The Republican. H
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download (2399Kb)
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
Network-40-1994-05-0
CONTEMPORARY RADIO'S MUSIC & NEWS RESOURCE MAY 6, 1994 Spotlight On WZEE Madisor Interview With lob Case Feature: Pounding The Pavement www.americanradiohistory.com H vh F1 1.44 hR`r7..:n.h I I roc . Rdell. 1 6e ».;,t ae ` Imo sn,r.. Gyri . I id liee-pd .100 °. 13 -na ",. a?I.. .1.2.-.111341,-11.1.4 Jr, F:.kea ya:n t.\Ih.nnniod.\crrrr nua3.m7Inr.0 \lind. c0111,111. www.americanradiohistory.com TilAt-Cm-urrs PLAYS PER WEEK RETAIL SALES N n i i,. n W i+ 1 1 i i (3141 SAI LABEL ARTIST/SONG/LABEL 2W LW TW 2W LW AN ARnsT/LP Columbia O PRINCE. The Most Beautiful Girl In The World (N.P.G. Records/Belimark) 8084 8913 9096 1 1 0 PINK FLOYD. The Division Bell DOMINGO.Chant Angel 2 BIG MOUNTAIN. Baby I Love Your Way (RCA) 8192 8691 8517 3 3 Q BENEDICTINE MONKS OF SANTO Q MADONNA. I'll Remember (Maverick/Sire/WB) 6946 7620 8006 2 2 3 ABOVE THE RIM. Soundtrack Death Row/Interscope/AG 4 COUNTING CROWS. Mr. Jones (DGC) 7612 7944 7731 4 4 0 COUNTING CROWS. August And Everything After DGC 5 ACE OF BASE. The Sign (Arista) 8095 7966 7418 7 5 Q ACE OF BASE. The Sign Arista 5682 6415 6822 O ENIGMA. Return To Innocence (Charisma/Virgin) 6 6 Q R KELLY. 12 -Play Jive ALL -4 -ONE. I Swear (Blitzz/AUantic/AG) 2358 4724 6538 O DEBUT 0 REBA McENTIRE. Read My Mind MCA Nashville TEVIN CAMPBELL. -
Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
RED AND WHITE ON THE SILVER SCREEN: THE SHIFTING MEANING AND USE OF AMERICAN INDIANS IN HOLLYWOOD FILMS FROM THE 1930s TO THE 1970s a dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Bryan W. Kvet May, 2016 (c) Copyright All rights reserved Except for previously published materials Dissertation Written by Bryan W. Kvet B.A., Grove City College, 1994 M.A., Kent State University, 1998 Ph.D., Kent State University, 2015 Approved by ___Kenneth Bindas_______________, Chair, Doctoral Dissertation Committee Dr. Kenneth Bindas ___Clarence Wunderlin ___________, Members, Doctoral Dissertation Committee Dr. Clarence Wunderlin ___James Seelye_________________, Dr. James Seelye ___Bob Batchelor________________, Dr. Bob Batchelor ___Paul Haridakis________________, Dr. Paul Haridakis Accepted by ___Kenneth Bindas_______________, Chair, Department of History Dr. Kenneth Bindas ___James L. Blank________________, Dean, College of Arts and Sciences Dr. James L. Blank TABLE OF CONTENTS…………………………………………………………………iv LIST OF FIGURES………………………………………………………………………v ACKNOWLEDGEMENTS……………………………………………………………...vii CHAPTERS Introduction………………………………………………………………………1 Part I: 1930 - 1945 1. "You Haven't Seen Any Indians Yet:" Hollywood's Bloodthirsty Savages……………………………………….26 2. "Don't You Realize this Is a New Empire?" Hollywood's Noble Savages……………………………………………...72 Epilogue for Part I………………………………………………………………..121 Part II: 1945 - 1960 3. "Small Warrior Should Have Father:" The Cold War Family in American Indian Films………………………...136 4. "In a Hundred Years it Might've Worked:" American Indian Films and Civil Rights………………………………....185 Epilogue for Part II……………………………………………………………….244 Part III, 1960 - 1970 5. "If Things Keep Trying to Live, the White Man Will Rub Them Out:" The American Indian Film and the Counterculture………………………260 6. -
March 1-7, 2018
