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La Traviata’ Makes for a Chilly Evening in LA
OperaOnline.us Worldwide reviews for a worldwide audience Act II party scene Photo: Robert Millard Marta Domingo’s new 1920s ‘La Traviata’ makes for a chilly evening in LA. GIUSEPPE VERDI LA TRAVIATA LOS ANGELES OPERA JUNE 13, 2006 By Carol Jean Delmar OperaOnline.us Although Los Angeles Opera’s new production of “La Traviata” boasts some pretty fancy chirping, “it just ain’t got no soul” -- even though there is a jazz band on the stage of the Dorothy Chandler Pavilion in the Act II party sequence. It’s a young “Traviata.” Violetta is no longer the Parisian courtesan Verdi patterned after Marie Duplessis, renamed Marguerite Gautier, in Alexandre Dumas’ “La Dame aux Camélias,” a memoristic novel, then play, which Dumas wrote based on his ill-fated love affair with Duplessis, who died of tuberculosis in 1847 at the age of 23. Because of the morés of the times, early productions of “Traviata” were set in the 1700s, since audiences simply wouldn’t tolerate an opera based on the life of a young man of class having a steady relationship with a fallen woman, even if she had indeed acquired the social graces of the élite. Of course later productions were modernized to the mid-1800s. But Marta Domingo’s new production is far more youthful. She has moved the action to the 1920s. And although the synopsis in the program places it in Paris, Domingo clearly assigns it to the flapper era in the United States, according to her program note. The production has a decidedly American flair to it, with art-deco disco touches, mirrored spinning balls hanging from the rafters, and Ziegfield Follies-type dancers flitting around the stage. -
Enrique Ferrer
Enrique Ferrer Nace en Madrid. Comienza sus estudios en el Real Conservatorio Superior de Música de Madrid, donde estudia bajo la dirección de la Mª Luisa Castellanos en la Cátedra de Pedro Lavirgen. En 1989 es contratado por José Tamayo en su compañía La Antología de la Zarzuela para una tourne mundial. En 1993 fue premiado en el Concurso Nacional de Canto “Ciudad de Logroño”. Un año más tarde gana una beca de estudios en la academia The Academy of Vocal Arts de Filadelfia, Estados Unidos, donde estudia con los maestros Cristopher Macatsoris y Bill Shuman. Protagoniza las óperas, “Falstaff “,“Don Giovanni”, “Così fan tutte” y “Don Pasquale”, El Mesías y varios conciertos en el Carnegie Hall de New York. Obtiene grandes sucesos de público y de crítica que lo califica como “unas de las grandes promesas jóvenes de la lirica”. Es finalista en el Concurso Internacional de Canto en Philadelphia “Luciano Pavarotti”. El Maestro se muestra entusiasmado por las dotes vocales y artística del joven tenor. Premiado en el Concurso Internacional de Canto Jaime Aragall en Barcelona. Durante 1995 formó parte de una producción de “Luisa Fernanda” en el Teatro Colón de Bogotá. En 1997 debuta en el Teatro Lírico Nacional de la Zarzuela “El Rey que Rabió” de R. Chapí, “La Fama del Tartanero” del mismo Teatro, “La Canción del Olvido”, “Don Gil de Alcalá” en producción del Teatro de la Zarzuela. Ha participado en varias grabaciones para televisión de zarzuelas como “Los Gavilanes” y “La del Manojo de Rosas”. Desde el 2004 participa en todas las galas de zarzuela de año nuevo que se realizan en el Auditorio Nacional de Música de Madrid. -
La Traviata Dido and Aeneas / Bluebeard's Castle Sondra
