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The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
Classifying Textile
Classifying textile In this detailed guide you can find definitions of common garments, clearly explained. While it may seem complex at first glance, you should check the attributes of the garments to ensure that they are being correctly classified. Often a small feature or point of difference will mean classifying your garments in a different classification code than you may otherwise assume. Classifying garments for the upper parts of the body ..............................................................................................1 Classifying garments for the lower parts of the body...............................................................................................5 Classifying dresses..................................................................................................................................................5 Classifying suits and ensembles ..............................................................................................................................6 Classifying clothing accessories...............................................................................................................................7 Classifying specialist clothing..................................................................................................................................7 Classifying garments for the upper parts of the body Blouses and shirt-blouses Shirts and shirt blouses are classified under heading codes 6106 (if knitted or crocheted) or 6206. They are defined as garments: • designed -
Spring/Summer 2019
SPRING/SUMMER 2019 CLASSIC ROLL UP GOSSAMER INTRODUCING THE... B166 B176 4” UPTURN BRIM & ROUND CROWN 3 1/2” MEDIUM BRIM & ROUND CROWN GOSSAMER MINI Adjustable Sweatband, UPF 50+ Sun Protection Adjustable Sweatband, UPF 50+ Sun Protection B1899H 50% Paper, 33% Polypropylene, 17% Polyester 50% Paper, 33% Polypropylene, 17% Polyester 3 1/4” MEDIUM BRIM & ROUND CROWN Auburn Sand, Black, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester Auburn Sand, Black, Denim Multi, White: SPRING/SUMMER 2019 Adjustable Sweatband, UPF 50+ Sun Protection 45% Paper, 35% Polypropylene, 20% Polyester 50% Paper, 33% Polypropylene, 17% Polyester Auburn Sand, Black, Confetti, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester OCEAN AUBURN SAND DENIM MULTI BLACK MULTI AUBURN SAND CONFETTI DENIM MULTI AUBURN SAND BLACK BLACK MULTI BLACK BLACK MULTI TROPICAL MULTI ECRU WHITE NATURAL CONFETTI ECRU NATURAL ECRU NATURAL NAVY RATTLESNAKE WHITE DENIM MULTI BLACK RATTLESNAKE RATTLESNAKE TRUE RED WHITE CLASSIC ROLL UP GOSSAMER INTRODUCING THE... B166 B176 4” UPTURN BRIM & ROUND CROWN 3 1/2” MEDIUM BRIM & ROUND CROWN GOSSAMER MINI Adjustable Sweatband, UPF 50+ Sun Protection Adjustable Sweatband, UPF 50+ Sun Protection B1899H 50% Paper, 33% Polypropylene, 17% Polyester 50% Paper, 33% Polypropylene, 17% Polyester 3 1/4” MEDIUM BRIM & ROUND CROWN Auburn Sand, Black, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester Auburn Sand, Black, Denim Multi, White: Adjustable Sweatband, UPF 50+ Sun Protection 45% Paper, 35% Polypropylene, 20% -
2011 ACS PUMS DATA DICTIONARY August 7, 2015 HOUSING RECORD
2011 ACS PUMS DATA DICTIONARY August 7, 2015 HOUSING RECORD RT 1 Record Type H .Housing Record or Group Quarters Unit SERIALNO 7 Housing unit/GQ person serial number 0000001..9999999 .Unique identifier DIVISION 1 Division code 0 .Puerto Rico 1 .New England (Northeast region) 2 .Middle Atlantic (Northeast region) 3 .East North Central (Midwest region) 4 .West North Central (Midwest region) 5 .South Atlantic (South region) 6 .East South Central (South region) 7 .West South Central (South Region) 8 .Mountain (West region) 9 .Pacific (West region) PUMA 5 Public use microdata area code (PUMA) 00100..08200 .Public use microdata area codes 77777 .Combination of 01801, 01802, and 01905 in Louisiana Note: Public use microdata areas (PUMAs) designate areas of 100,000 or more population. Use with ST for unique code. REGION 1 Region code 1 .Northeast 2 .Midwest 3 .South 4 .West 9 .Puerto Rico ST 2 State Code 01 .Alabama/AL 02 .Alaska/AK 04 .Arizona/AZ 05 .Arkansas/AR 06 .California/CA 08 .Colorado/CO 09 .Connecticut/CT 10 .Delaware/DE 11 .District of Columbia/DC 12 .Florida/FL 13 .Georgia/GA 1 15 .Hawaii/HI 16 .Idaho/ID 17 .Illinois/IL 18 .Indiana/IN 19 .Iowa/IA 20 .Kansas/KS 21 .Kentucky/KY 22 .Louisiana/LA 23 .Maine/ME 24 .Maryland/MD 25 .Massachusetts/MA 26 .Michigan/MI 27 .Minnesota/MN 28 .Mississippi/MS 29 .Missouri/MO 30 .Montana/MT 31 .Nebraska/NE 32 .Nevada/NV 33 .New Hampshire/NH 34 .New Jersey/NJ 35 .New Mexico/NM 36 .New York/NY 37 .North Carolina/NC 38 .North Dakota/ND 39 .Ohio/OH 40 .Oklahoma/OK 41 .Oregon/OR 42 .Pennsylvania/PA 44 .Rhode -
LABORS and EXPERIENCES of Laura S. Haviland
Library of Congress A woman's life-work Shine for the oppressed Laura S. Haviland Woman's Life-Work: LABORS AND EXPERIENCES OF Laura S. Haviland. LIBRARY OF CONGRESS Aug 16 1883 m No. 16750 CITY OF WASHINGTON. CINCINNATI: PRINTED BY WALDEN & STOWE, FOR THE AUTHOR. 1882. E450 .H38 Copyright by LAURA S. HAVILAND, 1881. DEDICATION. TO My Two Sons, and Four Daughters, and Families; ALSO TO THE Home and Foreign Missionaries ARE THESE PAGES DEDICATED. The Author. PREFACE. In presenting the following pages to the public, without the trace of an excellent scholar or eloquent orator, I fully realize my inability to compete with writers of the nineteenth century. With this incompetency in view, I have hesitated and delayed until three-score and thirteen years are closing over me. Yet as I am still spared to toil on a little longer in the great field so white to harvest, praying the Lord of the harvest to arm and send forth more laborers, because they are too few, I ask an indulgent public to allow my deep and abiding sympathies for the oppressed and sorrowing of ever nation, class or color, to plead my excuse for sending forth simple, unvarnished facts and experiences, hoping they may increase an aspiration for the active doing, instead of saying what ought to be done, with excusing self for want of ability, when it is to be found in HIm who is saying, “My grace is sufficient for thee, for my strength is perfect in weakness.” LAURA S. HAVILAND. A woman's life-work http://www.loc.gov/resource/lhbum.24792 Library of Congress October, 1881. -
CATEGORY TITLE AUTHOR Basic Weaving/Techniques Mastering
CATEGORY TITLE AUTHOR Basic Weaving/Techniques Mastering Weave Structures Alderman Basic Weaving/Techniques Textile Handbook Ame Basic Weaving/Techniques Shuttle Craft Book of American Handweaving Atwater Basic Weaving/Techniques Finishes in the Ethnic Tradition Baizerman Basic Weaving/Techniques Key to Weaving Black Basic Weaving/Techniques Book of Looms: History of Handloom Broudy Basic Weaving/Techniques Understanding Rayon Chenille Butler Basic Weaving/Techniques Learning to Weave Chandler Basic Weaving/Techniques Simple Weaving Chetwynd Basic Weaving/Techniques Craft of the Weaver Colllingwood Basic Weaving/Techniques All About Weaving: Comprehensive Guide to the Craft Creager Basic Weaving/Techniques Weaving: A Creative Approach for Beginners Creager Basic Weaving/Techniques Samplers You Can Use Drooker Basic Weaving/Techniques Easy Weaving With Supplemental Warps Essen Basic Weaving/Techniques Warping All by Yourself Garrett Basic Weaving/Techniques Next Steps in Weaving Graver Basic Weaving/Techniques Sectional Warping Made Easy Groff Basic Weaving/Techniques Weaving: A Handbook of the Fiber Arts Held Basic Weaving/Techniques Creative Weaving Howard Basic Weaving/Techniques Warp and Weave LeClerc Basic Weaving/Techniques Everybody's Weaving Book Lewis Basic Weaving/Techniques Hands on Weaving Liebler Basic Weaving/Techniques Weaver's Companion Ligon Basic Weaving/Techniques Manual of Helpful Hints forHandweavers Mannings Basic Weaving/Techniques Compendium of Finishing Techniques McEneely Basic Weaving/Techniques Weaving as an -
