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A Date for Mad Mary
An Element Pictures production in association with Bord Scannán na hÉireann/The Irish Film Board, the Broadcasting Authority of Ireland and TV3. With the support of the MEDIA Programme of the European Union A DATE FOR MAD MARY Directed by Darren Thornton Starring Seána Kerslake, Tara Lee, Charleigh Bailey, Denise McCormack and Siobhán Shanahan IRELAND – 82 mins - 2016 DCP P 1 A DATE FOR MAD MARY Index Page Logline and Synopsis 3 Synopsis (Long) 4 Crew List 5 Principal Cast List 6 Writers & Director Biography 7 Filmography: Darren Thornton 8 Producers 9/10 DOP Biography 11 Director’s Notes 12-16 Cast Biographies: Seána Kerslake 17 Tara Lee 18 Charleigh Bailey and Denise McCormack 19 Siobhan Shanahan 20 Company Profile: Element Pictures 21 Financier: Irish Film Board 22 Credits 23-33 2 A DATE FOR MAD MARY Logline and Synopsis Logline ‘A Date for Mad Mary’ is a tough and tender story about friendship, first love, and letting go of the glory days. Synopsis 'Mad’ Mary McArdle returns to Drogheda after a short spell in prison - for something she’d rather forget. Back home, everything and everyone has changed. Her best friend, Charlene, is about to get married and Mary is maid of honour. When Charlene refuses Mary a ‘plus one’ on the grounds that she probably couldn't find a date, Mary becomes determined to prove her wrong. But her attempts at dating are a disaster and she winds up feeling more alone… until she meets Jess and everything changes. ‘A Date for Mad Mary’ is a tough and tender story about friendship, first love, and letting go of the glory days. -
A Date for Mad Mary
An Element Pictures production in association with Bord Scannán na hÉireann/The Irish Film Board, the Broadcasting Authority of Ireland and TV3. With the support of the MEDIA Programme of the European Union A DATE FOR MAD MARY Directed by Darren Thornton Starring Seána Kerslake, Tara Lee, Charleigh Bailey, Denise McCormack and Siobhán Shanahan IRELAND – 82 mins - 2016 DCP Production Executive Publicity Emer O’Shea Nell Roddy +353 1 6185032 +353 1 6185032 [email protected] [email protected] 1 A DATE FOR MAD MARY Index Page Logline and Synopsis 3 Synopsis (Long) 4 Crew List 5 Principal Cast List 6 Writers & Director Biography 7 Filmography: Darren Thornton 8 Producers 9/10 DOP Biography 11 Director’s Notes 12-16 Cast Biographies: Seána Kerslake 17 Tara Lee 18 Charleigh Bailey and Denise McCormack 19 Siobhan Shanahan 20 Company Profile: Element Pictures 21 Financier: Irish Film Board 22 Credits 23-33 2 A DATE FOR MAD MARY Logline and Synopsis Logline ‘A Date for Mad Mary’ is a tough and tender story about friendship, first love, and letting go of the glory days. Synopsis 'Mad’ Mary McArdle returns to Drogheda after a short spell in prison - for something she’d rather forget. Back home, everything and everyone has changed. Her best friend, Charlene, is about to get married and Mary is maid of honour. When Charlene refuses Mary a ‘plus one’ on the grounds that she probably couldn't find a date, Mary becomes determined to prove her wrong. But her attempts at dating are a disaster and she winds up feeling more alone… until she meets Jess and everything changes. -
Dublin Oldschool
Bord Scannán na hÉireann/The Irish Film Board present a MDV / Warrior Films production in association with Element Pictures, Windmill Lane Pictures and Filmbase Dublin Oldschool Directed by Dave Tynan Starring Emmet Kirwan, Ian Lloyd Anderson, Sarah Greene, Seána Kerslake, Liam Heslin, Ciaran Grace, Stephen Jones, Mark O’Halloran, Leah Minto Ireland – 94 mins - 2018 Publicity Nell Roddy +353 1 6185032 [email protected] TABLE OF CONTENTS 3 Logline & Synopsis 4 Synopsis (Long) 5 Key Crew & Principal Cast List 6 Director & Co-Writer: Dave Tynan 7 Co-Writer & Lead Actor: Emmet Kirwan 8 Selected Filmography: Dave Tynan 9 The Producers 10 Key Crew Biographies 14 Dublin Oldschool - The Play 15 Adapting Dublin Oldschool For Screen 16 The Cast of Dublin Oldschool 17 Shooting Style 18 Music 19 Dublin 21 Cast Biographies 25 Company Profiles 