La Traviata GIUSEPPE VERDI September 13 – 28, 2014 Production made possible by generous gifts from The Milan Panic Family and Barbara Augusta Teichert. Special underwriting support from Joyce and Aubrey Chernick. HENRY PURCELL / Dido and Aeneas / Bluebeard’s Castle BÉLA BARTÓK October 25 – November 15, 2014 Production made possible by the generous support of the Tarasenka Pankiv Fund (Tara Colburn). Support for the guest conductor provided by the Beatrix F. Padway and Nathaniel W. Finston Conductors Fund. Sondra Radvanovsky in Recital November 8, 2014 DANIEL CATÁN / Florencia en el Amazonas MARCELA FUENTES-BERAIN November 22 – December 20, 2014 Underwriting support from the Jane and Peter Hemmings Production Fund, a gift from the Flora L. Thornton Trust. Original production supported by Edward E. and Alicia Garcia Clark, an Anonymous Donor, AT&T, and Drs. Dennis and Susan Carlyle. THE FIGARO TRILOGY JOHN CORIGLIANO / The Ghosts of Versailles WILLIAM M. HOFFMAN February 7 – March 1, 2015 Production made possible in part by a generous gift from the Ann and Gordon Getty Foundation. T H E F I G A R O T R I L O G Y The Barber of Seville GIOACHINO ROSSINI February 28 – March 22, 2015 Production made possible by generous funding from The Seaver Endowment and from The Alfred and Claude Mann Fund, in honor of Plácido Domingo. Noah’s Flood BENJAMIN BRITTEN March 6 – 7, 2015, at the Cathedral of Our Lady of the Angels Production made possible with generous underwriting support from the Dan Murphy Foundation. T H E F I G A R O T R I L O G Y The Marriage of Figaro WOLFGANG AMADEUS MOZART March 21 – April 12, 2015 Production made possible by a generous gift from The Carol and Warner Henry Production Fund for Mozart Operas. -
Network Notebook
Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
“¿Qué Dice Usted?”: Discourses of Femininity in Nueva Trova
“¿QUÉ DICE USTED?”: DISCOURSES OF FEMININITY IN NUEVA TROVA CUBANA by JULIANNE L. GRAPER A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2014 THESIS APPROVAL PAGE Student: Julianne L. Graper Title: “¿Qué Dice Usted?”: Discourses of Femininity in Nueva Trova Cubana This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the School of Music and Dance by: Juan Eduardo Wolf Chairperson Loren Kajikawa Member Carlos Aguirre Member and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2014 ii © 2014 Julianne L Graper iii THESIS ABSTRACT Julianne L. Graper Master of Arts School of Music and Dance June 2014 Title: “¿Qué Dice Usted?”: Discourses of Femininity in Nueva Trova Cubana Following the Revolution of 1959, the Cuban government implemented policy reforms geared towards increasing women’s rights. Despite these efforts, however, sexism persists in Cuban society. This difference between rhetoric and reality is reflected in the song genre, nueva trova, which foregrounds a progressive agenda for women’s rights but continues to marginalize their participation. Prominent nueva trova performers Silvio Rodríguez and Pablo Milanés advocate women’s rights in their songs, but their music remains couched in patriarchal structures that prevent women from speaking for themselves. Sara González, one of the first prominent female nueva trova composers, was able to integrate into government-supported trova institutions by adopting a masculine, revolutionary aesthetic, which she then adapted to feminist themes to combat the ideological disparity. -
Billboard Magazine
Pop's princess takes country's newbie under her wing as part of this season's live music mash -up, May 31, 2014 1billboard.com a girl -powered punch completewith talk of, yep, who gets to wear the transparent skirt So 99U 8.99C,, UK £5.50 SAMSUNG THE NEXT BIG THING IN MUSIC 200+ Ad Free* Customized MINI I LK Stations Radio For You Powered by: Q SLACKER With more than 200 stations and a catalog of over 13 million songs, listen to your favorite songs with no interruption from ads. GET IT ON 0)*.Google play *For a limited time 2014 Samsung Telecommunications America, LLC. Samsung and Milk Music are both trademarks