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Les Mis Education Study Guide.Indd
And remember The truth that once was spoken, To love another person Is to see the face of God. THE CHARACTERS QUESTIONS / • In the end, what does Jean society who have lost their DISCUSSION IDEAS Valjean prove with his life? humanity and become brutes. Are there people in our society • Javert is a watchdog of the legal who fi t this description? • What is Hugo’s view of human process. He applies the letter nature? Is it naturally good, of the law to every lawbreaker, • Compare Marius as a romantic fl awed by original sin, or without exception. Should he hero with the romantic heroes of somewhere between the two? have applied other standards to a other books, plays or poems of man like Jean Valjean? the romantic period. • Describe how Hugo uses his characters to describe his view • Today, many believe, like Javert, • What would Eponine’s life have of human nature. How does that no mercy should be shown been like if she had not been each character represent another to criminals. Do you agree with killed at the barricade? facet of Hugo’s view? this? Why? • Although they are only on stage • Discuss Hugo’s undying belief • What does Javert say about his a brief time, both Fantine and that man can become perfect. past that is a clue to his nature? Gavroche have vital roles to How does Jean Valjean’s life play in Les Misérables and a illustrate this belief? • What fi nally destroys Javert? deep impact on the audience. Hugo says he is “an owl forced What makes them such powerful to gaze with an eagle.” What characters? What do they have does this mean? in common? Name some other • Discuss the Thénardiers as characters from literature that individuals living in a savage appear for a short time, but have a lasting impact. -
Jean Valjean, After Spending Nineteen Years in Jail and in the Galleys For
Les Miserables by Victor Hugo – A Summary (summary from http://education.yahoo.com/homework_help/cliffsnotes/les_miserables/4.html) Jean Valjean, after spending nineteen years in jail and in the galleys for stealing a loaf of bread to feed his starving family (and for several attempts to escape) is finally released, but his past keeps haunting him. At Digne, he is repeatedly refused shelter for the night. Only the saintly bishop, Monseigneur Myriel, welcomes him. Valjean repays his host's hospitality by stealing his silverware. When the police bring him back, the bishop protects his errant guest by pretending that the silverware is a gift. With a pious lie, he convinces them that the convict has promised to reform. After one more theft, Jean Valjean does indeed repent. Under the name of M. Madeleine he starts a factory and brings prosperity to the town of Montreuil. Alone and burdened with an illegitimate child, Fantine is on the way back to her hometown of Montreuil, to find a job. On the road, she entrusts her daughter to an innkeeper and his wife, the Thénardiers. In Montreuil, Fantine finds a job in Madeleine's (Valjean’s) factory and attains a modicum of prosperity. Unfortunately she is fired after it is discovered that she has an illegitimate child. At the same time, she must meet increasing financial demands by the Thénardiers. Defeated by her difficulties, Fantine turns to prostitution. Tormented by a local idler, she causes a disturbance and is arrested by Inspector Javert. Only Madeleine's (Valjean’s) forceful intervention keeps her out of jail. -
Les Mis, Lyrics
LES MISERABLES Herbert Kretzmer (DISC ONE) ACT ONE 1. PROLOGUE (WORK SONG) CHAIN GANG Look down, look down Don't look 'em in the eye Look down, look down You're here until you die. The sun is strong It's hot as hell below Look down, look down There's twenty years to go. I've done no wrong Sweet Jesus, hear my prayer Look down, look down Sweet Jesus doesn't care I know she'll wait I know that she'll be true Look down, look down They've all forgotten you When I get free You won't see me 'Ere for dust Look down, look down Don't look 'em in the eye. !! Les Miserables!!Page 2 How long, 0 Lord, Before you let me die? Look down, look down You'll always be a slave Look down, look down, You're standing in your grave. JAVERT Now bring me prisoner 24601 Your time is up And your parole's begun You know what that means, VALJEAN Yes, it means I'm free. JAVERT No! It means You get Your yellow ticket-of-leave You are a thief. VALJEAN I stole a loaf of bread. JAVERT You robbed a house. VALJEAN I broke a window pane. My sister's child was close to death And we were starving. !! Les Miserables!!Page 3 JAVERT You will starve again Unless you learn the meaning of the law. VALJEAN I know the meaning of those 19 years A slave of the law. JAVERT Five years for what you did The rest because you tried to run Yes, 24601. -
Les Misérables School Edition Parts Chart MUSIC THEATRE INTERNATIONAL