27 Credits 2 Logline Over a drug-fuelled weekend in Dublin, Jason reconnects with his estranged brother, a recovering addict living on the streets. Synopsis Join Jason, a wannabe DJ, on a drug-fuelled trip through the streets of Dublin as he stumbles from one session to another. Somewhere between the DJs, decks, and drug busts he stumbles across a familiar face from the past, his brother Daniel. Daniel, an educated heroin addict, is living on the streets of Dublin. The brothers haven’t seen or spoken to each other in years but over a lost weekend they reconnect and reminisce over raves, tunes and their troubled past. Two brothers living very different lives might have more in common than they think. 3 Synopsis (Long) Dublin Oldschool tells the story of Jason, a wannabe DJ, who’s trying to play a set over a lost bank holiday weekend in Dublin. -
The Rise and Decline of the Cooperative Commonwealth
THE RISE AND DECLINE OF THE COOPERATIVE COMMONWEALTH FEDERATION IN ONTARIO AND QUEBEC DURING WORLD WAR II, 1939 – 1945 By Charles A. Deshaies B. A. State University of New York at Potsdam, 1987 M. A. State University of New York at Empire State, 2005 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) The Graduate School The University of Maine December 2019 Advisory Committee: Scott W. See, Professor Emeritus of History, Co-advisor Jacques Ferland, Associate Professor of History, Co-advisor Nathan Godfried, Professor of History Stephen Miller, Professor of History Howard Cody, Professor Emeritus of Political Science Copyright 2019 Charles A. Deshaies All Rights Reserved ii THE RISE AND DECLINE OF THE COOPERATIVE COMMONWEALTH FEDERATION IN ONTARIO AND QUEBEC DURING WORLD WAR II, 1939 – 1945 By Charles A. Deshaies Dissertation Advisor: Dr. Scott See and Dr. Jacques Ferland An Abstract of the Thesis Presented In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) December 2019 The Cooperative Commonwealth Federation (CCF) was one of the most influential political parties in Canadian history. Without doubt, from a social welfare perspective, the CCF helped build and develop an extensive social welfare system across Canada. It has been justly credited with being one of the major influences over Canadian social welfare policy during the critical years following the Great Depression. This was especially true of the period of the Second World War when the federal Liberal government of Mackenzie King adroitly borrowed CCF policy planks to remove the harsh edges of capitalism and put Canada on the path to a modern Welfare State. -
Irish Film and Media Studies Publications the Year In
Estudios Irlandeses, Issue 15, March 2020-Feb. 2021, pp. 277-295 __________________________________________________________________________________________ AEDEI IRISH FILM AND MEDIA STUDIES PUBLICATIONS THE YEAR IN REVIEW – 2019 Ciara Chambers (ed.) Copyright (c) 2020 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Ciara Chambers ………………..………………………………………………………..…..278 Irish Cinema in the Twenty-First Century. Ruth Barton Loreta Goff ….…………………..…………………….………………………………….…281 The Historical Dictionary of Irish Cinema, 2nd edition. Tony Tracy and Roddy Flynn Stephen Boyd ………………………………………….………………………….………...284 A Post-Nationalist History of Television in Ireland. Edward Brennan Stephen Goulding………..……………………………..…………………………………...287 Media Law in Ireland, 2nd edition. Eoin Carolan and Ailbhe O’Neill. Maria O’Brien ………….…………………………………………………………………...290 Gaelic Games on Film: From Silent Film to Hollywood Hurling, Horror and the Emergence of Irish Cinema. Seán Crosson. Denis Condon..………….…………………………………………………………………...292 ISSN 1699-311X 278 Introduction Ciara Chambers This has been a big year for important books on Irish film with the publication of Ruth Barton’s Irish Cinema in the Twenty-First Century (Manchester University Press), Seán Crosson’s Gaelic Games on Film (Cork University Press) and the revised second edition of the Historical Dictionary of Irish Cinema (Roddy Flynn and Tony Tracy, Rowman & Littlefield). The ubiquity of Saoirse Ronan is evidenced in the covers of two of these volumes, both featuring her performance in Brooklyn (John Crowley, 2015) with a reminder that Irish film occupies a significant space in the contemporary international cinematic arena. In her much-welcomed exploration of the contemporary Irish cinematic landscape Ruth Barton takes up where her seminal 2004 study Irish National Cinema left off. -
