured, the sparrow hawk perched on a tree stump, in the process of devouring a lark, his wings hanging by his body, a beetle hiding behind the wing tip, the tree stump studded with fungi and applied leaves, 29cm high (restored)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

This model is recorded in the 1734 Taxa as “1 Rittelweibgen oder Lerchengeyer, welches vorstellet in Lebensgrösse, wie es eine Lerche frisst, ruhet auf 132 einem verziertem Postament.” See C. Albiker, Die Meissner Porzellantiere, Berlin, 1935, Tafel XXVIII, Abb. 105 for another example of this model and Abb. 103 for its pendant, a sparrow hawk with mouse.

133 A PAIR OF MEISSEN MODELS OF LEOPARDS, MID 18TH CENTURY Probably modelled by J.J. Kaendler, each seated and naturalistically coloured, the bases applied with leaves, 6.3cm high, crossed swords marks in underglaze-blue to the rear of the bases (one with minor restoration to ears)

£3,000 - 4,000 €3,300 - 4,400 US$3,900 - 5,200

Provenance: Christie’s Geneva, 16th November 1992, lot 100; Property from the Collection of Sir Gawaine and Lady Baillie (sold at Sotheby’s London, 1 May 2013, lot 94)

133

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 167 134

134 TWO MEISSEN SALTS, CIRCA 1745-50 Moulded with ‘Gotzkowsky Relief’ of flower panels alternating with sprays of finely painted Holzschnittblumen, scattered insects to the top and gilt crosshatch borders to the rims, on gilt shell-shaped feet, 18cm wide, crossed swords marks in underglaze-blue (minor chips to feet and minor rubbing) (2)

£1,600 - 2,000 €1,800 - 2,200 US$2,100 - 2,600

Several services decorated in this style were made during the second half of the , including in 1747 a dessert service for Louis XV and an extensive dinner and dessert service for the Marquis d’Argenson; the description of the latter corresponds to the decoration on the present lot - see S. Schwartz/J. Munger, Gifts of Meissen Porcelain to the French Court, 1728-50, in M. Cassidy-Geiger (ed.), Fragile Diplomacy (2008), p. 153.

135 A MEISSEN FIGURE OF A GENTLEMAN WITH A HOUND, CIRCA 1760 Modelled by J.F. Eberlein with the gentleman seated on scrollwork edged in gilding, wearing an elegant puce patterned jacket with green cuffs, a floral gilt waistcoat and blue breeches, a hound jumping up to his raised hand, the base moulded with gilt-edged scrollwork and applied with leaves and flowers, 18.4cm high, crossed swords mark in underglaze- blue to the rear of the base (restoration to cuff and scrollwork tip)

£1,200 - 1,800 €1,300 - 2,000 US$1,600 - 2,300

Another example is illustrated in Y. Adams, Meissen Portrait Figures (1987), p.23.

135

For details of the charges payable in addition to the final Hammer Price of each Lot 168 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 136 A MEISSEN BALUSTER VASE, CIRCA 1750 136 With a widening rim and slim foot, decorated with two sprays of flowers and scattered butterflies and insects amongst loose sprigs of flowers, 17cm high, crossed swords mark in blue to the base

£700 - 900 €770 - 990 US$910 - 1,200

137 A MEISSEN MODEL OF AN OBELISK, CIRCA 1750 Mounted on four rococo feet on a square plinth, each side moulded with an oval scrollwork cartouche surmounted by polychrome applied swags of flowers, surmounted by a domed finial, 21.5cm high crossed swords in underglaze-blue to the edge of the base, inventory number 64. in brown ink

£700 - 900 €770 - 990 US$910 - 1,200

137

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 169 138

138 TWO MEISSEN LEAF-SHAPED DISHES, CIRCA 1745-50 Moulded with ‘Gotzkowsky Relief’ relief pattern and painted with flower sprays, gilt crosshatch borders to the rims, each with a gilt scrollwork thumbpiece, 24.2cm across, crossed swords marks in underglaze- blue (one with restored tip of thumbpiece and small restored rim chip) (2)

£2,500 - 3,500 €2,800 - 3,900 US$3,300 - 4,600

139 A MEISSEN CLOCK CASE, CIRCA 1760 On four scrolling feet heightened in green and puce, the (absent) dial surrounded by rococo scrollwork embellished in gilding and green winding plants, applied with flowers and leaves, the central panel to the front painted with a flower spray, 24cm high, crossed swords mark in underglaze-blue (some restoration and faint haircrack to reverse)

£800 - 1,200 €880 - 1,300 139 US$1,000 - 1,600

For details of the charges payable in addition to the final Hammer Price of each Lot 170 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 140 A MEISSEN TEA CANISTER AND COVER, CIRCA 1750 Painted with landscape vignettes depicting mining subjects below a gilt scrollwork border, the details heightened in gilding, scattered flower sprays on the shoulder, the cover applied with flower and leaf finial, 12.5cm high, gilt 7. (small chips to finial) (2)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

See R. Slotta/G. Lehmann/U. Pietsch, Ein fein bergmannig Porcelan (1999) for a full discussion of mining subjects on Meissen porcelain.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 171 141 142 144

141 A MEISSEN FIGURE OF A HURDY-GURDY PLAYER FROM THE LARGE CRIS DE PARIS SERIES, CIRCA 1745 Probably modelled by P. Reinicke, wearing a black hat, white coat, brown tunic and purple breeches, playing the hurdy-gurdy, 20.5cm high, crossed swords mark in underglaze-blue to the rear of the base (restoration to extremities)

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

From the first large series of figures from the Cris de Paris, probably modelled by Peter Reinicke between 1744 and 1747 and based on drawings by Edme Bouchardon engraved by the Comte Caylus; see Günter Reinheckel, Die erste Folge der Pariser Ausrufer in Meissner Porzellan, in Keramos 50 (1970), pp. 115-121.

142 A MEISSEN FIGURE OF A SOWER, MID 18TH CENTURY Wearing a black tricorn hat, black jacket over white shirt and pale yellow breeches, sowing seeds carrying them in a cloth sling, sacks of seeds beside him, the base applied with leaves and flowers, 21cm high, faint traces of crossed swords mark in blue (restoration to right hand)

£1,500 - 2,500 €1,700 - 2,800 US$2,000 - 3,300

143

For details of the charges payable in addition to the final Hammer Price of each Lot 172 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 144 145 146

143 145 A MEISSEN GROUP OF FOUR PUTTI MAKING ARROWS, A MEISSEN FIGURE OF A BOY WITH A COCKEREL, CIRCA 1760 CIRCA 1750 All placed around a fire, one holding bellows, the other a quiver with Wearing a yellow bicorn hat, a white jacket decorated with indianische arrows, the third a hammer, the last seated on a high rock wrapped in Blumen and purple trousers, holding a chicken in one arm and a a blue cloak, all placed on a rococo base picked out in gilding, 19cm walking stick in the other, the base moulded with gilt-edged scrollwork high, crossed swords mark in blue to the base (chips and losses to and applied with leaves and flowers, 15.6cm high, crossed swords instruments and to extremities) mark in underglaze-blue to the rear of the base (some restoration to chicken) £600 - 800 €660 - 880 £800 - 1,200 US$780 - 1,000 €880 - 1,300 US$1,000 - 1,600 144 A MEISSEN FIGURAL CANDLESTICK WITH A PUG, 146 MID 18TH CENTURY A MEISSEN FIGURE OF A LADY DANCING, MID 18TH CENTURY Modelled with a seated pug on a gilt-edged scrollwork base, foliate Wearing a purple hat, yellow bodice with black stomacher, green skirt branches with flowers behind creating the stem, applied with a loop and a white apron embellished with indianische Blumen, holding the handle on the reverse and surmounted by a flower-shaped candle sides of her apron, the base moulded with gilt-edged scrollwork and sconce, 15.2cm high, crossed swords mark in underglaze-blue applied with leaves and flowers, 13.5cm high, crossed swords mark to (sconce section restuck through branch stem) rear of the base (head restuck)

£1,000 - 1,500 £700 - 900 €1,100 - 1,700 €770 - 990 US$1,300 - 2,000 US$910 - 1,200

A similar candlestick with pug is illustrated by R. Rückert, Meissener Porzellan 1710-1810 (1966), no. 1097.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 173 147

147 A PAIR OF MEISSEN FIGURES OF A MUSICIAN AND DANCER, CIRCA 1755 The man playing the recorder and carrying a large drum decorated with green bows, wearing an elaborately patterned purple jacket embellished with yellow bows over pale yellow breeches, the lady with her right arm raised, wearing a purple hat with feathers, a yellow bodice, green skirt and apron decorated with indianische Blumen, the bases moulded with gilt-edged scrollwork and applied with leaves and flowers, 18.8cm high, crossed swords marks in underglaze-blue to the rear of the bases, incised z or 2 (minor restoration) (2)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

Another example of the dancer is illustrated in Y. Adams, Meissen Portrait Figures (1987), colour plate IV.

148 A MEISSEN FIGURE OF A BOY FROM THE COMMEDIA DELL’ARTE, TOGETHER WITH A MEISSEN GIRL HOLDING A GOBLET, CIRCA 1755 He wearing a yellow hat and suit edged in blue with a white collar, a tree stump support at his back, she wearing a puce striped bodice, green skirt and white apron, holding a goblet, each base moulded with gilt-edged scrollwork and applied with leaves and flowers, he: 12.5cm, she: 12cm high, he with faint traces of crossed swords mark in blue, both with impressed numerals (boy with restuck base, some restoration to both) (2) 148 £500 - 700 €550 - 770 US$650 - 910

Provenance: Private European Collection

For details of the charges payable in addition to the final Hammer Price of each Lot 174 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 149 A PAIR OF MEISSEN FIGURAL BOUQUETIÈRES, CIRCA 1745 Modelled by J.J. Kaendler, each seated on a rocky mound holding a basket with pierced tops, respectively, the gentleman wearing a yellow hat, an iron-red jacket embellished with gilt flowers and black foliage and black breeches, his companion wearing a black headscarf, white bodice edged with puce scrollwork, white skirt with indianische Blumen and red-dotted apron, the bases applied with leaves and flowers, 20.5cm high, faint crossed swords mark in blue to him (minor chips) (2)

£6,000 - 8,000 €6,600 - 8,800 US$7,800 - 10,000

The model is mentioned by Kaendler in his Taxa of overtime work: ‘1. Weibs Bild sizend einen Korb auf den Schooß habend, worein Bluhmen gesezet werden können [...] 1. Gärtner sizend, einen Bluhmen-Korb vor sich haltend, darein Bluhmen gesezet werden können, als Compagnon zur Gärtnerin’ [1 female figure seated holding a basket on her lap, in which flowers can be out (...) 1. seated gardener, holding a flower basket in front, in which flowers can be put, as companion to the female gardener].

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 175 151

150

150 152 A MEISSEN FIGURE OF A LADY PLAYING THE LUTE, A MEISSEN FIGURE OF A LADY WITH A FAN, MID 18TH CIRCA 1755 CENTURY Seated on a tree stump, wearing a yellow skirt with Kakiemon flowers, Wearing a bonnet, an elegant bodice decorated with indianische white chemise and purple bodice and a green hat, her instrument Blumen, a pink overskirt and yellow underskirt, holding a fan to her perched on her lap, 14.4cm high (arm and leg restuck, piece of the head, the base moulded with gilt-edged rocailles and applied with socle broken out and restored) leaves, 15.5cm high (restoration to right hand, fan restuck)

£400 - 600 £700 - 900 €440 - 660 €770 - 990 US$520 - 780 US$910 - 1,200

151 Provenance: A MEISSEN FIGURE OF LUTE PLAYER, MID 18TH CENTURY European Private Collection Modelled by Peter Reinicke, seated and playing the lute, wearing a white coat with gilt buttons, pink waistcoat and black breeches, the base applied with leaves and flowers, 13.2cm high, crossed swords mark in underglaze-blue to the rear of the base (lute restuck)

£400 - 600 €440 - 660 US$520 - 780

Provenance: Private European Collection

Another example is illustrated in R. Rückert, Meissener Porzellan 1710-1810 (1966), no. 891.

For details of the charges payable in addition to the final Hammer Price of each Lot 176 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 152

153 153 A MEISSEN “CRIS DE PARIS” FIGURE OF A VEGETABLE SELLER, CIRCA 1755 Modelled by Peter Reinicke, holding a bucket filled with leaves in her left hand and a leafy vegetable in the right hand, wearing a bonnet with flaps, a puce bodice, flower-decorated dress, white apron with a knofe hanging to the right side, on a gilt-edged, scroll-moulded base applied with leaves and flowers, 14cm high, crossed swords mark in underglaze-blue to rear of base, incised 5 (head restuck, some restoration to extremities)

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

After the 1753 drawing by Christophe Huet, published in M. Eberle, Cris de Paris (2001), no. 37.

154 A MEISSEN FARMER WITH A GOAT, CIRCA 1745 Modelled by J.J. Kaendler, wearing a grey hat, white shirt with red braces and black breeches, carrying a kid goat under on arm and a basket with a cage of chickens on his back, 18.8cm high, traces of crossed swords mark in blue (some restoration)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

Another example is illustrated by R. Rückert, Meissener Porzellan 1710-1810 (1966), no.892.

154

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 177 155 A PAIR OF MEISSEN FIGURES OF HARLEQUIN AND COLUMBINE PLAYING INSTRUMENTS, CIRCA 1745 Modelled perhaps by J.F. Eberlein after the models by J.J. Kaendler, both seated on rockwork, Harlequin playing the bagpipes and wearing a colourfully patterned tunic with playing cards on one side and a black pointed hat, Columbine playing the hurdy-gurdy wearing a turquoise hat, white bodice with black stomacher and white and puce striped skirt, the bases applied with leaves and flowers, 13.5cm high, crossed swords mark in underglaze-blue to rear of base (him) and in blue (her) (some restoration to extremities) (2)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

For details of the charges payable in addition to the final Hammer Price of each Lot 178 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 156 156 A MEISSEN FIGURE OF HARLEQUIN WITH A BIRDCAGE, CIRCA 1745 Modelled by J.F. Eberlein, Harlequin wearing a brightly-patterned tunic decorated with a diamond pattern and playing cards, white trousers and purple shoes with yellow bows, seated on a rock and holding a bird above his head, a birdcage beside him, the base applied with leaves and flowers, 13.5cm high, (right hand restuck, edge of one flower restored)

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

Eberlein’s work records from August 1743 ‘Einen Arlequin, so einen Vogel in der Hand, neben sich einen Vogelbauer und eine Katze zu Fuessen hat’ [a Harlequin, a bird in his hand, next to him a birdcage and a cat at his feet]. The present example seems to be a slight variation without the cat on the base. A similar example in the Gardiner Museum, Toronto, is illustrated by M. Chilton, Harlequin Unmasked (2001), cat. no. 98.

157 A MEISSEN FIGURE OF PANTALONE, CIRCA 1741 Modelled by J.J. Kaendler, wearing a black skull-cap, long black coat, iron-red tunic and breeches with a dagger to his left side and yellow shoes, the base applied with leaves and flowers, 15.3cm high, faint traces of blue crossed swords mark (minor restoration to edges of leaves and flowers)

£6,000 - 8,000 €6,600 - 8,800 US$7,800 - 10,000

After the engraving ‘Pantalon Ancien’ by François Joullain after Jacques Callot, published in 1728 in Louis Riccoboni’s Histoire du Thêatre Italien.

157

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 179 158

158 A GERMAN SILVER-GILT-MOUNTED ENAMEL SNUFF BOX, PROBABLY BERLIN, CIRCA 1770, DEPICTING FREDERICK THE GREAT Decorated with Watteau-style scenes of elegant figures in landscapes, the inside of the split cover painted with the portraits of Frederick the Great and his wife, Elisabeth Christine von Braunschweig- Wolfenbüttel-Bevern, 9.3cm wide, 4cm high (typical minor haircracks)

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

159 A RARE MEISSEN MARCOLINI OVAL PORTRAIT PLAQUE DEPICTING COUNT CAMILO MARCOLINI, CIRCA 1775 Decorated en grisaille with a portrait facing sinister, the sitter wearing his full regalia, the unglazed reverse with a log for hanging and inscribed ‘Graf von Marcolini’ in black script, 9cm diam.

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

Count Camillo Marcolini-Ferretti (1739-1814) was born in Fano, Italy, in 1739. The Prince Elector Frederick Christian met Camillo Marcolini’s father in Rome, and offered young Camillo a position as donze to the Saxon court. In Saxony, Camillo quickly rose in the ranks and ended as minister in the Royal cabinet in 1809 and in 1818 followed the King into exile.

Camillo Marcolini also became minister and general director of the Fine Arts and the Fine Arts Academy, as well as director of the Meissen porcelain manufactory from 1774 to 1813. The asterisk mark on Meissen porcelain, used during his directorship, is therefore know as a Marcolini mark.

In 1774 Marcolini expanded the historic Palais Brühl-Marcolini. Around 1780 the ‘chinesisches’ and ‘pompejanisches’ Zimmer [Chinese 159 and Pompeian rooms] took shape under the guidance of architects Ludwig Giesel and Christian Traugott Weinlig. This new taste for the neoclassical was also translated at the Meissen factory which under the guidance of Marcolini and with the help of Acier and Schönheit developed a new neoclassical aesthetic for the porcelain which stood in strong contrast to the rococo tradition of the past.

For details of the charges payable in addition to the final Hammer Price of each Lot 180 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 160 A BERLIN GOLD-MOUNTED RECTANGULAR SNUFF BOX, CIRCA 1765 Finely painted in a delicate palette with scenes of ladies in Turkish dress with attendants and musicians flanked by trees, fountains, obelisks and vases, and on the base with a pet monkey, all on bases of puce scrollwork and flowers, the inside cover with a scene of a lady bathing by a fountain with two attendants, the mount chased with a foliate diaper pattern, 6.2cm by 8.1cm

£8,000 - 12,000 €8,800 - 13,000 US$10,000 - 16,000

Provenance: With A. Torre; Private Collection, Switzerland, acquired from the above in 1969 (sold Christie’s London, 21 February 2005, lot 165)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 181 161

161 A MEISSEN GOLD-MOUNTED OVAL SNUFF BOX, CIRCA 1765 Moulded with polychrome scrollwork cartouches, shells and trailing flowers enclosing mythological and allegorical scenes, the inside cover with a similar scene, in its original gold mount decorated with matching scrollwork and flowers, pierced with four cartouches enclosing further miniature scenes on the edge of the porcelain cover, 7.7cm wide, 5cm high

£10,000 - 15,000 €11,000 - 17,000 US$13,000 - 20,000

162 A NYMPHENBURG PIPE BOWL IN THE SHAPE OF A HARLEQUIN’S HEAD, CIRCA 1757 Modelled by F.A. Bustelli, Harlequin wearing a pilgrim’s black hat applied with a scallop shell and a white ruff, the stem moulded with puce-edged shellwork, with a metal mount, 8.3cm high (small chips to hat)

£3,000 - 5,000 €3,300 - 5,500 162 US$3,900 - 6,500

Another example which is in the Bäuml Collection is illustrated by A. Ziffer, Nymphenburger Porzellan, Sammlung Bäuml (1997), no. 61. Further ones are in the Bavarian National Museum, Munich, the Deutsche Tabakmuseum, Bünde and the Victoria and Albert Museum, London.

For details of the charges payable in addition to the final Hammer Price of each Lot 182 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 163 A NYMPHENBURG OVAL GILT-METAL-MOUNTED SNUFF BOX, CIRCA 1770 The exterior finely painted in purple monochrome, the cover depicting a seated female figure personifying Saxony, with the crozier and mitre and the Electorial arms of Saxony to one side and wearing the Electoral crown, to her left a standing figure representing Fame holding a tablet inscribed with the titles of Clemens Wenzelaus and military trophies to the rear, the sides with naturalistic flower sprigs, the base painted with two female figures on clouds holding a mirror and censer, respectively, the inside cover superbly painted with a circular portrait panel depicting Clemens Wenzeslaus of Saxony as Elector of Trier within a gilt foliate cartouche reserved on an olive ground, the mounts chased with a meandering ribbon and flowers, 7.8cm across, impressed shield mark to inside base

£8,000 - 12,000 €8,800 - 13,000 US$10,000 - 16,000

Clemens Wenzeslaus of Saxony (1738-1812) was the second son of the Elector Augustus II of Saxony/King Augustus III of Poland and brother of the Electress of Bavaria, Maria Anna Sophie. He was Prince Bishop of Regensburg and Freising between 1763 and 1768 and subsequently Elector and Archbishop of Trier and Prince Bishop of Augsburg.

The portrait is after an engraving by Johann Michael Söckler. A similar Nymphenburg oval snuff box with the same portrait of Clemens Wenzeslaus on the inside cover and purple monochrome allegorical scenes on the exterior is in the Bäuml Collection, Munich (published by Alfred Ziffer, Nymphenburger Porzellan Sammlung Bäuml (1997), no. 729).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 183 164

165 A PAIR OF DOCCIA MINIATURE VASES ON PEDESTALS AND A SMALL DOCCIA FIGURE OF A GIRL, CIRCA 1790- 1800 Each vase modelled with two applied masks below the terminals of the handles, decorated with sprays of flowers and placed on square rococo bases, the girl holding a lyre ornamented with a female mask, dressed in a yellow bodice and flowered skirt, the vases: 11.5cm high, the figure:10cm high, (handle of one vase restored) (3)

£600 - 800 €660 - 880 US$780 - 1,000

Provenance: The Property of a Gentleman, sold Sotheby & Co., London, 9 October 1973, lot 179 (the vases); Private collection, Italy

165 A CAPODIMONTE CHARGER, CIRCA 1755 Painted with a landscape scene in the well depicting a gentleman dancing watched by a lady and a seated violinist, flanked by bushes, trees and pots on a pedestal, with broken classical architectural fragments in the foreground, gilt scrollwork border to the rim, 32.7cm diam., fleur-de-lys mark in blue (flat rim chips)

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900 165

For details of the charges payable in addition to the final Hammer Price of each Lot 184 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 166 * A RARE DOCCIA CANE HANDLE, CIRCA 1750 Modelled in the shape of a lady’s head, 7.5cm high

£800 - 1,200 €880 - 1,300 US$1,000 - 1,600

A white example is in the Museo di Doccia, Florence, illustrated in G. Bezzaz and C. Dike, La Canne Objet d’Art (1988), p. 252, together with a variety of other Doccia cane handles modelled as heads. In the archives of the Doccia factory there is mention of terracotta models of various types of cane handles shaped as heads; Vi si trova un buon 167 numero di teste di terra cotta che servivono per i pomi di mazza e altre diverse cose [...], see: Klaus Lankheit (Die Modellsammlung der Porzellanmanufaktur Doccia (1982) p. 100.

167 A CASED SET OF SILVER-GILT-MOUNTED DOCCIA CUTLERY HANDLES, CIRCA 1780, THE CUTLERY BY LUIGI VERNAZZI, PARMA, CIRCA 1810 Each handle moulded with a grotesque mask terminal embellished in enamels above a puce border, each side painted with a flower sprig and scattered leaves, comprising: eleven spoons, twelve forks and twelve knives, in a fitted leather case with two levels, embossed with a gilt coronet within scrollwork, the handles: 6cm

£5,000 - 8,000 €5,500 - 8,800 US$6,500 - 10,000

Provenance: The Property of a European Royal Family, sold by Sothebys London, 14 April 2011, lot 122

168 A PAIR OF DOCCIA PLATES, CIRCA 1780 Each painted with a floral ‘N’ in the centre within a gilt foliate border around the well, the rim with a border of gilt ovals enclosing blue dots, 24.1cm diam. (2)

£300 - 500 €330 - 550 US$390 - 650

Provenance: 166 Private collection, Italy

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 185 170

169 A COZZI GROUP OF A FAUN AND PUTTO, CIRCA 1775 The faun seated on scrollwork decorated as marble reaching up to his head, a putto on a goat behind him tickling his head with vine leaves and grapes, on a sandy rockwork base, 12.5cm high (putto’s right foot restored) 169 £500 - 700 €550 - 770 US$650 - 910

170 A COZZI GROUP OF TWO TRITONS AND A DOLPHIN, CIRCA 1775 The boy tritons clutching a dolphin between them, on a scroll- and rockwork base, 11.5cm high (one head restuck, small chips)

£500 - 700 €550 - 770 US$650 - 910

A white example was sold in these rooms, 2 July 2019, lot 121.

171 A PAIR OF COZZI BOTTLES AND COVERS, CIRCA 1770 Of bulbous shape, each decorated in underglaze-blue, iron-red and gilding with flowering branches and scattered flower sprigs, the covers applied with a leafy fruit finial, 13cm high, anchor marks in iron-red (4)

£300 - 400 €330 - 440 US$390 - 520

171

For details of the charges payable in addition to the final Hammer Price of each Lot 186 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 172

172 A COZZI GROUP OF DANCERS, CIRCA 1775 The figures holding hands, their outward arms stretched towards one another, she wearing a yellow bodice and blue patterned skirt, he wearing a black hat, dotted puce jacket and dotted green suit, a putto seated on rockwork on the reverse, the base applied with foliage and a flower, 16.5cm high (small losses and minor restoration) 173

£800 - 1,200 €880 - 1,300 US$1,000 - 1,600

173 A NOVE DI BASSANO PORCELAIN GROUP OF THREE FIGURES, LATE 18TH CENTURY Modelled with a lady seated on the grass, a basket of flowers next to her, another lady bending over her, a man beside a tree looking down at them and holding a bunch of grapes, a hound at his feet, the pierced rockwork base applied with leaves, 17.5cm high (small scattered losses)

£500 - 700 €550 - 770 US$650 - 910

174 A COZZI GROUP OF PUTTI AND CHICKENS, CIRCA 1770-80 One putto sitting on rockwork, the other kneeling, a tree stump between them, two chickens at the front, the base applied with foliage, 10cm high (tree stump restuck, minor restoration)

£300 - 400 €330 - 440 US$390 - 520

174

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 187 175 176

175 A PAIR OF COZZI FIGURES OF CHILDREN EMBLEMATIC OF SPRING AND SUMMER, CIRCA 1775 Spring with a girl seated on rockwork and holding a basket of flowers on her lap, flanked by tree stumps, Summer with a girl seated on a wheat sheaf and in the process of cutting wheat, a bird and tree stump beside her, each on a rockwork base, 14.5cm high (some losses) (2)

£500 - 700 €550 - 770 US$650 - 910

176 A COZZI GROUP OF A SHEPHERD BOY, CIRCA 1775 The boy wearing a yellow waistcoat, white shirt and puce dotted trousers, his left foot on some rockwork and holding a walking stick or shepherd’s crook, a sheep standing beside the rocks, the base with purple-edged scrollwork and applied with leaves, 14cm high (small chips and minor restoration)

£500 - 700 €550 - 770 US$650 - 910

177 A NOVE DI BASSANO PORCELAIN ORCHESTRA GROUP, LATE 18TH CENTURY Modelled in the round around a tree in the centre with men and women in fashionable dress playing various instruments, a monkey playing a pan flute and a dog seated at their feet, on rockwork applied with foliage, on a base moulded with classical architectural features and applied with sea shells, 31.8cm high (some chips and losses)

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

Literature: 177 Francesco Stazzi, Italian Porcelain (1964), no.46

For details of the charges payable in addition to the final Hammer Price of each Lot 188 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.

178 A PAIR OF HÖCHST FIGURES OF A SULTAN AND SULTANA, CIRCA 1770 Modelled by Johann Peter Melchior, the boy wearing a turban, elaborately patterned tunic, a green and pale pink cloak and pink trousers, the girl with feathers in her hair wearing a similarly patterned costume and voluminous pink cloak, both holding black masks, on grassy rockwork bases, 18.4cm high, wheel marks in underglaze-blue, incised R to her, incised i/HMi to him (his mask chipped) (2)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

For a list of further examples in public collections and an illustrated pair in biscuit, see Patricia Stahl, Höchster Porzellan 1746-1796 (1994), p.254, no. 6.8.10.

179 A PAIR OF FRANKENTHAL FIGURES OF A LADY AND GENTLEMAN WITH FUR MUFFS, CIRCA 1765 Modelled by Johann Friedrich Lück, both wearing fur-lined elegant costumes with their hands in fur-lined muffs, the bases moulded with gilt- and puce-edged scrollwork, 15cm and 15.5cm high, crowned CT monograms and AB in underglaze-blue, both incised M, the lady with painter’s mark I 30 in purple (minor chips) (2)

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

Modelled by Lück in 1760; see B. Beaucamp-Markowsky, Frankenthaler Porzellan, I (2008), nos. 164 and 165, for other published examples.

180 A RARE LIMBACH FIGURE OF A GERMAN EMPEROR, PRESUMABLY FRANCIS I, CIRCA 1775 Wearing a crown, a long puce ermine-lined cloak and a cross on a blue ribbon, with an elaborately patterned costume, on a high base moulded with puce-edged scrollwork, 19.5cm high (right forearm restored)

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

A similar figure was in the Städtisches Kunstgewerbemuseum Leipzig is illustrated by R. Graul/A. Kurzwelly, Altthüringer Porzellan (1909), pl. XXXVI, no. 1, where it is noted that the pair to this figure, possibly representing Maria Theresia, was in the collection of Hermine Feist, Berlin.