MARCH 1-7, 2018 FACEBOOK.COM/WHATZUPFTWAYNE // WWW.WHATZUP.COM --------------------------Feature • Hamlet ------------------------ Thy Name Is Woman By Steve Penhollow And she played Gertrude, the wife of the character she is now playing, in a 1999 Civic Theatre produc- SPRING There are many reasons why a theater director tion of Hamlet. might want to produce an all-female production of “It’s pretty exciting,” Black said of playing Clau- William Shakespeare’s Hamlet in 2018. dius. “It’s exciting to have the opportunity to climb But Thom Hofrichter’s reasons are entirely practi- into the character because he’s such an evil guy. He’s cal. such a slime bucket, such a politician.” SAXOPHONESALE The interest in Shakespeare among female actors Playing Claudius has helped Black understand the hereabouts is inversely proportionate to the number play better. of roles avail- “It is such a able. Translation: wonderful and Too many great interesting thing female actors, not to be coming at it UNBELIEVABLE PRICES ON SAXOPHONES! enough female from such a dif- roles. ferent angle,” she One solution said. “A much is to be less strict more acrimoni- about gender ous angle. specificity. “From a pure- UP Hofrich- ly selfish stand- ter, the minis- point,’ Black said, ter of drama at “it’s such a joy TO % First Presbyte- to have the op- rian Theater, said portunity to put the meaning of my arms around a Shakespeare’s character as large OFF work doesn’t re- and well fleshed- ally change when out as this role SELECT SAXOPHONES a director plays is.” 60 fast and loose An all-female with time, gender, cast exudes a nationality or set- different energy ting. -
GTA SA PS3 MANUAL ENG.Pdf
PRECAUTIONS PAN EUROPEAN GAMES INFORMATION (PEGI) AGE RATING SYSTEM • This disc contains software for the PlayStation®3 system. Never use this disc on any other system, as it could damage it. • This disc The PEGI age rating system protects minors from games unsuitable for their particular age group. PLEASE NOTE it is not a guide to gaming conforms to PlayStation®3 specifications for the PAL market only. It cannot be used on other specification versions of PlayStation®3. • Read difficulty. For further information visit www.pegi.info. the PlayStation®3 system Instruction Manual carefully to ensure correct usage. • When inserting this disc in the PlayStation®3 system always Comprising three parts, PEGI allows parents and those purchasing games for children to make an informed choice appropriate to the age of place it with the required playback side facing down. • When handling the disc, do not touch the surface. Hold it by the edge. • Keep the disc the intended player. The first part is an age rating: clean and free of scratches. Should the surface become dirty, wipe it gently with a soft dry cloth. • Do not leave the disc near heat sources or in direct sunlight or excessive moisture. • Do not use an irregularly shaped disc, a cracked or warped disc, or one that has been repaired with adhesives, as it could lead to malfunction. The second part of the rating may consist of one or more descriptors indicating the type of content in the game. Depending on the game, there HEALTH WARNING may be a number of such descriptors. -
The Sacramento/San Joaquin Literary Watershed": Charting the Publications of the Region's Small Presses and Regional Authors
"The Sacramento/San Joaquin Literary Watershed": Charting the Publications of the Region's Small Presses and Regional Authors. A Geographically Arranged Bibliography focused on the Publications of Regional Small Presses and Local Authors of the Sacramento and San Joaquin Valleys and Sierra Nevada. Second Edition. Revised and Expanded. John Sherlock University of California, Davis 2010 1 "The Sacramento/San Joaquin Literary Watershed": Regional Small Presses and Local Authors of the Sacramento and San Joaquin Valleys and Sierra Nevada TABLE OF CONTENTS. PUBLICATIONS OF REGIONAL SMALL PRESSES. Arranged Geographically by Place Of Publication. A. SACRAMENTO VALLEY SMALL PRESSES. 3 - 75 B. SAN JOAQUIN VALLEY SMALL PRESSES. 