of Samsung Electronics Co. Ltd. Appearance of device may vary. Device screen imagessimulated. Other company names, product names and marks mentioned herein are the property of their respective owners and may be trademarks or registered trademarks. Contents ON THE COVER Katy Perry and Kacey Musgraves photographed by Lauren Dukoff on April 17 at Sony Pictures in Culver City. For an exclusive interview and behind-the-scenes video, go to Billboard.com or Billboard.com/ipad. THIS WEEK Special Double Issue Volume 126 / No. 18 TO OUR READERS Billboard will publish its next issue on June 7. Please check Billboard.biz for 24-7 business coverage. Kesha photographed by Austin Hargrave on May 18 at the MGM Grand Garden Arena in Las Vegas. FEATURES TOPLINE MUSIC 30 Kacey Musgraves and Katy 5 Can anything stop the rise of 47 Robyn and Royksopp, Perry What’s expected when Spotify? (Yes, actually.) Christina Perri, Deniro Farrar 16 a country ingenue and a Chart Movers Latin’s 50 Reviews Coldplay, pop superstar meet up on pop trouble, Disclosure John Fullbright, Quirke 40 “ getting ready for tour? Fun and profits. -
Extensions of Remarks E 815 EXTENSIONS of REMARKS
April 7, 1995 CONGRESSIONAL RECORD Ð Extensions of Remarks E 815 EXTENSIONS OF REMARKS A TRIBUTE TO THE ROTARY CLUB the suffering of women and their families Mr. Speaker, I know my colleagues join me OF MARYSVILLE serves as a healing process for the abused in commending Reverend Pham on this spe- and as an educating tool for our communities. cial day. He has led an outstanding life of HON. VIC FAZIO Through this medium, nationally, public aware- service and devotion not only to his church, OF CALIFORNIA ness of domestic violence has grown since the but to his community as well. I want to take IN THE HOUSE OF REPRESENTATIVES Clothesline Project last came to Washington. this opportunity to let Reverend Pham know In 1994, Congress enacted the Violence the community he serves is most grateful for Thursday, April 6, 1995 Against Women Act as part of the omnibus his friendship and service. Mr. FAZIO of California. Mr. Speaker, I rise crime bill. This legislation combined stricter f today to pay tribute to the 75th anniversary of penalties for domestic violence crimes with the Rotary Club of Marysville, CA. Founded in funding for programs to combat violence IN RECOGNITION OF DR. SAM against women. While harsh sentences and 1920, the Rotary Club of Marysville has been SCHAUERMAN a strong leader in encouraging and fostering new financial resources comprise a new com- community service in the Yuba-Sutter area. mitment on the part of Congress to combat This club has reached out to a wide variety this war on women, they are obviously not HON. -
La Traviata – World Renowned Cast LA Opera Season Opener Attended by Placido Domingo
< Back to previous page Home > Arts & Entertainment > Theatre | Region: United States > Southern California La Traviata – World Renowned Cast LA Opera Season Opener Attended by Placido Domingo By Ester Molayeme Sep 17, 2006 Special to The Epoch Times LOS ANGELES—Opening the 2006/07 Season of the LA Opera is the special presentation of Giuseppe Verdi's La Traviata, visually stunning, with the world renowned cast of Renée Fleming, Rolando Villazόn, and Renato Bruson. La Traviata marks LA Opera's first filming of the stage performance for DVD release by Decca. The sold-out Opening Night Gala on Saturday, September 9, 2006, at the Dorothy Chandler Pavilion, was marked by spectacular elegance. Fashionably dressed celebrities walked on the Pavilion's red carpet under the bright, reflecting chandeliers. Receiving a warm welcome was the LA Opera's new music director, James Conlon, who was for over 25 years associated with the Metropolitan Opera, for 