For details of the charges payable in addition to the final Hammer Price of each Lot 190 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 178

179

180

FINE EUROPEAN CERAMICS | 191 181 A HÖCHST MINIATURE GROUP OF A LADY WITH HAIRDRESSER, CIRCA 1755 Probably modelled by Laurentius Russinger, seated holding a flower posy and a mirror and wearing a black apron over a dress decorated with purple flowers and yellow shoes, the hairdresser wearing a pale- blue suit with a comb in his wig, a brazier and a small powder bowl on the tip of a scroll at her feet, the pierced scrollwork arbour and scroll- moulded base edged in gilding and puce, 15.2cm high (one scroll on arbour restuck, the brazier and mirror replaced)

£1,500 - 2,500 €1,700 - 2,800 US$2,000 - 3,300

Provenance: Jean Wurz Collection, Mannheim (sold at Rudolph Lepke’s Kunst- Auctions-Haus, Berlin, 10-11 December 1924, lot 151); Max Hoffmann Collection, Basel

Other examples of this group are illustrated in Höchster Fayencen und 181 Porzellan, exhibition catalogue (1964), no. 88; and in C.H. Nelson/L. Roberts, A History of Eighteenth-Century Porcelain The Warda Stevens Stout Collection (2013), cat. no. 274.

182 A VERY RARE LUDWIGSBURG MODEL OF A BUTCHER’S HOUSE FROM THE ‘VENETIAN CARNIVAL, CIRCA 1770 The building with two floors, attic, and two chimneys, wit a red-timed roof and blue window-frames, the butcher standing by the door on a step with a carcass hanging opposite and a lady looking through the window behind him, a fountain at one front corner, on a green, canted rectangular base, 9.2cm across; 8.8cm high; crowned interlaced CC monogram in underglaze-blue, incised I.W.S. (some restoration to chimneys and roof corners)

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

182

For details of the charges payable in addition to the final Hammer Price of each Lot 192 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 183 A LUDWIGSBURG MINIATURE GROUP OF DICE-PLAYERS FROM THE ‘VENETIAN CARNIVAL’, CIRCA 1770 Modelled by Jean-Jacques Louis with three figures standing around a table playing dice, two wearing a tricorn hat, long coat and breeches, the third wearing a fur hat and short coat, on a rectangular base painted in imitation of stone, 7.8cm wide; 7.4cm high, interlaced CC monogram in underglaze-blue (one figure restuck through the legs)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

Provenance: Jean Wurz Collection, Mannheim (sold at Rudolph Lepkke’s Kunst- Auctions-Haus, Berlin, 10-11 December 1924, lot 31)

For a comprehensive discussion of the Ludwigsburg ‘Venetian Carnival’, see S. Hesse, Herzog Carl Eugens Venezianische Messe in Ludwigsburg und Stuttgart (2008), and cat. no. 35, ills. 15 and 16, for a similar model of dice players in the Landesmuseum Württemberg.

184 183 A RARE LUDWIGSBURG MODEL OF A MONKEY SEATED ON A DOG PULLING A CART, CIRCA 1765 Possibly modelled by G.F. Riedel, the monkey wearing a green hat, tunic with blue spots and a ruff collar and yellow breeches, perched on a dog in harness pulling a cart on a rectangular base modelled with gilt-edged scrollwork, 13cm across, crowned interlaced CC monogram in underglaze-blue (small chips)

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

Another example of this model is illustrated in M. Newman, Die deutschen Porzellan-Manufakturen, II (1977), ill. 64; see also H.D. Flach, Ludwigsburger Porzellan (1997), p. 588, no. 716.

184

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 193 185

185 A FÜRSTENBERG PORCELAIN TÊTE-À-TÊTE SERVICE, CIRCA 1780 Painted with circular panels of small flower bouquets edged with a gilt beaded borders, the rims with gilt foliate bands, comprising: an oval tray, a teapot and cover, a milk jug and cover, a sugar bowl and cover and two cups and saucers, the tray: 35.7cm long, F marks in underglaze-blue and blue, 21 in underglaze-blue to cups and saucers, traces of letters in blue, various incised and impressed marks (one cup and sugar bowl restored) (11)

£800 - 1,200 €880 - 1,300 US$1,000 - 1,600

186 * A VIENNA WHITE FIGURE OF A SHEPHERD, CIRCA 1750 Seated on a tree stump, wearing a hat, shirt with waistcoat and breeches, playing a long narrow wind instrument, a dog asleep at his feet, 14.5cm high, shield mark in blue, impressed S (small chips)

£500 - 700 €550 - 770 US$650 - 910 185

For details of the charges payable in addition to the final Hammer Price of each Lot 194 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 186

187 A LARGE FÜRSTENBERG BUST OF LAOCOON, CIRCA 1772 Modelled probably by J. Desoches with his head turned to his left, incised at the rear ‘LAOCOON.LE.VIEUX/ J N.O.5.’, 23.5cm high, impressed horse mark (shaft at rear damaged)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

A smaller example of this bust is in the Herzog Anton Ulrich-Museum in Braunschweig (Weißes Gold aus Fürstenberg, exhibition catalogue (1989), no. 330; this model was produced in four sizes of which the present lot (no. 5) is the largest.

188 AN ITALIAN BISCUIT PORCELAIN FIGURE OF A SHEPHERD, LATE 18TH CENTURY Dressed in classical draperies and holding his hands up as if playing a flute, a dog seated at his feet, a classical pedestal beside him, on a rockwork base, 26.5cm high (restoration to dog and extremities)

£1,000 - 1,500 €1,100 - 1,700 186 US$1,300 - 2,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 195 Portrait of Emma Hamilton, Angelica Kauffmann, 1791, Metropolitan Museum of Arts

189 A BERLIN BLUE-GROUND TÊTE-À-TÊTE WITH DEPICTIONS OF LADY HAMILTON, CIRCA 1800 Reserved with pale yellow-ground panels depicting Lady Hamilton her mother to Naples in 1786, where Sir William put them up in an in various attitudes after the Antique edged with gilt husk bands and apartment at the Palazzo Sessa. After a while Emma realised Greville surrounded by foliate scrollwork pedestals, the blue-ground feet, had cast her off and accepted her new status as Sir William’s mistress. shoulders and covers with gilt and pale pink bands, comprising: They eventually got married on 6 September 1791. During her time as an oval tray, a teapot and cover, a coffee pot and cover, a milk jug his mistress, she started performing her attitudes, a type of tableau and cover, a sugar bowl and cover, a tea canister with metal and vivant, posing in a gold-edged black box in various costumes and cork stopper and cover and two covered cups and saucers, the poses imitating the Antique. This new type of performance quickly tray: 35.4cm long; the coffee pot: 16.5cm high, sceptre marks in caught on and charmed the upper classes of Europe. underglaze-blue, various impressed numerals and incised triangles, incised IIII to tray (17) In 1787 Johann Wolfgang von Goethe visited Sir William and wrote:’Der Ritter Hamilton, [...] hat nun, [...] den Gipfel aller Natur- £14,000 - 18,000 und Kunstfreude in einem schönen Mädchen gefunden. [...] Er hat €15,000 - 20,000 ihr ein griechisch Gewand machen lassen, das sie trefflich kleidet, US$18,000 - 23,000 dazu löst sie ihre Haare auf, nimmt ein paar Schals und macht eine Abwechslung von Stellungen, Gebärden, Mienen etc., daß man The depictions of Lady Hamilton’s attitudes are after prints by engraver zuletzt wirklich meint man träume. [...] Stehend, knieend, sitzend, Tommaso Piroli after drawings by Friedrich Rehberg. Another Berlin liegend, ernst, traurig, neckisch, ausschweifend, bußfertig, lockend, tête-à-tête depicting the same prints was sold at Christie’s London, drohend, ängstlich etc. eins folgt aufs andere und aus dem andern. 9 July 2001, lot 267. [...] Er findet in ihr alle Antiken, alle schönen Profile der sizilianischen Münzen, ja den Belvederschen Apoll selbst. [...]’ [The Knight Hamilton Emma Hart (1765-1815), born Amy Lyon, was the daughter of a has now found the peak of the joy of nature and art in a pretty girl. He blacksmith who was raised by her mother and grandmother. She has had a Greek gown made for her which clothes her perfectly, to became the mistress of the Honourable Charles Francis Greville (1749– which she lets her hair fall freely, takes a couple of shawls and does a 1809), second son of the Earl of Warwick, who introduced her to his mixture of poses, gestures, expressions etc., so that one thinks one is friend, the painter George Romney, who made her his lifelong muse dreaming. Standing, kneeling, lying, serious, sad, coy, rakish, penitent, and started painting her in a variety of guises. Through the popularity beckoning, threatening, fearful etc., one follows the other. He finds of Romney’s works of art and her striking beauty, she became well- in her all the Antique, all the pretty profiles of Sicilian coins, even that known in society circles. of the Belvedere Apollo] (quoted from Johann Wolfgang von Goethe, Italienische Reise - Ausgabe beider Bände (reprint 2016), pp. 165f.). Eventually Greville decided to marry young heiress, Henrietta Middleton, and in due course persuaded his uncle, Sir William In 1798 Lady Hamilton famously began an affair with Lord Nelson, Hamilton (1730-1803), the British Envoy at the court of Naples, to take which would last through her husband’s death in 1803 until his death on his mistress. Sir William had met Emma in London during his last in 1805. She fell deeply into debt trying to keep up her position in trip to the UK. Without telling Emma his plans Greville sent her and society, eventually moved to France and died not long after in 1815.

For details of the charges payable in addition to the final Hammer Price of each Lot 196 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 197 191 A RARE SET OF SIX NYMPHENBURG TOPOGRAPHICAL PLATES FROM AN ARMORIAL SERVICE PRESENTED TO THE OTTOMAN TURKISH COURT, DATED 1847 Each superbly painted with a topographical view depicting Bavarian views, titled, signed and dated 1847 in black on the reverse, within a burnished gilt band, the rims reserved with a band of gilt foliage and scrollwork against the burgundy red ground, a gilt-edged circular reserve at the top and bottom painted with the crescent and star, and the royal arms of Bavaria, respectively, inscribed: Landshut/ gemalt von/ v. Marx./ München/ 1847 Pinakothek in München/ gemalt von/ Schramm/ München./ 1847 190 Scene aus dem Uebungslager/ bei Augsburg/ gemalt von/ Ferdinand le Feubure./ München/ 1847 Chiemsee/ gemalt von/ Ferdinand le Feubure./ München/ 1847 Obersee bei Berchtesgaden/ gemalt von/ Ferdinand le Feubure./ München/ 1847. Schloß Seefeld/ gemalt von/ Ferdinand le Feubure./ München/ 1847., 23.7cm diam., impressed shield marks, incised 3 and 5

190 £8,000 - 12,000 A VIENNA GOLD-GROUND TWO-HANDLED VASE AND COVER, €8,800 - 13,000 CIRCA 1799 US$10,000 - 16,000 Urn-shaped on a circular foot and square plinth, reserved with a canted rectangular panel with a scene depicting an allegorical figure of The precise origins of this topographical service, of which only Justice with a child holding scales on her lap and a swords at her feet, nine other plates are recorded, remain to be discovered, though it a waterfall in the background, within a tooled border of palmettes, the seems almost certain to have been a gift from the Bavarian court burnished ground reserved with foliate swags, the shoulder with tooled to the Ottoman Turkish Sultan or one of his representatives. The formal borders on a green ground, the neck reserved with a border of service was likely presented in an attempt to repair a diplomatic colourful flowers, the base and foot reserved with grey foliate borders, dispute between Greece - whose monarch since independence the cover with similar borders and a gilt pinecone finial, 32.2cm high, was King Otto, the second son of King Ludwig I of Bavaria - and the shield mark in underglaze-blue, impressed 99 (2) Turkish Ottoman Empire. The dispute in early 1847 brought the two countries to the brink of conflict, which also threatened to draw in £5,000 - 7,000 the European powers. The Bavarian government advised Greece to €5,500 - 7,700 make concessions, which it did following the intervention of Austria US$6,500 - 9,100 in December 1847. The gift of these plates seems likely to have been an attempt by the Bavarian government to repair relations with the Three similarly decorated vases lacking their covers and painted with Ottoman Turks; see K. Hantschmann, Nymphenburger Porzellan 1797 scenes after Angelika Kauffmann are in the Museum für angewandte bis 1857 (1996), cat. no. 279, for a discussion of the service and a list Kunst, Vienna (published in Verrückt nach Angelika Porzellan und of the other nine plates, eight of which are in Bavarian museums. See anderes Kunsthandwerk nach Angelika Kauffmann, exhibition also pp. 446, 448 and 454 for details of the painters, Ferdinand Le catalogue (1998), nos. 12-14). Feubure, Karl von Marx and Gottlieb Schramm.

For details of the charges payable in addition to the final Hammer Price of each Lot 198 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 191

FINE EUROPEAN CERAMICS | 199 192 * A RARE BERLIN (KPM) PORCELAIN SERVICE WITH MICRO-MOSAIC PAINTED PANELS, CIRCA 1823-1832 Comprising: a coffee pot and cover, a teapot and cover, a milk jug, in 1800 and with its reference to Egyptian revival in the gilt tooled a sucrier and cover and two cups and saucers, all decorated with reclining sphinxes on the covers, pre-date the famous Egyptian panes of micro-mosaic views of Roman archaeological sites based on service made at Sèvres in 1804-06 for Napoleon Bonaparte. The the prints published in 1797 in two volumes by R. Edwards under the eight-sided flat surfaces of these shapes are likely taken from silver title “A Select Collection of Views and Ruins in Rome and Its Vicinity. models. The shape itself however may have also been referred to Recently Executed from Drawings Made Upon the Spot in the year as ‘von sogenannter gothischer Form’, of so-called Gothic shape, 1791”, the views set in octagonal gilt frames alternated with neo- as mentioned in the exhibition catalogue of the Akademie of 1806 classical panels of abstracted lyres against a green ground in imitation (Wittwer, op. cit., n. 7). of pietra dura, all enclosed by gilt bands tooled with stiff foliage and neo-classical elements, the high lobed rims of both pots and sucrier The Berlin factory found inspiration in the micro-mosaic and hardstone with red flower blossoms in pietra dura imitation repeated on the pietra dura furniture and interior decoration favoured by Frederick covers which feature an reclining sphinx as a finial, the coffee pot: the Great, and under Frederick Wilhelm II the KPM factory from the 18.3cm high, sceptre mark in underglaze-blue, and red stamped mark early 19th century turned to the depiction of minerals and hardstone of Imperial Eagle over initials KPM (11) imitation as well as micro-mosaics on porcelain of the newest designs, a fashion that was echoed also in Vienna and Sèvres porcelain. This £20,000 - 30,000 shape can be found with micro-mosaic panels of birds, and only €22,000 - 33,000 occasionally with Roman landscapes. The print sources for this service US$26,000 - 39,000 published in 1797 by R. Edwards can still be found today in the archives of the Berlin factory. This service is part of a small group of micro-mosaic Berlin porcelain with views of Rome and its vicinities which all appear produced Three similar cups and saucers of the same type of landscapes though between 1823-32. At the basis of this radical new shape and not clearly identified, were previously in the Twinight Collection and are, decoration style lies the urge to break with rococo tradition and together with their source reference, illustrated in S. Wittwer (op.cit., develop a new neoclassical iconography. Eva Wollschläger (in S. cat. nos. 24, 25 and 26). Wittwer, Raffinesse und Eleganz (2007), pp. 190-195) describes this extraordinary type of service in detail. Its shape was likely introduced

For details of the charges payable in addition to the final Hammer Price of each Lot 200 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 201 193 193 A SÈVRES SILVER-GILT-MOUNTED JUG AND BASIN, DATED 1768-69 Pot ‘à l’eau tourné’ et jatte ovale of the first size, painted with scattered loose bouquets of flowers, feathered blue borders to the gilt dentil rims, the handle moulded with scrollwork heightened in blue and gilding, the jug (with mount): 23.5cm high, interlaced LL monogram enclosing date letters n and o, painter’s marks for Pierre-Joseph Rosset (jug) and Denis Levé (basin), incised marks (minor wear) (2)

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

Provenance: With Nijstad Antiquairs, Lochen; Purchased from the above in the 1970s; Thence by descent to the present owner

194 * A SÈVRES BISCUIT GROUP OF ‘LES BUVEURS DE LAIT’, CIRCA 1760 Modelled by Étienne-Maurice Falconet after Boucher, a boy seated on rockwork drinking from a bowl of milk, another child standing on tiptoes tugging on his arm, two baskets at their feet, on a rockwork base, 18cm high, incised F (basket handle missing)

£1,200 - 1,800 €1,300 - 2,000 US$1,600 - 2,300

The model is after an engraving of a drawing by Boucher. In fact, two engravings depicting the subject matter exist, one by Boucher himself from 1735, the other by Jean Daullé, which is very similar to the Sèvres model. 194 Other examples of the model are in the Blanche M. Harnan Ceramic Collection of the Seattle Art Museum and the Musée des Arts Décoratifs in Paris, illustrated in Falconet à Sèvres ou l’art de plaire, exhibition catalogue (2002), no. 50. Another example was sold in these rooms, 18 Jun 2014, lot 166.

For details of the charges payable in addition to the final Hammer Price of each Lot 202 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 195 195 A VINCENNES BLEU LAPIS-GROUND TEAPOT AND COVER (THÉIÈRE ‘CALABRE’), CIRCA 1755 Of the first size, each side reserved with a panel painted with two birds in flight, one holding a branch, within a gilt cartouche of foliate scrollwork and flowers, the cover similarly decorated with a single bird in each panel, surmounted by a flower finial, the spout with a bird in flight, gilt dentil borders to the rim and spout, the handle embellished in gilding, 12.3cm high, indistinct traces of marks in blue (2)

£5,000 - 7,000 €5,500 - 7,700 US$6,500 - 9,100

Provenance: Private collection, U.K.

196 A VINCENNES BLEU CÉLESTE-GROUND CUP AND SAUCER, DATED 1754 Gobelet ‘Hébert’ et soucoupe of the second size, the saucer reserved with a large flower-shaped central panel edged with gilt floral scrollwork and enclosing loose flower garlands issuing from the corners, the cup similarly decorated and applied with interlaced branch handle embellished with gilt-edged vine leaves, gilt dentil borders to the rims, the cup: 6.7cm high; the saucer: 13.8cm diam., interlaced LL monograms enclosing date letter A in blue, painter’s mark for François Binet (minor rubbing to gilding) (2)

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

Another example with the same handle style and type of decoration is in the Los Angeles County Museum of Art, inv. no. 47.35.6a-b. 196

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 203 197

197 A SÈVRES CUP AND SAUCER, DATED 1788 Gobelet ‘litron’ et soucoupe of the second size, each painted with a blue-ground circular panel with pink roses surrounded by a band of colourful foliate scrollwork between purple-ground borders with gilt beaded bands and foliate motifs, the cup: 6.8cm high; the saucer: 13.5cm diam., interlaced LL monogram enclosing date letter LL in blue, painter’s mark for Guillaume Noël, incised marks (handle restuck) (2)

£800 - 1,200 €880 - 1,300 US$1,000 - 1,600

Provenance: With Nicolier, Paris (paper label to cup)

198 A SÈVRES YELLOW-GROUND SUGAR BOWL AND COVER, DATED 1787 Pot à sucre ‘Calabre’ of the first size, painted with polychrome bands of baskets, flowers, birds and foliage on a pale-yellow ground, the rims reserved with similar painted borders between purple lines, the rims and fruit finial gilt, 11.5cm high, interlaced LL monogram enclosing date letter KK in blue, painter’s mark for Jacques or Mlle Fontaine, incised marks (small restored chip to rim edge) (2)

198 £800 - 1,200 €880 - 1,300 US$1,000 - 1,600

For details of the charges payable in addition to the final Hammer Price of each Lot 204 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 199 A SÈVRES DÉJEUNER, DATED 1770 Each painted with a wide border of crossing ribbons enclosing a gilt trellis motif alternating with intertwined flower garlands, between green-ground bands with gilt foliate border, the tray decorated with an elegant couple seated in a landscape, further couples and a boat with putti in the background, comprising: a tray (plateau à rubans), a teapot and cover (théière ‘Calabre’, a milk jug (pot à lait à trois pieds), a sugar bowl and cover (pot à sucre ‘Bouret’) and a cup and saucer (gobelet ‘Hébert’ et soucoupe), the tray: 38.8cm wide, interlaced LL monograms enclosing date letter R, painters’ marks for Jean-Nicolas Le Bel and Charles-Eloi Asselin, incised marks (restoration to teapot finial) (8)

£6,000 - 8,000 €6,600 - 8,800 US$7,800 - 10,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 205 200 200 A NIDERVILLER PORCELAIN ECUELLE AND COVER, CIRCA 1775 Each painted with a gilt band hung with puce ribbon swags and flower sprays, the cover with a flower-bud finial, the ecuelle with pierced, gilt-edged scroll handles and painted with a formal monochrome foliate and swag border below the rim, 16.5cm across handles, interlaced CC/N.68. in manganese (edge of one handle restuck, some flaking to gilt rims) (2)

£600 - 800 €660 - 880 US$780 - 1,000

201 A CHANTILLY WHITE FIGURE OF A BOY, CIRCA 1750 Scantily clad, holding his robes up at the front, on a canted square base with a tree-stump support at the rear, 30.3cm high (head restuck, flat chip to edge of robe)

£600 - 800 €660 - 880 US$780 - 1,000

A comparable large white figure of a seated naked boy is illustrated by G. Le Duc, Porcelaine tendre de Chantilly au XVIIIe siècle (1996), p. 182.

201

For details of the charges payable in addition to the final Hammer Price of each Lot 206 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 202 A SÈVRES LARGE HARD-PASTE PORCELAIN TUREEN STAND FROM THE SERVICE PURCHASED BY M. DE MAUROY, CIRCA 1784 The well painted with scattered flowers sprays, the rims with an scrolling pink ribbons tied in bows surrounded by 202 floral garlands and flower sprays between gilt dot bands, the handles moulded with shells and scrollwork heightened in gilding, 47cm long, crowned interlaced LL monogram in gilding, date mark gg and traces of painters’ marks

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

Provenance: Acquired by Pierre-Edme-Berthelin de Mauroy, Inspecteur de la Manufacture Royale de Sèvres, on November 25, 1784

Various letters in the Sèvres archives between de Mauroy and Regnier, the factory director, point to the fact that de Mauroy was acting as an intermediary and purchasing the service on behalf of a third party. For a full discussion of the service which included four tureens with stands, see David Peters, Sèvres Plates and Services of the 18th Century (2005), 84-12, III, pp. 727f.

203 A SÈVRES HARD-PASTE PORCELAIN LARGE DISH, DATED 1791 Plat rond, painted with an oak branch with leaves and acorns surrounded by a circular blue-ground band decorated with a gilt foliate border, the rim with a border of oak leaves and acorns between two further blue-ground bands, the rim gilt, 29.7cm diam., traces of crowned interlaced LL monogram enclosing date letter oo, painter’s mark for Jean-Pierre Fumez (restoration to rim)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance: Purchased by M. Verdier on 1 December 1791 203 The service purchased by M. Verdier included several plats ronds of various sizes. For a full discussion of the service and its components, see David Peters, Sèvres Plates and Services of the 18th Century (2005), IV, p.957f, no. 91-10.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 207 204 A PAIR OF PARIS PORCELAIN TOPOGRAPHICAL DOUBLE-HANDLED VASES, CIRCA 1820-40 Each with a gold ground reserved with panels depicting a Paris monument on one side, titled in black PLACE VENDOME and FONTAINE DES INNOCENTS, and a figural landscape scene on the reverse, surrounded by classical gilt tooled borders and surmounted by a red-ground band with classical gilt border, the handles moulded with dolphins and acanthus leaves, on square plinths painted in imitation of marble, 36.5cm high (one handle restored) (2)

£3,000 - 4,000 €3,300 - 4,400 US$3,900 - 5,200

For details of the charges payable in addition to the final Hammer Price of each Lot 208 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 205

205 A SÈVRES BLUE-GROUND FOOTED BOWL, DATED 1879 Coupe de Tarente, the blue ground decorated in Japonisme style with elaborate gilt scenes of birds on branches and in flight, the rims gilt, the top signed at the base of the scene with decorator’s mark ‘B’, 23.5cm high, 32.8cm diam., RF and Decoré à Sèvres 79 within a circle stencilled in iron-red, S.79. in green and incised marks

£3,000 - 5,000 €3,300 - 5,500 US$3,900 - 6,500

206 A SÈVRES ‘LAPIS-LAZULI’ GROUND LARGE VASE OR PART ICE-CREAM COOLER, DATED 1885 Of ovoid shape on a circular foot, decorated in two shades of mottled blue edged with gilt bands, 43.8cm high, RF and Doré à Sèvres 85 within a circle stencilled in iron-red, S.65 in green and incised marks (insert and cover missing)

£800 - 1,200 €880 - 1,300 206 US$1,000 - 1,600

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 209 207

207 A MEISSEN FIGURAL CLOCK CASE, LATE 19TH CENTURY, TOGETHER WITH A PAIR OF MEISSEN GROUPS, LATE 19TH CENTURY The clock case decorated in underglaze-blue and gilding, modelled with putti emblematic of the four seasons holding respective attributes, surrounded by scrollwork and applied flowers and foliage, on three scrollwork feet, the two groups similarly decorated and modelled with children emblematic of Summer and Autumn, the clock case: 46.5cm high, crossed swords marks in underglaze-blue, incised model numbers 2179 (clock), F.92 and G.92, impressed numerals (some chips) (3)

£1,200 - 1,500 €1,300 - 1,700 US$1,600 - 2,000

208 A VERY LARGE MEISSEN MODEL OF A PARROT, LATE 19TH CENTURY Naturalistically coloured and modelled perched on a tree stump, the base applied with leaves, 42.3cm high, crossed swords mark in blue, incised model number A43 G?, impressed numeral (minor restoration to leaves)

£2,000 - 3,000 €2,200 - 3,300 208 US$2,600 - 3,900

For details of the charges payable in addition to the final Hammer Price of each Lot 210 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 209

209 A MEISSEN GROUP OF ‘THE GOOD MOTHER’, CIRCA 1880 After the 18th century model by M.V. Acier, the mother seated on an armchair wearing a purple dress and pink shawl, a baby on her lap and a young boy climbing onto the left armrest and leaning on her shoulder, another boy seated on a stool to her right and playing with a pack of cards toppling off the baby’s lap, the oval base moulded with gilt classical frieze, 22.5cm high, crossed swords mark in blue, incised model number E 69, impressed numerals (some losses)

£800 - 1,200 €880 - 1,300 US$1,000 - 1,600

Modelled by Acier in 1774; see S. & T. Bergmann, Meissen Figures - Model Numbers A1 - Z99 (2014), no. 23.

210 A MEISSEN FIGURE OF A MOOR WITH A PARROT, DATED 1954 Modelled by Paul Scheurich, wearing a costume heightened in yellow and blue, a parrot perched on his right hand, 29cm high, crossed swords mark in underglaze-blue, four incised cancellation marks, incised model number A.1149, impressed numeral and date cypher (restoration to parrot’s wing feathers)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

The model probably dates to before 1923, but before Scheurich could offer it to the Meissen factory he became ill. It was eventually produced in white in 1926 and subsequently as a coloured version at the end of 1927. Scheurich re-used the figure on the stage curtain for the new opera house in Charlottenburg, which he hand-painted himself and included figures from operas by Verdi, Wagner, Mozart, Strauß, Rossini, Weber and Meyerbeer. It represented the character of Nelusco from the Meyerbeer opera “L’Africaine” (“the African woman”). For an illustration of the stage curtain and a full discussion of the model see Johannes Rafael, Paul Scheurich - Porzellane für die Meissener Manufaktur (1996), no. 22.

210

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 211 211 A PAIR OF MEISSEN FIGURES OF NODDING PAGODAS, CIRCA 1966 The seated corpulent male and female figures with nodding heads, tongues and hands, wearing matching yellow-lined costumes decorated with indianische Blumen over a gilt trellis- pattern, with jewelled belts, gilt-edged ruff collars and pink shoes, the female figure with her hair in a topknot, 15cm and 15.5cm high, crossed swords marks in underglaze-blue at rear and inside necks, incised 153 (male) and 154 (female), impressed 91 and date code of a dot (female) (2)

£4,000 - 6,000 €4,400 - 6,600 US$5,200 - 7,800

Purchased by the current owners at Thomas Goode, London, in 1967.

For details of the charges payable in addition to the final Hammer Price of each Lot 212 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 212

212 AN ITALIAN MAIOLICA LUSTRE-DECORATED ISTORIATO DISH, LATE 19TH OR EARLY 20TH CENTURY Possibly from the workshop of Ferruccio Mengaroni, decorated with Danae, depicted outside of a cave, Zeus present in the golden rain coming down from a cloud, and reinforced by the figure of an eagle sitting to the right of the scene, all in polychrome colours picked out in lustre, the reverse with a pseudo Xanto mark and ‘Giove converso in pioggia d’oro’in lustre 28cm diam.

