Use the Songs Listed Below to Audition for the Part Specified. We Include Digital Tracks You May Use to Sing Along with on Our W

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Use the songs listed below to audition for the part specified. We include digital tracks you may use to sing along with on our website at: https://theatrecamp.byu.edu/audition. However, you may use other music/accompaniment if you would like. Words or sheet music may be searched for online; we will not be able to provide any for the audition process. Fantine – I Dreamed a Dream Valjean – Who am I Young Cosette – Castle on a Cloud Javert – Stars Eponine – On my Own Marius - Empty Chairs at Empty Tables Thernardier – Master of the House Enjolras – Do You Hear the People Sing? By accessing the MTPit soundtracks you can find digital accompaniment for the above songs. Unfortunately, the soundtrack is not divided or organized very clearly. Below we have a table pointing out the location of each song. When you look on the MTPit website, this information will make more sense. Again, you do NOT have to use the MTPit music. Also note: there is a watermark voice in the tracks that says “rehearsal track” approximately every 40-45 seconds. Track Name Song Title Character/Part 05.3-06 CART CRASH-FANTINE'S DEATH Who am I? Jean Valjean 01.3-03 PROLOGUE-I DREAMED A DREAM I Dreamed a Dream Fantine 07.1 LITTLE COSETTE Castle on a Cloud Young Cosette 12.1 STARS Stars Javert 19.1 BUILDING THE BARRICADES On my Own Eponine 27 CAFE SONG Empty Chairs at Empty Tables Marius 08 THE INNKEEPER'S SONG Master of the House Thernardier 13.2-16 ABC CAFE-HEART FULL OF LOVE Do you Hear the People Sing? Enjorlas .

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Les Mis, Lyrics
LES MISERABLES Herbert Kretzmer (DISC ONE) ACT ONE 1. PROLOGUE (WORK SONG) CHAIN GANG Look down, look down Don't look 'em in the eye Look down, look down You're here until you die. The sun is strong It's hot as hell below Look down, look down There's twenty years to go. I've done no wrong Sweet Jesus, hear my prayer Look down, look down Sweet Jesus doesn't care I know she'll wait I know that she'll be true Look down, look down They've all forgotten you When I get free You won't see me 'Ere for dust Look down, look down Don't look 'em in the eye. !! Les Miserables!!Page 2 How long, 0 Lord, Before you let me die? Look down, look down You'll always be a slave Look down, look down, You're standing in your grave. JAVERT Now bring me prisoner 24601 Your time is up And your parole's begun You know what that means, VALJEAN Yes, it means I'm free. JAVERT No! It means You get Your yellow ticket-of-leave You are a thief. VALJEAN I stole a loaf of bread. JAVERT You robbed a house. VALJEAN I broke a window pane. My sister's child was close to death And we were starving. !! Les Miserables!!Page 3 JAVERT You will starve again Unless you learn the meaning of the law. VALJEAN I know the meaning of those 19 years A slave of the law. JAVERT Five years for what you did The rest because you tried to run Yes, 24601.