Les Misérables School Edition Parts Chart MUSIC THEATRE INTERNATIONAL SCENE Characters ACT I 1 Prologue Convict 1 Convict 2 Convict 3 Convict 4 Convict 5 Javert Valjean Farmer Laborer Bishop Constable 1 Constable 2 The Chain Gang Constables Laborers Sister, Servant Onlookers 2 End of the Day Foreman Worker 1 Worker 2 Woman Girl 1 Girl 2 Girl 3 Girl 4 Girl 5 Fantine Valjean Chorus - the poor Chorus - the workers Women 3 I Dreamed a Dream Fantine 4 The Docks Sailor 1 Sailor 2 Sailor 3 Old Woman (hair) Pimp Whore 1 Whore 2 Whore 3 Prostitutes Bamatbois Javert Constables (nonsing) 2 Bystanders (nonsing) Valjean 5 The Cart Crash Valjean Cart scene to courtroom Onlooker 1 Onlooker 2 Onlooker 3 Onlooker 4 Fauchelevant Javert Bystanders (nonsing) 6 Fantine's Death Fantine Valjean Javert Nuns (nonsing) Les Misérables School Edition Parts Chart MUSIC THEATRE INTERNATIONAL SCENE Characters 7 Little Cosette Young Cosette Madame Thenardier Young Eponine (nonsing) 8 The Innkeeper's Song Thenardier Madame Thenardier Customers 9 The Bargain Valjean Thenardier Madame Thenardier Young Cosette (nons) 10 The Beggars Gavroche Marius Enjolras Solo Urchin Beggars Students Thenardier family 11 The Robbery Madame Thenardier Marius Eponine Thenardier Valjean Javert Thenardier family Beggars Cosette Valjean Constables 12 Stars Javert Gavroche Eponine Marius 13 The ABC Café Combferre Feuilly Courfeyrac Enjolras Joly Grantaire Gavroche Students 14 The People's Song Enjolras Combferre Feuilly Students Chorus 15 Rue Plumet Cosette Valjean Marius Eponine 16 A Heart Full -
Agape Love and Les Mis
Agape Love and Les Mis Prepared by Veronica Burchard Lesson Overview Lesson Details In this unit, students learn about agape or Subject area(s): English, Film, Religion, Living sacrificial love by viewing, discussing, and as a Disciple of Jesus Christ in Society, writing about the film (or play) Les Miserables, Responding to the Call of Jesus Christ , Social based on the novel by Victor Hugo. I used the Justice Tom Hooper film starring Hugh Jackman and Anne Hathaway. Grade Level: High School Since the film is long and can be hard to follow, Resource Type: Close Reading/Reflection, we watched it in short bursts, pausing to clarify Discussion Guide, Video characters and situations however needed. After each viewing session we spent several Special Learners days talking about the plot, characters, settings, This resource was developed with the following and so forth. My main goal was to make sure special learners in mind: they understood what was happening in each scene, and how each scene related to the Traditional Classroom whole. We would also listen to the songs Homeschooled Students together. This lesson desribes the process we followed and includes a unit assessment with a character quote matching exercise, reflection questions, and two essay questions. The author of this lesson shared it with other educators within the Sophia Institute for Teachers Catholic Curriculum Exchange. Find more resources and share your own at https://www.SophiaInstituteforTeachers.org. Lesson Plan In this unit, students learn about agape or sacrificial love by viewing, discussing, and writing about the film (or play) Les Miserables, based on the novel by Victor Hugo. -
`` a Programme on Appreciation of Western Musical Les Misérables (Book: Written by Victor Hugo, 1832; Film: Directed by Tom Hooper, 2012)
`` A Programme on Appreciation of Western Musical Les Misérables (Book: written by Victor Hugo, 1832; Film: directed by Tom Hooper, 2012) Teaching Suggestion 1 2 Section A: Scheme of Work Date Event / Purpose Course Materials 28 Jan (M) to Listen to four sound tracks. Soundtracks: 1 Mar (F) Overture / Look Down To familiarize students with the tune, rhythm I Dreamed a Dream and melody of the musical Bring Him Home Do you Hear the People Sing? To provide an environment for the “song-in- my-head” or “stuck song syndrome” to take effect so that students would feel that they To “hook” students with the music so that they are intrigued in the plot of the story 13 Feb (W) Introduce Les Misérables. Book and DVD Day 2 Author At the End of the day Morning Message and main idea Look down Background Do you hear the people sing? The story To prepare students for the film show. They students need the historical background to understand the plot. To tie the lyrics to the story and prepare students to discover and appreciate how the lyrics and the music help to advance the story plot To familiarize students with the music and the songs so that they could “learn” to like the film To learn the general time frame of the story as depicted in the film 14 Feb (Th) Introduce Musical Theatre. Handout Day 3 Duet Duet: The Confrontation; A Morning Quartet Heart Full of Love Chorus / Ensemble Quartet: One Day More; Red and Black Introduce the characters. Chorus / Ensemble: Look down; Fantine Do You Hear the People Sing Jevert Thenardier Enjolras -
Use the Songs Listed Below to Audition for the Part Specified. We Include Digital Tracks You May Use to Sing Along with on Our W