£600 - 800 €660 - 880 US$780 - 1,000

213 AN ITALIAN MAIOLICA ISTORIATO SHELL-MOULDED BASIN, 19TH CENTURY Moulded with a mask handle and three shell feet, the top painted with Apollo in his chariot enclosed by clouds against a partially wooded landscape, the reverse painted with two sea creatures amidst waves, 38.3cm across (small restuck corner to rim, flat chip to another corner)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance: 213 Private collection, Italy

END OF SALE

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 213

NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may be Prices below and above the Estimates, so Estimates should not be solving any disputes which may arise in relation to bids made at the interested in a Lot, and to all persons participating in the auction relied on as an indication of the actual selling price or value of a Lot. Sale. At some Sales, for example, jewellery Sales, we may use screens process including auction attendees, Bidders and potential Bidders Estimates are in the currency of the Sale. on which images of the Lots will be projected. This service is provided (including any eventual Buyer of the Lot). For ease of reference we refer Condition Reports to assist viewing at the Sale. The image on the screen should be to such persons as “Bidders” or “you”. Our List of Definitions and In respect of most Lots, you may ask Bonhams for a Condition Report treated as an indication only of the current Lot. It should be noted that Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 on the Lot’s general physical condition. If you do so, this will be all bids tendered will relate to the actual Lot number announced by at the back of the Catalogue. Where words and phrases are used in provided by Bonhams on behalf of the Seller free of charge. As this is the Auctioneer. We do not accept any responsibility for any errors this notice which are in the List of Definitions, they are printed in italics. offered additionally and without charge, Bonhams is not entering into a which may occur in the use of the screen. IMPORTANT: Additional information applicable to the Sale may be set contract with you in respect of the Condition Report and accordingly 5. BIDDING out in the Catalogue for the Sale, in an insert in the Catalogue and/or in does not assume responsibility to you in respect of it. The Condition You must complete and deliver to us one of our Bidding Forms, either a notice displayed at the Sale venue and you should read them as well. Report represents Bonhams’ reasonable opinion as to the Lot’s general our Bidder Registration Form, Absentee Bidding Form or Telephone Announcements affecting the Sale may also be given out orally before condition in the terms stated in the particular report, and Bonhams Bidding Form in order to bid at our Sales. and during the Sale without prior written notice. You should be alert to does not represent or guarantee that a Condition Report includes all If you are a new client at Bonhams or have not recently updated your the possibility of changes and ask in advance of bidding if there have aspects of the internal or external condition of the Lot. Neither does the registration details with us, you must pre-register to bid at least two been any. Seller owe or agree to owe you as a Bidder or Buyer any obligation or working days before the Sale at which you wish to bid. You will be 1. OUR ROLE duty in respect of this free report about a Lot, which is available for your required to provide government-issued proof of identity and residence, In its role as Auctioneer of Lots, Bonhams acts solely for and in the own inspection or for inspection by an expert instructed by you. and if you are a company, your certificate of incorporation or equivalent interests of the Seller. Bonhams’ job is to sell the Lot at the highest The Seller’s responsibility to you documentation with your name and registered address, government price obtainable at the Sale to a Bidder. Bonhams does not act for The Seller does not make or agree to make any representation of fact issued proof of your current address, documentary proof of your Buyers or Bidders in this role and does not give advice to Buyers or or contractual promise, Guarantee or warranty and undertakes no beneficial owners and directors, and proof of authority to transact. Bidders. When it or its staff make statements about a Lot or, if obligation or duty, whether in contract or in tort (other than to the We may also request a financial reference and /or deposit from you Bonhams provides a Condition Report on a Lot it is doing that on eventual Buyer as set out above), in respect of the accuracy or before allowing you to bid. behalf of the Seller of the Lot. Bidders and Buyers who are themselves completeness of any statement or representation made by him or on We reserve the rights at our discretion to request further information in not expert in the Lots are strongly advised to seek and obtain his behalf, which is in any way descriptive of any Lot or as to the order to complete our client identification and to decline to register any independent advice on the Lots and their value before bidding for anticipated or likely selling price of any Lot. Other than as set out person as a Bidder, and to decline to accept their bids if they have them. The Seller has authorised Bonhams to sell the Lot as its agent on above, no statement or representation in any way descriptive of a Lot been so registered. We also reserve the rights to postpone completion its behalf and, save where we expressly make it clear to the contrary, or any Estimate is incorporated into any Contract for Sale between a of the Sale of any Lot at our discretion while we complete our Bonhams acts only as agent for the Seller. Any statement or Seller and a Buyer. registration and identification enquiries, and to cancel the Sale of any representation we make in respect of a Lot is made on the Seller’s Bonhams’ responsibility to you Lot if you are in breach of your warranties as Buyer, or if we consider behalf and, unless Bonhams sells a Lot as principal, not on our behalf You have the opportunity of examining the Lot if you want to and the that such Sale would be unlawful or otherwise cause liabilities for the and any Contract for Sale is between the Buyer and the Seller and not Contract for Sale for a Lot is with the Seller and not with Bonhams; Seller or Bonhams or be detrimental to Bonhams’ reputation. with us. If Bonhams sells a Lot as principal this will either be stated in Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot Bidding in person the Catalogue or an announcement to that effect will be made by the as principal). So long as you have pre-registered to bid or have updated your Auctioneer, or it will be stated in a notice at the Sale or an insert in the Bonhams undertakes no obligation to you to examine, investigate or existing registration recently, you should come to our Bidder registration Catalogue. carry out any tests, either in sufficient depth or at all, on each Lot to desk at the Sale venue and fill out a Registration and Bidding Form on Bonhams does not owe or undertake or agree to any duty or establish the accuracy or otherwise of any Descriptions or opinions (or, if possible, before) the day of the Sale. The bidding number system responsibility to you in contract or tort (whether direct, collateral, given by Bonhams, or by any person on Bonhams’ behalf, whether in is sometimes referred to as “paddle bidding”. You will be issued with a express, implied or otherwise). If you successfully bid for a Lot and buy the Catalogue or elsewhere. large card (a “paddle”) with a printed number on it. This will be it, at that stage Bonhams does enter into an agreement with you as the You should not suppose that such examinations, investigations or tests attributed to you for the purposes of the Sale. Should you be a Buyer. The terms of that contract are set out in our Buyer’s Agreement, have occurred. successful Bidder you will need to ensure that your number can be which you will find at Appendix 2 at the back of the Catalogue, and this Bonhams does not make or agree to make any representation of fact, clearly seen by the Auctioneer and that it is your number which is will govern Bonhams’ relationship with the Buyer. and undertakes no obligation or duty (whether in contract or tort) in identified as the Buyer’s. You should not let anyone else use your 2. LOTS respect of the accuracy or completeness of any statement or paddle as all Lots will be invoiced to the name and address given on Subject to the Contractual Description printed in bold letters in the representation made by Bonhams or on Bonhams’ behalf which is in your Bidder Registration Form. Once an invoice is issued it will not be Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are any way descriptive of any Lot or as to the anticipated or likely selling changed. If there is any doubt as to the Hammer Price of, or whether sold to the Buyer on an “as is” basis, with all faults and imperfections. price of any Lot. No statement or representation by Bonhams or on its you are the successful Bidder of, a particular Lot, you must draw this to Illustrations and photographs contained in the Catalogue (other than behalf in any way descriptive of any Lot or any Estimate is incorporated the attention of the Auctioneer before the next Lot is offered for Sale. At photographs forming part of the Contractual Description) or elsewhere into our Buyer’s Agreement. the end of the Sale, or when you have finished bidding please return of any Lots are for identification purposes only. A photograph or Alterations your paddle to the Bidder registration desk. illustration may not reflect an accurate reproduction of the colour(s) or Descriptions and Estimates may be amended at Bonhams’ discretion Bidding by telephone true condition of the Lot. Lots are available for inspection prior to the from time to time by notice given orally or in If you wish to bid at the Sale by telephone, and have pre-registered to Sale and it is for you to satisfy yourself as to each and every aspect of writing before or during a Sale. bid or have updated your existing registration details recently, please a Lot, including its authorship, attribution, condition, provenance, THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM complete a Registration and Bidding Form, which is available from our history, background, authenticity, style, period, age, suitability, quality, YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY offices or in the Catalogue. Please then return it to the office roadworthiness (if relevant), origin, value and estimated selling price ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR responsible for the Sale at least 24 hours in advance of the Sale. It is (including the Hammer Price). It is your responsibility to examine any BEHALF BEFORE THE SALE. your responsibility to check with our Bids Office that your bid has been Lot in which you are interested. It should be remembered that the 4. CONDUCT OF THE SALE received. Telephone calls will be recorded. The telephone bidding actual condition of a Lot may not be as good as that indicated by its Our Sales are public auctions which persons may attend and you facility is a discretionary service offered at no additional charge and outward appearance. In particular, parts may have been replaced or should take the opportunity to do so. We reserve the right at our sole may not be available in relation to all Lots. We will not be responsible renewed and Lots may not be authentic or of satisfactory quality; the discretion to refuse admission to our premises or to any Sale and to for bidding on your behalf if you are unavailable at the time of the Sale inside of a Lot may not be visible and may not be original or may be remove any person from our premises and Sales, without stating a or if the telephone connection is interrupted during bidding. Please damaged, as for example where it is covered by upholstery or material. reason. We have complete discretion as to whether the Sale proceeds, contact us for further details. Given the age of many Lots they may have been damaged and/or whether any Lot is included in the Sale, the manner in which the Sale is Bidding by post or fax repaired and you should not assume that a Lot is in good condition. conducted and we may offer Lots for Sale in any order we choose Absentee Bidding Forms can be found in the back of this Catalogue Electronic or mechanical items or parts are sold for their artistic, historic notwithstanding the numbers given to Lots in the Catalogue. You and should be completed and sent to the office responsible for the or cultural interest and may not operate or may not comply with current should therefore check the date and starting time of the Sale, whether Sale, once you have pre-registered to bid or have updated your statutory requirements. You should not assume that electrical items there have been any withdrawals or late entries. Remember that existing registration details recently. It is in your interests to return your designed to operate on mains electricity will be suitable for connection withdrawals and late entries may affect the time at which a Lot you are form as soon as possible, as if two or more Bidders submit identical to the mains electricity supply and you should obtain a report from a interested is put up for Sale. We have complete discretion in which to bids for a Lot, the first bid received takes preference. In any event, all qualified electrician on their status before doing so. Such items which refuse any bid, to nominate any bidding increment we consider bids should be received at least 24 hours before the start of the Sale. are unsuitable for connection are sold as items of interest for display appropriate, to divide any Lot, to combine two or more Lots, to Please check your Absentee Bidding Form carefully before returning it purposes only. If you yourself do not have expertise regarding a Lot, withdraw any Lot from a Sale and, before the Sale has been closed, to to us, fully completed and signed by you. It is your responsibility to you should consult someone who does to advise you. We can assist in put up any Lot for auction again. Auction speeds can exceed 100 Lots check with our Bids Office that your bid has been received. This arranging facilities for you to carry out or have carried out more detailed to the hour and bidding increments are generally about 10%; however, additional service is complimentary and is confidential. Such bids are inspections and tests. Please ask our staff for details. these do vary from Sale to Sale and from Auctioneer to Auctioneer. made at your own risk and we cannot accept liability for our failure to Any person who damages a Lot will be held liable for the Please check with the department organising the Sale for advice on receive and/or place any such bids. All bids made on your behalf will be loss caused. this. Where a Reserve has been applied to a Lot, the Auctioneer may, made at the lowest level possible subject to Reserves and other bids 3. DESCRIPTIONS OF LOTS AND ESTIMATES in his absolute discretion, place bids (up to an amount not equalling or made for the Lot. Where appropriate your bids will be rounded down to Contractual Description of a Lot exceeding such Reserve) on behalf of the Seller. We are not the nearest amount consistent with the Auctioneer’s bidding The Catalogue contains an Entry about each Lot. Each Lot is sold by responsible to you in respect of the presence or absence of any increments. New Bidders must also provide proof of identity and its respective Seller to the Buyer of the Lot as corresponding only with Reserve in respect of any Lot. If there is a Reserve it will be no higher address when submitting bids. Failure to do this will result in your bid A Month of the Best Classic Arts at Bonhams that part of the Entry which is printed in bold letters and (except for the than the lower figure for any Estimate in the Catalogue, assuming that not being placed. colour, which may be inaccurately reproduced) with any photograph of the currency of the Reserve has not fluctuated adversely against the Bidding via the internet the Lot in the Catalogue. The remainder of the Entry, which is not currency of the Estimate. The Buyer will be the Bidder who makes the Please visit our Website at http://www.bonhams.com for printed in bold letters, represents Bonhams’ opinion (given on behalf of highest bid acceptable to the Auctioneer for any Lot (subject to any details of how to bid via the internet. the Seller) about the Lot only and is not part of the Contractual applicable Reserve) to whom the Lot is knocked down by the Bonhams will not be liable for service delays, interruptions or other Description in accordance with which the Lot is sold by the Seller. Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the failures to make a bid caused by losses of internet connection, fault or Estimates highest acceptable bid will be settled by the Auctioneer in his absolute failure with the website or bidding process, or malfunction of any Fine Decorative Arts, 1200-1900 Old Master Paintings Fine Glass and British Ceramics In most cases, an Estimate is printed beside the Entry. Estimates are discretion. All bids tendered will relate to the actual Lot number software or system, computer or mobile device. New Bond Street | 25 November, 2020 New Bond Street | 2 December, 2020 Knightsbridge | 15 December, 2020 only an expression of Bonhams’ opinion made on behalf of the Seller of announced by the Auctioneer. An electronic currency converter may be Bidding through an agent the range where Bonhams thinks the Hammer Price for the Lot is likely used at the Sale. This equipment is provided as a general guide as to Bids will be treated as placed exclusively by and on behalf of the to fall; it is not an Estimate of value. It does not take into account any the equivalent amount in certain currencies of a given bid. We do not person named on the Bidding Form unless otherwise agreed by us in Antiquities Fine European Ceramics Fine Clocks VAT or Buyer’s Premium payable or any other fees payable by the accept any responsibility for any errors which may occur in the use of writing in advance of the Sale. If you wish to bid on behalf of another New Bond Street | 1 December, 2020 New Bond Street | 3 December, 2020 New Bond Street | 16 December, 2020 Buyer, which are detailed in paragraph 7 of the Notice to Bidders, the currency converter. We may use video cameras to record the Sale person (your principal) you must complete the pre-registration below. Prices depend upon bidding and lots can sell for Hammer and may record telephone calls for reasons of security and to assist in requirements set out above both on your own behalf and with full

NTB/MAIN/V1/11.2020 * For details of the charges payable in addition to the final hammer price, please visit bonhams.com/buyersguide NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may be Prices below and above the Estimates, so Estimates should not be solving any disputes which may arise in relation to bids made at the interested in a Lot, and to all persons participating in the auction relied on as an indication of the actual selling price or value of a Lot. Sale. At some Sales, for example, jewellery Sales, we may use screens process including auction attendees, Bidders and potential Bidders Estimates are in the currency of the Sale. on which images of the Lots will be projected. This service is provided (including any eventual Buyer of the Lot). For ease of reference we refer Condition Reports to assist viewing at the Sale. The image on the screen should be to such persons as “Bidders” or “you”. Our List of Definitions and In respect of most Lots, you may ask Bonhams for a Condition Report treated as an indication only of the current Lot. It should be noted that Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 on the Lot’s general physical condition. If you do so, this will be all bids tendered will relate to the actual Lot number announced by at the back of the Catalogue. Where words and phrases are used in provided by Bonhams on behalf of the Seller free of charge. As this is the Auctioneer. We do not accept any responsibility for any errors this notice which are in the List of Definitions, they are printed in italics. offered additionally and without charge, Bonhams is not entering into a which may occur in the use of the screen. IMPORTANT: Additional information applicable to the Sale may be set contract with you in respect of the Condition Report and accordingly 5. BIDDING out in the Catalogue for the Sale, in an insert in the Catalogue and/or in does not assume responsibility to you in respect of it. The Condition You must complete and deliver to us one of our Bidding Forms, either a notice displayed at the Sale venue and you should read them as well. Report represents Bonhams’ reasonable opinion as to the Lot’s general our Bidder Registration Form, Absentee Bidding Form or Telephone Announcements affecting the Sale may also be given out orally before condition in the terms stated in the particular report, and Bonhams Bidding Form in order to bid at our Sales. and during the Sale without prior written notice. You should be alert to does not represent or guarantee that a Condition Report includes all If you are a new client at Bonhams or have not recently updated your the possibility of changes and ask in advance of bidding if there have aspects of the internal or external condition of the Lot. Neither does the registration details with us, you must pre-register to bid at least two been any. Seller owe or agree to owe you as a Bidder or Buyer any obligation or working days before the Sale at which you wish to bid. You will be 1. OUR ROLE duty in respect of this free report about a Lot, which is available for your required to provide government-issued proof of identity and residence, In its role as Auctioneer of Lots, Bonhams acts solely for and in the own inspection or for inspection by an expert instructed by you. and if you are a company, your certificate of incorporation or equivalent interests of the Seller. Bonhams’ job is to sell the Lot at the highest The Seller’s responsibility to you documentation with your name and registered address, government price obtainable at the Sale to a Bidder. Bonhams does not act for The Seller does not make or agree to make any representation of fact issued proof of your current address, documentary proof of your Buyers or Bidders in this role and does not give advice to Buyers or or contractual promise, Guarantee or warranty and undertakes no beneficial owners and directors, and proof of authority to transact. Bidders. When it or its staff make statements about a Lot or, if obligation or duty, whether in contract or in tort (other than to the We may also request a financial reference and /or deposit from you Bonhams provides a Condition Report on a Lot it is doing that on eventual Buyer as set out above), in respect of the accuracy or before allowing you to bid. behalf of the Seller of the Lot. Bidders and Buyers who are themselves completeness of any statement or representation made by him or on We reserve the rights at our discretion to request further information in not expert in the Lots are strongly advised to seek and obtain his behalf, which is in any way descriptive of any Lot or as to the order to complete our client identification and to decline to register any independent advice on the Lots and their value before bidding for anticipated or likely selling price of any Lot. Other than as set out person as a Bidder, and to decline to accept their bids if they have them. The Seller has authorised Bonhams to sell the Lot as its agent on above, no statement or representation in any way descriptive of a Lot been so registered. We also reserve the rights to postpone completion its behalf and, save where we expressly make it clear to the contrary, or any Estimate is incorporated into any Contract for Sale between a of the Sale of any Lot at our discretion while we complete our Bonhams acts only as agent for the Seller. Any statement or Seller and a Buyer. registration and identification enquiries, and to cancel the Sale of any representation we make in respect of a Lot is made on the Seller’s Bonhams’ responsibility to you Lot if you are in breach of your warranties as Buyer, or if we consider behalf and, unless Bonhams sells a Lot as principal, not on our behalf You have the opportunity of examining the Lot if you want to and the that such Sale would be unlawful or otherwise cause liabilities for the and any Contract for Sale is between the Buyer and the Seller and not Contract for Sale for a Lot is with the Seller and not with Bonhams; Seller or Bonhams or be detrimental to Bonhams’ reputation. with us. If Bonhams sells a Lot as principal this will either be stated in Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot Bidding in person the Catalogue or an announcement to that effect will be made by the as principal). So long as you have pre-registered to bid or have updated your Auctioneer, or it will be stated in a notice at the Sale or an insert in the Bonhams undertakes no obligation to you to examine, investigate or existing registration recently, you should come to our Bidder registration Catalogue. carry out any tests, either in sufficient depth or at all, on each Lot to desk at the Sale venue and fill out a Registration and Bidding Form on Bonhams does not owe or undertake or agree to any duty or establish the accuracy or otherwise of any Descriptions or opinions (or, if possible, before) the day of the Sale. The bidding number system responsibility to you in contract or tort (whether direct, collateral, given by Bonhams, or by any person on Bonhams’ behalf, whether in is sometimes referred to as “paddle bidding”. You will be issued with a express, implied or otherwise). If you successfully bid for a Lot and buy the Catalogue or elsewhere. large card (a “paddle”) with a printed number on it. This will be it, at that stage Bonhams does enter into an agreement with you as the You should not suppose that such examinations, investigations or tests attributed to you for the purposes of the Sale. Should you be a Buyer. The terms of that contract are set out in our Buyer’s Agreement, have occurred. successful Bidder you will need to ensure that your number can be which you will find at Appendix 2 at the back of the Catalogue, and this Bonhams does not make or agree to make any representation of fact, clearly seen by the Auctioneer and that it is your number which is will govern Bonhams’ relationship with the Buyer. and undertakes no obligation or duty (whether in contract or tort) in identified as the Buyer’s. You should not let anyone else use your 2. LOTS respect of the accuracy or completeness of any statement or paddle as all Lots will be invoiced to the name and address given on Subject to the Contractual Description printed in bold letters in the representation made by Bonhams or on Bonhams’ behalf which is in your Bidder Registration Form. Once an invoice is issued it will not be Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are any way descriptive of any Lot or as to the anticipated or likely selling changed. If there is any doubt as to the Hammer Price of, or whether sold to the Buyer on an “as is” basis, with all faults and imperfections. price of any Lot. No statement or representation by Bonhams or on its you are the successful Bidder of, a particular Lot, you must draw this to Illustrations and photographs contained in the Catalogue (other than behalf in any way descriptive of any Lot or any Estimate is incorporated the attention of the Auctioneer before the next Lot is offered for Sale. At photographs forming part of the Contractual Description) or elsewhere into our Buyer’s Agreement. the end of the Sale, or when you have finished bidding please return of any Lots are for identification purposes only. A photograph or Alterations your paddle to the Bidder registration desk. illustration may not reflect an accurate reproduction of the colour(s) or Descriptions and Estimates may be amended at Bonhams’ discretion Bidding by telephone true condition of the Lot. Lots are available for inspection prior to the from time to time by notice given orally or in If you wish to bid at the Sale by telephone, and have pre-registered to Sale and it is for you to satisfy yourself as to each and every aspect of writing before or during a Sale. bid or have updated your existing registration details recently, please a Lot, including its authorship, attribution, condition, provenance, THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM complete a Registration and Bidding Form, which is available from our history, background, authenticity, style, period, age, suitability, quality, YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY offices or in the Catalogue. Please then return it to the office roadworthiness (if relevant), origin, value and estimated selling price ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR responsible for the Sale at least 24 hours in advance of the Sale. It is (including the Hammer Price). It is your responsibility to examine any BEHALF BEFORE THE SALE. your responsibility to check with our Bids Office that your bid has been Lot in which you are interested. It should be remembered that the 4. CONDUCT OF THE SALE received. Telephone calls will be recorded. The telephone bidding actual condition of a Lot may not be as good as that indicated by its Our Sales are public auctions which persons may attend and you facility is a discretionary service offered at no additional charge and outward appearance. In particular, parts may have been replaced or should take the opportunity to do so. We reserve the right at our sole may not be available in relation to all Lots. We will not be responsible renewed and Lots may not be authentic or of satisfactory quality; the discretion to refuse admission to our premises or to any Sale and to for bidding on your behalf if you are unavailable at the time of the Sale inside of a Lot may not be visible and may not be original or may be remove any person from our premises and Sales, without stating a or if the telephone connection is interrupted during bidding. Please damaged, as for example where it is covered by upholstery or material. reason. We have complete discretion as to whether the Sale proceeds, contact us for further details. Given the age of many Lots they may have been damaged and/or whether any Lot is included in the Sale, the manner in which the Sale is Bidding by post or fax repaired and you should not assume that a Lot is in good condition. conducted and we may offer Lots for Sale in any order we choose Absentee Bidding Forms can be found in the back of this Catalogue Electronic or mechanical items or parts are sold for their artistic, historic notwithstanding the numbers given to Lots in the Catalogue. You and should be completed and sent to the office responsible for the or cultural interest and may not operate or may not comply with current should therefore check the date and starting time of the Sale, whether Sale, once you have pre-registered to bid or have updated your statutory requirements. You should not assume that electrical items there have been any withdrawals or late entries. Remember that existing registration details recently. It is in your interests to return your designed to operate on mains electricity will be suitable for connection withdrawals and late entries may affect the time at which a Lot you are form as soon as possible, as if two or more Bidders submit identical to the mains electricity supply and you should obtain a report from a interested is put up for Sale. We have complete discretion in which to bids for a Lot, the first bid received takes preference. In any event, all qualified electrician on their status before doing so. Such items which refuse any bid, to nominate any bidding increment we consider bids should be received at least 24 hours before the start of the Sale. are unsuitable for connection are sold as items of interest for display appropriate, to divide any Lot, to combine two or more Lots, to Please check your Absentee Bidding Form carefully before returning it purposes only. If you yourself do not have expertise regarding a Lot, withdraw any Lot from a Sale and, before the Sale has been closed, to to us, fully completed and signed by you. It is your responsibility to you should consult someone who does to advise you. We can assist in put up any Lot for auction again. Auction speeds can exceed 100 Lots check with our Bids Office that your bid has been received. This arranging facilities for you to carry out or have carried out more detailed to the hour and bidding increments are generally about 10%; however, additional service is complimentary and is confidential. Such bids are inspections and tests. Please ask our staff for details. these do vary from Sale to Sale and from Auctioneer to Auctioneer. made at your own risk and we cannot accept liability for our failure to Any person who damages a Lot will be held liable for the Please check with the department organising the Sale for advice on receive and/or place any such bids. All bids made on your behalf will be loss caused. this. Where a Reserve has been applied to a Lot, the Auctioneer may, made at the lowest level possible subject to Reserves and other bids 3. DESCRIPTIONS OF LOTS AND ESTIMATES in his absolute discretion, place bids (up to an amount not equalling or made for the Lot. Where appropriate your bids will be rounded down to Contractual Description of a Lot exceeding such Reserve) on behalf of the Seller. We are not the nearest amount consistent with the Auctioneer’s bidding The Catalogue contains an Entry about each Lot. Each Lot is sold by responsible to you in respect of the presence or absence of any increments. New Bidders must also provide proof of identity and its respective Seller to the Buyer of the Lot as corresponding only with Reserve in respect of any Lot. If there is a Reserve it will be no higher address when submitting bids. Failure to do this will result in your bid that part of the Entry which is printed in bold letters and (except for the than the lower figure for any Estimate in the Catalogue, assuming that not being placed. colour, which may be inaccurately reproduced) with any photograph of the currency of the Reserve has not fluctuated adversely against the Bidding via the internet the Lot in the Catalogue. The remainder of the Entry, which is not currency of the Estimate. The Buyer will be the Bidder who makes the Please visit our Website at http://www.bonhams.com for printed in bold letters, represents Bonhams’ opinion (given on behalf of highest bid acceptable to the Auctioneer for any Lot (subject to any details of how to bid via the internet. the Seller) about the Lot only and is not part of the Contractual applicable Reserve) to whom the Lot is knocked down by the Bonhams will not be liable for service delays, interruptions or other Description in accordance with which the Lot is sold by the Seller. Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the failures to make a bid caused by losses of internet connection, fault or Estimates highest acceptable bid will be settled by the Auctioneer in his absolute failure with the website or bidding process, or malfunction of any In most cases, an Estimate is printed beside the Entry. Estimates are discretion. All bids tendered will relate to the actual Lot number software or system, computer or mobile device. only an expression of Bonhams’ opinion made on behalf of the Seller of announced by the Auctioneer. An electronic currency converter may be Bidding through an agent the range where Bonhams thinks the Hammer Price for the Lot is likely used at the Sale. This equipment is provided as a general guide as to Bids will be treated as placed exclusively by and on behalf of the to fall; it is not an Estimate of value. It does not take into account any the equivalent amount in certain currencies of a given bid. We do not person named on the Bidding Form unless otherwise agreed by us in VAT or Buyer’s Premium payable or any other fees payable by the accept any responsibility for any errors which may occur in the use of writing in advance of the Sale. If you wish to bid on behalf of another Buyer, which are detailed in paragraph 7 of the Notice to Bidders, the currency converter. We may use video cameras to record the Sale person (your principal) you must complete the pre-registration below. Prices depend upon bidding and lots can sell for Hammer and may record telephone calls for reasons of security and to assist in requirements set out above both on your own behalf and with full