76 - 100 C. SIERRA NEVADA SMALL PRESSES. 101 - 127 D. SHASTA REGION SMALL PRESSES. 128 - 131 E. LITERARY MAGAZINES - CENTRAL VALLEY 132 - 145 F. LITERARY MAGAZINES - SIERRA NEVADA. 146 - 148 G. LOCAL AND REGIONAL ANTHOLOGIES. 149 - 155 PUBLICATIONS OF REGIONAL AUTHORS. Arranged Alphabetically by Author. REGIONAL AUTHORS. 156 - 253 APPENDIXES I. FICTION SET IN THE CENTRAL VALLEY. 254 - 262 II. FICTION SET IN THE SIERRA NEVADA. 263 - 272 III. SELECTED REGIONAL ANTHOLOGIES. 273 - 278 2 Part I. SACRAMENTO VALLEY SMALL LITERARY PRESSES. ANDERSON. DAVIS BUSINESS SERVICES (Anderson). BLACK, Donald J. In the Silence. [poetry] 1989 MORRIS PUB. (Anderson). ALDRICH, Linda. The Second Coming of Santa Claus and other stories. 2005 RIVER BEND BOOKS (Anderson, 1998). MADGIC, Bob. Pursuing Wilds Trout: a journey in wilderness values. 1998 SPRUCE CIRCLE PRESS (Anderson, 2002-present?). PECK, Barbara. Blue Mansion & Other Pieces of Time. 2002 PECK, Barbara. Vanishig Future: Forgotten Past. 2003 PECK, Barbara. Hot Shadows.: whispers from the vanished. -
WDLTVGUIDE030420-5E5ec1b255b3a.Pdf
Visit Our Showroom To Find The Perfect Lift Bed For You! March 6 - 12, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 R A C I M V L Y A F E D I R N Your Key 2 x 3" ad N I L L Y G R T S C O T T E D S V C A N R V Q X U A Y D N O To Buying Q A F H E O P P L C P N P Y C and Selling! C I R P A B F H T L A P R E Z 2 x 3.5" ad V B I O V R Y O G T L V O E Y H Y E S C W D N S O L I C R U C A N C E R V S R D F N R Y T W R D P P O E E R U A R A P T Z L S Z K B V S Y D M P O H I U K O N E I L L I L I G P N J T Y F S L N Q U C A L L I E S R X B O S T G T H R Y E V J X B G A N T H O N Y R M F P A L V A H J S R K R Y Y B E Y C L “Council of Dads” on NBC ‘Cosmos: Possible Worlds’ – Bargain Box (Words in parentheses not in puzzle) Robin (Perry) (Sarah Wayne) Callies Cancer Place your classified Where we’ve been, where we’re going Classified Merchandise Specials Solution on page 13 Anthony (Lavelle) (Clive) Standen Guidance ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Oliver (Post) (J. -
Fresher's Death in Shower Puzzles Doctors
Student PLUS BRITISH DIRECTOR MIKE LEIGH ON HIS LATEST FILM 'CAREER GIRLS' MYSTERY OF HALL DEATH Fresher's death in shower SAVED MY puzzles doctors LIFE IN By KEVIN PETTMAN Chief Reporter GOLF CLUB CORONERS are baffled by the sudden death of a fresher who ATTACK collapsed in the shower at his hall of residence. Peter Middleton has Mark Garrotte was discovered by concerned paid tribute to the friends at Devonshire Hall who tried to friend who saved his resuscitate him before he was rushed to hospital, life. where doctors battled for almost an hour to save The LMU student, his life. A post-mortem was unable to pinpoint the left, suffered a cause of death and toxicology tests have ruled out fractured skull after any connection with drink or drugs. his housemate struck Mark's parents described the death as him with a golf club. "inexplicable"and are devastated by the tragic But Paul news. "We may never know why we lost our son," Campbell, right, said Mr Garrotte. "The doctors seem to think it intervened to fight will eventually be classed as a 'sudden student' off attacker Robert death." Knight, who was last Mark was due to start a Material Science and week jailed. Engineering degree at Leeds University. Stunned Devonshire Hall residents have been FULL STORY: PAGE 3 PAGE 2 COLUMN 6 INSIDE: News Ml, Comment 6-9, Feature 12-13, Outlook 15-20, Sport 22-24. Plus 24-page juice magazine NEWSDESK 243 4727 Leeds Student, Friday October 3 1997 blah lecture staring at the Came home miserable and Morgan. -
The University of Chicago “—Long As