The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade Jacqueline Field University of Southern Maine Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Field, Jacqueline, "The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade" (2002). Textile Society of America Symposium Proceedings. 384. https://digitalcommons.unl.edu/tsaconf/384 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade by Jacqueline Field Haskell Silk Company founder, James Haskell, was a native of the Cape Anne, area of Massachusetts.1 In this locale his early career included service in numerous public and business capacities, not least as agent for The Rockport Steam Cotton Company, and as a State Senator.2 He was a man experienced in politics, finance and textile production. He moved to Maine in 1858 when he acquired the cotton mill at Saccarappa Falls, Westbrook.3 Under his management the mill, renamed The Westbrook Manufacturing Company, flourished and expanded. In 1874, his elder son, Frank Haskell, assumed the role of agent. At the same time James took advantage of, by now, well developed machine twist-making technology and launched into the youngest branch of the textile industry--silk. -
PDF File Generated From
OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] RESTltlCTED IP.III>/Sm.A/1061 26 SeptaltJer 1988 f 10b~-E aaGniU.: :oG.ISH URGENT ASSISTANCE 'l'O THE ARGENTIRE \IOOL INDUSTRY SI/ARG/86/836/11-03 THE ARGENTINE REPUBLIC -· Technical report: Finishing of wool and wool blends* Prepared for the Governaent of the Argentine Republic by the United N•tions Industrial Development Organization. -
The Judicial Branch
Chapter V THE JUDICIAL BRANCH The Judicial Branch . 341 The Supreme Court . 342 The Court of Appeals . 353 Michigan Trial Courts . 365 Judicial Branch Agencies . 381 2013– 2014 ORGANIZATION OF THE JUDICIAL BRANCH Supreme Court 7 Justices State Court Administrative Office Court of Appeals (4 Districts) 28 Judges Circuit Court Court of Claims (57 Circuits) Hears claims against the 218 Judges State. This is a function of General Jurisdiction the 30th Judicial Circuit Court, includes Court (Ingham County). Family Division Probate District Court Municipal Court (78 Courts) (104 Districts) (4 Courts) 103 Judges 248 Judges 4 Judges Certain types of cases may be appealed directly to the Court of Appeals. The Constitution of the State of Michigan of 1963 provides that “The judicial power of the state is vested exclusively in one court of justice which shall be divided into one supreme court, one court of appeals, one trial court of general jurisdiction known as the circuit court, one probate court, and courts of limited jurisdiction that the legislature may establish by a two-thirds vote of the members elected to and serving in each house.” Michigan Manual 2013 -2014 Chapter V – THE JUDICIAL BRANCH • 341 THE SUPREME COURT JUSTICES OF THE MICHIGAN SUPREME COURT Term expires ROBERT P. YOUNG, JR., Chief Justice . Jan. 1, 2019 MICHAEL F. CAVANAGH . Jan. 1, 2015 MARY BETH KELLY . Jan. 1, 2019 STEPHEN J. MARKMAN . Jan. 1, 2021 BRIDGET MARY MCCORMACK . Jan. 1, 2021 DAVID F. VIVIANO . Jan. 1, 2015 BRIAN K. ZAHRA . Jan. 1, 2015 www.courts.mi.gov/supremecourt History Under the territorial government of Michigan established in 1805, the supreme court consisted of a chief judge and two associate judges appointed by the President of the United States. -
I Was Tempted by a Pretty Coloured Muslin
“I was tempted by a pretty y y coloured muslin”: Jane Austen and the Art of Being Fashionable MARY HAFNER-LANEY Mary Hafner-Laney is an historic costumer. Using her thirty-plus years of trial-and-error experience, she has given presentations and workshops on how women of the past dressed to historical societies, literary groups, and costuming and re-enactment organizations. She is retired from the State of Washington . E E plucked that first leaf o ff the fig tree in the Garden of Eden and decided green was her color, women of all times and all places have been interested in fashion and in being fashionable. Jane Austen herself wrote , “I beleive Finery must have it” (23 September 1813) , and in Northanger Abbey we read that Mrs. Allen cannot begin to enjoy the delights of Bath until she “was provided with a dress of the newest fashion” (20). Whether a woman was like Jane and “so tired & ashamed of half my present stock that I even blush at the sight of the wardrobe which contains them ” (25 December 1798) or like the two Miss Beauforts in Sanditon , who required “six new Dresses each for a three days visit” (Minor Works 421), dress was a problem to be solved. There were no big-name designers with models to show o ff their creations. There was no Project Runway . There were no department stores or clothing empori - ums where one could browse for and purchase garments of the latest fashion. How did a woman achieve a stylish appearance? Just as we have Vogue , Elle and In Style magazines to keep us up to date on the most current styles, women of the Regency era had The Ladies Magazine , La Belle Assemblée , Le Beau Monde , The Gallery of Fashion , and a host of other publications (Decker) . -
Local Disadvantages and the Weaver's Wage in the British Cotton Industry
Local Disadvantages and the Weaver's Wage in the British Cotton Industry K.C.Jackson Department of Textile Industries, University of Leeds, Leeds, LS2 9JT. 1 Introduction A recent paper in " Ars Textrina" [ 1 ] provided an assessment of the Uni form List,1 which was the basis for determining the piece-rate earnings of weavers in most sectors of the British cotton industry from 1892, until it was gradually superseded following the Second World War. Although the List introduced rigidities in the labour market, nominally it had the advantage for operatives and employers alike, of discouraging under cutting of selling prices on the basis of wage cuts during periods of poor trade. However, this safeguard did not survive the severe pressures of the interwar years, as the legalisation of the List in 1935 testifies [2]. Un der more favorable trading conditions, the List also reduced the chances of disputes arising from wage differentials between mills and between districts. While the Uniform List provided a focus for collective wage bar gaining at industry level between the Amalgamated Weavers' Associ ation (AWA) and the Cotton Spinners and Manufacturers' Association (CSMA), it was not applied universally, since there were sectors of cot ton weaving for which its provisions were not appropriate. Thus sepa rate arrangements evolved in the production of sheetings, the weaving 1 Although the term Uniform List is used throughout this paper, the discussion below relates also to the Colne List, which from 1892 to 1935 was the industry-wide basis for determining wages in the weaving of coloured fabrics. The original Uni form List and the Colne List formed the basis respectively of the Grey and Coloured Sections of the revised Uniform List of 1935. -
A Comparison of the Patterns Formed by Primary Textile Structures and Their Photographic Abstraction
Rochester Institute of Technology RIT Scholar Works Theses 9-22-1976 A comparison of the patterns formed by primary textile structures and their photographic abstraction Pamela Perlman Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Perlman, Pamela, "A comparison of the patterns formed by primary textile structures and their photographic abstraction" (1976). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Thesis Proposal for the Master of Fine Arts De gree Collee;e of Fine and Applj_ed .Arts Rochester Institute of Technology Title: A Comparison of the Fatterns Formed by Primary Textile structures and their Phot ographic Abstraction Submitted by: Pamela Anne Perlman Date: September 22, 1976 Thesis Co mm it te~: Nr . Donald Du jnowski I-Ir. I,l az Lenderman hr. Ed 1iiller Depart~ental Approval : Date :-:--g---li6~-r-71-b-r-/ ----- ---------~~~~~'~~~r------------------------- Chairman of the School for American Craftsme:l: ___-r-----,,~---- ____ Da t e : ---.:...,'?7~JtJ--J7~i,-=-~ ___ _ Chairr.ian of the Gr3.duate Prog:rarn: ------------------------~/~~/~. --- Date: ___________________~ /~~,~~;j~~, (~/_' ~i~/~: 7 / Final Committee Decision: Date: ----------------------- Thesis Proposal for the Master of Fine Arts Degree College of Fine and Applied Arts Rochester Institute of Technology Title: A Comparison of the Patterns Frmed by Primary Textile Structures and their Photographic Abstraction My concern in textiles is with structure and materials. I v/ould like to do v/all hangings based on primary textile structures such as knotting, looping, pile, balanced weaves, and tapestry.