NTB/MAIN/V1/11.2020 details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we condition and without defects, repairs or restorations. Most clocks to retain their appearance. Bidders should be aware that Estimates Please see the Contract for Sale printed in this Catalogue. Because the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities and watches have been repaired in the course of their normal lifetime assume that gemstones may have been subjected to such treatments. of the difficulty in determining whether an item of glass has been You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’ and may now incorporate parts not original to them. Furthermore, A number of laboratories issue certificates that give more detailed repolished, in our Catalogues reference is only made to visible chips concerning your principal and their source of funds, and the in force on the date of the Sale. reputation. Bonhams makes no representation or warranty that any clock or watch Descriptions of gemstones. However there may not be consensus and cracks. No mention is made of repolishing, severe or otherwise. warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE is in working order. As clocks and watches often contain fine and between different laboratories on the degrees, or types of treatment for 23. VEHICLES contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full complex mechanisms, Bidders should be aware that a general service, any particular gemstone. In the event that Bonhams has been given or The Veteran Car Club of Great Britain Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special change of battery or further repair work, for which the Buyer is solely has obtained certificates for any Lot in the Sale these certificates will be Dating Plates and Certificates Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased responsible, may be necessary. disclosed in the Catalogue. Although, as a matter of policy, Bonhams When mention is made of a Veteran Car Club Dating Plate or Dating as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our 17. FIREARMS – PROOF, CONDITION AND CERTIFICATION endeavours to provide certificates from recognised laboratories for Certificate in this Catalogue, it should be borne in mind that the Veteran fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to Proof of Firearms certain gemstones, it is not feasible to obtain certificates for each Lot. Car Club of Great Britain using the services of Veteran Car Company to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor The term “proof exemption” indicates that a firearm has been examined In the event that no certificate is published in the Catalogue, Bidders Ltd, does from time to time, review cars already dated and, in some * Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue. at a Proof House, but not proved, as either (a) it was deemed of should assume that the gemstones may have been treated. Neither instances, where fresh evidence becomes available, the review can result bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING interest and not intended for use, or (b) ammunition was not available. Bonhams nor the Seller accepts any liability for contradictions or in an alteration of date. Whilst the Club and Veteran Car Company Ltd pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping In either case, the firearm must be regarded as unsafe to fire unless differing certificates obtained by Buyers on any Lots subsequent to make every effort to ensure accuracy, the date shown on the Dating completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact subsequently proved. Firearms proved for Black Powder should not be the Sale. Plate or Dating Certificate cannot be guaranteed as correct and intending before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099 used with smokeless ammunition. Estimated Weights purchasers should make their own enquiries as to the date of the car. the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate [email protected] The term “Certificate of Unprovability” indicates that a firearm has been If a stone(s) weight appears within the body of the Description in capital 24. WINE at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS examined at a Proof House and is deemed both unsuitable for proof letters, the stone(s) has been unmounted and weighed by Bonhams. Lots which are lying under Bond and those liable to VAT may not be and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import and use. Reproof is required before any such firearm is to be used. If the weight of the stone(s) is stated to be approximate and does not available for immediate collection. identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant Guns Sold as Parts appear in capital letters, the stone(s) has been assessed by us within Examining the wines invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts Barrels of guns sold as parts will only be made available for sleeving its/their settings, and the stated weight is a statement of our opinion It is occasionally possible to provide a pre-Sale tasting for larger agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its and measurements once rendered unserviceable according to the Gun only. This information is given as a guide and Bidders should satisfy parcels (as defined below). This is generally limited to more recent and the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing Barrel Proof Act of 1968 to 1978 and the Rules of Proof. themselves with regard to this information as to its accuracy. everyday drinking wines. Please contact the department for details. contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www. Condition of Firearms Signatures It is not our policy to inspect every unopened case. In the case of wines Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/ Comment in this Catalogue is restricted, in general, to exceptional 1. A diamond brooch, by Kutchinsky older than 20 years the boxes will usually have been opened and levels Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20 condition and to those defects that might affect the immediate safety of When the maker’s name appears in the title, in Bonhams’ opinion the and appearance noted in the Catalogue where necessary. You should Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country a firearm in normal use. An intending Bidder unable to make technical piece is by that maker. make proper allowance for variations in ullage levels and conditions of Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements examinations and assessments is recommended to seek advice from a 2. A diamond brooch, signed Kutchinsky corks, capsules and labels. Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or gunmaker or from a modern firearms specialist. All prospective Bidders Has a signature that, in Bonhams’ opinion, is authentic but may contain Corks and Ullages required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission are advised to consult the ˚ of bore and wall-thickness measurements gemstones that are not original, or the piece may have been altered. Ullage refers to the space between the base of the cork and the wine. 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot. posted in the saleroom and available from the department. Bidders 3. A diamond brooch, mounted by Kutchinsky Ullage levels for Bordeaux shaped bottles are only normally noted BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if should note that guns are stripped only where there is a strong Has been created by the jeweller, in Bonhams’ opinion, but using when below the neck and for Burgundy, Alsace, German and Cognac On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations. indication of a mechanical malfunction. Stripping is not, otherwise, stones or designs supplied by the client. shaped bottles when greater than 4 centimetres (cm). Acceptable the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS undertaken. Guns intended for use should be stripped and cleaned 20. PHOTOGRAPHS ullage levels increase with age; generally acceptable levels are as terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to beforehand. Hammer guns should have their rebound mechanisms Explanation of Catalogue Terms follows: Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the EU. These checked before use. The safety mechanisms of all guns must be tested • “Bill Brandt”: in our opinion a work by the artist. Under 15 years old – into neck or less than 4cm Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at before use. All measurements are approximate. • “Attributed to Bill Brandt”: in our opinion probably a work by the 15 to 30 years old – top shoulder (ts) or up to 5cm contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be Original Gun Specifications Derived from Gunmakers artist, but less certainty to authorship is expressed than in the Over 30 years old – high shoulder (hs) or up to 6cm This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: requested from: The Sporting Gun Department endeavours to confirm a gun’s original preceding category. It should be noted that ullages may change between publication Appendix 2 at the back of the Catalogue. Please read the terms of the specification and date of manufacture with makers who hold their • “Signed and/or titled and/or dated and/or inscribed”: in our opinion of the Catalogue and the Sale and that corks may fail as a result of Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc original records. the signature and/or title and/or date and/or inscription are in the transporting the wine. We will only accept responsibility for Descriptions Licensing Catalogue in case you are the successful Bidder including the Address: PO Box 4RY Licensing Requirements artist’s hand. of condition at the time of publication of the Catalogue and cannot Floor 1, Zone 17, Temple Quay House warranties as to your status and source of funds. We may change the 250 Regent Street Firearms Act 1968 as amended • “Signed and/or titled and/or dated and/or inscribed in another accept responsibility for any loss resulting from failure of corks either 2 The Square, Temple Quay terms of either or both of these agreements in advance of their being London W1A 4RY Bonhams is constantly reviewing its procedures and would remind hand”: in our opinion the signature and/or title and/or date and/or before or after this point. BRISTOL BS1 6EB entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited you that, in the case of firearms or shotguns subject to certification, inscription have been added by Options to buy parcels Tel: +44 (0) 117 372 8774 placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009 to conform with current legislation, Bonhams is required to see, as another hand. A parcel is a number of Lots of identical size of the same wine, bottle The refusal of any CITES licence or permit and any delay in obtaining and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27 appropriate, your original registered firearms dealer’s certificate / shot • The date given is that of the image (negative). Where no further size and Description. The Buyer of any of these Lots has the option such licences or permits shall not give rise to the rescission or responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009 gun certificate / firearm certificate / museum firearms licence / Section date is given, this indicates that the photographic print is vintage to accept some or all of the remaining Lots in the parcel at the same cancellation of any Sale, nor allow any delay in making full payment Buyer’s Agreement for this Sale. 5 authority or import licence (or details of any exemption from which (the term “vintage” may also be included in the Lot Description). A price, although such options will be at the Auctioneer’s sole discretion. for the Lot. 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the you may benefit, for instance Crown servant status) for the firearm(s) vintage photograph is one which was made within approximately Absentee Bidders are, therefore, advised to bid on the first Lot in a 14. THE SELLERS AND/OR BONHAMS’ LIABILITY THE BUYER deduction of any bank fees and/or conversion of the currency of you have purchased prior to taking full payment of the amount 5-10 years of the negative. Where a second, later date appears, parcel. Other than any liability of the Seller to the Buyer of a Lot under the Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount shown on your invoice. Should you not already be in possession of this refers to the date of printing. Where the exact printing date is Wines in Bond Contract for Sale, neither we nor the Seller are liable (whether in payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice. such an authority or exemption, you are required to initially pay a not known, but understood to be later, “printed later” will appear in Wines lying in Bond are marked Δ. All Lots sold under Bond, and negligence or otherwise) for any error or misdescription or omission Agreement and at rates set out below, calculated by reference to the deposit of 95% of the total invoice with the balance of 5% payable on the Lot Description. which the Buyer wishes to remain under Bond, will be invoiced without in any Description of a Lot or any Estimate in respect of it, whether Hammer Price and payable in addition to it. Payment may also be made by one of the following methods: presentation of your valid certificate or licence showing your authority • Unless otherwise specified, dimensions given are those of the piece VAT or Duty on the Hammer Price. If the Buyer wishes to take the Lot contained in the Catalogue or otherwise, whether given orally or in to hold the firearm(s) concerned. of paper on which the image is printed, including any margins. as Duty paid, UK Excise Duty and VAT will be added to the Hammer writing and whether given before or during the Sale. Neither we nor the For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or Please be advised that if a successful Bidder is then unable to produce Some photographs may appear in the Catalogue without margins Price on the invoice. Seller will be liable for any loss of Business, profits, revenue or income, Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect the correct paperwork, the Lot(s) will be reoffered by Bonhams in the illustrated. Buyers must notify Bonhams at the time of the sale whether they wish or for loss of reputation, or for disruption to Business or wasted time on your purchases and should be made payable to Bonhams 1793 next appropriate Sale, on standard terms for Sellers, and you will be • All photographs are sold unframed unless stated in the Lot to take their wines under Bond or Duty paid. If a Lot is taken under the part of management or staff, or for indirect losses or consequential 27.5% of the Hammer Price on the first £10,000; plus Limited. responsible for any loss incurred by Bonhams on the original Sale to Description. Bond, the Buyer will be responsible for all VAT, Duty, clearance and damages of any kind, irrespective in any case of the nature, volume or 25% of the Hammer Price from £10,001 and up to £450,000; plus you. 21. PICTURES other charges that may be payable thereon. source of the loss or damage alleged to be suffered, and irrespective 20% of the Hammer Price from £450,001 and up to £4,500,000; plus Cash: you may pay for Lots purchased by you at this Sale In the case of RFD certificates and Section 5 authorities, we wish Explanation of Catalogue Terms Buyers outside the UK must be aware that any forwarding agent of whether the said loss or damage is caused by or claimed in respect 14.5% of the Hammer Price above £4,500,000 with notes or coins in the currency in which the Sale is conducted to keep an up-to-date copy on file. Please supply us with a Fax or The following terms used in the Catalogue have the following meanings appointed to export their purchases must have a movement certificate of any negligence, other tort, breach of contract (if any) or statutory (but not any other currency) provided that the total amount payable photocopy. It would be helpful if you could send us an updated copy but are subject to the general provisions relating to Descriptions for Lots to be released under Bond. duty, restitutionary claim or otherwise. In any circumstances where Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not whenever your certificate or authority is renewed or changed. contained in the Contract for Sale: Bottling Details and Case Terms we and/or the Seller are liable in relation to any Lot or any Description as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is Lots marked ‘S1´ and bearing red labels are Section 1 firearms and • “Jacopo Bassano”: in our opinion a work by the artist. When the The following terms used in the Catalogue have the following or Estimate made of any Lot, or the conduct of any Sale in relation catalogue. conducted, at the time when payment is made. If the amount payable require a valid British Firearms certificate, RFD Licence or import artist’s forename(s) is not known, a series of asterisks, followed by meanings: to any Lot, whether in damages, for an indemnity or contribution, by you for Lots exceeds that sum, the balance must be paid otherwise licence. the surname of the artist, whether preceded by an initial or not, CB – Château bottled or for a restitutionary remedy or otherwise, our and/or the Seller’s The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and indicates that in our opinion the work is by the artist named; DB – Domaine bottled liability (combined, if both we and the Seller are liable) will be limited are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account. require a valid British Shotgun certificate, RFD licence or import licence. • “Attributed to Jacopo Bassano”: in our opinion probably a work by EstB – Estate bottled to payment of a sum which will not exceed by way of maximum the Lots marked ‘S5´ and bearing specially marked red labels are Section the artist but less certainty as to authorship is expressed than in the BB – Bordeaux bottled amount of the Purchase Price of the Lot irrespective in any case of VAT may also be payable on the Hammer Price of the Lot, where 5 prohibited firearms and require a valid Section 5 Authority or import preceding category; BE – Belgian bottled Debit cards issued in the name of the Buyer (including China Union the nature, volume or source of any loss or damage alleged to be indicated by a symbol beside the Lot number. See paragraph 8 below licence. • “Studio/Workshop of Jacopo Bassano”: in our opinion a work by FB – French bottled Pay (CUP) cards and debit cards issued by Visa and MasterCard suffered or sum claimed as due, and irrespective of whether the liability for details. There is no limit on payment value if payment is made in person Lots marked with a ‘S58´ and bearing yellow labels are for obsolete an unknown hand in a studio of the artist which may or may not GB – German bottled only). arises from any negligence, other tort, breach of contract (if any) or using Chip & Pin verification. calibres and no licence is required unless ammunition is held. have been executed under the artist’s direction; OB – Oporto bottled statutory duty or otherwise. Nothing set out above will be construed On certain Lots, which will be marked “AR” in the Catalogue and Unmarked Lots require no licence. • “Circle of Jacopo Bassano”: in our opinion a work by a hand closely UK – United Kingdom bottled as excluding or restricting (whether directly or indirectly) our liability or which are sold for a Hammer Price of €1,000 or greater (converted into may also be accepted up to £5,000, subject to Please do not hesitate to contact the Modern Sporting Gun associated with a named artist but not necessarily his pupil; owc – original wooden case Payment by telephone excluding or restricting any person’s rights or remedies in respect of (i) the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available Department should you have any queries. • “Follower of Jacopo Bassano”: in our opinion a work by a painter iwc – individual wooden case fraud, or (ii) death or personal injury caused by our negligence (or by rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that Taxidermy and Related Items working in the artist’s style, contemporary or nearly contemporary, oc – original carton the negligence of any person under our control or for whom we are be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means. On behalf of the Seller of these articles, Bonhams undertakes to but not necessarily his pupil; SYMBOLS legally responsible), or (iii) acts or omissions for which we are liable payment of royalties under the Artists Resale Right Regulations 2006. comply fully with Cites and DEFRA regulations. Buyers are advised • “Manner of Jacopo Bassano”: in our opinion a work in the style of THE FOLLOWING SYMBOLS ARE USED TO DENOTE under the Occupiers Liability Act 1957, or (iv) any other liability to the The Additional Premium will be a percentage of the amount of the to inform themselves of all such regulations and should expect the the artist and of a later date; Credit cards issued in the name of the Buyer (including China Union extent the same may not be excluded or restricted as a matter of law Y Subject to CITES regulations when exporting these items outside Hammer Price calculated in accordance with the table below, and shall exportation of items to take some time to arrange. • “After Jacopo Bassano”: in our opinion, a copy of a known work of Pay (CUP) cards and credit cards issued by Visa and MasterCard or (v) our undertakings under paragraphs 9 (in relation to specialist the EU, see clause 13. not exceed €12,500 (converted into the currency of the Sale using 18. FURNITURE the artist; only). There is a £5,000 limit on payment value if payment is made in Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same TP Objects displayed with a TP will be located at the Cadogan the European Central Bank Reference rate prevailing on the date of Upholstered Furniture • “Signed and/or dated and/or inscribed”: in our opinion the signature person using Chip & Pin verification. applies in respect of the Seller, as if references to us in this paragraph Tate warehouse and will only be available for collection from this the Sale). Whilst we take every care in cataloguing furniture which has been and/or date and/or inscription are from the hand of the artist; were substituted with references to the Seller. location. It may be advisable to notify your debit or credit card provider of your upholstered we offer no Guarantee as to the originality • “Bears a signature and/or date and/or inscription”: in our opinion 15. BOOKS W Objects displayed with a w will be located in the Bonhams Hammer Price Percentage amount of the wood covered by fabric or upholstery. the signature and/or date and/or inscription have been added by intended purchase in advance to reduce delays caused by us having to As stated above, all Lots are sold on an “as is” basis, subject to all Warehouse and will only be available for collection from this From €0 to €50,000 4% 19. JEWELLERY another hand. seek authority when you come to pay. faults, imperfections and errors of Description save as set out below. location. From €50,000.01 to €200,000 3% Gemstones 22. PORCELAIN AND GLASS However, you will be entitled to reject a Book in the circumstances set Δ Wines lying in Bond. From €200,000.01 to €350,000 1% Historically many gemstones have been subjected to a variety of Damage and Restoration Note: only one debit or credit card may be used for payment of an out in paragraph 11 of the Buyers Agreement. Please note that Lots AR An Additional Premium will be payable to us by the Buyer to From €350,000.01 to €500,000 0.5% treatments to enhance their appearance. Sapphires and rubies are For your guidance, in our Catalogues we attempt to detail, as far account balance. If you have any questions with regards to card comprising printed Books, unframed maps and bound manuscripts are cover our Expenses relating to payment of royalties under the Exceeding €500,000 0.25% routinely heat treated to improve their colour and clarity, similarly as practicable, all significant defects, cracks and restoration. Such payments, please contact our Customer Services Department. not liable to VAT on the Buyer’s Premium. Artists Resale Right Regulations 2006. See clause 7 for details. emeralds are frequently treated with oils or resin for the same purpose. practicable Descriptions of damage cannot be definitive, and in We reserve the rights to investigate and identify the source of any funds ○ The Seller has been guaranteed a minimum price for the Lot, 16. CLOCKS AND WATCHES Other treatments such as staining, irradiation or coating may have providing Condition Reports, we cannot Guarantee that there are no received by us, to postpone completion of the sale of any Lot at our All Lots are sold “as is”, and the absence of any reference to the either by Bonhams or a third party. This may take the form of an been used on other gemstones. These treatments may be permanent, other defects present which have not been mentioned. Bidders should discretion while we complete our investigations, and to cancel the condition of a clock or watch does not imply that the Lot is in good irrevocable bid by a third party, who may make a financial gain on whilst others may need special care or re-treatment over the years satisfy themselves by inspection, as to the condition of each Lot.

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we condition and without defects, repairs or restorations. Most clocks to retain their appearance. Bidders should be aware that Estimates Please see the Contract for Sale printed in this Catalogue. Because the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities and watches have been repaired in the course of their normal lifetime assume that gemstones may have been subjected to such treatments. of the difficulty in determining whether an item of glass has been You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’ and may now incorporate parts not original to them. Furthermore, A number of laboratories issue certificates that give more detailed repolished, in our Catalogues reference is only made to visible chips concerning your principal and their source of funds, and the in force on the date of the Sale. reputation. Bonhams makes no representation or warranty that any clock or watch Descriptions of gemstones. However there may not be consensus and cracks. No mention is made of repolishing, severe or otherwise. warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE is in working order. As clocks and watches often contain fine and between different laboratories on the degrees, or types of treatment for 23. VEHICLES contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full complex mechanisms, Bidders should be aware that a general service, any particular gemstone. In the event that Bonhams has been given or The Veteran Car Club of Great Britain Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special change of battery or further repair work, for which the Buyer is solely has obtained certificates for any Lot in the Sale these certificates will be Dating Plates and Certificates Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased responsible, may be necessary. disclosed in the Catalogue. Although, as a matter of policy, Bonhams When mention is made of a Veteran Car Club Dating Plate or Dating as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our 17. FIREARMS – PROOF, CONDITION AND CERTIFICATION endeavours to provide certificates from recognised laboratories for Certificate in this Catalogue, it should be borne in mind that the Veteran fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to Proof of Firearms certain gemstones, it is not feasible to obtain certificates for each Lot. Car Club of Great Britain using the services of Veteran Car Company to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor The term “proof exemption” indicates that a firearm has been examined In the event that no certificate is published in the Catalogue, Bidders Ltd, does from time to time, review cars already dated and, in some * Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue. at a Proof House, but not proved, as either (a) it was deemed of should assume that the gemstones may have been treated. Neither instances, where fresh evidence becomes available, the review can result bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING interest and not intended for use, or (b) ammunition was not available. Bonhams nor the Seller accepts any liability for contradictions or in an alteration of date. Whilst the Club and Veteran Car Company Ltd pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping In either case, the firearm must be regarded as unsafe to fire unless differing certificates obtained by Buyers on any Lots subsequent to make every effort to ensure accuracy, the date shown on the Dating completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact subsequently proved. Firearms proved for Black Powder should not be the Sale. Plate or Dating Certificate cannot be guaranteed as correct and intending before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099 used with smokeless ammunition. Estimated Weights purchasers should make their own enquiries as to the date of the car. the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate [email protected] The term “Certificate of Unprovability” indicates that a firearm has been If a stone(s) weight appears within the body of the Description in capital 24. WINE at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS examined at a Proof House and is deemed both unsuitable for proof letters, the stone(s) has been unmounted and weighed by Bonhams. Lots which are lying under Bond and those liable to VAT may not be and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import and use. Reproof is required before any such firearm is to be used. If the weight of the stone(s) is stated to be approximate and does not available for immediate collection. identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant Guns Sold as Parts appear in capital letters, the stone(s) has been assessed by us within Examining the wines invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts Barrels of guns sold as parts will only be made available for sleeving its/their settings, and the stated weight is a statement of our opinion It is occasionally possible to provide a pre-Sale tasting for larger agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its and measurements once rendered unserviceable according to the Gun only. This information is given as a guide and Bidders should satisfy parcels (as defined below). This is generally limited to more recent and the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing Barrel Proof Act of 1968 to 1978 and the Rules of Proof. themselves with regard to this information as to its accuracy. everyday drinking wines. Please contact the department for details. contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www. Condition of Firearms Signatures It is not our policy to inspect every unopened case. In the case of wines Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/ Comment in this Catalogue is restricted, in general, to exceptional 1. A diamond brooch, by Kutchinsky older than 20 years the boxes will usually have been opened and levels Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20 condition and to those defects that might affect the immediate safety of When the maker’s name appears in the title, in Bonhams’ opinion the and appearance noted in the Catalogue where necessary. You should Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country a firearm in normal use. An intending Bidder unable to make technical piece is by that maker. make proper allowance for variations in ullage levels and conditions of Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements examinations and assessments is recommended to seek advice from a 2. A diamond brooch, signed Kutchinsky corks, capsules and labels. Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or gunmaker or from a modern firearms specialist. All prospective Bidders Has a signature that, in Bonhams’ opinion, is authentic but may contain Corks and Ullages required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission are advised to consult the ˚ of bore and wall-thickness measurements gemstones that are not original, or the piece may have been altered. Ullage refers to the space between the base of the cork and the wine. 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot. posted in the saleroom and available from the department. Bidders 3. A diamond brooch, mounted by Kutchinsky Ullage levels for Bordeaux shaped bottles are only normally noted BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if should note that guns are stripped only where there is a strong Has been created by the jeweller, in Bonhams’ opinion, but using when below the neck and for Burgundy, Alsace, German and Cognac On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations. indication of a mechanical malfunction. Stripping is not, otherwise, stones or designs supplied by the client. shaped bottles when greater than 4 centimetres (cm). Acceptable the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS undertaken. Guns intended for use should be stripped and cleaned 20. PHOTOGRAPHS ullage levels increase with age; generally acceptable levels are as terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to beforehand. Hammer guns should have their rebound mechanisms Explanation of Catalogue Terms follows: Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the EU. These checked before use. The safety mechanisms of all guns must be tested • “Bill Brandt”: in our opinion a work by the artist. Under 15 years old – into neck or less than 4cm Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at before use. All measurements are approximate. • “Attributed to Bill Brandt”: in our opinion probably a work by the 15 to 30 years old – top shoulder (ts) or up to 5cm contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be Original Gun Specifications Derived from Gunmakers artist, but less certainty to authorship is expressed than in the Over 30 years old – high shoulder (hs) or up to 6cm This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: requested from: The Sporting Gun Department endeavours to confirm a gun’s original preceding category. It should be noted that ullages may change between publication Appendix 2 at the back of the Catalogue. Please read the terms of the specification and date of manufacture with makers who hold their • “Signed and/or titled and/or dated and/or inscribed”: in our opinion of the Catalogue and the Sale and that corks may fail as a result of Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc original records. the signature and/or title and/or date and/or inscription are in the transporting the wine. We will only accept responsibility for Descriptions Licensing Catalogue in case you are the successful Bidder including the Address: PO Box 4RY Licensing Requirements artist’s hand. of condition at the time of publication of the Catalogue and cannot Floor 1, Zone 17, Temple Quay House warranties as to your status and source of funds. We may change the 250 Regent Street Firearms Act 1968 as amended • “Signed and/or titled and/or dated and/or inscribed in another accept responsibility for any loss resulting from failure of corks either 2 The Square, Temple Quay terms of either or both of these agreements in advance of their being London W1A 4RY Bonhams is constantly reviewing its procedures and would remind hand”: in our opinion the signature and/or title and/or date and/or before or after this point. BRISTOL BS1 6EB entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited you that, in the case of firearms or shotguns subject to certification, inscription have been added by Options to buy parcels Tel: +44 (0) 117 372 8774 placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009 to conform with current legislation, Bonhams is required to see, as another hand. A parcel is a number of Lots of identical size of the same wine, bottle The refusal of any CITES licence or permit and any delay in obtaining and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27 appropriate, your original registered firearms dealer’s certificate / shot • The date given is that of the image (negative). Where no further size and Description. The Buyer of any of these Lots has the option such licences or permits shall not give rise to the rescission or responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009 gun certificate / firearm certificate / museum firearms licence / Section date is given, this indicates that the photographic print is vintage to accept some or all of the remaining Lots in the parcel at the same cancellation of any Sale, nor allow any delay in making full payment Buyer’s Agreement for this Sale. 5 authority or import licence (or details of any exemption from which (the term “vintage” may also be included in the Lot Description). A price, although such options will be at the Auctioneer’s sole discretion. for the Lot. 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the you may benefit, for instance Crown servant status) for the firearm(s) vintage photograph is one which was made within approximately Absentee Bidders are, therefore, advised to bid on the firstLot in a 14. THE SELLERS AND/OR BONHAMS’ LIABILITY THE BUYER deduction of any bank fees and/or conversion of the currency of you have purchased prior to taking full payment of the amount 5-10 years of the negative. Where a second, later date appears, parcel. Other than any liability of the Seller to the Buyer of a Lot under the Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount shown on your invoice. Should you not already be in possession of this refers to the date of printing. Where the exact printing date is Wines in Bond Contract for Sale, neither we nor the Seller are liable (whether in payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice. such an authority or exemption, you are required to initially pay a not known, but understood to be later, “printed later” will appear in Wines lying in Bond are marked Δ. All Lots sold under Bond, and negligence or otherwise) for any error or misdescription or omission Agreement and at rates set out below, calculated by reference to the deposit of 95% of the total invoice with the balance of 5% payable on the Lot Description. which the Buyer wishes to remain under Bond, will be invoiced without in any Description of a Lot or any Estimate in respect of it, whether Hammer Price and payable in addition to it. Payment may also be made by one of the following methods: presentation of your valid certificate or licence showing your authority • Unless otherwise specified, dimensions given are those of the piece VAT or Duty on the Hammer Price. If the Buyer wishes to take the Lot contained in the Catalogue or otherwise, whether given orally or in to hold the firearm(s) concerned. of paper on which the image is printed, including any margins. as Duty paid, UK Excise Duty and VAT will be added to the Hammer writing and whether given before or during the Sale. Neither we nor the For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or Please be advised that if a successful Bidder is then unable to produce Some photographs may appear in the Catalogue without margins Price on the invoice. Seller will be liable for any loss of Business, profits, revenue or income, Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect the correct paperwork, the Lot(s) will be reoffered by Bonhams in the illustrated. Buyers must notify Bonhams at the time of the sale whether they wish or for loss of reputation, or for disruption to Business or wasted time on your purchases and should be made payable to Bonhams 1793 next appropriate Sale, on standard terms for Sellers, and you will be • All photographs are sold unframed unless stated in the Lot to take their wines under Bond or Duty paid. If a Lot is taken under the part of management or staff, or for indirect losses or consequential 27.5% of the Hammer Price on the first £10,000; plus Limited. responsible for any loss incurred by Bonhams on the original Sale to Description. Bond, the Buyer will be responsible for all VAT, Duty, clearance and damages of any kind, irrespective in any case of the nature, volume or 25% of the Hammer Price from £10,001 and up to £450,000; plus you. 21. PICTURES other charges that may be payable thereon. source of the loss or damage alleged to be suffered, and irrespective 20% of the Hammer Price from £450,001 and up to £4,500,000; plus Cash: you may pay for Lots purchased by you at this Sale In the case of RFD certificates and Section 5 authorities, we wish Explanation of Catalogue Terms Buyers outside the UK must be aware that any forwarding agent of whether the said loss or damage is caused by or claimed in respect 14.5% of the Hammer Price above £4,500,000 with notes or coins in the currency in which the Sale is conducted to keep an up-to-date copy on file. Please supply us with a Fax or The following terms used in the Catalogue have the following meanings appointed to export their purchases must have a movement certificate of any negligence, other tort, breach of contract (if any) or statutory (but not any other currency) provided that the total amount payable photocopy. It would be helpful if you could send us an updated copy but are subject to the general provisions relating to Descriptions for Lots to be released under Bond. duty, restitutionary claim or otherwise. In any circumstances where Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not whenever your certificate or authority is renewed or changed. contained in the Contract for Sale: Bottling Details and Case Terms we and/or the Seller are liable in relation to any Lot or any Description as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is Lots marked ‘S1´ and bearing red labels are Section 1 firearms and • “Jacopo Bassano”: in our opinion a work by the artist. When the The following terms used in the Catalogue have the following or Estimate made of any Lot, or the conduct of any Sale in relation catalogue. conducted, at the time when payment is made. If the amount payable require a valid British Firearms certificate, RFD Licence or import artist’s forename(s) is not known, a series of asterisks, followed by meanings: to any Lot, whether in damages, for an indemnity or contribution, by you for Lots exceeds that sum, the balance must be paid otherwise licence. the surname of the artist, whether preceded by an initial or not, CB – Château bottled or for a restitutionary remedy or otherwise, our and/or the Seller’s The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and indicates that in our opinion the work is by the artist named; DB – Domaine bottled liability (combined, if both we and the Seller are liable) will be limited are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account. require a valid British Shotgun certificate, RFD licence or import licence. • “Attributed to Jacopo Bassano”: in our opinion probably a work by EstB – Estate bottled to payment of a sum which will not exceed by way of maximum the Lots marked ‘S5´ and bearing specially marked red labels are Section the artist but less certainty as to authorship is expressed than in the BB – Bordeaux bottled amount of the Purchase Price of the Lot irrespective in any case of VAT may also be payable on the Hammer Price of the Lot, where 5 prohibited firearms and require a valid Section 5 Authority or import preceding category; BE – Belgian bottled Debit cards issued in the name of the Buyer (including China Union the nature, volume or source of any loss or damage alleged to be indicated by a symbol beside the Lot number. See paragraph 8 below licence. • “Studio/Workshop of Jacopo Bassano”: in our opinion a work by FB – French bottled Pay (CUP) cards and debit cards issued by Visa and MasterCard suffered or sum claimed as due, and irrespective of whether the liability for details. There is no limit on payment value if payment is made in person Lots marked with a ‘S58´ and bearing yellow labels are for obsolete an unknown hand in a studio of the artist which may or may not GB – German bottled only). arises from any negligence, other tort, breach of contract (if any) or using Chip & Pin verification. calibres and no licence is required unless ammunition is held. have been executed under the artist’s direction; OB – Oporto bottled statutory duty or otherwise. Nothing set out above will be construed On certain Lots, which will be marked “AR” in the Catalogue and Unmarked Lots require no licence. • “Circle of Jacopo Bassano”: in our opinion a work by a hand closely UK – United Kingdom bottled as excluding or restricting (whether directly or indirectly) our liability or which are sold for a Hammer Price of €1,000 or greater (converted into may also be accepted up to £5,000, subject to Please do not hesitate to contact the Modern Sporting Gun associated with a named artist but not necessarily his pupil; owc – original wooden case Payment by telephone excluding or restricting any person’s rights or remedies in respect of (i) the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available Department should you have any queries. • “Follower of Jacopo Bassano”: in our opinion a work by a painter iwc – individual wooden case fraud, or (ii) death or personal injury caused by our negligence (or by rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that Taxidermy and Related Items working in the artist’s style, contemporary or nearly contemporary, oc – original carton the negligence of any person under our control or for whom we are be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means. On behalf of the Seller of these articles, Bonhams undertakes to but not necessarily his pupil; SYMBOLS legally responsible), or (iii) acts or omissions for which we are liable payment of royalties under the Artists Resale Right Regulations 2006. comply fully with Cites and DEFRA regulations. Buyers are advised • “Manner of Jacopo Bassano”: in our opinion a work in the style of THE FOLLOWING SYMBOLS ARE USED TO DENOTE under the Occupiers Liability Act 1957, or (iv) any other liability to the The Additional Premium will be a percentage of the amount of the to inform themselves of all such regulations and should expect the the artist and of a later date; Credit cards issued in the name of the Buyer (including China Union extent the same may not be excluded or restricted as a matter of law Y Subject to CITES regulations when exporting these items outside Hammer Price calculated in accordance with the table below, and shall exportation of items to take some time to arrange. • “After Jacopo Bassano”: in our opinion, a copy of a known work of Pay (CUP) cards and credit cards issued by Visa and MasterCard or (v) our undertakings under paragraphs 9 (in relation to specialist the EU, see clause 13. not exceed €12,500 (converted into the currency of the Sale using 18. FURNITURE the artist; only). There is a £5,000 limit on payment value if payment is made in Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same TP Objects displayed with a TP will be located at the Cadogan the European Central Bank Reference rate prevailing on the date of Upholstered Furniture • “Signed and/or dated and/or inscribed”: in our opinion the signature person using Chip & Pin verification. applies in respect of the Seller, as if references to us in this paragraph Tate warehouse and will only be available for collection from this the Sale). Whilst we take every care in cataloguing furniture which has been and/or date and/or inscription are from the hand of the artist; were substituted with references to the Seller. location. It may be advisable to notify your debit or credit card provider of your upholstered we offer no Guarantee as to the originality • “Bears a signature and/or date and/or inscription”: in our opinion 15. BOOKS W Objects displayed with a w will be located in the Bonhams Hammer Price Percentage amount of the wood covered by fabric or upholstery. the signature and/or date and/or inscription have been added by intended purchase in advance to reduce delays caused by us having to As stated above, all Lots are sold on an “as is” basis, subject to all Warehouse and will only be available for collection from this From €0 to €50,000 4% 19. JEWELLERY another hand. seek authority when you come to pay. faults, imperfections and errors of Description save as set out below. location. From €50,000.01 to €200,000 3% Gemstones 22. PORCELAIN AND GLASS However, you will be entitled to reject a Book in the circumstances set Δ Wines lying in Bond. From €200,000.01 to €350,000 1% Historically many gemstones have been subjected to a variety of Damage and Restoration Note: only one debit or credit card may be used for payment of an out in paragraph 11 of the Buyers Agreement. Please note that Lots AR An Additional Premium will be payable to us by the Buyer to From €350,000.01 to €500,000 0.5% treatments to enhance their appearance. Sapphires and rubies are For your guidance, in our Catalogues we attempt to detail, as far account balance. If you have any questions with regards to card comprising printed Books, unframed maps and bound manuscripts are cover our Expenses relating to payment of royalties under the Exceeding €500,000 0.25% routinely heat treated to improve their colour and clarity, similarly as practicable, all significant defects, cracks and restoration. Such payments, please contact our Customer Services Department. not liable to VAT on the Buyer’s Premium. Artists Resale Right Regulations 2006. See clause 7 for details. emeralds are frequently treated with oils or resin for the same purpose. practicable Descriptions of damage cannot be definitive, and in We reserve the rights to investigate and identify the source of any funds ○ The Seller has been guaranteed a minimum price for the Lot, 16. CLOCKS AND WATCHES Other treatments such as staining, irradiation or coating may have providing Condition Reports, we cannot Guarantee that there are no received by us, to postpone completion of the sale of any Lot at our All Lots are sold “as is”, and the absence of any reference to the either by Bonhams or a third party. This may take the form of an been used on other gemstones. These treatments may be permanent, other defects present which have not been mentioned. Bidders should discretion while we complete our investigations, and to cancel the condition of a clock or watch does not imply that the Lot is in good irrevocable bid by a third party, who may make a financial gain on whilst others may need special care or re-treatment over the years satisfy themselves by inspection, as to the condition of each Lot.