THE UNIVERSITY OF CHICAGO “—LONG AS AGES STEAL!”: MILLENNIAL WHITENESS, (COUNTER) OCCASIONAL POETICS, AND ANTINOMIAN ALLEGORY, 1861-1876 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE BY JAMES BASSETT CHICAGO, ILLINOIS DECEMBER 2018 Copyright © 2018 James Bassett All rights reserved. Table of Contents List of Figures…..………………………………………………………………...iv Acknowledgments…………………………………………………………………v Abstract…………………………………………………………………………..vii Introduction: Whitman and Americanness: A Problem; or, Against 1855…..........1 Chapter 1: “But better are they in a hero grave / Than the serfs of time and breath”: Versified Journalism of the Abolition War………………..……………47 Chapter 2: “Must I Change My Triumphant Songs?”: Whitman, Melville, and the Abolition of War…………………………………………………………………98 Chapter 3: Clarel, Counter-monumentalism, and the Shadow of Allegory……157 Coda: “Ah, tread not, sweet, my father’s way”: Susan Howe, Emily Dickinson, and Antinomian Renunciation……………………………………………….…249 Bibliography……………………………………………………………………287 iii List of Figures Figure 1, “Indian Tent in the Government Building at the Centennial Exhibition” in Centennial Exhibition 1876 Philadelphia Scrapbook, Centennial Exhibition Digital Collection, Free Library of Philadelphia, Pennsylvania………………..173 Figure 2, from Susan Howe, Melville’s Marginalia……………………………267 Figure 3, from Susan Howe, Melville’s Marginalia……………………………273 iv Acknowledgments I would like to begin by expressing my deepest gratitude to my dissertation committee: Jennifer Scappettone (Chair), Eric Slauter, and Christopher Taylor. Jen’s generous mentorship and abiding encouragement has proven invaluable throughout the years since this project first began. The perspicacity of her commentary and her startling attunement to the possibilities residing within the elemental granules and airy wisps of poetic measure is strewn throughout these pages. -
Phd Thesis (8.850Mb)
THE UNIVERSITY LIBRARY PROTECTION OF AUTHOR ’S COPYRIGHT This copy has been supplied by the Library of the University of Otago on the understanding that the following conditions will be observed: 1. To comply with s56 of the Copyright Act 1994 [NZ], this thesis copy must only be used for the purposes of research or private study. 2. The author's permission must be obtained before any material in the thesis is reproduced, unless such reproduction falls within the fair dealing guidelines of the Copyright Act 1994. Due acknowledgement must be made to the author in any citation. 3. No further copies may be made without the permission of the Librarian of the University of Otago. August 2010 Postcolonial Theory and the Faciality Machine " Jo T. Smith . A thesis submitted for the degree of Doctor of Philosophy at the University of Otago, Dunedin, New Zealand. 2002 ii Abstract Postcolonial Theory and the Faciality Machine This thesis examines theories of colonial stereotypes and spectatorship as they circulate in postcolonial film and media theory. Conventional approaches to the repetitive and easily reproduced characteristics of the colonial stereotype measure and evaluate the image according to a prior ideal colonial subject. The thesis argues that this method replicates the dialectical divide between the image (as representation) and the empirical "real" that the stereotype fails to encompass and that it subsequently neglects the discursive nature of colonial identity. It is precisely this gap between the image (as representation) and the empirical "real" (that the stereotype fails to encompass) that constitutes a leap from the particular to the general. -
Jews, the Blacklist, and Stoolpigeon Culture / Joseph Litvak