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Les Misérables School Edition Parts Chart MUSIC THEATRE INTERNATIONAL
Les Misérables School Edition Parts Chart MUSIC THEATRE INTERNATIONAL SCENE Characters ACT I 1 Prologue Convict 1 Convict 2 Convict 3 Convict 4 Convict 5 Javert Valjean Farmer Laborer Bishop Constable 1 Constable 2 The Chain Gang Constables Laborers Sister, Servant Onlookers 2 End of the Day Foreman Worker 1 Worker 2 Woman Girl 1 Girl 2 Girl 3 Girl 4 Girl 5 Fantine Valjean Chorus - the poor Chorus - the workers Women 3 I Dreamed a Dream Fantine 4 The Docks Sailor 1 Sailor 2 Sailor 3 Old Woman (hair) Pimp Whore 1 Whore 2 Whore 3 Prostitutes Bamatbois Javert Constables (nonsing) 2 Bystanders (nonsing) Valjean 5 The Cart Crash Valjean Cart scene to courtroom Onlooker 1 Onlooker 2 Onlooker 3 Onlooker 4 Fauchelevant Javert Bystanders (nonsing) 6 Fantine's Death Fantine Valjean Javert Nuns (nonsing) Les Misérables School Edition Parts Chart MUSIC THEATRE INTERNATIONAL SCENE Characters 7 Little Cosette Young Cosette Madame Thenardier Young Eponine (nonsing) 8 The Innkeeper's Song Thenardier Madame Thenardier Customers 9 The Bargain Valjean Thenardier Madame Thenardier Young Cosette (nons) 10 The Beggars Gavroche Marius Enjolras Solo Urchin Beggars Students Thenardier family 11 The Robbery Madame Thenardier Marius Eponine Thenardier Valjean Javert Thenardier family Beggars Cosette Valjean Constables 12 Stars Javert Gavroche Eponine Marius 13 The ABC Café Combferre Feuilly Courfeyrac Enjolras Joly Grantaire Gavroche Students 14 The People's Song Enjolras Combferre Feuilly Students Chorus 15 Rue Plumet Cosette Valjean Marius Eponine 16 A Heart Full
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Les Miserables by Victor Hugo, Alain Boubil, Claude-Michel Schonberg
Young Critics Reviews Spring 2010-2011 Les Miserables By Victor Hugo, Alain Boubil, Claude-Michel Schonberg, Jean-Marc Natel and Herbert Kretzman At the Hippodrome Theatre through March 6 By Abby Salazar ANYTHING BUT MISERABLE How would you change your life if you were given the opportunity to start over? Would you take revenge on those who made your life miserable, or would you devote yourself to building a completely new character for yourself, forgetting everything about your past? Jean Valjean, prisoner 24601, asks himself these questions in the new stage musical at the Hippodrome Theatre based on Victor Hugo's novel, "Les Miserables." Set in France during the 1800s, it explores the world of second chances through the story of an ex-convict's new life as depicted through powerful sonic effects and exemplary visuals. “Starting over” is a familiar phrase. Many times we regret things we've done and wish we could start over, but how can we erase things that have already happened? How often do we actually start over? Valjean has made terrible mistakes, but when he is presented with the opportunity to start over, he acts decisively. He not only changes his appearance, name and location but also his values, morals and attitude. He keeps his past to himself and completely alters his outlook on life. The writers of the show emphasize his development by making connections to his past yet giving space for him to act differently according to his new persona. In the opening scene, a group of men are working hard on a slave ship.
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Any Youtube Links Or Sound Recordings Are for REFEERENCE
LES MISERABLE – Vocal Audition Selections. IMPORTANT!! Read THIS first: Any YouTube links or sound recordings are for REFEERENCE ONLY: They MAY NOT BE IN THE SAME KEY as the vocal selections!! Make sure you find a piano (or an app) and learn the selection in the key of the sheet music provided to you. The copy of the sheet music IS the audition version (AND WHAT THE ACCOMPIANIST WILL USE TO SUPPORT YOU IN YOUR AUDITION). It is your responsibility to practice the song in the key that it is written in the sheet music provided – which is not necessarily the YouTube video or sound recording! HOW TO CHOOSE A VOCAL SELECTION 1. If you REALLY want to be considered for a specific role then choose the selection for that role. 2. If you are open to any/multiple roles choose a selection that you connect with and fits your voice. 3. If you only want to be considered for a CHORUS role, choose the chorus selection. *YOU WILL BE CONSIDERED FOR ALL ROLES YOU INDICATE ON YOUR AUDITION SHEET. This is a good resource for Reference to the songs – NOTE – YOU STILL HAVE TO CHECK KEY https://stageagent.com/shows/musical/774/les-miserables/songs NOTE: AS OF NOW (11/28) THESE ARE MOST LIKELY THE SONG SELECTIONS SO YOU CAN START THINKING. I WILL POST THE ACTUAL SELECTIONS AS SOON AS THE MUSIC COMES IN! Jean Valjean: Song Selection PROBABLY “Bring Him Home” Jean Valjean is the hero of the show. It is his life journey that we follow.