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 a successful Sale or a financial loss if unsuccessful. or Bonhams and whether made prior to or during the Sale, is not 8.1.2 to resell the Lot by auction, private treaty or any other means on person’s rights or remedies in respect of (i) fraud, or (ii) death are used in this agreement, they are printed in italics. Reference under investigation for neither have been charged nor convicted ▲ Bonhams owns the Lot either wholly or partially or may otherwise part of the Contractual Description upon which the Lot is sold. giving seven days’ written notice to you of the intention to resell; or personal injury caused by the Seller’s negligence (or any is made in this agreement to information printed in the Notice to in connection with any criminal activity. have an economic interest. 3.2 Except as provided in paragraph 2.1.5, the Seller does 8.1.3 to retain possession of the Lot; person under the Seller’s control or for whom the Seller is legally Bidders, printed in the Catalogue for the Sale, and where such 3.10 Where you are acting as agent for another party (“your Ф This lot contains or is made of ivory. The United States not make or give and does not agree to make or give any 8.1.4 to remove and store the Lot at your expense; responsible), or (iii) acts or omissions for which the Seller is liable information is referred to it is incorporated into this agreement. Principal”), you undertake and warrant that: Government has banned the import of ivory into contractual promise, undertaking, obligation, guarantee, 8.1.5 to take legal proceedings against you for any sum due under the under the Occupiers Liability Act 1957, or (iv) any other liability 1.3 Except as specified in paragraph 4 of the Notice to Bidders the 3.10.1 you have conducted suitable customer due diligence into the USA. warranty, or representation of fact, or undertake any duty of Contract for Sale and/or damages for breach of contract; to the extent the same may not be excluded or restricted as a Contract for Sale of the Lot between you and the Seller is made your Principal under applicable Sanctions and Anti-Money •, †, *, G, Ω, a see clause 8, VAT, for details. care, in relation to any Description of the Lot or any Estimate 8.1.6 to be paid interest on any monies due (after as well as before matter of law. on the fall of the Auctioneer’s hammer in respect of the Lot, Laundering laws and regulations; DATA PROTECTION – USE OF YOUR INFORMATION in relation to it, nor of the accuracy or completeness of any judgement or order) at the annual rate of 5% per annum above 10 MISCELLANEOUS when it is knocked down to you. At that moment a separate 3.10.2 your Principal is not a Sanctioned Party and not owned, partially Where we obtain any personal information about you, we shall only Description or Estimate which may have been Bonhams. No the base rate of National Westminster Bank Plc from time to 10.1 You may not assign either the benefit or burden of the Contract contract is also made between you and Bonhams on the terms owned or controlled by a Sanctioned Party, and you have no use it in accordance with the terms of our Privacy Policy (subject to such Description or Estimate is incorporated into this Contract time to be calculated on a daily basis from the date upon which for Sale. in this Buyer’s Agreement. reason to suspect that your Principal has been charged or any additional specific consent(s) you may have given at the time for Sale. such monies become payable until the date of actual payment; 10.2 The Seller’s failure or delay in enforcing or exercising any power 1.4 We act as agents for the Seller and are not answerable or convicted with, money laundering, terrorism or other crimes; your information was disclosed). A copy of our Privacy Policy can be 4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY 8.1.7 to repossess the Lot (or any part thereof) which has not become or right under the Contract for Sale will not operate or be personally responsible to you for any breach of contract or other 3.10.3 funds used for your or your Principal’s purchase are not found on our Website www.bonhams.com or requested by post from 4.1 The Seller does not make and does not agree to make any your property, and for this purpose (unless the Buyer buys the deemed to operate as a waiver of his rights under it except to default by the Seller, unless Bonhams sells the Lot as principal. connected with or derived from any criminal activity, including Customer Services Department, 101 New Bond Street, London, W1S contractual promise, undertaking, obligation, guarantee, Lot as a Consumer from the Seller selling in the course of a the extent of any express waiver given to you in writing. Any 1.5 Our personal obligations to you are governed by this agreement without limitation tax evasion, money laundering or terrorist 1SR or by email from [email protected] warranty, or representation of fact in relation to the satisfactory Business) you hereby grant an irrevocable licence to the Seller such waiver will not affect the Seller’s ability subsequently to and we agree, subject to the terms below, to the following financing; quality of the Lot or its fitness for any purpose. by himself and to his servants or agents to enter upon all or enforce any right arising under the Contract for Sale. obligations: 3.10.4 items purchased by you and your Principal through Bonhams APPENDIX 1 4.2 The Seller will not be liable for any breach of any undertaking, any of your premises (with or without vehicles) during normal 10.3 If either party to the Contract for Sale is prevented from 1.5.1 we will, until the date and time specified in the Notice to Bidders are not being purchased or to be used in any way connected whether implied by the Sale of Goods Act 1979 or otherwise, Business hours to take possession of the Lot or part thereof; performing that party’s respective obligations under the Contract or otherwise notified to you, store the Lot in accordance with with or to facilitate breaches of applicable Tax, Anti-Money BUYERS SALE CONTRACT WITH SELLER as to the satisfactory quality of the Lot or its fitness for any 8.1.8 to retain possession of any other property sold to you by the for Sale by circumstances beyond its reasonable control or paragraph 5; Laundering or Anti-Terrorism laws and regulations; and purpose. Seller at the Sale or any other auction or by private treaty until if performance of its obligations would by reason of such 1.5.2 subject to any power of the Seller or us to refuse to release 3.10.5 that you consent to Bonhams relying upon your customer due IMPORTANT: These terms may be changed in advance of the 5 RISK, PROPERTY AND TITLE all sums due under the Contract for Sale shall have been paid in circumstances give rise to a significantly increased financial the Lot to you, we will release the Lot to you in accordance diligence, undertaking to retain records of your due diligence Sale of the Lot to you, by the setting out of different terms 5.1 Risk in the Lot passes to you after 7 days from the day upon full in cleared funds; cost to it, that party will not, for so long as such circumstances with paragraph 4 once you have paid to us, in cleared funds, for at least 5 years and to make such due diligence records in the Catalogue for the Sale and/or by placing an insert in which it is knocked down to you on the fall of the Auctioneer’s 8.1.9 to retain possession of, and on three months’ written notice prevail, be required to perform such obligations. This paragraph everything due to us and the Seller and following completion of available for inspection by an independent auditor in the event the Catalogue and/or by notices at the Sale venue and/or on hammer in respect of the Lot, or upon collection of the Lot to sell, Without Reserve, any of your other property in the does not apply to the obligations imposed on you by paragraph our enquiries pursuant to paragraph 3.11; we request you to do so. Bonhams’ website, and/or by oral announcements before and if earlier. The Seller will not be responsible thereafter for the possession of the Seller and/or of Bonhams (as bailee for the 6. 1.5.3 we will provide guarantees in the terms set out in paragraphs 9 3.11 We reserve the rights to make enquiries about any person during the Sale at the Sale venue. You should be alert to this Lot prior to you collecting it from Bonhams or the Storage Seller) for any purpose (including, without limitation, other goods 10.4 Any notice or other communication to be given under the and 10. transacting with us and to identify the source of any funds possibility of changes and ask in advance of bidding if there Contractor, with whom you have separate contract(s) as Buyer. sold to you) and to apply any monies due to you as a result of Contract for Sale must be in writing and may be delivered by 1.6 We do not make or give and do not agree to make or give received from you. In the event we have not completed our have been any. You will indemnify the Seller and keep the Seller fully indemnified such Sale in satisfaction or part satisfaction of any amounts hand or sent by first class post or air mail or fax transmission, if to any contractual promise, undertaking, obligation, Guarantee, investigations in respect of anti-terrorism financing, anti-money Under this contract the Seller’s liability in respect of the quality from and against all claims, proceedings, costs, expenses owed to the Seller or to Bonhams; and the Seller, addressed c/o Bonhams at its address or fax number warranty, representation of fact in relation to any Description laundering or other financial and identity checks concerning of the Lot, it’s fitness for any purpose and its conformity with and losses arising in respect of any injury, loss and damage 8.1.10 so long as such goods remain in the possession of the Seller in the Catalogue (marked for the attention of the Company of the Lot or any Estimate in relation to it, nor of the accuracy either you or the Seller, to our satisfaction at our discretion, any Description is limited. You are strongly advised to examine caused to the Lot beyond 7 days from the day of the fall of the or Bonhams as its bailee, to rescind the contract for the Sale of Secretary), and if to you to the address or fax number of the or completeness of any Description or Estimate which may we shall be entitled to retain Lots and/or proceeds of Sale, the Lot for yourself and/or obtain an independent examination Auctioneer’s hammer until you obtain full title to it. any other goods sold to you by the Seller at the Sale or at any Buyer given in the Bidding Form (unless notice of any change of have been made by us or on our behalf or by or on behalf postpone or cancel any sale and to take any other actions of it before you buy it. 5.2 Title to the Lot remains in and is retained by the Seller until: (i) the other auction or by private treaty and apply any monies received address is given in writing). It is the responsibility of the sender of the Seller (whether made orally or in writing, including in required or permitted under applicable law, without liability to 1 THE CONTRACT Purchase Price and all other sums payable by you to Bonhams from you in respect of such goods in part or full satisfaction of of the notice or communication to ensure that it is received in a the Catalogue or on Bonhams’ Website, or by conduct, or you. 1.1 These terms and the relevant terms for Bidders and Buyers in in relation to the Lot have been paid in full to and received in any amounts owed to the Seller or to Bonhams by you. legible form within any applicable time period. otherwise), and whether made before or after this agreement or 4 COLLECTION OF THE LOT the Notice to Bidders govern the Contract for Sale of the Lot by cleared funds by Bonhams, and (ii) Bonhams has completed its 8.2 You agree to indemnify the Seller against all legal and other 10.5 If any term or any part of any term of the Contract for Sale prior to or during the Sale. No such Description or Estimate is 4.1 Subject to any power of the Seller or us to refuse to release the Seller to the Buyer. investigations pursuant to clause 3.11 of the Buyer’s Agreement costs of enforcement, all losses and other expenses and costs is held to be unenforceable or invalid, such unenforceability incorporated into this agreement between you and us. Any such the Lot to you, once you have paid to us, in cleared funds, 1.2 The Definitions and Glossary contained in Appendix 3 in the with Bonhams set out in Appendix 2 in the catalogue. (including any monies payable to Bonhams in order to obtain or invalidity will not affect the enforceability and validity of the Description or Estimate, if made by us or on our behalf, was everything due to the Seller and to us, and once we have Catalogue are incorporated into this Contract for Sale and a 6 PAYMENT the release of the Lot) incurred by the Seller (whether or not remaining terms or the remainder of the relevant term. (unless Bonhams itself sells the Lot as principal) made as agent completed our investigations under paragraph 3.11, we will separate copy can also be provided by Bonhams on request. 6.1 Your obligation to pay the Purchase Price arises when the Lot is court proceedings will have been issued) as a result of Bonhams 10.6 References in the Contract for Sale to Bonhams will, where on behalf of the Seller. release the Lot to you or as you may direct us in writing. The Where words and phrases are used which are in the List of knocked down to you on the fall of the Auctioneer’s hammer in taking steps under this paragraph 8 on a full indemnity basis appropriate, include reference to Bonhams’ officers, employees 2 PERFORMANCE OF THE CONTRACT FOR SALE Lot will only be released on production of a buyer collection Definitions, they are printed in italics. respect of the Lot. together with interest thereon (after as well as before judgement and agents and to any subsidiary of Bonhams Holdings Limited You undertake to us personally that you will observe and comply document, obtained from our cashier’s office. 1.3 The Seller sells the Lot as the principal to the Contract for Sale, 6.2 Time will be of the essence in relation to payment of the or order) at the rate specified in paragraph 8.1.6 from the date and to its officers, employees and agents. with all your obligations and undertakings to the Seller under the 4.2 You must collect and remove the Lot at your own expense by such contract being made between the Seller and you through Purchase Price and all other sums payable by you to Bonhams. upon which the Seller becomes liable to pay the same until 10.7 The headings used in the Contract for Sale are for convenience Contract for Sale in respect of the Lot. the date and time specified in the Notice to Bidders, or if no Bonhams which acts in the sole capacity as the Seller’s agent Unless agreed in writing with you by Bonhams on the Seller’s payment by you. only and will not affect its interpretation. 3 PAYMENT AND BUYER WARRANTIES date is specified, by 4.30pm on the seventh day after the Sale. and not as an additional principal. However, if the Catalogue behalf (in which case you must comply with the terms of that 8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will 10.8 In the Contract for Sale “including” means “including, without 3.1 Unless agreed in writing between you and us or as otherwise 4.3 For the period referred to in paragraph 4.2, the Lot can be states that Bonhams sells the Lot as principal, or such a agreement), all such sums must be paid to Bonhams by you in account to you in respect of any balance remaining from any limitation”. set out in the Notice to Bidders, you must pay to us by not later collected from the address referred to in the Notice to Bidders statement is made by an announcement by the Auctioneer, the currency in which the Sale was conducted by not later than monies received by him or on his behalf in respect of the Lot, 10.9 References to the singular will include reference to the plural than 4.30pm on the second working day following the Sale: for collection on the days and times specified in the Notice to or by a notice at the Sale, or an insert in the Catalogue, then 4.30pm on the second working day following the Sale and you after the payment of all sums due to the Seller and to Bonhams, (and vice versa) and reference to any one gender will include 3.1.1 the Purchase Price for the Lot; Bidders. Thereafter, the Lot may be removed elsewhere for Bonhams is the Seller for the purposes of this agreement. must ensure that the funds are cleared by the seventh working within 28 days of receipt of such monies by him or on his behalf. reference to the other genders. 3.1.2 a Buyer’s Premium in accordance with the rates set out in the storage and you must enquire from us as to when and where 1.4 The contract is made on the fall of the Auctioneer’s hammer in day after the Sale. Payment must be made to Bonhams by one 9 THE SELLER’S LIABILITY 10.10 Reference to a numbered paragraph is to a paragraph of the Notice to Bidders on each lot, and you can collect it, although this information will usually be set respect of the Lot when it is knocked down to you. of the methods stated in the Notice to Bidders unless otherwise 9.1 The Seller will not be liable for any injury, loss or damage caused Contract for Sale. 3.1.3 if the Lot is marked [AR], an Additional Premium which is out in the Notice to Bidders. 2 SELLER’S WARRANTIES AND UNDERTAKINGS agreed with you in writing by Bonhams. If you do not pay in full by the Lot after the fall of the Auctioneer’s hammer in respect of 10.11 Save as expressly provided in paragraph 10.12 nothing in the calculated and payable in accordance with the Notice to 4.4 If you have not collected the Lot by the date specified in the 2.1 The Seller undertakes to you that: any sums due in accordance with this paragraph, the Seller will the Lot. Contract for Sale confers (or purports to confer) on any person Bidders together with VAT on that sum if applicable so that all Notice to Bidders, you authorise us, acting in this instance as 2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the have the rights set out in paragraph 8 below. 9.2 Subject to paragraph 9.3 below, except for breach of the who is not a party to the Contract for Sale any benefit conferred sums due to us are cleared funds by the seventh working day your agent and on your behalf, to enter into a contract (the Lot by the owner; 7 COLLECTION OF THE LOT express undertaking provided in paragraph 2.1.5, the Seller by, or the right to enforce any term of, the Contract for Sale. after the Sale. “Storage Contract”) with the Storage Contractor for the storage 2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the 7.1 Unless otherwise agreed in writing with you by Bonhams, will not be liable for any breach of any term that the Lot will 10.12 Where the Contract for Sale confers an immunity from, and/or 3.2 You must also pay us on demand any Expenses payable of the Lot on the then current standard terms and conditions Seller sells the Lot with full title guarantee or, where the Seller the Lot will be released to you or to your order only when: (i) correspond with any Description applied to it by or on behalf of an exclusion or restriction of, the responsibility and/or liability pursuant to this agreement. agreed between Bonhams and the Storage Contractor (copies is an executor, trustee, liquidator, receiver or administrator, with Bonhams has received cleared funds to the amount of the the Seller, whether implied by the Sale of Goods Act 1979 or of the Seller, it will also operate in favour and for the benefit of 3.3 All payments to us must be made in the currency in which the of which are available on request). If the Lot is stored at our whatever right, title or interest he may have in the Lot; full Purchase Price and all other sums owed by you to the otherwise. Bonhams, Bonhams’ holding company and the subsidiaries Sale was conducted, using, unless otherwise agreed by us in premises storage fees at our current daily rates (currently a 2.1.3 except where the Sale is by an executor, trustee, liquidator, Seller and to Bonhams and (ii) Bonhams has completed its 9.3 Unless the Seller sells the Lot in the course of a Business and of such holding company and the successors and assigns of writing, one of the methods of payment set out in the Notice to minimum of £3 plus VAT per Lot per day) will be payable from receiver or administrator the Seller is both legally entitled to investigations pursuant to clause 3.11 of the Buyer’s Agreement the Buyer buys it as a Consumer, Bonhams and of such companies and of any officer, employee Bidders. Our invoices will only be addressed to the registered the expiry of the period referred to in paragraph 4.2. These sell the Lot, and legally capable of conferring on you quiet with Bonhams set out in Appendix 2 in the catalogue. 9.3.1 the Seller will not be liable (whether in negligence, other tort, and agent of Bonhams and such companies, each of whom Bidder unless the Bidder is acting as an agent for a named storage fees form part of our Expenses. possession of the Lot and that the Sale conforms in every 7.2 The Seller is entitled to withhold possession from you of any breach of contract or statutory duty or in restitution or under the will be entitled to rely on the relevant immunity and/or exclusion principal and we have approved that arrangement, in which 4.5 Until you have paid the Purchase Price and any Expenses in respect with the terms implied by the Sale of Goods Act 1979, other Lot he has sold to you at the same or at any other Sale Misrepresentation Act 1967, or in any other way) for any lack of and/or restriction within and for the purposes of Contracts case we will address the invoice to the principal. full the Lot will either be held by us as agent on behalf of the Sections 12(1) and 12(2) (see the Definitions and Glossary); and whether currently in Bonhams’ possession or not, until conformity with, or inaccuracy, error, misdescription or omission (Rights of Third Parties) Act 1999, which enables the benefit of 3.4 Unless otherwise stated in this agreement all sums payable to Seller or held by the Storage Contractor as agent on behalf of 2.1.4 the Seller has complied with all requirements, legal or otherwise, payment in full and in cleared funds of the Purchase Price and in any Description of the Lot or any Entry or Estimate in relation a contract to be extended to a person who is not a party to the us will be subject to VAT at the appropriate rate and VAT will be the Seller and ourselves on the terms contained in the Storage relating to any export or import of the Lot, and all duties and all other sums due to the Seller and/or Bonhams in respect of to the Lot made by or on behalf of the Seller (whether made in contract, and generally at law. payable by you on all such sums. Contract. taxes in respect of the export or import of the Lot have (unless the Lot. writing, including in the Catalogue, or on the Website, or orally, 11 GOVERNING LAW 3.5 We may deduct and retain for our own benefit from the monies 4.6 You undertake to comply with the terms of any Storage stated to the contrary in the Catalogue or announced by the 7.3 You should note that Bonhams has reserved the right not to or by conduct or otherwise) and whether made before or after All transactions to which the Contract for Sale applies and paid by you to us the Buyer’s Premium, the Commission Contract and in particular to pay the charges (and all costs of Auctioneer) been paid and, so far as the Seller is aware, all third release the Lot to you until its investigations under paragraph this agreement or prior to or during the Sale; all connected matters will be governed by and construed in payable by the Seller in respect of the Lot, any Expenses and moving the Lot into storage) due under any Storage Contract. parties have complied with such requirements in the past; 3.11 of the Buyers’ Agreement set out in Appendix 2 have been 9.3.2 the Seller will not be liable for any loss of Business, Business accordance with the laws of that part of the United Kingdom VAT and any interest earned and/or incurred until payment to You acknowledge and agree that you will not be able to collect 2.1.5 items consigned for sale by the Seller are not connected with or completed to Bonhams’ satisfaction. profits or revenue or income or for loss of reputation or for where the Sale takes place and the Seller and you each submit the Seller. the Lot from the Storage Contractor’s premises until you have derived from any criminal activity, including without limitation tax 7.4 You will collect and remove the Lot at your own expense disruption to Business or wasted time on the part of the Buyer to the exclusive jurisdiction of the courts of that part of the 3.6 Time will be of the essence in relation to any payment payable paid the Purchase Price, any Expenses and all charges due evasion, money laundering, terrorist financing or breach of any from Bonhams’ custody and/ or control or from the Storage or of the Buyer’s management or staff or, for any indirect losses United Kingdom, save that the Seller may bring proceedings to us. If you do not pay the Purchase Price, or any other sum under the Storage Contract. applicable international trade sanctions; Contractor’s custody in accordance with Bonhams’ instructions or consequential damages of any kind, irrespective in any case against you in any other court of competent jurisdiction to due to us in accordance with this paragraph 3, we will have the 4.7 You will be wholly responsible for packing, handling and 2.1.6 subject to any alterations expressly identified as such made by or requirements. of the nature, volume or source of the loss or damage alleged to the extent permitted by the laws of the relevant jurisdiction. rights set out in paragraph 7 below. transport of the Lot on collection and for complying with all announcement or notice at the Sale venue or by the Notice to 7.5 You will be wholly responsible for packing, handling and be suffered, and irrespective of whether the said loss or damage Bonhams has a complaints procedure in place. 3.7 Where a number of Lots have been knocked down to you, any import or export regulations in connection with the Lot. Bidders or by an insert in the Catalogue or on the Bonhams transport of the Lot on collection and for complying with all is caused by or claimed in respect of any negligence, other monies we receive from you will be applied firstly pro-rata to pay 4.8 You will be wholly responsible for any removal, storage, or other website, the Lot corresponds with the Contractual Description import or export regulations in connection with the Lot. tort, breach of contract, statutory duty, restitutionary claim or APPENDIX 2 the Purchase Price of each Lot and secondly pro-rata to pay all charges for any Lot not removed in accordance with paragraph of the Lot, being that part of the Entry about the Lot in the 7.6 You will be wholly responsible for any removal, storage or other otherwise; amounts due to Bonhams. 4.2, payable at our current rates, and any Expenses we incur Catalogue which is in bold letters and (except for colour) with charges or expenses incurred by the Seller if you do not remove 9.3.3 in any circumstances where the Seller is liable to you in respect BUYER’S AGREEMENT WITH BONHAMS 3.8 You warrant that neither you nor - if you are a company, (including any charges due under the Storage Contract), all of any photograph of the Lot in the Catalogue. the Lot in accordance with this paragraph 7 and will indemnify of the Lot, or any act, omission, statement, or representation IMPORTANT: These terms may be changed in advance of the Sale your directors, officers or your owner or their directors or which must be paid by you on demand and in any event before 3 DESCRIPTIONS OF THE LOT the Seller against all charges, costs, including any legal costs in respect of it, or this agreement or its performance, and of the Lot to you, by the setting out of different terms in the shareholders - are an individual or an entity that is, or is owned any collection of the Lot by you or on your behalf. 3.1 Paragraph 2.1.5 sets out what is the Contractual Description and fees, expenses and losses suffered by the Seller by reason whether in damages, for an indemnity or contribution or for Catalogue for the Sale and/or by placing an insert in the or controlled by individuals or entities that are: 5 STORING THE LOT of the Lot. In particular, the Lot is not sold as corresponding of your failure to remove the Lot including any charges due a restitutionary remedy or in any way whatsoever, the Seller’s Catalogue and/or by notices at the Sale venue and/or by oral 3.8.1 the subject of any sanctions administered or enforced by the We agree to store the Lot until the earlier of your removal of the with any part of the Entry in the Catalogue which is not printed under any Storage Contract. All such sums due to the Seller will liability will be limited to payment of a sum which will not exceed announcements before and during the Sale at the Sale venue. U.S. Department of the Treasury’s Office of Foreign Assets Lot or until the time and date set out in the Notice to Bidders, in bold letters, the remainder of which Entry merely sets out be payable on demand. by way of maximum the amount of the Purchase Price of the You should be alert to this possibility of changes and ask in Control, the U.S. Departure of State, the United Nations Security on the Sale Information Page or at the back of the catalogue (or (on the Seller’s behalf) Bonhams’ opinion about the Lot and 8 FAILURE TO PAY FOR THE LOT Lot irrespective in any case of the nature, volume or source advance of bidding if there have been any. Council, the European Union, Her Majesty’s Treasury, or other if no date is specified, by 4.30pm on the seventh day after the which is not part of the Contractual Description upon which 8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in of any loss or damage alleged to be suffered or sum claimed 1 THE CONTRACT relevant sanctions authority (“Sanctions” and a “Sanctioned Sale) and, subject to paragraphs 3, 6 and 10, to be responsible the Lot is sold. Any statement or representation other than that accordance with the Contract for Sale, the Seller will be entitled, as due, and irrespective of whether the liability arises from 1.1 These terms govern the contract between Bonhams personally Party”); or as bailee to you for damage to or the loss or destruction of the part of the Entry referred to in paragraph 2.1.5 (together with with the prior written agreement of Bonhams but without further any negligence, other tort, breach of contract, statutory duty, and the Buyer, being the person to whom a Lot has been 3.8.2 located, organised or resident in a country or territory that is, Lot (notwithstanding that it is not your property before payment any express alteration to it as referred to in paragraph 2.1.5), notice to you, to exercise one or more of the following rights bailee’s duty, restitutionary claim or otherwise. knocked down by the Auctioneer. or whose government is, the subject of Sanctions, including of the Purchase Price). If you do not collect the Lot before the including any Description or Estimate, whether made orally or in (whether through Bonhams or otherwise): 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be 1.2 The Definitions and Glossary contained in Appendix 3 to the without limitation, Iran, North Korea, Sudan and Syria. time and date set out in the Notice to Bidders (or if no date writing, including in the Catalogue or on Bonhams’ Website, or by 8.1.1 to terminate immediately the Contract for Sale of the Lot for construed as excluding or restricting (whether directly or Catalogue for the Sale are incorporated into this agreement and 3.9 You warrant that the funds being used for your purchase have is specified, by 4.30pm on the seventh day after the Sale) we conduct, or otherwise, and whether by or on behalf of the Seller your breach of contract; indirectly) any person’s liability or excluding or restricting any a separate copy can also be provided by us on request. Where no link with criminal activity including without limitation money may remove the Lot to another location, the details of which words and phrases which are defined in the List of Definitions laundering, tax evasion or terrorist financing, and that you not will usually be set out in the relevant section of the Catalogue. If