Use the songs listed below to audition for the part specified. We include digital tracks you may use to sing along with on our website at: https://theatrecamp.byu.edu/audition. However, you may use other music/accompaniment if you would like. Words or sheet music may be searched for online; we will not be able to provide any for the audition process. Fantine – I Dreamed a Dream Valjean – Who am I Young Cosette – Castle on a Cloud Javert – Stars Eponine – On my Own Marius - Empty Chairs at Empty Tables Thernardier – Master of the House Enjolras – Do You Hear the People Sing? By accessing the MTPit soundtracks you can find digital accompaniment for the above songs. Unfortunately, the soundtrack is not divided or organized very clearly. Below we have a table pointing out the location of each song. When you look on the MTPit website, this information will make more sense. Again, you do NOT have to use the MTPit music. Also note: there is a watermark voice in the tracks that says “rehearsal track” approximately every 40-45 seconds. Track Name Song Title Character/Part 05.3-06 CART CRASH-FANTINE'S DEATH Who am I? Jean Valjean 01.3-03 PROLOGUE-I DREAMED A DREAM I Dreamed a Dream Fantine 07.1 LITTLE COSETTE Castle on a Cloud Young Cosette 12.1 STARS Stars Javert 19.1 BUILDING THE BARRICADES On my Own Eponine 27 CAFE SONG Empty Chairs at Empty Tables Marius 08 THE INNKEEPER'S SONG Master of the House Thernardier 13.2-16 ABC CAFE-HEART FULL OF LOVE Do you Hear the People Sing? Enjorlas . -
"Les Misérables," of Victor Hugo
VICTOR HUGO. SCENES AND CNARACTEES PHOTOGRAPHED BY A. A. TURNER, AFTER THE ORIGINAL DESIGNS OF G. "JBRION. NET YORE : Carleion, Publisher, 41 3 Broadway. PAEIS: PAGNEERE. III DCCC LXIII. Entetbd according to Act of Congress, in the year 1862, by QEO. TV. CARLETON, in the Clerk's Omce of tho District Court of the United States for the Southeln Disttict of New Pork R CRAIGLIRAD, Pr~nter,Stereotyper, al~dZRI~ctrotyper, Ezrtolt j3utIbu1g, 81.83, nnd 85 Cer~lreSlrecl The American Publisher of Les blidrables feels that in tho reproduction of the admirable drawings of ill.Brion, he is but fulfilling a portion of his undertaking to afford to the American people as nearly as possible the same facilities which the French people enjoy for the exhaustive study of the master-piece of the century. These magnificent designs, multiplied by the most perfect and costly process known to the graphic art, are not mere illustrations of the immortal work; they are its authoritative interpretation, as is attested by the following letter received soon after the publication of Marius from Victor Hugo himself. Letter from Victor Hugo to tho Publishers, HAUTEVILLEHOUSE,July 19th, 1862. J~ESSIEURS:-I continue to applaud the admirable work of 3. Brion. His latest designs: Little Cosetts, Father Fauchelevent, Jean Valjean in the Grave, the Death of the Colonel, the Two Children under the Truck, provo aprofound and successful study of tlie book. A grand effect, very striking, and very melan- choly, is that of Napoleon returning towards Waterloo. In my opinion 31. Brion is becoming more and more successful in this translation, for wllich he unites a multitude of diverse qualifications His is a fine talent ;tlle success which he has obtained is deserved, and I am 11:q)pyto be tho occasion of it. -
Les Miserables by Victor Hugo, Alain Boubil, Claude-Michel Schonberg
Young Critics Reviews Spring 2010-2011 Les Miserables By Victor Hugo, Alain Boubil, Claude-Michel Schonberg, Jean-Marc Natel and Herbert Kretzman At the Hippodrome Theatre through March 6 By Abby Salazar ANYTHING BUT MISERABLE How would you change your life if you were given the opportunity to start over? Would you take revenge on those who made your life miserable, or would you devote yourself to building a completely new character for yourself, forgetting everything about your past? Jean Valjean, prisoner 24601, asks himself these questions in the new stage musical at the Hippodrome Theatre based on Victor Hugo's novel, "Les Miserables." Set in France during the 1800s, it explores the world of second chances through the story of an ex-convict's new life as depicted through powerful sonic effects and exemplary visuals. “Starting over” is a familiar phrase. Many times we regret things we've done and wish we could start over, but how can we erase things that have already happened? How often do we actually start over? Valjean has made terrible mistakes, but when he is presented with the opportunity to start over, he acts decisively. He not only changes his appearance, name and location but also his values, morals and attitude. He keeps his past to himself and completely alters his outlook on life. The writers of the show emphasize his development by making connections to his past yet giving space for him to act differently according to his new persona. In the opening scene, a group of men are working hard on a slave ship. -