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I Dreamed a Dream I Dreamed a Dream Fantine’S Iconic “I Dreamed a Dream” Song Comes Directly After She First Enters Into Prostitution
Bible Study Series STUDY 2: I DREAMED A DREAM I Dreamed a Dream Fantine’s iconic “I dreamed a dream” song comes directly after she first enters into prostitution. It tells the story of a girl who had never wanted or intended to “There was a time when men were kind, end up where she is in life. She remembers a time when life was full of hope and When their voices were soft beauty. She talks of the process that took away her dreams as “tigers that come And their words inviting. at night”, with voices “soft as thunder”. She made choices at that time that she There was a time when love was blind hoped God would forgive. But the consequences of letting a man into her bed, And the world was a song and him later leaving her with a child caught up with her such that life became a And the song was exciting. living hell. There was a time... Read Fantine’s “I Dreamed a Dream” song Then it all went wrong. I dreamed a dream in time gone by, Read John 4:1-26 When hope was high Jesus encountered many women with similar stories in the gospels. One example And life worth living. is the Samaritan woman who had five husbands, and then was living with a man I dreamed that love would never die. she was not married to. While our society’s values have changed dramatically, I dreamed that God would be forgiving. there would still not be many women today who would say that a string of broken Then I was young and unafraid marriages, and then the non-commitment of a defacto relationship was what they And dreams were made and used and wasted.
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I Dreamed a Dream
I Dreamed A Dream I Dreamed A Dream Les Misérables (Susan Boyle) Music by Claude-Michel Schönberg Original Lyrics by Alain Boublil & Jean-Marc Natel English Lyrics by Herbert Kretzmer Tenderly q = c.69 molto rit. Eb Eb/D Cm Eb/G Ab Ab/Bb Bb 6fr 3fr 3fr 3fr 4fr p A tempo Eb Eb/D Cm Gm/Bb Ab Eb/G 6fr 3fr 3fr 4fr 3fr I dreamed a dream in time gone by, when hope was high and life worth Fm Bb Eb Eb/D Cm Gm/Bb 6fr 3fr 3fr 3 liv - ing. I dreamed thatlove would nev- er die, 3 Female Vocals Grade 7 Grade Vocals Female 28 © Copyright (Music & Lyrics) 1980 Editions Musicales Alain Boublil. English Lyrics © Copyright 1985 Alain Boublil Music Limited (ASCAP). All Rights Reserved. International Copyright Secured. American Boy Estelle Words & Music by Will Adams, John Stephens, Kanye West, Keith Harris, American BoyJosh Lopez, Caleb Speir, Estelle Swaray & Kweli Washington q = 118 Em7 B Am7 3 3 3 3 3 3 Em7 B Am7 3 3 3 3 Emaj7 Cmaj9 Just an- oth - er one, cham -pi - on sound. Yeah, Es- telle, we ’bout to get down. Am9 D9 5fr 4fr Who the hot -test in the world right now? Just touched down in Lon -don town. Female Vocals Grade 7 Grade Vocals Female © Copyright 2008 Will.I.Am Music Inc./John Legend Publishing/Broke Spoke And Gone Publishing/EMI April Music Inc./Songs Of Universal Inc./ 36 Please Gimme My Publishing, Inc./Speir Music/Larry Leron Music/Cue GroupMusic, USA/Chrysalis Music Limited.
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Les Miserables School Edition Auditions
., Les Miserables School Edition Auditions Please sign up for Les Miserables auditions through the link below: httn:f/www.signungenius.com/go/10c044ea9a722a31-lesmisrables············-···-~···-· .......................................................... ················-~·- ............................................................................... ·······················--··---··--········································-···---······························--······-·······················-··············-····· Audition Dates and Times Auditions: Tuesday, September 8, 3:30pm Full Cast Wednesday, September 9, 3:30pm Principle Roles Callbacks: Thursday, September 10, 3:30pm Audition Material Full Cast: The People's Song Principle Roles: At the End of the Day AND one or more of the following songs: Women: I Dreamed a Dream, Fantine A Heart Full of Love, Eponine or Cosette On My Own, Eponine Men: The Innkeeper's Song, Thenardier Stars, Javert A Heart Full of Love, Marius Bring Him Home, Valjean ·' Les Miserables School Edition PLEASE PRINT CLEARLY NAME: ___________________GRADE: __ PHONE: _________ PARENT/GUARDIAN PHONE: ________ PARENT /GUARDIAN EMAIL: ___________ ROLES INTERESTED IN: REHEARSAL CONFLICTS: Please note any ~tra-curricular activities or family events that may conflict with the rehearsal schedule (SEPT 16- NOV 5 typically from 3:30-5:45). Opening night is Friday, November 6 at 7:00pm ., Les Miserables School Edition Summary In 19th century France, Jean Valjean is released from years of unjust imprisonment, but finds nothing in store for him but mistrust and mistreatment. He breaks his parole in hopes of starting a new life, initiating a life-long struggle for redemption as he is relentlessly pursued by police inspector }avert, who refuses to believe Valjean can change his ways. Finally, during the Paris student uprising of 1832, }avert must confront his ideals after Val jean spares his life and saves that of the student revolutionary who has captured the heart ofValjean's adopted daughter.