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 a successful Sale or a financial loss if unsuccessful. or Bonhams and whether made prior to or during the Sale, is not 8.1.2 to resell the Lot by auction, private treaty or any other means on person’s rights or remedies in respect of (i) fraud, or (ii) death are used in this agreement, they are printed in italics. Reference under investigation for neither have been charged nor convicted ▲ Bonhams owns the Lot either wholly or partially or may otherwise part of the Contractual Description upon which the Lot is sold. giving seven days’ written notice to you of the intention to resell; or personal injury caused by the Seller’s negligence (or any is made in this agreement to information printed in the Notice to in connection with any criminal activity. have an economic interest. 3.2 Except as provided in paragraph 2.1.5, the Seller does 8.1.3 to retain possession of the Lot; person under the Seller’s control or for whom the Seller is legally Bidders, printed in the Catalogue for the Sale, and where such 3.10 Where you are acting as agent for another party (“your Ф This lot contains or is made of ivory. The United States not make or give and does not agree to make or give any 8.1.4 to remove and store the Lot at your expense; responsible), or (iii) acts or omissions for which the Seller is liable information is referred to it is incorporated into this agreement. Principal”), you undertake and warrant that: Government has banned the import of ivory into contractual promise, undertaking, obligation, guarantee, 8.1.5 to take legal proceedings against you for any sum due under the under the Occupiers Liability Act 1957, or (iv) any other liability 1.3 Except as specified in paragraph 4 of the Notice to Bidders the 3.10.1 you have conducted suitable customer due diligence into the USA. warranty, or representation of fact, or undertake any duty of Contract for Sale and/or damages for breach of contract; to the extent the same may not be excluded or restricted as a Contract for Sale of the Lot between you and the Seller is made your Principal under applicable Sanctions and Anti-Money •, †, *, G, Ω, a see clause 8, VAT, for details. care, in relation to any Description of the Lot or any Estimate 8.1.6 to be paid interest on any monies due (after as well as before matter of law. on the fall of the Auctioneer’s hammer in respect of the Lot, Laundering laws and regulations; DATA PROTECTION – USE OF YOUR INFORMATION in relation to it, nor of the accuracy or completeness of any judgement or order) at the annual rate of 5% per annum above 10 MISCELLANEOUS when it is knocked down to you. At that moment a separate 3.10.2 your Principal is not a Sanctioned Party and not owned, partially Where we obtain any personal information about you, we shall only Description or Estimate which may have been Bonhams. No the base rate of National Westminster Bank Plc from time to 10.1 You may not assign either the benefit or burden of the Contract contract is also made between you and Bonhams on the terms owned or controlled by a Sanctioned Party, and you have no use it in accordance with the terms of our Privacy Policy (subject to such Description or Estimate is incorporated into this Contract time to be calculated on a daily basis from the date upon which for Sale. in this Buyer’s Agreement. reason to suspect that your Principal has been charged or any additional specific consent(s) you may have given at the time for Sale. such monies become payable until the date of actual payment; 10.2 The Seller’s failure or delay in enforcing or exercising any power 1.4 We act as agents for the Seller and are not answerable or convicted with, money laundering, terrorism or other crimes; your information was disclosed). A copy of our Privacy Policy can be 4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY 8.1.7 to repossess the Lot (or any part thereof) which has not become or right under the Contract for Sale will not operate or be personally responsible to you for any breach of contract or other 3.10.3 funds used for your or your Principal’s purchase are not found on our Website www.bonhams.com or requested by post from 4.1 The Seller does not make and does not agree to make any your property, and for this purpose (unless the Buyer buys the deemed to operate as a waiver of his rights under it except to default by the Seller, unless Bonhams sells the Lot as principal. connected with or derived from any criminal activity, including Customer Services Department, 101 New Bond Street, London, W1S contractual promise, undertaking, obligation, guarantee, Lot as a Consumer from the Seller selling in the course of a the extent of any express waiver given to you in writing. Any 1.5 Our personal obligations to you are governed by this agreement without limitation tax evasion, money laundering or terrorist 1SR or by email from [email protected] warranty, or representation of fact in relation to the satisfactory Business) you hereby grant an irrevocable licence to the Seller such waiver will not affect the Seller’s ability subsequently to and we agree, subject to the terms below, to the following financing; quality of the Lot or its fitness for any purpose. by himself and to his servants or agents to enter upon all or enforce any right arising under the Contract for Sale. obligations: 3.10.4 items purchased by you and your Principal through Bonhams APPENDIX 1 4.2 The Seller will not be liable for any breach of any undertaking, any of your premises (with or without vehicles) during normal 10.3 If either party to the Contract for Sale is prevented from 1.5.1 we will, until the date and time specified in the Notice to Bidders are not being purchased or to be used in any way connected whether implied by the Sale of Goods Act 1979 or otherwise, Business hours to take possession of the Lot or part thereof; performing that party’s respective obligations under the Contract or otherwise notified to you, store the Lot in accordance with with or to facilitate breaches of applicable Tax, Anti-Money BUYERS SALE CONTRACT WITH SELLER as to the satisfactory quality of the Lot or its fitness for any 8.1.8 to retain possession of any other property sold to you by the for Sale by circumstances beyond its reasonable control or paragraph 5; Laundering or Anti-Terrorism laws and regulations; and purpose. Seller at the Sale or any other auction or by private treaty until if performance of its obligations would by reason of such 1.5.2 subject to any power of the Seller or us to refuse to release 3.10.5 that you consent to Bonhams relying upon your customer due IMPORTANT: These terms may be changed in advance of the 5 RISK, PROPERTY AND TITLE all sums due under the Contract for Sale shall have been paid in circumstances give rise to a significantly increased financial the Lot to you, we will release the Lot to you in accordance diligence, undertaking to retain records of your due diligence Sale of the Lot to you, by the setting out of different terms 5.1 Risk in the Lot passes to you after 7 days from the day upon full in cleared funds; cost to it, that party will not, for so long as such circumstances with paragraph 4 once you have paid to us, in cleared funds, for at least 5 years and to make such due diligence records in the Catalogue for the Sale and/or by placing an insert in which it is knocked down to you on the fall of the Auctioneer’s 8.1.9 to retain possession of, and on three months’ written notice prevail, be required to perform such obligations. This paragraph everything due to us and the Seller and following completion of available for inspection by an independent auditor in the event the Catalogue and/or by notices at the Sale venue and/or on hammer in respect of the Lot, or upon collection of the Lot to sell, Without Reserve, any of your other property in the does not apply to the obligations imposed on you by paragraph our enquiries pursuant to paragraph 3.11; we request you to do so. Bonhams’ website, and/or by oral announcements before and if earlier. The Seller will not be responsible thereafter for the possession of the Seller and/or of Bonhams (as bailee for the 6. 1.5.3 we will provide guarantees in the terms set out in paragraphs 9 3.11 We reserve the rights to make enquiries about any person during the Sale at the Sale venue. You should be alert to this Lot prior to you collecting it from Bonhams or the Storage Seller) for any purpose (including, without limitation, other goods 10.4 Any notice or other communication to be given under the and 10. transacting with us and to identify the source of any funds possibility of changes and ask in advance of bidding if there Contractor, with whom you have separate contract(s) as Buyer. sold to you) and to apply any monies due to you as a result of Contract for Sale must be in writing and may be delivered by 1.6 We do not make or give and do not agree to make or give received from you. In the event we have not completed our have been any. You will indemnify the Seller and keep the Seller fully indemnified such Sale in satisfaction or part satisfaction of any amounts hand or sent by first class post or air mail or fax transmission, if to any contractual promise, undertaking, obligation, Guarantee, investigations in respect of anti-terrorism financing, anti-money Under this contract the Seller’s liability in respect of the quality from and against all claims, proceedings, costs, expenses owed to the Seller or to Bonhams; and the Seller, addressed c/o Bonhams at its address or fax number warranty, representation of fact in relation to any Description laundering or other financial and identity checks concerning of the Lot, it’s fitness for any purpose and its conformity with and losses arising in respect of any injury, loss and damage 8.1.10 so long as such goods remain in the possession of the Seller in the Catalogue (marked for the attention of the Company of the Lot or any Estimate in relation to it, nor of the accuracy either you or the Seller, to our satisfaction at our discretion, any Description is limited. You are strongly advised to examine caused to the Lot beyond 7 days from the day of the fall of the or Bonhams as its bailee, to rescind the contract for the Sale of Secretary), and if to you to the address or fax number of the or completeness of any Description or Estimate which may we shall be entitled to retain Lots and/or proceeds of Sale, the Lot for yourself and/or obtain an independent examination Auctioneer’s hammer until you obtain full title to it. any other goods sold to you by the Seller at the Sale or at any Buyer given in the Bidding Form (unless notice of any change of have been made by us or on our behalf or by or on behalf postpone or cancel any sale and to take any other actions of it before you buy it. 5.2 Title to the Lot remains in and is retained by the Seller until: (i) the other auction or by private treaty and apply any monies received address is given in writing). It is the responsibility of the sender of the Seller (whether made orally or in writing, including in required or permitted under applicable law, without liability to 1 THE CONTRACT Purchase Price and all other sums payable by you to Bonhams from you in respect of such goods in part or full satisfaction of of the notice or communication to ensure that it is received in a the Catalogue or on Bonhams’ Website, or by conduct, or you. 1.1 These terms and the relevant terms for Bidders and Buyers in in relation to the Lot have been paid in full to and received in any amounts owed to the Seller or to Bonhams by you. legible form within any applicable time period. otherwise), and whether made before or after this agreement or 4 COLLECTION OF THE LOT the Notice to Bidders govern the Contract for Sale of the Lot by cleared funds by Bonhams, and (ii) Bonhams has completed its 8.2 You agree to indemnify the Seller against all legal and other 10.5 If any term or any part of any term of the Contract for Sale prior to or during the Sale. No such Description or Estimate is 4.1 Subject to any power of the Seller or us to refuse to release the Seller to the Buyer. investigations pursuant to clause 3.11 of the Buyer’s Agreement costs of enforcement, all losses and other expenses and costs is held to be unenforceable or invalid, such unenforceability incorporated into this agreement between you and us. Any such the Lot to you, once you have paid to us, in cleared funds, 1.2 The Definitions and Glossary contained in Appendix 3 in the with Bonhams set out in Appendix 2 in the catalogue. (including any monies payable to Bonhams in order to obtain or invalidity will not affect the enforceability and validity of the Description or Estimate, if made by us or on our behalf, was everything due to the Seller and to us, and once we have Catalogue are incorporated into this Contract for Sale and a 6 PAYMENT the release of the Lot) incurred by the Seller (whether or not remaining terms or the remainder of the relevant term. (unless Bonhams itself sells the Lot as principal) made as agent completed our investigations under paragraph 3.11, we will separate copy can also be provided by Bonhams on request. 6.1 Your obligation to pay the Purchase Price arises when the Lot is court proceedings will have been issued) as a result of Bonhams 10.6 References in the Contract for Sale to Bonhams will, where on behalf of the Seller. release the Lot to you or as you may direct us in writing. The Where words and phrases are used which are in the List of knocked down to you on the fall of the Auctioneer’s hammer in taking steps under this paragraph 8 on a full indemnity basis appropriate, include reference to Bonhams’ officers, employees 2 PERFORMANCE OF THE CONTRACT FOR SALE Lot will only be released on production of a buyer collection Definitions, they are printed in italics. respect of the Lot. together with interest thereon (after as well as before judgement and agents and to any subsidiary of Bonhams Holdings Limited You undertake to us personally that you will observe and comply document, obtained from our cashier’s office. 1.3 The Seller sells the Lot as the principal to the Contract for Sale, 6.2 Time will be of the essence in relation to payment of the or order) at the rate specified in paragraph 8.1.6 from the date and to its officers, employees and agents. with all your obligations and undertakings to the Seller under the 4.2 You must collect and remove the Lot at your own expense by such contract being made between the Seller and you through Purchase Price and all other sums payable by you to Bonhams. upon which the Seller becomes liable to pay the same until 10.7 The headings used in the Contract for Sale are for convenience Contract for Sale in respect of the Lot. the date and time specified in the Notice to Bidders, or if no Bonhams which acts in the sole capacity as the Seller’s agent Unless agreed in writing with you by Bonhams on the Seller’s payment by you. only and will not affect its interpretation. 3 PAYMENT AND BUYER WARRANTIES date is specified, by 4.30pm on the seventh day after the Sale. and not as an additional principal. However, if the Catalogue behalf (in which case you must comply with the terms of that 8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will 10.8 In the Contract for Sale “including” means “including, without 3.1 Unless agreed in writing between you and us or as otherwise 4.3 For the period referred to in paragraph 4.2, the Lot can be states that Bonhams sells the Lot as principal, or such a agreement), all such sums must be paid to Bonhams by you in account to you in respect of any balance remaining from any limitation”. set out in the Notice to Bidders, you must pay to us by not later collected from the address referred to in the Notice to Bidders statement is made by an announcement by the Auctioneer, the currency in which the Sale was conducted by not later than monies received by him or on his behalf in respect of the Lot, 10.9 References to the singular will include reference to the plural than 4.30pm on the second working day following the Sale: for collection on the days and times specified in the Notice to or by a notice at the Sale, or an insert in the Catalogue, then 4.30pm on the second working day following the Sale and you after the payment of all sums due to the Seller and to Bonhams, (and vice versa) and reference to any one gender will include 3.1.1 the Purchase Price for the Lot; Bidders. Thereafter, the Lot may be removed elsewhere for Bonhams is the Seller for the purposes of this agreement. must ensure that the funds are cleared by the seventh working within 28 days of receipt of such monies by him or on his behalf. reference to the other genders. 3.1.2 a Buyer’s Premium in accordance with the rates set out in the storage and you must enquire from us as to when and where 1.4 The contract is made on the fall of the Auctioneer’s hammer in day after the Sale. Payment must be made to Bonhams by one 9 THE SELLER’S LIABILITY 10.10 Reference to a numbered paragraph is to a paragraph of the Notice to Bidders on each lot, and you can collect it, although this information will usually be set respect of the Lot when it is knocked down to you. of the methods stated in the Notice to Bidders unless otherwise 9.1 The Seller will not be liable for any injury, loss or damage caused Contract for Sale. 3.1.3 if the Lot is marked [AR], an Additional Premium which is out in the Notice to Bidders. 2 SELLER’S WARRANTIES AND UNDERTAKINGS agreed with you in writing by Bonhams. If you do not pay in full by the Lot after the fall of the Auctioneer’s hammer in respect of 10.11 Save as expressly provided in paragraph 10.12 nothing in the calculated and payable in accordance with the Notice to 4.4 If you have not collected the Lot by the date specified in the 2.1 The Seller undertakes to you that: any sums due in accordance with this paragraph, the Seller will the Lot. Contract for Sale confers (or purports to confer) on any person Bidders together with VAT on that sum if applicable so that all Notice to Bidders, you authorise us, acting in this instance as 2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the have the rights set out in paragraph 8 below. 9.2 Subject to paragraph 9.3 below, except for breach of the who is not a party to the Contract for Sale any benefit conferred sums due to us are cleared funds by the seventh working day your agent and on your behalf, to enter into a contract (the Lot by the owner; 7 COLLECTION OF THE LOT express undertaking provided in paragraph 2.1.5, the Seller by, or the right to enforce any term of, the Contract for Sale. after the Sale. “Storage Contract”) with the Storage Contractor for the storage 2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the 7.1 Unless otherwise agreed in writing with you by Bonhams, will not be liable for any breach of any term that the Lot will 10.12 Where the Contract for Sale confers an immunity from, and/or 3.2 You must also pay us on demand any Expenses payable of the Lot on the then current standard terms and conditions Seller sells the Lot with full title guarantee or, where the Seller the Lot will be released to you or to your order only when: (i) correspond with any Description applied to it by or on behalf of an exclusion or restriction of, the responsibility and/or liability pursuant to this agreement. agreed between Bonhams and the Storage Contractor (copies is an executor, trustee, liquidator, receiver or administrator, with Bonhams has received cleared funds to the amount of the the Seller, whether implied by the Sale of Goods Act 1979 or of the Seller, it will also operate in favour and for the benefit of 3.3 All payments to us must be made in the currency in which the of which are available on request). If the Lot is stored at our whatever right, title or interest he may have in the Lot; full Purchase Price and all other sums owed by you to the otherwise. Bonhams, Bonhams’ holding company and the subsidiaries Sale was conducted, using, unless otherwise agreed by us in premises storage fees at our current daily rates (currently a 2.1.3 except where the Sale is by an executor, trustee, liquidator, Seller and to Bonhams and (ii) Bonhams has completed its 9.3 Unless the Seller sells the Lot in the course of a Business and of such holding company and the successors and assigns of writing, one of the methods of payment set out in the Notice to minimum of £3 plus VAT per Lot per day) will be payable from receiver or administrator the Seller is both legally entitled to investigations pursuant to clause 3.11 of the Buyer’s Agreement the Buyer buys it as a Consumer, Bonhams and of such companies and of any officer, employee Bidders. Our invoices will only be addressed to the registered the expiry of the period referred to in paragraph 4.2. These sell the Lot, and legally capable of conferring on you quiet with Bonhams set out in Appendix 2 in the catalogue. 9.3.1 the Seller will not be liable (whether in negligence, other tort, and agent of Bonhams and such companies, each of whom Bidder unless the Bidder is acting as an agent for a named storage fees form part of our Expenses. possession of the Lot and that the Sale conforms in every 7.2 The Seller is entitled to withhold possession from you of any breach of contract or statutory duty or in restitution or under the will be entitled to rely on the relevant immunity and/or exclusion principal and we have approved that arrangement, in which 4.5 Until you have paid the Purchase Price and any Expenses in respect with the terms implied by the Sale of Goods Act 1979, other Lot he has sold to you at the same or at any other Sale Misrepresentation Act 1967, or in any other way) for any lack of and/or restriction within and for the purposes of Contracts case we will address the invoice to the principal. full the Lot will either be held by us as agent on behalf of the Sections 12(1) and 12(2) (see the Definitions and Glossary); and whether currently in Bonhams’ possession or not, until conformity with, or inaccuracy, error, misdescription or omission (Rights of Third Parties) Act 1999, which enables the benefit of 3.4 Unless otherwise stated in this agreement all sums payable to Seller or held by the Storage Contractor as agent on behalf of 2.1.4 the Seller has complied with all requirements, legal or otherwise, payment in full and in cleared funds of the Purchase Price and in any Description of the Lot or any Entry or Estimate in relation a contract to be extended to a person who is not a party to the us will be subject to VAT at the appropriate rate and VAT will be the Seller and ourselves on the terms contained in the Storage relating to any export or import of the Lot, and all duties and all other sums due to the Seller and/or Bonhams in respect of to the Lot made by or on behalf of the Seller (whether made in contract, and generally at law. payable by you on all such sums. Contract. taxes in respect of the export or import of the Lot have (unless the Lot. writing, including in the Catalogue, or on the Website, or orally, 11 GOVERNING LAW 3.5 We may deduct and retain for our own benefit from the monies 4.6 You undertake to comply with the terms of any Storage stated to the contrary in the Catalogue or announced by the 7.3 You should note that Bonhams has reserved the right not to or by conduct or otherwise) and whether made before or after All transactions to which the Contract for Sale applies and paid by you to us the Buyer’s Premium, the Commission Contract and in particular to pay the charges (and all costs of Auctioneer) been paid and, so far as the Seller is aware, all third release the Lot to you until its investigations under paragraph this agreement or prior to or during the Sale; all connected matters will be governed by and construed in payable by the Seller in respect of the Lot, any Expenses and moving the Lot into storage) due under any Storage Contract. parties have complied with such requirements in the past; 3.11 of the Buyers’ Agreement set out in Appendix 2 have been 9.3.2 the Seller will not be liable for any loss of Business, Business accordance with the laws of that part of the United Kingdom VAT and any interest earned and/or incurred until payment to You acknowledge and agree that you will not be able to collect 2.1.5 items consigned for sale by the Seller are not connected with or completed to Bonhams’ satisfaction. profits or revenue or income or for loss of reputation or for where the Sale takes place and the Seller and you each submit the Seller. the Lot from the Storage Contractor’s premises until you have derived from any criminal activity, including without limitation tax 7.4 You will collect and remove the Lot at your own expense disruption to Business or wasted time on the part of the Buyer to the exclusive jurisdiction of the courts of that part of the 3.6 Time will be of the essence in relation to any payment payable paid the Purchase Price, any Expenses and all charges due evasion, money laundering, terrorist financing or breach of any from Bonhams’ custody and/ or control or from the Storage or of the Buyer’s management or staff or, for any indirect losses United Kingdom, save that the Seller may bring proceedings to us. If you do not pay the Purchase Price, or any other sum under the Storage Contract. applicable international trade sanctions; Contractor’s custody in accordance with Bonhams’ instructions or consequential damages of any kind, irrespective in any case against you in any other court of competent jurisdiction to due to us in accordance with this paragraph 3, we will have the 4.7 You will be wholly responsible for packing, handling and 2.1.6 subject to any alterations expressly identified as such made by or requirements. of the nature, volume or source of the loss or damage alleged to the extent permitted by the laws of the relevant jurisdiction. rights set out in paragraph 7 below. transport of the Lot on collection and for complying with all announcement or notice at the Sale venue or by the Notice to 7.5 You will be wholly responsible for packing, handling and be suffered, and irrespective of whether the said loss or damage Bonhams has a complaints procedure in place. 3.7 Where a number of Lots have been knocked down to you, any import or export regulations in connection with the Lot. Bidders or by an insert in the Catalogue or on the Bonhams transport of the Lot on collection and for complying with all is caused by or claimed in respect of any negligence, other monies we receive from you will be applied firstly pro-rata to pay 4.8 You will be wholly responsible for any removal, storage, or other website, the Lot corresponds with the Contractual Description import or export regulations in connection with the Lot. tort, breach of contract, statutory duty, restitutionary claim or APPENDIX 2 the Purchase Price of each Lot and secondly pro-rata to pay all charges for any Lot not removed in accordance with paragraph of the Lot, being that part of the Entry about the Lot in the 7.6 You will be wholly responsible for any removal, storage or other otherwise; amounts due to Bonhams. 4.2, payable at our current rates, and any Expenses we incur Catalogue which is in bold letters and (except for colour) with charges or expenses incurred by the Seller if you do not remove 9.3.3 in any circumstances where the Seller is liable to you in respect BUYER’S AGREEMENT WITH BONHAMS 3.8 You warrant that neither you nor - if you are a company, (including any charges due under the Storage Contract), all of any photograph of the Lot in the Catalogue. the Lot in accordance with this paragraph 7 and will indemnify of the Lot, or any act, omission, statement, or representation IMPORTANT: These terms may be changed in advance of the Sale your directors, officers or your owner or their directors or which must be paid by you on demand and in any event before 3 DESCRIPTIONS OF THE LOT the Seller against all charges, costs, including any legal costs in respect of it, or this agreement or its performance, and of the Lot to you, by the setting out of different terms in the shareholders - are an individual or an entity that is, or is owned any collection of the Lot by you or on your behalf. 3.1 Paragraph 2.1.5 sets out what is the Contractual Description and fees, expenses and losses suffered by the Seller by reason whether in damages, for an indemnity or contribution or for Catalogue for the Sale and/or by placing an insert in the or controlled by individuals or entities that are: 5 STORING THE LOT of the Lot. In particular, the Lot is not sold as corresponding of your failure to remove the Lot including any charges due a restitutionary remedy or in any way whatsoever, the Seller’s Catalogue and/or by notices at the Sale venue and/or by oral 3.8.1 the subject of any sanctions administered or enforced by the We agree to store the Lot until the earlier of your removal of the with any part of the Entry in the Catalogue which is not printed under any Storage Contract. All such sums due to the Seller will liability will be limited to payment of a sum which will not exceed announcements before and during the Sale at the Sale venue. U.S. Department of the Treasury’s Office of Foreign Assets Lot or until the time and date set out in the Notice to Bidders, in bold letters, the remainder of which Entry merely sets out be payable on demand. by way of maximum the amount of the Purchase Price of the You should be alert to this possibility of changes and ask in Control, the U.S. Departure of State, the United Nations Security on the Sale Information Page or at the back of the catalogue (or (on the Seller’s behalf) Bonhams’ opinion about the Lot and 8 FAILURE TO PAY FOR THE LOT Lot irrespective in any case of the nature, volume or source advance of bidding if there have been any. Council, the European Union, Her Majesty’s Treasury, or other if no date is specified, by 4.30pm on the seventh day after the which is not part of the Contractual Description upon which 8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in of any loss or damage alleged to be suffered or sum claimed 1 THE CONTRACT relevant sanctions authority (“Sanctions” and a “Sanctioned Sale) and, subject to paragraphs 3, 6 and 10, to be responsible the Lot is sold. Any statement or representation other than that accordance with the Contract for Sale, the Seller will be entitled, as due, and irrespective of whether the liability arises from 1.1 These terms govern the contract between Bonhams personally Party”); or as bailee to you for damage to or the loss or destruction of the part of the Entry referred to in paragraph 2.1.5 (together with with the prior written agreement of Bonhams but without further any negligence, other tort, breach of contract, statutory duty, and the Buyer, being the person to whom a Lot has been 3.8.2 located, organised or resident in a country or territory that is, Lot (notwithstanding that it is not your property before payment any express alteration to it as referred to in paragraph 2.1.5), notice to you, to exercise one or more of the following rights bailee’s duty, restitutionary claim or otherwise. knocked down by the Auctioneer. or whose government is, the subject of Sanctions, including of the Purchase Price). If you do not collect the Lot before the including any Description or Estimate, whether made orally or in (whether through Bonhams or otherwise): 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be 1.2 The Definitions and Glossary contained in Appendix 3 to the without limitation, Iran, North Korea, Sudan and Syria. time and date set out in the Notice to Bidders (or if no date writing, including in the Catalogue or on Bonhams’ Website, or by 8.1.1 to terminate immediately the Contract for Sale of the Lot for construed as excluding or restricting (whether directly or Catalogue for the Sale are incorporated into this agreement and 3.9 You warrant that the funds being used for your purchase have is specified, by 4.30pm on the seventh day after the Sale) we conduct, or otherwise, and whether by or on behalf of the Seller your breach of contract; indirectly) any person’s liability or excluding or restricting any a separate copy can also be provided by us on request. Where no link with criminal activity including without limitation money may remove the Lot to another location, the details of which words and phrases which are defined in the List of Definitions laundering, tax evasion or terrorist financing, and that you not will usually be set out in the relevant section of the Catalogue. If