Any Youtube Links Or Sound Recordings Are for REFEERENCE
LES MISERABLE – Vocal Audition Selections. IMPORTANT!! Read THIS first: Any YouTube links or sound recordings are for REFEERENCE ONLY: They MAY NOT BE IN THE SAME KEY as the vocal selections!! Make sure you find a piano (or an app) and learn the selection in the key of the sheet music provided to you. The copy of the sheet music IS the audition version (AND WHAT THE ACCOMPIANIST WILL USE TO SUPPORT YOU IN YOUR AUDITION). It is your responsibility to practice the song in the key that it is written in the sheet music provided – which is not necessarily the YouTube video or sound recording! HOW TO CHOOSE A VOCAL SELECTION 1. If you REALLY want to be considered for a specific role then choose the selection for that role. 2. If you are open to any/multiple roles choose a selection that you connect with and fits your voice. 3. If you only want to be considered for a CHORUS role, choose the chorus selection. *YOU WILL BE CONSIDERED FOR ALL ROLES YOU INDICATE ON YOUR AUDITION SHEET. This is a good resource for Reference to the songs – NOTE – YOU STILL HAVE TO CHECK KEY https://stageagent.com/shows/musical/774/les-miserables/songs NOTE: AS OF NOW (11/28) THESE ARE MOST LIKELY THE SONG SELECTIONS SO YOU CAN START THINKING. I WILL POST THE ACTUAL SELECTIONS AS SOON AS THE MUSIC COMES IN! Jean Valjean: Song Selection PROBABLY “Bring Him Home” Jean Valjean is the hero of the show. It is his life journey that we follow. -
The Development of the Major Characters in the Drama “Les Miserables”
ISSN: 2302-920X Jurnal Humanis, Fakultas Ilmu Budaya Unud Vol 19.1 Mei 2017:1-9 The Development of the Major Characters in the Drama “Les Miserables” Ivet Rosenova Belevska1*, Ni Luh Nyoman Seri Malini.2, I Komang Sumaryana Putra3 [123]English Department Faculty of Arts, Udayana University 1[[email protected]] 2[[email protected]] 3[[email protected]] *Corresponding Author Abstract This study entitled “The Development of the Major Characters in the Drama Les Miserables” was aimed to identify the methods of characterization used in introducing the major characters, and also analyzing the intrinsic and extrinsic motivations that the major characters develop. The data for this study was taken from the drama script and 25th Anniversary stage performance of the drama “Les Miserables”. In collecting the data this study used library research and the data itself was analyzed qualitatively. Finally, the method of characterization of the major characters as well as the characters‟ motivations are explained. Reaske‟s theory of characterization in drama is used to determine the major characters‟ methods of characterization. For analyzing the motivations of the characters‟, the theory by Ryan and Deci is applied. From the discussion of characterization and human motivations it can be concluded that the major characters have various methods of characterization, such as character in action, dialogue between characters, asides and soliloquies, the appearance of a character, and hidden narration. However, the one that was used twice on two separate characters was dialogue between characters. The characters develop in accordance to their motivations and the majority of the character‟s motivations are concluded to be intrinsic. -
I Dreamed a Dream I Dreamed a Dream Fantine’S Iconic “I Dreamed a Dream” Song Comes Directly After She First Enters Into Prostitution
Bible Study Series STUDY 2: I DREAMED A DREAM I Dreamed a Dream Fantine’s iconic “I dreamed a dream” song comes directly after she first enters into prostitution. It tells the story of a girl who had never wanted or intended to “There was a time when men were kind, end up where she is in life. She remembers a time when life was full of hope and When their voices were soft beauty. She talks of the process that took away her dreams as “tigers that come And their words inviting. at night”, with voices “soft as thunder”. She made choices at that time that she There was a time when love was blind hoped God would forgive. But the consequences of letting a man into her bed, And the world was a song and him later leaving her with a child caught up with her such that life became a And the song was exciting. living hell. There was a time... Read Fantine’s “I Dreamed a Dream” song Then it all went wrong. I dreamed a dream in time gone by, Read John 4:1-26 When hope was high Jesus encountered many women with similar stories in the gospels. One example And life worth living. is the Samaritan woman who had five husbands, and then was living with a man I dreamed that love would never die. she was not married to. While our society’s values have changed dramatically, I dreamed that God would be forgiving. there would still not be many women today who would say that a string of broken Then I was young and unafraid marriages, and then the non-commitment of a defacto relationship was what they And dreams were made and used and wasted.