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SOLO SONGS -Please Pick One Short Song Selection Below (Does NOT Need to Be Memorized)
SOLO SONGS -Please pick one short song selection below (does NOT need to be memorized) FANTINE- I Dreamed A Dream Youtube- I dreamed a Dream https://youtu.be/ijozndlwmg?t=57s I dreamed a dream in time gone by When hope was high and life worth living I dreamed that love would never die I dreamed that God would be forgiving Then I was young and unafraid And dreams were made and used and wasted There was no ransom to be paid No song unsung No wine untasted ENJOLRAS - Do You Hear The People Sing? Youtube clip Do you here the People Sing? https://youtu.be/k5pzjhu8ii0 Do you hear the people sing? Singing the songs of angry men? It is the music of the people Who will not be slaves again! When the beating of your heart Echoes the beating of the drums There is a life about to start When tomorrow comes! MONOLOUGES- Please choose one character from below and speak without music as a monologue. Does NOT need to be memorized. Cosette: How strange, this feeling that my life's begun at last. This change, can people really fall in love so fast? What's the matter with you, Cosette? Have you been too much on your own? So many things unclear, so many things unknown. In my life there are so many questions and answers that somehow seem wrong. There are times when I catch in the silence the sigh of a faraway song and it sings of a world that I long to see. Out of reach, just a whisper away, waiting for me! Thenardier: Welcome, Monsieur, sit yourself down and meet the best Innkeeper in town.
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Casting Brief
MELBOURNE, AUSTRALIA 2014 CASTING BRIEF TM © 1986 CMOL CAMERON MACKINTOSH Presents THE NEW 25th ANNIVERSARY PRODUCTION OF BOUBLIL AND SCHÖNBERG’S LES MISÉRABLES A musical based on the novel by VICTOR HUGO Music by Claude-Michel Schönberg Lyrics by Herbert Kretzmer Original French text by Alain Boublil and Jean-Marc Natel PRODUCTION TEAM Producer Cameron Mackintosh Director Laurence Connor and James Powell Musical Supervisor Stephen Brooker Set Design Matt Kinley Lighting Design Paule Constable Sound Design Mick Potter Costume Design Adreane Neofitou Associate Director Chris Key Associate Music Supervisor James Dodgson Casting Director Serena Hill Executive Producer Michael Cassel TM © 1986 CMOL PRODUCTION BACKGROUND Cameron Mackintosh’s legendary production of Boublil and Schönberg’s classic sweeps its audience through an epic tale of passion and destruction in 19th century France. The 25th Anniversary Production is directed by Laurence Connor and James Powell and designed by Matt Kinley inspired by the paintings of Victor Hugo. Original costumes by Andreane Neofitou, lighting by Paule Constable and sound by Mick Potter. Based on Victor Hugo’s classic novel, Les Misérables is an epic and uplifting story about the survival of the human spirit. The magnificent score of Les Misérables includes the songs I Dreamed a Dream, On My Own, Stars, Bring Him Home, Do You Hear the People Sing?, One Day More, Empty Chairs at Empty Tables, Master Of The House and many more. The new production of Les Misérables has been acclaimed by critics, fans and new audiences for the last three years, breaking box office records internationally and inspiring filmmakers to make the outstandingly successful movie which has gone on to win 3 Golden Globes®, 4 BAFTA’s and receive 8 Academy Award® nominations.