The Un-Americans Edited by Michèle Aina Barale Jonathan Goldberg Michael Moon Eve Kosofsky Sedgwick JOSEPH LITVAK The Un-Americans JEWS, THE BLACKLIST, AND STOOLPIGEON CULTURE Duke University Press Durham and London 2009 © 2009 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper b Designed by C. H. Westmoreland Typeset in Scala with Gill Sans display by Achorn International, Inc. Library of Congress Cataloging-in-Publication Data Litvak, Joseph. The un-Americans : Jews, the blacklist, and stoolpigeon culture / Joseph Litvak. p. cm. — (Series Q) Includes bibliographical references and index. isbn 978-0-8223-4467-4 (cloth : alk. paper) isbn 978-0-8223-4484-1 (pbk. : alk. paper) 1. Jews in the motion picture industry—United States. 2. Jews—United States—Politics and government—20th century. 3. Antisemitism—United States—History—20th century. 4. United States—Ethnic relations—Political aspects. I. Title. II. Series: Series Q. e184.36.p64l58 2009 305.892’407309045—dc22 2009029295 TO LEE CONTENTS acknowledgments ix ❨1❩ Sycoanalysis: An Introduction 1 ❨2❩ Jew Envy 50 ❨3❩ Petrified Laughter: Jews in Pictures, 1947 72 ❨4❩ Collaborators: Schulberg, Kazan, and A Face in the Crowd 105 ❨5❩ Comicosmopolitanism: Behind Television 153 ❨6❩ Bringing Down the House: The Blacklist Musical 182 coda Cosmopolitan States 223 notes 229 bibliography 271 index 283 ACKNOWLEDGMENTS This book is about, among other things, the thrill of naming names. As I look back on the process of writing it, it gives me great pleasure to point my finger at the accomplices who made it possible: Cheryl Alison, Susan Bell, Lauren Berlant, Susan David Bernstein, Diana Fuss, Jane Gallop, Marjorie Garber, Helena Gurfinkel, Judith Halberstam, Janet Halley, Jon- athan Gil Harris, Sonia Hofkosh, Carol Mavor, Meredith McGill, David McWhirter, Madhavi Menon, D. -
Alumni History and Hall of Fame Project
Los Angeles Unified School District Alumni History and Hall of Fame Project Los Angeles Unified School District Alumni History and Hall of Fame Project Written and Edited by Bob and Sandy Collins All publication, duplication and distribution rights are donated to the Los Angeles Unified School District by the authors First Edition August 2016 Published in the United States i Alumni History and Hall of Fame Project Founding Committee and Contributors Sincere appreciation is extended to Ray Cortines, former LAUSD Superintendent of Schools, Michelle King, LAUSD Superintendent, and Nicole Elam, Chief of Staff for their ongoing support of this project. Appreciation is extended to the following members of the Founding Committee of the Alumni History and Hall of Fame Project for their expertise, insight and support. Jacob Aguilar, Roosevelt High School, Alumni Association Bob Collins, Chief Instructional Officer, Secondary, LAUSD (Retired) Sandy Collins, Principal, Columbus Middle School (Retired) Art Duardo, Principal, El Sereno Middle School (Retired) Nicole Elam, Chief of Staff Grant Francis, Venice High School (Retired) Shannon Haber, Director of Communication and Media Relations, LAUSD Bud Jacobs, Director, LAUSD High Schools and Principal, Venice High School (Retired) Michelle King, Superintendent Joyce Kleifeld, Los Angeles High School, Alumni Association, Harrison Trust Cynthia Lim, LAUSD, Director of Assessment Robin Lithgow, Theater Arts Advisor, LAUSD (Retired) Ellen Morgan, Public Information Officer Kenn Phillips, Business Community Carl J. Piper, LAUSD Legal Department Rory Pullens, Executive Director, LAUSD Arts Education Branch Belinda Stith, LAUSD Legal Department Tony White, Visual and Performing Arts Coordinator, LAUSD Beyond the Bell Branch Appreciation is also extended to the following schools, principals, assistant principals, staffs and alumni organizations for their support and contributions to this project.