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 you have not paid for the Lot in accordance with paragraph 3, 8.1.1 retain the Lot to investigate any question raised or reasonably where we are liable to you in respect of a Lot, or any act, communication to ensure that it is received in a legible form “Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s “Specialist Examination” a visual examination of a Lot by a specialist Registration and Bidding Form and the Lot is moved to any third party’s premises, the Lot will expected by us to be raised in relation to the Lot; and/or omission, statement, representation in respect of it, or this within any applicable time period. Agreement and Definitions and Glossary. on the Lot. (Attendee / Absentee / Online / Telephone Bidding) be held by such third party strictly to Bonhams’ order and we 8.1.2 deliver the Lot to a person other than you; and/or agreement or its performance, and whether in damages, for an 12.5 If any term or any part of any term of this agreement is held to “Consignment Fee” a fee payable to Bonhams by the Seller “Stamp” means a postage Stamp offered for Sale at a Specialist Paddle number (for office use only) will retain our lien over the Lot until we have been paid in full in 8.1.3 commence interpleader proceedings or seek any other order of indemnity or contribution or for a restitutionary remedy or in any be unenforceable or invalid, such unenforceability or invalidity calculated at rates set out in the Conditions of Business. Stamp Sale. Please circle your bidding method above. accordance with paragraph 3. any court, mediator, arbitrator or government body; and/or way whatsoever, our liability will be limited to payment of a sum will not affect the enforceability and validity of the remaining “Consumer” a natural person who is acting for the relevant purpose “Standard Examination” a visual examination of a Lot by a non- 6 RESPONSIBILITY FOR THE LOT 8.1.4 require an indemnity and/or security from you in return for which will not exceed by way of maximum the amount of the terms or the remainder of the relevant term. outside his trade, Business or profession. specialist member of Bonhams’ staff. This sale will be conducted in accordance with 6.1 Title (ownership) in the Lot passes to you (i) on payment of pursuing a course of action agreed to by you. Purchase Price of the Lot plus Buyer’s Premium (less any sum 12.6 References in this agreement to Bonhams will, where “Contract Form” the Contract Form, or vehicle Entry form, as “Storage Contract” means the contract described in paragraph Sale title: Sale date: the Purchase Price to us in full in cleared funds and (ii) when 8.2 The discretion referred to in paragraph 8.1: you may be entitled to recover from the Seller) irrespective in appropriate, include reference to Bonhams’ officers, employees applicable, signed by or on behalf of the Seller listing the Lots to be 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Bonhams’ Conditions of Sale and bidding and buying investigations have been completed to our satisfaction under 8.2.1 may be exercised at any time during which we have actual or any case of the nature, volume or source of any loss or damage and agents. offered for Sale by Bonhams. Agreement (as appropriate). at the Sale will be regulated by these Conditions. You paragraph 3.11. constructive possession of the Lot, or at any time after such alleged to be suffered or sum claimed as due, and irrespective 12.7 The headings used in this agreement are for convenience only “Contract for Sale” the Sale contract entered into by the Seller with “Storage Contractor” means the company identified as such in the should read the Conditions in conjunction with the Sale no. Sale venue: 6.2 Please note however, that under the Contract for Sale, the risk in possession, where the cessation of such possession has of whether the liability arises from negligence, other tort, breach and will not affect its interpretation. the Buyer (see Appendix 1 in the Catalogue). Catalogue. Sale Information relating to this Sale which sets out the the Lot passes to you after 7 days from the day upon which occurred by reason of any decision, order or ruling of any court, of contract, statutory duty, bailee’s duty, a restitutionary claim 12.8 In this agreement “including” means “including, without “Contractual Description” the only Description of the Lot (being “Terrorism” means any act or threatened act of terrorism, whether charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours it is knocked down to you or upon collection of the Lot if mediator, arbitrator or government body; and or otherwise. limitation”. that part of the Entry about the Lot in the Catalogue which is in bold any person is acting alone or on behalf of or in connection with any and other terms relating to bidding and buying at the earlier, and you are advised to obtain insurance in respect of the 8.2.2 will not be exercised unless we believe that there exists a You may wish to protect yourself against loss by obtaining insurance. 12.9 References to the singular will include reference to the plural letters, any photograph (except for the colour) and the contents of any organisation(s) and/or government(s), committed for political, religious prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the Lot as soon as possible after the Sale. serious prospect of a good arguable case in favour of the claim. 10.4 Nothing set out above will be construed as excluding or (and vice versa) and reference to any one gender will include Condition Report) to which the Seller undertakes in the Contract of or ideological or similar purposes including, but not limited to, the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions 7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART 9 FORGERIES restricting (whether directly or indirectly) any person’s liability reference to the other genders. Sale the Lot corresponds. intention to influence any government and/or put the public or any endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. or excluding or restricting any person’s rights or remedies in 12.10 Reference to a numbered paragraph is to a paragraph of this “Description” also contain certain undertakings by bidders and buyers PAYMENTS 9.1 We undertake a personal responsibility for any Forgery in any statement or representation in any way descriptive section of the public into fear. General Bid Increments: 7.1 If all sums payable to us are not so paid in full at the time they accordance with the terms of this paragraph 9. respect of (i) fraud, or (ii) death or personal injury caused by our agreement. of the Lot, including any statement or representation relating to its “VAT” value added tax at the prevailing rate at the date of the Sale in and limit Bonhams’ liability to bidders and buyers. are due and/or the Lot is not removed in accordance with 9.2 Paragraph 9 applies only if: negligence (or any person under our control or for whom we are 12.11 Save as expressly provided in paragraph 12.12 nothing in this authorship, attribution, condition, provenance, authenticity, style, the United Kingdom. £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s this agreement, we will (without further notice to you unless 9.2.1 your name appears as the named person to whom the original legally responsible), or (iii) acts or omissions for which we are agreement confers (or purports to confer) on any person who period, age, suitability, quality, origin, value, estimated selling price “Website” Bonhams Website at www.bonhams.com Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s otherwise provided below), be entitled to exercise one or more invoice was made out by us in respect of the Lot and that liable under the Occupiers Liability Act 1957, or (iv) any other is not a party to this agreement any benefit conferred by, or the (including the Hammer Price). “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s of the following rights (without prejudice to any rights we may invoice has been paid; and liability to the extent the same may not be excluded or restricted right to enforce any term of, this agreement. “Entry” a written statement in the Catalogue identifying the Lot and its Bonhams’ instructions to sell a Lot. shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s exercise on behalf of the Seller): 9.2.2 you notify us in writing as soon as reasonably practicable after as a matter of law, or (v) under our undertaking in paragraph 9 12.12 Where this agreement confers an immunity from, and/or an Lot number which may contain a Description and illustration(s) relating “Without Reserve” where there is no minimum price at which a Lot Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion 7.1.1 to terminate this agreement immediately for your breach of you have become aware that the Lot is or may be a Forgery, of these conditions. exclusion or restriction of, the responsibility and/or liability to the Lot. may be sold (whether at auction or by private treaty). have given at the time your information was disclosed). A contract; and in any event within one year after the Sale, that the Lot is a of Bonhams, it will also operate in favour and for the benefit “Estimate” a statement of our opinion of the range within which the £5,000 - 10,000 ...... by 500s 11 BOOKS MISSING TEXT OR ILLUSTRATIONS GLOSSARY copy of our Privacy Policy can be found on our website 7.1.2 to retain possession of the Lot; Forgery; and Where the Lot is made up wholly of a Book or Books and of Bonhams’ holding company and the subsidiaries of such hammer is likely to fall. The following expressions have specific legal meanings with which you The auctioneer has discretion to split any bid at any time. 7.1.3 to remove, and/or store the Lot at your expense; 9.2.3 within one month after such notification has been given, you any Book does not contain text or illustrations (in either case holding company and the successors and assigns of Bonhams “Expenses” charges and Expenses paid or payable by Bonhams may not be familiar. The following glossary is intended to give you an (www.bonhams.com) or requested by post from Customer 7.1.4 to take legal proceedings against you for payment of any sums return the Lot to us in the same condition as it was at the time referred to as a “non-conforming Lot”), we undertake a personal and of such companies and of any officer, employee and in respect of the Lot including legal Expenses, banking charges and understanding of those expressions but is not intended to limit their Services Department, 101 New Bond Street, London W1S payable to us by you (including the Purchase Price) and/or of the Sale, accompanied by written evidence that the Lot is responsibility for such a non-conforming Lot in accordance with agent of Bonhams and such companies, each of whom will be Expenses incurred as a result of an electronic transfer of money, legal meanings: 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title damages for breach of contract; a Forgery and details of the Sale and Lot number sufficient to the terms of this paragraph, if: entitled to rely on the relevant immunity and/or exclusion and/ charges and Expenses for loss and damage cover, insurance, “artist’s resale right”: the right of the creator of a work of art to receive We may disclose your personal information to any member of 7.1.5 to be paid interest on any monies due to us (after as well as identify the Lot. the original invoice was made out by us to you in respect of the or restriction within and for the purposes of Contracts (Rights of Catalogue and other reproductions and illustrations, any customs a payment on Sales of that work subsequent to the original Sale of our group which means our subsidiaries, our ultimate holding First Name Last Name before judgement or order) at the annual rate of 5% per annum 9.3 Paragraph 9 will not apply in respect of a Forgery if: Lot and that invoice has been paid; and Third Parties) Act 1999, which enables the benefit of a contract duties, advertising, packing or shipping costs, reproductions rights’ that work by the creator of it as set out in the Artists Resale Right company and its subsidiaries (whether registered in the UK or above the base lending rate of National Westminster Bank Plc 9.3.1 the Entry in relation to the Lot contained in the Catalogue you notify us in writing as soon as reasonably practicable after to be extended to a person who is not a party to the contract, fees, taxes, levies, costs of testing, searches or enquiries, preparation Regulations 2006. elsewhere). We will not disclose your data to anyone outside Company name (if applicable) from time to time to be calculated on a daily basis from the reflected the then accepted general opinion of scholars and you have become aware that the Lot is or may be a non- and generally at law. of the Lot for Sale, storage charges, removal charges, removal charges “bailee”: a person to whom goods are entrusted. our group but we may from time to time provide you with date upon which such monies become payable until the date of experts or fairly indicated that there was a conflict of such conforming Lot, and in any event within 20 days after the Sale 13 GOVERNING LAW or costs of collection from the Seller as the Seller’s agents or from a “indemnity”: an obligation to put the person who has the benefit Company Registration number (if applicable) actual payment; opinion or reflected the then current opinion of an expert (or such longer period as we may agree in writing) that the Lot is All transactions to which this agreement applies and all defaulting Buyer, plus VAT if applicable. of the indemnity in the same position in which he would have been, information about goods and services which we feel maybe of interest to you including those provided by third parties. 7.1.6 to repossess the Lot (or any part thereof) which has not become acknowledged to be a leading expert in the relevant field; or a non-conforming Lot; and connected matters will be governed by and construed in “Forgery” an imitation intended by the maker or any other person to had the circumstances giving rise to the indemnity not arisen and the Address your property, and for this purpose (unless you buy the Lot as 9.3.2 it can be established that the Lot is a Forgery only by means of within 20 days of the date of the relevant Sale (or such longer accordance with the laws of that part of the United Kingdom deceive as to authorship, attribution, origin, authenticity, style, date, expression “indemnify” is construed accordingly. If you do not want to receive such information (except for a Consumer) you hereby grant an irrevocable licence to us, by a process not generally accepted for use until after the date on period as we may agree in writing) you return the Lot to us in the where the Sale takes (or is to take) place and we and you each age, period, provenance, culture, source or composition, which at the “interpleader proceedings”: proceedings in the Courts to determine information you specifically requested) please tick this box City ourselves, our servants or agents, to enter upon all or any of which the Catalogue was published or by means of a process same condition as it was at the time of the Sale, accompanied by submit to the exclusive jurisdiction of the courts of that part date of the Sale had a value materially less than it would have had if the ownership or rights over a Lot. Would you like to receive e-mailed information from us? if so your premises (with or without vehicles) during normal business which it was unreasonable in all the circumstances for us to written evidence that the Lot is a non-conforming Lot and details of the United Kingdom, save that we may bring proceedings Lot had not been such an imitation, and which is not stated to be such “knocked down”: when a Lot is sold to a Bidder, indicated by the fall please tick this box hours to take possession of any Lot or part thereof; have employed. of the Sale and Lot number sufficient to identify the Lot.but not if: against you in any other court of competent jurisdiction to an imitation in any description of the Lot. A Lot will not be a Forgery by of the hammer at the Sale. Post / Zip code County / State 7.1.7 to sell the Lot Without Reserve by auction, private treaty or any 9.4 You authorise us to carry out such processes and tests on the Entry in the Catalogue in respect of the Lot indicates that the the extent permitted by the laws of the relevant jurisdiction. reason of any damage to, and/or restoration and/ or modification work “lien”: a right for the person who has possession of the Lot to retain other means on giving you three months’ written notice of our the Lot as we in our absolute discretion consider necessary to rights given by this paragraph do not apply to it; or Bonhams has a complaints procedure in place. (including repainting or over painting) having been carried out on the possession of it. Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country intention to do so; satisfy ourselves that the Lot is or is not a Forgery. the Entry in the Catalogue in respect of the Lot reflected the DATA PROTECTION – USE OF YOUR INFORMATION Lot, where that damage, “risk”: the possibility that a Lot may be lost, damaged, destroyed, government or state issued photographic proof of ID and date 7.1.8 to retain possession of any of your other property in our 9.5 If we are satisfied that a Lot is a Forgery we will (as principal) then accepted general opinion of scholars and experts or fairly Where we obtain any personal information about you, we shall only restoration or modification work (as the case may be) does not stolen, or deteriorate in condition or value. Telephone (landline) possession for any purpose (including, without limitation, other purchase the Lot from you and you will transfer the title to the indicated that there was a conflict of such opinion; or use it in accordance with the terms of our Privacy Policy (subject to substantially affect the identity of the Lot as one conforming to the “title”: the legal and equitable right to the ownership of a Lot. of birth e.g. - passport, driving licence - and if not included in goods sold to you or with us for Sale) until all sums due to us Lot in question to us, with full title guarantee, free from any liens, it can be established that the Lot is a non-conforming Lot only any additional specific consent(s) you may have given at the time Description of the Lot. “tort”: a legal wrong done to someone to whom the wrong doer has ID document, proof of address e.g - utility bill, bank or credit have been paid in full; charges, encumbrances and adverse claims, in accordance with by means of a process not generally accepted for use until after your information was disclosed). A copy of our Privacy Policy can be “Guarantee” the obligation undertaken personally by Bonhams to the a duty of care. card statement etc. Corporate clients should also provide a E-mail (in capitals) 7.1.9 to apply any monies received from you for any purpose whether the provisions of Sections 12(1) and 12(2) of the Sale of Goods the date on which the Catalogue was published or by means of found on our Website www.bonhams.com or requested by post from Buyer in respect of any Forgery and, in the case of specialist Stamp “warranty”: a legal assurance or promise, upon which the person to copy of their articles of association / company registration Please answer all questions below at the time of your default or at any time thereafter in payment Act 1979 and we will pay to you an amount equal to the sum of a process which it was unreasonable in all the circumstances for Customer Services Department, 101 New Bond Street, London W1S Sales and/or specialist Book Sales, a Lot made up of a Stamp or whom the warranty was given has the right to rely. documents, and the entities name and registered address, or part payment of any sums due to us by you under this the Purchase Price, Buyer’s Premium, VAT and Expenses paid us to have employed; or 1SR, United Kingdom or by email from [email protected]. Stamps or a Book or Books as set out in the Buyer’s Agreement. SALE OF GOODS ACT 1979 documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. agreement; by you in respect of the Lot. the Lot comprises atlases, maps, autographs, manuscripts, “Hammer Price” the price in the currency in which the Sale is The following is an extract from the Sale of Goods Act 1979: together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. 7.1.10 on three months’ written notice to sell, Without Reserve, any of 9.6 The benefit of paragraph 9 is personal to, and incapable of extra illustrated books, music or periodical publications; or APPENDIX 3 conducted at which a Lot is knocked down by the Auctioneer. “Section 12 Implied terms about title, etc “Loss and Damage Warranty” company’s behalf. Failure to provide this may result in your your other property in our possession or under our control for assignment by, you. the Lot was listed in the Catalogue under “collections” or means the warranty described in (1) In a contract of sale, other than one to which subsection (3) below 2. Are you representing the Bidder? If yes, please complete question 3. any purpose (including other goods sold to you or with us for 9.7 If you sell or otherwise dispose of your interest in the Lot, all “collections and various” or the Lot was stated in the Catalogue DEFINITIONS AND GLOSSARY paragraph 8.2 of the Conditions of Business. applies, there is an implied term on the part of the seller that in the bids not being processed or completed. For higher value lots you may also be asked to provide a bank reference. Sale) and to apply any monies due to you as a result of such rights and benefits under this paragraph 9 will cease. to comprise or contain a collection, issue or Books which are Where these Definitions and Glossary are incorporated, the following “Loss and Damage Warranty Fee” means the fee described in case of a sale he has a right to sell the goods, and in the case of 3. Bidder's name, address and contact details (phone and email): Sale in payment or part payment of any amounts owed to us; 9.8 Paragraph 9 does not apply to a Lot made up of or including a undescribed or the missing text or illustrations are referred to words and phrases used have (unless the context otherwise requires) paragraph 8.2.3 of the Conditions of Business. an agreement to sell he will have such a right at the time when the 7.1.11 refuse to allow you to register for a future Sale or to reject a bid Chinese painting or Chinese paintings, a motor vehicle or motor or the relevant parts of the Book contain blanks, half titles or the meanings given to them below. The Glossary is to assist you to “Lot” any item consigned to Bonhams with a view to its Sale at auction property is to pass. If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement from you at any future Sale or to require you to pay a deposit vehicles, a Stamp or Stamps or a Book or Books. advertisements. understand words and phrases which have a specific legal meaning or by private treaty (and reference to any Lot will include, unless the (2) In a contract of sale, other than one to which subsection (3) below I will collect the purchases myself before any bid is accepted by us at any future Sale in which 10 OUR LIABILITY If we are reasonably satisfied that a Lot is a non- conforming with which you may not be familiar. context otherwise requires, reference to individual items comprised in a applies, there is also an implied term that- Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: case we will be entitled to apply such deposit in payment or part 10.1 We will not be liable whether in negligence, other tort, breach Lot, we will (as principal) purchase the Lot from you and you LIST OF DEFINITIONS group of two or more items offered for Sale as one Lot). (a) the goods are free, and will remain free until the time Please arrange shippers to contact me with Yes No / - - payment, as the case may be, of the Purchase Price of any Lot of contract or statutory duty or in restitution or under the will transfer the title to the Lot in question to us, with full title “Account” the bank account of Bonhams into which all sums received “Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in when the property is to pass, from any charge or a quote and I agree that you may pass them of which you are the Buyer. Misrepresentation Act 1967 or in any other way for lack of guarantee, free from any liens, charges, encumbrances and in respect of the Purchase Price of any Lot will be paid. consideration of the additional work undertaken by Bonhams in respect encumbrance not disclosed or known to the buyer my contact details. 7.1.12 having made reasonable efforts to inform you, to release your conformity with or any inaccuracy, error, misdescription or adverse claims and we will pay to you an amount equal to the “Additional Premium” a premium, calculated in accordance with of the cataloguing of motor vehicles and in respect of the promotion of before the contract is made, and Please note that all telephone calls are recorded. name and address to the Seller, so they might take appropriate omission in any Description of the Lot or any Entry or Estimate sum of the Purchase Price and Buyer’s Premium paid by you in the Notice to Bidders, to cover Bonhams’ Expenses relating to the Sales of motor vehicles. (b) the buyer will enjoy quiet possession of the goods MAX bid in GBP Telephone or steps to recover the amounts due and legal costs associated in respect of it, made by us or on our behalf or by or on respect of the Lot. payment of royalties under the Artists Resale Right Regulations 2006 “New Bond Street” means Bonhams’ saleroom at 101 New Bond except in so far as it may be disturbed by the owner or Lot no. Brief description (excluding premium Covering bid with such steps. behalf of the Seller (whether made in writing, including in the The benefit of paragraph 10 is personal to, and incapable of which is payable by the Buyer to Bonhams on any Lot marked [AR] Street, London W1S 1SR. other person entitled to the benefit of any charge or Absentee (T / A) 7.2 You agree to indemnify us against all legal and other costs, all Catalogue, or on the Bonhams’ Website, or orally, or by conduct assignment by, you and if you sell or otherwise dispose of your which sells for a Hammer Price which together with the Buyer’s “Notional Charges” the amount of Commission and VAT which would encumbrance so disclosed or known. & VAT) * losses and all other Expenses (whether or not court proceedings or otherwise) and whether made before or after this agreement interest in the Lot, all rights and benefits under this paragraph Premium (but excluding any VAT) equals or exceeds 1000 euros have been payable if the Lot had been sold at the Notional Price. (3) This subsection applies to a contract of sale in the case of which will have been issued) incurred by us as a result of our taking or prior to or during the Sale. will cease. (converted into the currency of the Sale using the European Central “Notional Fee” the sum on which the Consignment Fee payable to there appears from the contract or is to be inferred from its steps under this paragraph 7 on a full indemnity basis together 10.2 Our duty to you while the Lot is at your risk and/or your property 12 MISCELLANEOUS Bank Reference rate prevailing on the date of the Sale). Bonhams by the Seller is based and which is calculated according to circumstances an intention that the seller should transfer only such with interest thereon (after as well as before judgement or order) and in our custody and/or control is to exercise reasonable care 12.1 You may not assign either the benefit or burden of this agreement. “Auctioneer” the representative of Bonhams conducting the formula set out in the Conditions of Business. title as he or a third person may have. at the rate specified in paragraph 7.1.5 from the date upon in relation to it, but we will not be responsible for damage to the 12.2 Our failure or delay in enforcing or exercising any power or right the Sale. “Notional Price” the latest in time of the average of the high and low which we become liable to pay the same until payment by you. Lot or to other persons or things caused by: under this agreement will not operate or be deemed to operate “Bidder” Any person considering, attempting or making a Bid, Estimates given by us to you or stated in the Catalogue or, if no such (4) In a contract to which subsection (3) above applies there is an 7.3 If you pay us only part of the sums due to us such payment 10.2.1 handling the Lot if it was affected at the time of Sale to you by as a waiver of our rights under it except to the extent of any including those who have completed a Bidding Form. Estimates have been given or stated, the Reserve applicable to the Lot. implied term that all charges or encumbrances known to the seller shall be applied firstly to the Purchase Price of the Lot (or woodworm and any damage is caused as a result of it being express waiver given to you in writing. Any such waiver will not “Bidding Form” our Bidding Registration Form, our Absentee Bidding “Notice to Bidders” the notice printed at the back or front of our and not known to the buyer have been disclosed to the buyer where you have purchased more than one Lot pro-rata towards affected by woodworm; or affect our ability subsequently to enforce any right arising under Form or our Telephone Bidding Form. Catalogues. before the contract is made. the Purchase Price of each Lot) and secondly to the Buyer’s 10.2.2 changes in atmospheric pressure; nor will we be liable for: this agreement. “Bonhams” Bonhams 1793 Limited or its successors or assigns. “Purchase Price” the aggregate of the Hammer Price and VAT on the (5) In a contract to which subsection (3) above applies there is also an Premium (or where you have purchased more than one Lot 10.2.3 damage to tension stringed musical instruments; or 12.3 If either party to this agreement is prevented from performing Bonhams is also referred to in the Buyer’s Agreement, the Conditions Hammer Price (where applicable), the Buyer’s Premium and VAT on the implied term that none of the following will disturb the buyer’s quiet pro-rata to the Buyer’s Premium on each Lot) and thirdly to any 10.2.4 damage to gilded picture frames, plaster picture frames or that party’s respective obligations under this agreement of Business and the Notice to Bidders by the words “we”, “us” and Buyer’s Premium and any Expenses. possession of the goods, namely: other sums due to us. picture frame glass; and if the Lot is or becomes dangerous, by circumstances beyond its reasonable control (including “our”. “Reserve” the minimum price at which a Lot may be sold (whether at (a) the seller; 7.4 We will account to you in respect of any balance we hold we may dispose of it without notice to you in advance in any without limitation governmental intervention, industrial action, “Book” a printed Book offered forSale at a specialist Book Sale. auction or by private treaty). (b) in a case where the parties to the contract intend remaining from any monies received by us in respect of any manner we think fit and we will be under no liability to you for insurrection, warfare (declared or undeclared), terrorism, power “Business” includes any trade, Business and profession. “Sale” the auction Sale at which a Lot is to be offered for Sale by that the seller should transfer only such title as a third Sale of the Lot under our rights under this paragraph 7 after the doing so. failure, epidemic or natural disaster) or if performance of its “Buyer” the person to whom a Lot is knocked down by the Bonhams. person may have, that person; FOR WINE SALES ONLY payment of all sums due to us and/or the Seller within 28 days 10.3.1 We will not be liable to you for any loss of Business, Business obligations would by reason of such circumstances give rise Auctioneer. The Buyer is also referred to in the Contract for Sale and “Sale Proceeds” the net amount due to the Seller from the Sale of a (c) anyone claiming through or under the seller or that third of receipt by us of all such sums paid to us. profits, revenue or income or for loss of Business reputation to a significantly increased financial cost to it, that party will the Buyer’s Agreement by the words “you” and “your”. Lot, being the Hammer Price less the Commission, any VAT chargeable person otherwise than under a charge or encumbrance Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT) 8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT or for disruption to Business or wasted time on the part of the not, for so long as such circumstances prevail, be required to “Buyer’s Agreement” the contract entered into by Bonhams with the thereon, Expenses and any other amount due to us in whatever disclosed or known to the buyer before the contract is 8.1 Whenever it becomes apparent to us that the Lot is the subject Buyer’s management or staff or, if you are buying the Lot in the perform such obligations. This paragraph does not apply to the Buyer (see Appendix 2 in the Catalogue). capacity and howsoever arising. made. of a claim by someone other than you and other than the course of a Business, for any indirect losses or consequential obligations imposed on you by paragraph 3. “Buyer’s Premium” the sum calculated on the Hammer Price at the “Seller” the person who offers the Lot for Sale named on the Contract (5A) As regards England and Wales and Northern Ireland, the term BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH damages of any kind, irrespective in any case of the nature, 12.4 Any notice or other communication to be given under this rates stated in the Notice to Bidders. Form. Where the person so named identifies on the form another implied by subsection (1) above is a condition and the terms Seller (or that such a claim can reasonably be expected to be TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS. made), we may, at our absolute discretion, deal with the Lot in volume or source of the loss or damage alleged to be suffered, agreement must be in writing and may be delivered by hand “Catalogue” the Catalogue relating to the relevant Sale, including any person as acting as his agent, or where the person named on the implied by subsections (2), (4) and (5) above are warranties.” any manner which appears to us to recognise the legitimate and irrespective of whether the said loss or damage is caused or sent by first class post or air mail or fax transmission (if to representation of the Catalogue published on our Website. Contract Form acts as an agent for a principal (whether such agency is interests of ourselves and the other parties involved and lawfully by or claimed in respect of any negligence, other tort, breach Bonhams marked for the attention of the Company Secretary), “Commission” the Commission payable by the Seller to Bonhams disclosed to Bonhams or not), “Seller” includes both the agent and the Bidder/Agent’s (please delete one) signature: Date: to protect our position and our legitimate interests. Without of contract, statutory duty, bailee’s duty, a restitutionary claim to the address or fax number of the relevant party given in the calculated at the rates stated in the Contract Form. principal who shall be jointly and severally liable as such. The Seller prejudice to the generality of the discretion and by way of or otherwise. Contract Form (unless notice of any change of address is given “Condition Report” a report on the physical condition of a Lot provided is also referred to in the Conditions of Business by the words “you” Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. example, we may: 10.3.2 Unless you buy the Lot as a Consumer, in any circumstances in writing). It is the responsibility of the sender of the notice or to a Bidder or potential Bidder by Bonhams on behalf of the Seller. and “your”. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 you have not paid for the Lot in accordance with paragraph 3, 8.1.1 retain the Lot to investigate any question raised or reasonably where we are liable to you in respect of a Lot, or any act, communication to ensure that it is received in a legible form “Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s “Specialist Examination” a visual examination of a Lot by a specialist Registration and Bidding Form and the Lot is moved to any third party’s premises, the Lot will expected by us to be raised in relation to the Lot; and/or omission, statement, representation in respect of it, or this within any applicable time period. Agreement and Definitions and Glossary. on the Lot. (Attendee / Absentee / Online / Telephone Bidding) be held by such third party strictly to Bonhams’ order and we 8.1.2 deliver the Lot to a person other than you; and/or agreement or its performance, and whether in damages, for an 12.5 If any term or any part of any term of this agreement is held to “Consignment Fee” a fee payable to Bonhams by the Seller “Stamp” means a postage Stamp offered for Sale at a Specialist Paddle number (for office use only) will retain our lien over the Lot until we have been paid in full in 8.1.3 commence interpleader proceedings or seek any other order of indemnity or contribution or for a restitutionary remedy or in any be unenforceable or invalid, such unenforceability or invalidity calculated at rates set out in the Conditions of Business. Stamp Sale. Please circle your bidding method above. accordance with paragraph 3. any court, mediator, arbitrator or government body; and/or way whatsoever, our liability will be limited to payment of a sum will not affect the enforceability and validity of the remaining “Consumer” a natural person who is acting for the relevant purpose “Standard Examination” a visual examination of a Lot by a non- 6 RESPONSIBILITY FOR THE LOT 8.1.4 require an indemnity and/or security from you in return for which will not exceed by way of maximum the amount of the terms or the remainder of the relevant term. outside his trade, Business or profession. specialist member of Bonhams’ staff. This sale will be conducted in accordance with 6.1 Title (ownership) in the Lot passes to you (i) on payment of pursuing a course of action agreed to by you. Purchase Price of the Lot plus Buyer’s Premium (less any sum 12.6 References in this agreement to Bonhams will, where “Contract Form” the Contract Form, or vehicle Entry form, as “Storage Contract” means the contract described in paragraph Sale title: Sale date: the Purchase Price to us in full in cleared funds and (ii) when 8.2 The discretion referred to in paragraph 8.1: you may be entitled to recover from the Seller) irrespective in appropriate, include reference to Bonhams’ officers, employees applicable, signed by or on behalf of the Seller listing the Lots to be 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Bonhams’ Conditions of Sale and bidding and buying investigations have been completed to our satisfaction under 8.2.1 may be exercised at any time during which we have actual or any case of the nature, volume or source of any loss or damage and agents. offered for Sale by Bonhams. Agreement (as appropriate). at the Sale will be regulated by these Conditions. You paragraph 3.11. constructive possession of the Lot, or at any time after such alleged to be suffered or sum claimed as due, and irrespective 12.7 The headings used in this agreement are for convenience only “Contract for Sale” the Sale contract entered into by the Seller with “Storage Contractor” means the company identified as such in the should read the Conditions in conjunction with the Sale no. Sale venue: 6.2 Please note however, that under the Contract for Sale, the risk in possession, where the cessation of such possession has of whether the liability arises from negligence, other tort, breach and will not affect its interpretation. the Buyer (see Appendix 1 in the Catalogue). Catalogue. Sale Information relating to this Sale which sets out the the Lot passes to you after 7 days from the day upon which occurred by reason of any decision, order or ruling of any court, of contract, statutory duty, bailee’s duty, a restitutionary claim 12.8 In this agreement “including” means “including, without “Contractual Description” the only Description of the Lot (being “Terrorism” means any act or threatened act of terrorism, whether charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours it is knocked down to you or upon collection of the Lot if mediator, arbitrator or government body; and or otherwise. limitation”. that part of the Entry about the Lot in the Catalogue which is in bold any person is acting alone or on behalf of or in connection with any and other terms relating to bidding and buying at the earlier, and you are advised to obtain insurance in respect of the 8.2.2 will not be exercised unless we believe that there exists a You may wish to protect yourself against loss by obtaining insurance. 12.9 References to the singular will include reference to the plural letters, any photograph (except for the colour) and the contents of any organisation(s) and/or government(s), committed for political, religious prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the Lot as soon as possible after the Sale. serious prospect of a good arguable case in favour of the claim. 10.4 Nothing set out above will be construed as excluding or (and vice versa) and reference to any one gender will include Condition Report) to which the Seller undertakes in the Contract of or ideological or similar purposes including, but not limited to, the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions 7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART 9 FORGERIES restricting (whether directly or indirectly) any person’s liability reference to the other genders. Sale the Lot corresponds. intention to influence any government and/or put the public or any endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. or excluding or restricting any person’s rights or remedies in 12.10 Reference to a numbered paragraph is to a paragraph of this “Description” also contain certain undertakings by bidders and buyers PAYMENTS 9.1 We undertake a personal responsibility for any Forgery in any statement or representation in any way descriptive section of the public into fear. General Bid Increments: 7.1 If all sums payable to us are not so paid in full at the time they accordance with the terms of this paragraph 9. respect of (i) fraud, or (ii) death or personal injury caused by our agreement. of the Lot, including any statement or representation relating to its “VAT” value added tax at the prevailing rate at the date of the Sale in and limit Bonhams’ liability to bidders and buyers. are due and/or the Lot is not removed in accordance with 9.2 Paragraph 9 applies only if: negligence (or any person under our control or for whom we are 12.11 Save as expressly provided in paragraph 12.12 nothing in this authorship, attribution, condition, provenance, authenticity, style, the United Kingdom. £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s this agreement, we will (without further notice to you unless 9.2.1 your name appears as the named person to whom the original legally responsible), or (iii) acts or omissions for which we are agreement confers (or purports to confer) on any person who period, age, suitability, quality, origin, value, estimated selling price “Website” Bonhams Website at www.bonhams.com Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s otherwise provided below), be entitled to exercise one or more invoice was made out by us in respect of the Lot and that liable under the Occupiers Liability Act 1957, or (iv) any other is not a party to this agreement any benefit conferred by, or the (including the Hammer Price). “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s of the following rights (without prejudice to any rights we may invoice has been paid; and liability to the extent the same may not be excluded or restricted right to enforce any term of, this agreement. “Entry” a written statement in the Catalogue identifying the Lot and its Bonhams’ instructions to sell a Lot. shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s exercise on behalf of the Seller): 9.2.2 you notify us in writing as soon as reasonably practicable after as a matter of law, or (v) under our undertaking in paragraph 9 12.12 Where this agreement confers an immunity from, and/or an Lot number which may contain a Description and illustration(s) relating “Without Reserve” where there is no minimum price at which a Lot Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion 7.1.1 to terminate this agreement immediately for your breach of you have become aware that the Lot is or may be a Forgery, of these conditions. exclusion or restriction of, the responsibility and/or liability to the Lot. may be sold (whether at auction or by private treaty). have given at the time your information was disclosed). A contract; and in any event within one year after the Sale, that the Lot is a of Bonhams, it will also operate in favour and for the benefit “Estimate” a statement of our opinion of the range within which the £5,000 - 10,000 ...... by 500s 11 BOOKS MISSING TEXT OR ILLUSTRATIONS GLOSSARY copy of our Privacy Policy can be found on our website 7.1.2 to retain possession of the Lot; Forgery; and Where the Lot is made up wholly of a Book or Books and of Bonhams’ holding company and the subsidiaries of such hammer is likely to fall. The following expressions have specific legal meanings with which you The auctioneer has discretion to split any bid at any time. 7.1.3 to remove, and/or store the Lot at your expense; 9.2.3 within one month after such notification has been given, you any Book does not contain text or illustrations (in either case holding company and the successors and assigns of Bonhams “Expenses” charges and Expenses paid or payable by Bonhams may not be familiar. The following glossary is intended to give you an (www.bonhams.com) or requested by post from Customer 7.1.4 to take legal proceedings against you for payment of any sums return the Lot to us in the same condition as it was at the time referred to as a “non-conforming Lot”), we undertake a personal and of such companies and of any officer, employee and in respect of the Lot including legal Expenses, banking charges and understanding of those expressions but is not intended to limit their Services Department, 101 New Bond Street, London W1S payable to us by you (including the Purchase Price) and/or of the Sale, accompanied by written evidence that the Lot is responsibility for such a non-conforming Lot in accordance with agent of Bonhams and such companies, each of whom will be Expenses incurred as a result of an electronic transfer of money, legal meanings: 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title damages for breach of contract; a Forgery and details of the Sale and Lot number sufficient to the terms of this paragraph, if: entitled to rely on the relevant immunity and/or exclusion and/ charges and Expenses for loss and damage cover, insurance, “artist’s resale right”: the right of the creator of a work of art to receive We may disclose your personal information to any member of 7.1.5 to be paid interest on any monies due to us (after as well as identify the Lot. the original invoice was made out by us to you in respect of the or restriction within and for the purposes of Contracts (Rights of Catalogue and other reproductions and illustrations, any customs a payment on Sales of that work subsequent to the original Sale of our group which means our subsidiaries, our ultimate holding First Name Last Name before judgement or order) at the annual rate of 5% per annum 9.3 Paragraph 9 will not apply in respect of a Forgery if: Lot and that invoice has been paid; and Third Parties) Act 1999, which enables the benefit of a contract duties, advertising, packing or shipping costs, reproductions rights’ that work by the creator of it as set out in the Artists Resale Right company and its subsidiaries (whether registered in the UK or above the base lending rate of National Westminster Bank Plc 9.3.1 the Entry in relation to the Lot contained in the Catalogue you notify us in writing as soon as reasonably practicable after to be extended to a person who is not a party to the contract, fees, taxes, levies, costs of testing, searches or enquiries, preparation Regulations 2006. elsewhere). We will not disclose your data to anyone outside Company name (if applicable) from time to time to be calculated on a daily basis from the reflected the then accepted general opinion of scholars and you have become aware that the Lot is or may be a non- and generally at law. of the Lot for Sale, storage charges, removal charges, removal charges “bailee”: a person to whom goods are entrusted. our group but we may from time to time provide you with date upon which such monies become payable until the date of experts or fairly indicated that there was a conflict of such conforming Lot, and in any event within 20 days after the Sale 13 GOVERNING LAW or costs of collection from the Seller as the Seller’s agents or from a “indemnity”: an obligation to put the person who has the benefit Company Registration number (if applicable) actual payment; opinion or reflected the then current opinion of an expert (or such longer period as we may agree in writing) that the Lot is All transactions to which this agreement applies and all defaulting Buyer, plus VAT if applicable. of the indemnity in the same position in which he would have been, information about goods and services which we feel maybe of interest to you including those provided by third parties. 7.1.6 to repossess the Lot (or any part thereof) which has not become acknowledged to be a leading expert in the relevant field; or a non-conforming Lot; and connected matters will be governed by and construed in “Forgery” an imitation intended by the maker or any other person to had the circumstances giving rise to the indemnity not arisen and the Address your property, and for this purpose (unless you buy the Lot as 9.3.2 it can be established that the Lot is a Forgery only by means of within 20 days of the date of the relevant Sale (or such longer accordance with the laws of that part of the United Kingdom deceive as to authorship, attribution, origin, authenticity, style, date, expression “indemnify” is construed accordingly. If you do not want to receive such information (except for a Consumer) you hereby grant an irrevocable licence to us, by a process not generally accepted for use until after the date on period as we may agree in writing) you return the Lot to us in the where the Sale takes (or is to take) place and we and you each age, period, provenance, culture, source or composition, which at the “interpleader proceedings”: proceedings in the Courts to determine information you specifically requested) please tick this box City ourselves, our servants or agents, to enter upon all or any of which the Catalogue was published or by means of a process same condition as it was at the time of the Sale, accompanied by submit to the exclusive jurisdiction of the courts of that part date of the Sale had a value materially less than it would have had if the ownership or rights over a Lot. Would you like to receive e-mailed information from us? if so your premises (with or without vehicles) during normal business which it was unreasonable in all the circumstances for us to written evidence that the Lot is a non-conforming Lot and details of the United Kingdom, save that we may bring proceedings Lot had not been such an imitation, and which is not stated to be such “knocked down”: when a Lot is sold to a Bidder, indicated by the fall please tick this box hours to take possession of any Lot or part thereof; have employed. of the Sale and Lot number sufficient to identify the Lot.but not if: against you in any other court of competent jurisdiction to an imitation in any description of the Lot. A Lot will not be a Forgery by of the hammer at the Sale. Post / Zip code County / State 7.1.7 to sell the Lot Without Reserve by auction, private treaty or any 9.4 You authorise us to carry out such processes and tests on the Entry in the Catalogue in respect of the Lot indicates that the the extent permitted by the laws of the relevant jurisdiction. reason of any damage to, and/or restoration and/ or modification work “lien”: a right for the person who has possession of the Lot to retain other means on giving you three months’ written notice of our the Lot as we in our absolute discretion consider necessary to rights given by this paragraph do not apply to it; or Bonhams has a complaints procedure in place. (including repainting or over painting) having been carried out on the possession of it. Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country intention to do so; satisfy ourselves that the Lot is or is not a Forgery. the Entry in the Catalogue in respect of the Lot reflected the DATA PROTECTION – USE OF YOUR INFORMATION Lot, where that damage, “risk”: the possibility that a Lot may be lost, damaged, destroyed, government or state issued photographic proof of ID and date 7.1.8 to retain possession of any of your other property in our 9.5 If we are satisfied that a Lot is a Forgery we will (as principal) then accepted general opinion of scholars and experts or fairly Where we obtain any personal information about you, we shall only restoration or modification work (as the case may be) does not stolen, or deteriorate in condition or value. Telephone (landline) possession for any purpose (including, without limitation, other purchase the Lot from you and you will transfer the title to the indicated that there was a conflict of such opinion; or use it in accordance with the terms of our Privacy Policy (subject to substantially affect the identity of the Lot as one conforming to the “title”: the legal and equitable right to the ownership of a Lot. of birth e.g. - passport, driving licence - and if not included in goods sold to you or with us for Sale) until all sums due to us Lot in question to us, with full title guarantee, free from any liens, it can be established that the Lot is a non-conforming Lot only any additional specific consent(s) you may have given at the time Description of the Lot. “tort”: a legal wrong done to someone to whom the wrong doer has ID document, proof of address e.g - utility bill, bank or credit have been paid in full; charges, encumbrances and adverse claims, in accordance with by means of a process not generally accepted for use until after your information was disclosed). A copy of our Privacy Policy can be “Guarantee” the obligation undertaken personally by Bonhams to the a duty of care. card statement etc. Corporate clients should also provide a E-mail (in capitals) 7.1.9 to apply any monies received from you for any purpose whether the provisions of Sections 12(1) and 12(2) of the Sale of Goods the date on which the Catalogue was published or by means of found on our Website www.bonhams.com or requested by post from Buyer in respect of any Forgery and, in the case of specialist Stamp “warranty”: a legal assurance or promise, upon which the person to copy of their articles of association / company registration Please answer all questions below at the time of your default or at any time thereafter in payment Act 1979 and we will pay to you an amount equal to the sum of a process which it was unreasonable in all the circumstances for Customer Services Department, 101 New Bond Street, London W1S Sales and/or specialist Book Sales, a Lot made up of a Stamp or whom the warranty was given has the right to rely. documents, and the entities name and registered address, or part payment of any sums due to us by you under this the Purchase Price, Buyer’s Premium, VAT and Expenses paid us to have employed; or 1SR, United Kingdom or by email from [email protected]. Stamps or a Book or Books as set out in the Buyer’s Agreement. SALE OF GOODS ACT 1979 documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. agreement; by you in respect of the Lot. the Lot comprises atlases, maps, autographs, manuscripts, “Hammer Price” the price in the currency in which the Sale is The following is an extract from the Sale of Goods Act 1979: together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. 7.1.10 on three months’ written notice to sell, Without Reserve, any of 9.6 The benefit of paragraph 9 is personal to, and incapable of extra illustrated books, music or periodical publications; or APPENDIX 3 conducted at which a Lot is knocked down by the Auctioneer. “Section 12 Implied terms about title, etc “Loss and Damage Warranty” company’s behalf. Failure to provide this may result in your your other property in our possession or under our control for assignment by, you. the Lot was listed in the Catalogue under “collections” or means the warranty described in (1) In a contract of sale, other than one to which subsection (3) below 2. Are you representing the Bidder? If yes, please complete question 3. any purpose (including other goods sold to you or with us for 9.7 If you sell or otherwise dispose of your interest in the Lot, all “collections and various” or the Lot was stated in the Catalogue DEFINITIONS AND GLOSSARY paragraph 8.2 of the Conditions of Business. applies, there is an implied term on the part of the seller that in the bids not being processed or completed. For higher value lots you may also be asked to provide a bank reference. Sale) and to apply any monies due to you as a result of such rights and benefits under this paragraph 9 will cease. to comprise or contain a collection, issue or Books which are Where these Definitions and Glossary are incorporated, the following “Loss and Damage Warranty Fee” means the fee described in case of a sale he has a right to sell the goods, and in the case of 3. Bidder's name, address and contact details (phone and email): Sale in payment or part payment of any amounts owed to us; 9.8 Paragraph 9 does not apply to a Lot made up of or including a undescribed or the missing text or illustrations are referred to words and phrases used have (unless the context otherwise requires) paragraph 8.2.3 of the Conditions of Business. an agreement to sell he will have such a right at the time when the 7.1.11 refuse to allow you to register for a future Sale or to reject a bid Chinese painting or Chinese paintings, a motor vehicle or motor or the relevant parts of the Book contain blanks, half titles or the meanings given to them below. The Glossary is to assist you to “Lot” any item consigned to Bonhams with a view to its Sale at auction property is to pass. If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement from you at any future Sale or to require you to pay a deposit vehicles, a Stamp or Stamps or a Book or Books. advertisements. understand words and phrases which have a specific legal meaning or by private treaty (and reference to any Lot will include, unless the (2) In a contract of sale, other than one to which subsection (3) below I will collect the purchases myself before any bid is accepted by us at any future Sale in which 10 OUR LIABILITY If we are reasonably satisfied that a Lot is a non- conforming with which you may not be familiar. context otherwise requires, reference to individual items comprised in a applies, there is also an implied term that- Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: case we will be entitled to apply such deposit in payment or part 10.1 We will not be liable whether in negligence, other tort, breach Lot, we will (as principal) purchase the Lot from you and you LIST OF DEFINITIONS group of two or more items offered for Sale as one Lot). (a) the goods are free, and will remain free until the time Please arrange shippers to contact me with Yes No / - - payment, as the case may be, of the Purchase Price of any Lot of contract or statutory duty or in restitution or under the will transfer the title to the Lot in question to us, with full title “Account” the bank account of Bonhams into which all sums received “Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in when the property is to pass, from any charge or a quote and I agree that you may pass them of which you are the Buyer. Misrepresentation Act 1967 or in any other way for lack of guarantee, free from any liens, charges, encumbrances and in respect of the Purchase Price of any Lot will be paid. consideration of the additional work undertaken by Bonhams in respect encumbrance not disclosed or known to the buyer my contact details. 7.1.12 having made reasonable efforts to inform you, to release your conformity with or any inaccuracy, error, misdescription or adverse claims and we will pay to you an amount equal to the “Additional Premium” a premium, calculated in accordance with of the cataloguing of motor vehicles and in respect of the promotion of before the contract is made, and Please note that all telephone calls are recorded. name and address to the Seller, so they might take appropriate omission in any Description of the Lot or any Entry or Estimate sum of the Purchase Price and Buyer’s Premium paid by you in the Notice to Bidders, to cover Bonhams’ Expenses relating to the Sales of motor vehicles. (b) the buyer will enjoy quiet possession of the goods MAX bid in GBP Telephone or steps to recover the amounts due and legal costs associated in respect of it, made by us or on our behalf or by or on respect of the Lot. payment of royalties under the Artists Resale Right Regulations 2006 “New Bond Street” means Bonhams’ saleroom at 101 New Bond except in so far as it may be disturbed by the owner or Lot no. Brief description (excluding premium Covering bid with such steps. behalf of the Seller (whether made in writing, including in the The benefit of paragraph 10 is personal to, and incapable of which is payable by the Buyer to Bonhams on any Lot marked [AR] Street, London W1S 1SR. other person entitled to the benefit of any charge or Absentee (T / A) 7.2 You agree to indemnify us against all legal and other costs, all Catalogue, or on the Bonhams’ Website, or orally, or by conduct assignment by, you and if you sell or otherwise dispose of your which sells for a Hammer Price which together with the Buyer’s “Notional Charges” the amount of Commission and VAT which would encumbrance so disclosed or known. & VAT) * losses and all other Expenses (whether or not court proceedings or otherwise) and whether made before or after this agreement interest in the Lot, all rights and benefits under this paragraph Premium (but excluding any VAT) equals or exceeds 1000 euros have been payable if the Lot had been sold at the Notional Price. (3) This subsection applies to a contract of sale in the case of which will have been issued) incurred by us as a result of our taking or prior to or during the Sale. will cease. (converted into the currency of the Sale using the European Central “Notional Fee” the sum on which the Consignment Fee payable to there appears from the contract or is to be inferred from its steps under this paragraph 7 on a full indemnity basis together 10.2 Our duty to you while the Lot is at your risk and/or your property 12 MISCELLANEOUS Bank Reference rate prevailing on the date of the Sale). Bonhams by the Seller is based and which is calculated according to circumstances an intention that the seller should transfer only such with interest thereon (after as well as before judgement or order) and in our custody and/or control is to exercise reasonable care 12.1 You may not assign either the benefit or burden of this agreement. “Auctioneer” the representative of Bonhams conducting the formula set out in the Conditions of Business. title as he or a third person may have. at the rate specified in paragraph 7.1.5 from the date upon in relation to it, but we will not be responsible for damage to the 12.2 Our failure or delay in enforcing or exercising any power or right the Sale. “Notional Price” the latest in time of the average of the high and low which we become liable to pay the same until payment by you. Lot or to other persons or things caused by: under this agreement will not operate or be deemed to operate “Bidder” Any person considering, attempting or making a Bid, Estimates given by us to you or stated in the Catalogue or, if no such (4) In a contract to which subsection (3) above applies there is an 7.3 If you pay us only part of the sums due to us such payment 10.2.1 handling the Lot if it was affected at the time of Sale to you by as a waiver of our rights under it except to the extent of any including those who have completed a Bidding Form. Estimates have been given or stated, the Reserve applicable to the Lot. implied term that all charges or encumbrances known to the seller shall be applied firstly to the Purchase Price of the Lot (or woodworm and any damage is caused as a result of it being express waiver given to you in writing. Any such waiver will not “Bidding Form” our Bidding Registration Form, our Absentee Bidding “Notice to Bidders” the notice printed at the back or front of our and not known to the buyer have been disclosed to the buyer where you have purchased more than one Lot pro-rata towards affected by woodworm; or affect our ability subsequently to enforce any right arising under Form or our Telephone Bidding Form. Catalogues. before the contract is made. the Purchase Price of each Lot) and secondly to the Buyer’s 10.2.2 changes in atmospheric pressure; nor will we be liable for: this agreement. “Bonhams” Bonhams 1793 Limited or its successors or assigns. “Purchase Price” the aggregate of the Hammer Price and VAT on the (5) In a contract to which subsection (3) above applies there is also an Premium (or where you have purchased more than one Lot 10.2.3 damage to tension stringed musical instruments; or 12.3 If either party to this agreement is prevented from performing Bonhams is also referred to in the Buyer’s Agreement, the Conditions Hammer Price (where applicable), the Buyer’s Premium and VAT on the implied term that none of the following will disturb the buyer’s quiet pro-rata to the Buyer’s Premium on each Lot) and thirdly to any 10.2.4 damage to gilded picture frames, plaster picture frames or that party’s respective obligations under this agreement of Business and the Notice to Bidders by the words “we”, “us” and Buyer’s Premium and any Expenses. possession of the goods, namely: other sums due to us. picture frame glass; and if the Lot is or becomes dangerous, by circumstances beyond its reasonable control (including “our”. “Reserve” the minimum price at which a Lot may be sold (whether at (a) the seller; 7.4 We will account to you in respect of any balance we hold we may dispose of it without notice to you in advance in any without limitation governmental intervention, industrial action, “Book” a printed Book offered for Sale at a specialist Book Sale. auction or by private treaty). (b) in a case where the parties to the contract intend remaining from any monies received by us in respect of any manner we think fit and we will be under no liability to you for insurrection, warfare (declared or undeclared), terrorism, power “Business” includes any trade, Business and profession. “Sale” the auction Sale at which a Lot is to be offered for Sale by that the seller should transfer only such title as a third Sale of the Lot under our rights under this paragraph 7 after the doing so. failure, epidemic or natural disaster) or if performance of its “Buyer” the person to whom a Lot is knocked down by the Bonhams. person may have, that person; FOR WINE SALES ONLY payment of all sums due to us and/or the Seller within 28 days 10.3.1 We will not be liable to you for any loss of Business, Business obligations would by reason of such circumstances give rise Auctioneer. The Buyer is also referred to in the Contract for Sale and “Sale Proceeds” the net amount due to the Seller from the Sale of a (c) anyone claiming through or under the seller or that third of receipt by us of all such sums paid to us. profits, revenue or income or for loss of Business reputation to a significantly increased financial cost to it, that party will the Buyer’s Agreement by the words “you” and “your”. Lot, being the Hammer Price less the Commission, any VAT chargeable person otherwise than under a charge or encumbrance Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT) 8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT or for disruption to Business or wasted time on the part of the not, for so long as such circumstances prevail, be required to “Buyer’s Agreement” the contract entered into by Bonhams with the thereon, Expenses and any other amount due to us in whatever disclosed or known to the buyer before the contract is 8.1 Whenever it becomes apparent to us that the Lot is the subject Buyer’s management or staff or, if you are buying theLot in the perform such obligations. This paragraph does not apply to the Buyer (see Appendix 2 in the Catalogue). capacity and howsoever arising. made. of a claim by someone other than you and other than the course of a Business, for any indirect losses or consequential obligations imposed on you by paragraph 3. “Buyer’s Premium” the sum calculated on the Hammer Price at the “Seller” the person who offers the Lot for Sale named on the Contract (5A) As regards England and Wales and Northern Ireland, the term BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH damages of any kind, irrespective in any case of the nature, 12.4 Any notice or other communication to be given under this rates stated in the Notice to Bidders. Form. Where the person so named identifies on the form another implied by subsection (1) above is a condition and the terms Seller (or that such a claim can reasonably be expected to be TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS. made), we may, at our absolute discretion, deal with the Lot in volume or source of the loss or damage alleged to be suffered, agreement must be in writing and may be delivered by hand “Catalogue” the Catalogue relating to the relevant Sale, including any person as acting as his agent, or where the person named on the implied by subsections (2), (4) and (5) above are warranties.” any manner which appears to us to recognise the legitimate and irrespective of whether the said loss or damage is caused or sent by first class post or air mail or fax transmission (if to representation of the Catalogue published on our Website. Contract Form acts as an agent for a principal (whether such agency is interests of ourselves and the other parties involved and lawfully by or claimed in respect of any negligence, other tort, breach Bonhams marked for the attention of the Company Secretary), “Commission” the Commission payable by the Seller to Bonhams disclosed to Bonhams or not), “Seller” includes both the agent and the Bidder/Agent’s (please delete one) signature: Date: to protect our position and our legitimate interests. Without of contract, statutory duty, bailee’s duty, a restitutionary claim to the address or fax number of the relevant party given in the calculated at the rates stated in the Contract Form. principal who shall be jointly and severally liable as such. The Seller prejudice to the generality of the discretion and by way of or otherwise. Contract Form (unless notice of any change of address is given “Condition Report” a report on the physical condition of a Lot provided is also referred to in the Conditions of Business by the words “you” Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. example, we may: 10.3.2 Unless you buy the Lot as a Consumer, in any circumstances in writing). It is the responsibility of the sender of the notice or to a Bidder or potential Bidder by Bonhams on behalf of the Seller. and “your”. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only)