Lived Religion and the Changing Spirituality and Discourse of Christian Globalization: a Canadian Family's Odyssey
Lived Religion and the Changing Spirituality and Discourse of Christian Globalization: A Canadian Family’s Odyssey MARGUERITE VAN DIE Queen’s University Few individuals have presented a greater challenge to a secular society’s understanding of the past than the missionary. “Once almost universally acclaimed as a self-sacrificing benefactor, he or she is now more com- monly dismissed as an interfering busybody and in all probability a misfit at home who could find only among the colonized a captive audience on whom to impose a narrow set of beliefs and moral taboos.”1 Thankfully, in the three decades since this memorable characterization by Canadian church historian John Webster Grant, research into related areas such as gender and theological change has done much to deconstruct these stereotypes. Recent work on Christian globalization has moreover drawn attention to the ways the missionary enterprise changed religion not simply among the indigenous population, but also at home. Mark Noll, for example, has argued that by the early twentieth century as part of a larger global “multi-centering,” Christianity in North America was subtly shifting away from traditional church and imperial norms towards new models. It is now generally accepted that this re-centering was accompa- nied by an enormous release of evangelical energy, and the impact of an emerging global society profoundly reshaped Christianity.2 My essay builds on Noll’s observations, but rather than focusing on missionary institutions and their spokespersons, it examines from below some of the continuities and changes in the spirituality and discourse of Christian globalization. It does this within the context of three generations Historical Papers 2015: Canadian Society of Church History 114 Spirituality and Discourse of Christian Globalization of a well-to-do Toronto family for whom missions and international travel were a compelling way of life. -
Room – Pressbook Italiano
Room – pressbook italiano 1 Room – pressbook italiano A24 presenta in collaborazione con TELEFILM CANADA, FILM4 e THE IRISH FILM BOARD con la partecipazione di THE ONTARIO MEDIA DEVELOPMENT CORPORATION una produzione ELEMENT PICTURES/NO TRACE CAMPING in associazione con DUPERELE FILMS, un film di LENNY ABRAHAMSON ROOM BRIE LARSON JACOB TREMBLAY JOAN ALLEN SEAN BRIDGERS TOM MCCAMUS WILLIAM H. MACY Scritto da EMMA DONOGHUE Basato sul romanzo originale di EMMA DONOGHUE Prodotto da ED GUINEY DAVID GROSS Produttori Esecutivi ANDREW LOWE JEFF ARKUSS JESSE SHAPIRA Line Producer HARTLEY GORENTSTEIN Direttore della Fotografia DANNY COHEN Scenografie di ETHAN TOBMAN Montaggio di NATHAN NUGENT Musiche di STEPHEN RENNICKS Costumi di LEA CARLSON Casting FIONA WEIR (UK) KATHLEEN CHOPIN (USA) ROBIN COOK (Canada) Distribuzione: UNIVERSAL PICTURES Uscita Italiana: 3 Marzo 2016 Durata del Film: 118 minuti Il materiale fotografico è disponibile sul sito www.upimedia.com http://www.room-ilfilm.it twitter: #Room facebook: www.facebook.com/RoomIlFilm/it Ufficio Stampa Universal Pictures International Italy: Cristina Casati – [email protected] Marina Caprioli – [email protected] Simone Raineri – [email protected] 2 Room – pressbook italiano SOMMARIO SINOSSI pag. 4 IL FILM pag. 7 IL CAST ARTISTICO pag. 31 IL CAST TECNICO pag. 37 CREDITS pag. 46 3 Room – pressbook italiano BREVE SINOSSI Ricco di suspense e profondamente commovente, ROOM è un'esplorazione unica e toccante dell'amore sconfinato tra una madre e suo figlio. E’ la storia dell’emozionante scoperta del mondo esterno per Jack, un bambino di 5 anni che fugge con sua madre dalle quattro pareti della stanza in cui Jack ha vissuto dalla nascita. -