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Les-Miserables-Сборник-Нот.Pdf
1 Piano/Voral Selections e.. :ameron Mackintosh presents . Musical by lain Boublil & Claude-Michel Schonberg A. C - I - Piano/Vocal Selections Les Miserables .Cameron Mackintosh presents usical by in Boublil8c Claude-Michel Schonberg rics by Herbert Kretzmer ased on the Novel by Victor Hugo A Cameron Mackintosh1 byal Shakespeare Company Production Production creditsfrom thepmt London production: 1 usic by Claude-Michel Schonberg erics by Herbert Kretzmer Origmal French lyrics by Alain BoubIil & Jean-Marc Natel ' Additional material by James Fenton - - Musical supervision and orchestrations by .a+= John Cameron k,,."A!!AS-. Musical direction by Martin Koch Sound by Andrew Bruce/ Autograph -- Musical staging by Kate Flatt Costumes by Andreane Neofitou ' Lighting by David Hersey P Designed by John Napier Adapted and Directed by Trevor Nunn &John Caird Alain Boublil (Overseas) Limited Wise l!ubIi&tions London /New York / Sydney The idea of turning Les Misbabks into a musical came to me one evening in 1979 during a visit to London, where I had come - naturally - to see musicals. To the French, Victor Hugo's classic novel has the status of a national monument, and I was well aware at the outset that such an enterprise would be regarded by the guardians of our heritage as an act of desecration. Nonetheless, I discussed my idea with the composer Claude-Michel Schonberg. It seemed to both of us that here was a most exciting challenge, and a unique opportunity to work outside of the established conventions of musical theatre. Hugo's original text lent itself very well to operatic treat- ment, and after nine months of hard work we had trans- formed the 1500-page book into an opera libretto of three acts, seven tableaux - together with a detailed description of the music and lyrics of the whole score as we then imagined it.
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Eagan High School Theatre 2020 Presents
Eagan High School Theatre 2020 Presents Performed entirely by students A musical by ALAIN BOUBLIL and CLAUDE-MICHEL SCHONBERG School Edition specially adapted and licensed by MUSIC THEATRE INTERNATIONAL and CAMERON MACKINTOSH (OVERSEAS) LTD The Cast Jean Valjean.............................................................................Graham Zemke Javert, a policeman......................................................................Finn Wallace Marius................................................................................................Will New Enjolras......................................................................................Kevin Kodalen Thenardier, an innkeeper.......................................................Cooper Swanson Fantine..........................................................................................Neha Nayak Young Cosette,Fantine’s daughter..................................................Grace Park Gavroche, an urchin..............................................................Annika Sorensen Cosette..................................................................................Audrey Schwartz Eponine.........................................................................................Evelyn Gore Madame Thenardier, the innkeeper’s wife...................................Dani Fraher Grantaire/The Bishop of Digne/Frauchelevant..........................Eric Sorensen Joly/Farmer/Laborer/Constable 2................................................James Eiden Jean Prouvaire/Foreman/Constable
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Factfile: Gce Music Aos3 Secular Vocal Music: Musicals
FACTFILE: GCE MUSIC AOS3 SECULAR VOCAL MUSIC: MUSICALS Kern: Ol’ Man River from Showboat Showboat by Jerome Kern (1885-1945) with lyrics The melodic features of this opening theme include by Oscar Hammerstein II marked a significant falling stepwise movement (b. 1), repetition milestone in the development of the American (bb.1-2), descending sequence (bb. 5-6 are the musical for the following reasons: same as bb. 1-2 only a third lower) and regular (i) It was one of the first musicals in which the four-bar phrasing. Harmonically speaking, the first musical numbers were an integral part of the phrase uses the three primary triads within the key production. of C major and ends with an imperfect cadence in (ii) The subject matter was serious rather than b. 4 while the second phrase begins on A minor and comic i.e. racial inequality. finishes with a perfect cadence in the tonic key. (iii) There was a deliberate attempt to create an African-American flavour through the use of The second melody, Ol’ Man River, consists folk-like melodies, “blue” notes, syncopation entirely of the notes of the pentatonic scale and and the inclusion of the banjo in the also contains repetition (bb. 9-10 and 13-14) and orchestration. syncopation in every bar: (iv) Musical motifs were used for dramatic purpose, to portray characters or to connect scenes. Ex. 2 Joe (bb. 9-15) Ol’ Man River is one of the best-known songs from The harmonisation of its first four bars is centred on Showboat with its enormous popularity partly due C major which alternates with A minor and F major to Paul Robeson‘s celebrated performance in the chords.
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