This sale will be conducted in accordance with Fine European Ceramics 3 December 2020 Bonhams’ Conditions of Sale and bidding and buying Sale title: Sale date: at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale no. 26283 Sale venue: London, New Bond Street Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours and other terms relating to bidding and buying at the prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers. General Bid Increments: £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion have given at the time your information was disclosed). A £5,000 - 10,000 ...... by 500s copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer The auctioneer has discretion to split any bid at any time. Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title We may disclose your personal information to any member of our group which means our subsidiaries, our ultimate holding First Name Last Name company and its subsidiaries (whether registered in the UK or elsewhere). We will not disclose your data to anyone outside Company name (if applicable) our group but we may from time to time provide you with information about goods and services which we feel maybe of Company Registration number (if applicable) interest to you including those provided by third parties. If you do not want to receive such information (except for Address information you specifically requested) please tick this box City Would you like to receive e-mailed information from us? if so please tick this box Post / Zip code County / State Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country government or state issued photographic proof of ID and date of birth e.g. - passport, driving licence - and if not included in Telephone (landline) ID document, proof of address e.g - utility bill, bank or credit card statement etc. Corporate clients should also provide a E-mail (in capitals) copy of their articles of association / company registration Please answer all questions below documents, and the entities name and registered address, documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. company’s behalf. Failure to provide this may result in your bids not being processed or completed. For higher value lots 2. Are you representing the Bidder? If yes, please complete question 3. you may also be asked to provide a bank reference. 3. Bidder's name, address and contact details (phone and email): If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement I will collect the purchases myself Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: Please arrange shippers to contact me with Yes No - - a quote and I agree that you may pass them / my contact details. Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Absentee (T / A) Covering bid & VAT) *

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Bidder/Agent’s (please delete one) signature: Date:

Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only)

This sale will be conducted in accordance with 3 December 2020 Bonhams’ Conditions of Sale and bidding and buying Sale title: Sale date: at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale no. Sale venue: London, New Bond Street Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours and other terms relating to bidding and buying at the prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers. General Bid Increments: £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion have given at the time your information was disclosed). A £5,000 - 10,000 ...... by 500s copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer The auctioneer has discretion to split any bid at any time. Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title We may disclose your personal information to any member of our group which means our subsidiaries, our ultimate holding First Name Last Name company and its subsidiaries (whether registered in the UK or elsewhere). We will not disclose your data to anyone outside Company name (if applicable) our group but we may from time to time provide you with information about goods and services which we feel maybe of Company Registration number (if applicable) interest to you including those provided by third parties. If you do not want to receive such information (except for Address information you specifically requested) please tick this box City Would you like to receive e-mailed information from us? if so please tick this box Post / Zip code County / State Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country government or state issued photographic proof of ID and date of birth e.g. - passport, driving licence - and if not included in Telephone (landline) ID document, proof of address e.g - utility bill, bank or credit card statement etc. Corporate clients should also provide a E-mail (in capitals) copy of their articles of association / company registration Please answer all questions below documents, and the entities name and registered address, documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. company’s behalf. Failure to provide this may result in your bids not being processed or completed. For higher value lots 2. Are you representing the Bidder? If yes, please complete question 3. you may also be asked to provide a bank reference. 3. Bidder's name, address and contact details (phone and email): If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement I will collect the purchases myself Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: Please arrange shippers to contact me with Yes No - - a quote and I agree that you may pass them / my contact details. Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Absentee (T / A) Covering bid & VAT) *

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Bidder/Agent’s (please delete one) signature: Date:

Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 Bonhams 101 New Bond Street London, W1S 1SR

+44 (0) 20 7447 7447 bonhams.com

AUCTIONEERS SINCE 1793