Catharine Mckenty Foreword by Alan Hustak
Expanded Edition RIDING THE ELEPHANT SURVIVAL AND LOVE WITH A BIPOLAR PARTNER CATHARINE MCKENTY FOREWORD BY ALAN HUSTAK Durham, NC Copyright © 2019 Catharine McKenty Riding the Elephant: survival and love with a bipolar partner Catharine McKenty www.neilmckenty.com Published 2019, by Torchflame Books Second edition published 2020 www.torchflamebooks.com Durham, NC 27713 USA SAN: 920-9298 Paperback ISBN: 978-1-61153-346-0 E-book ISBN: 978-1-61153-347-7 Library of Congress Control Number: 2019945720 ALL RIGHTS RESERVED No part of this publication may be reproduced, stored in a re- trieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 International Copyright Act, without the prior written permission except in brief quotations embodied in critical ar- ticles and reviews. When you take on an impossible task, the universe conspires to help you. —Johann Wolfgang von Goethe CONTENTS Foreword ..........................................................................vii Preface ..............................................................................ix Early Years – Toronto 1930 - 1952 ....................................1 Donlands Farm .......................................................................4 Lake Simcoe ........................................................................... 21 Bishop Strachan School ........................................................33 Victoria College .................................................................... -
Cinema Distribution.Pdf
BOX OFFICE TOP TEN UK & IRELAND TOP TEN IRISH FILMS 2016 Title Distributor 2016 Title Distributor 1 Bridget Jones's Baby Universal Pictures 1 Room Studio Canal 2 Finding Dory Walt Disney 2 The Young Offenders Wildcard Distribution 3 The Secret Life of Pets Universal Pictures 3 Sing Street Lionsgate 4 The Jungle Book Walt Disney 4 Brooklyn Lionsgate 5 Fantastic Beasts and Where to Find Them Warner Bros 5 A Date For Mad Mary Element Pictures 6 Batman V Superman: Dawn Of Justice Warner Bros 6 Love And Friendship Lionsgate 7 Suicide Squad Warner Bros 7 Bobby Sands: 66 Days Wildcard Distribution 8 Rogue One: A Star Wars Story Walt Disney 8 Norm of the North Signature 9 Deadpool 20th Century Fox 9 Viva Element Pictures 10 Captain America: Civil War Walt Disney 10 Wild Goose Lodge Independent 2015 Title Distributor 2015 Title Distributor 1 Star Wars: The Force Awakens Walt Disney 1 Brooklyn Lionsgate 2 SPECTRE Sony 2 Two By Two eOne Films 3 Minions Universal Pictures 3 Song of The Sea Element Pictures 4 Jurassic World Universal Pictures 4 The Lobster Element Pictures 5 Inside Out Walt Disney 5 Older Than Ireland Element Pictures 6 The Avengers: Age of Ultron Walt Disney 6 The Queen of Ireland Universal 7 Fast & Furious 7 Universal Pictures 7 Glassland Element Pictures 8 Fifty Shades of Grey Universal Pictures 8 Partick's Day Wildcard Distribution 9 Brooklyn Lionsgate 9 A Doctor's Sword Wildcard Distribution 10 Hotel Transylvania 2 SONY 10 Ghosthunters Wildcard Distribution 2014 Title Distributor 2014 Title Distributor 1 Mrs. -
Irish Film 2015 / Production Catalogue
IRISH FILM 2015 / PRODUCTION CATALOGUE WWW.THISISIRISHFILM.IE WWW.IRISHFILMBOARD.IE CHAIRMAN’S NOTE I am delighted that my first full year as Chairman of Bord Scannán na hÉireann/the Irish Film Board (IFB) has been one of growth and continued success for Irish creative talent and for the Irish film, television and animation industry. With the support of the IFB, the hard work and creative endeavours of Irish talent in front and behind the camera has been rewarded with both local and international recognition and awards. As the development agency for film, television and animation in Ireland, the IFB is committed to supporting Irish talent, creativity and enterprise. In conjunction with the Irish Government’s continued support for the industry with the advent of the new film and television tax credit in 2015, the Board are focused on the future evolution of Board Scannán na hÉireann/the Irish Film Board. With this in mind, we have begun the consultation process on a new Five Year Strategic Plan for the agency, which will focus on the future goals for the agency itself, the development of the industry overall and the outcomes the IFB aims to deliver for Irish creative talent, Irish and international audiences and the Irish digital economy. With the publication of the new strategy document in 2015, we hope to ensure that the IFB continues to provide a strong foundation for the making of film, television and animation in Ireland. BILL O’HerLIHY Chairman Bord Scannán na hÉireann/ The Irish Film Board ABOUT US CONTENTS Bord Scannán na hÉireann/ CHIEF EXECUTIVE JAMES HICKEY CHIEF EXECUTIVE INTRODUCTION... -
A Film by Yorgos Lanthimos Colin Farrell Nicole Kidman Barry
a film by Yorgos Lanthimos Colin Farrell Nicole Kidman Barry Keoghan Raffey Cassidy Sunny Suljic Alicia Silverstone Bill Camp Film4 and New Sparta Films present, in association with HanWay Films with the participation of Scannán na hÉireann / the Irish Film Board an Element Pictures production in association with Limp the Killing of a SACRED DEER director of photography Thimios Bakatakis GSC edited by Yorgos Mavropsaridis ACE casting director Francine Maisler CSA sound designer Johnnie Burn production designer Jade Healy costume designer Nancy Steiner co-producers Will Greenfield, Paula Heffernan, Atilla Salih Yücer executive producers Andrew Lowe, Daniel Battsek, Sam Lavender David Kosse, Nicki Hattingh, Amit Pandya, Anne Sheehan Peter Watson, Marie-Gabrielle Stewart produced by Ed Guiney, Yorgos Lanthimos written by Yorgos Lanthimos and Efthimis Filippou directed by Yorgos Lanthimos ©2017 EP Sacred Deer Limited Channel Four Television Corporation New Sparta Films Limited Running time: 121 mins Ireland / UK ©2017 EP Sacred Deer Limited Channel Four Television Corporation New Sparta Films Limited International Marketing & Distribution HanWay Films Tom Grievson [email protected] Simone Talford [email protected] International Publicity in Cannes Premier Jonathan Rutter [email protected] +44 (0) 7802 252 591 Emma Robinson [email protected] +44 (0) 7802 466 887 Susan Bruce [email protected] +44 (0) 7720 094 414 Full notes and film stills can be downloaded from http://ftp.premiercomms.com Login ID: cannes2017 no password needed ABOUT THE PRODUCTION The Killing of a Sacred Deer filmed in Cincinnati, Ohio in summer 2016. The film reunites Colin Farrell with writer/director/producer Yorgos Lanthimos, following the critical and commercial success of The Lobster. -
Admissions 2014-2017
Admission database (declared on the Automatic scheme) Admissions 2014-2017 Country of Original film title Year of Admission Distributor distribution [REC] 3 GENESIS 2014 WILD SIDE FILMS SAS FR [REC] 3 GENESIS 2014 KINO SWIAT SP ZOO PL [REC] 3 GENESIS 2015 WILD SIDE FILMS SAS FR [REC] 4 APOCALYPSE 2014 CINEART BE [REC] 4 APOCALYPSE 2014 WILD SIDE FILMS SAS FR [REC] 4 APOCALYPSE 2014 CINEART LU [REC] 4 APOCALYPSE 2014 KINO SWIAT SP ZOO PL [REC] 4 APOCALYPSE 2015 WILD SIDE FILMS SAS FR ¡ VIVAN LAS ANTIPODAS! 2014 THIMFILM GMBH AT ¡ VIVAN LAS ANTIPODAS! 2014 FARBFILM VERLEIH GMBH DE 10 MILLIARDEN 2015 THIMFILM GMBH AT 10 MILLIARDEN 2016 THIMFILM GMBH AT 10 PRAVIDEL 2014 CONTINENTAL FILM SRO SK 10.000 KM 2014 HAGI FILM SP ZOO PL 10.000 KM 2015 CIRKO FILM KFT HU 10.000 KM 2015 CUTTINGEDGE ENTERTAINMENT AB SE 100 METROS 2017 SEVEN GROUP PSYHAGOGIKI AE EL 100 METROS 2017 BIG PICTURE 2 FILMS SA PT 100% CACHEMIRE 2014 ALTERNATIVE FILMS BE 100% CACHEMIRE 2014 VERTIGO FILMS SL ES 100% CACHEMIRE 2014 NOS LUSOMUNDO AUDIOVISUAIS SA PT PANDORA FILM GMBH & CO. VERLEIH 1001 GRAMS 2014 DE KG FILMCASINO & POLYFILM BETRIEBS 1001 GRAMS 2015 AT GMBH Admission database (declared on the Automatic scheme) Admissions 2014-2017 Country of Original film title Year of Admission Distributor distribution 1001 GRAMS 2015 FILM EUROPE SRO CZ PANDORA FILM GMBH & CO. VERLEIH 1001 GRAMS 2015 DE KG 1001 GRAMS 2015 41SHADOWS APS DK 1001 GRAMS 2015 ESTINFILM OU EE 1001 GRAMS 2015 ANGELIDOU SOFIA EL 1001 GRAMS 2015 LES FILMS DU LOSANGE FR VERTIGO MEDIA KORLATOLT 1001 GRAMS 2015