10 years as the Principal Conductor of the Paris Opera, and who appeared in many of the world's most important opera companies, such as La Scala, and the Royal Opera House Covent Garden, among others. La Traviata is one of Verdi's most performed operas for its extraordinary arias filled with beautiful coloratura. Early in the performance we see the American soprano Renée Fleming shining as the beautiful, charming, and very vulnerable Violetta Valéry, who bears her soul to her new admirer, Alfredo Germont. SOPRANO: Renée Fleming stars in La Traviata as Violetta. (Andrew Eccles/Decca) In "Un di' felice eterea" Alfredo declares his love for Violetta with touching sincerity. -
The St. Petersburg Times
NO. 619 FRIDAY, NOVEMBER 10, 2000 WWW.SPTIMES.RU CENTRAL BANK RATE Of Nudity and Smirnov Versus Plagued by the 27.65 27.72 27.70 Severed Heads Smirnov ... Sanctions Curse 27.75 27.80 Mariinsky gets new version Rival brothers in feud for Irap sees an alarming rise in 27.85 27.90 of Strauss opera. Page 10. vodka company. Page 6. fatal diseases. Page 18. 11/01 11/02 11/03 11/09 11/10 U.S. Caught in Electoral Quagmire By David Royse tally by The Associated Press. The orig- In response to the Gore campaign’s risk doing so at the expense of our Buchanan said “ineptitude” in ballot THE ASSOCIATED PRESS inal “final” margin had been reported request for a manual recount, Palm democracy.” design may have caused many TALLAHASSEE, Florida — George at 1,784. Beach County agreed to hand-count More than a thousand Gore sup- Democrats to vote for him inadver- W. Bush’s lead over Al Gore in crucial The recount, required under state ballots in three precincts Saturday. porters demonstrated outside a govern- tently. Florida shrank to fewer than 400 votes law because of the close result, was still With the outcome of the presidential ment building in downtown West Palm James A. Baker III, the former sec- on Thursday, with allegations of irregu- in progress late Thursday, some 48 race in the balance, allegations on both Beach, demanding another election in retary of state brought in by Bush to larities swirling and several thousand hours after polls closed. sides became increasingly heated. -
Kitty Mcnamee Commercials: Corporate
Kitty McNamee Commercials: MADD PSA Choreographer Dir. Derek Taylor / Taylor Prods Uniqlo Color Bottoms Choreographer Dir. Yoichi Komatsu / Monster Grey Ant Sunglass Launch Director Hysterica Prod Proactiv Choreographer Dir. Victoria Simpson / Lieberman Prods Hexbug Choreographer Dir. Paul Lazarus / Rockhard Films Corporate: Adobe MAX Choreographer Dir. David Mackie / Nokia Theater Flash on the Beach Choreographer Dir. Gmunk / Black Swan Prods Black Swan/Surreal4Real Choreographer Dir. Nicole Disson / Vibiana Prods X-Box Choreographer Dir. Kenneth Hughes / SONY Fashion Week Director/Choreographer Grey Ant / NYC Hello Kitty's 40th Birthday Creative The Lime Hotel Party Director/Choreographer WET Design Creative Wynn, Macau Consultant/Choreographer Film: The Yellow Room Director/Choreographer Hysterica Prods Summer Dance Choreographer G-4 Choreographer Dir. Anna Biani / Flying Turtle & Stephen Berez Entelechy Choreographer Dir. Ariana Delawari / Delawari Productions Laura Marling-When Brave Choreographer Dir. Fred & Nick / Virgin Bird Saved Records Anytime With Bob Kushell Choreographer Dir. Bob Kushell / SONY What were you thinking? Choreographer Dir. Sean Mewshaw / RipFest Miscellaneous: Hysterica Dance Co. Alex Theatre Choreographer Bouncy / Los Angeles El Portal/Nvitational Choreographer The Wheel / Los Angeles LA County Museum of Art Choreographer New Music / Los Angeles White Wave Perf Space Choreographer Wave Rising Festival / NYC Unknown Theater Choreographer Crust / Los Angeles Ford Amphitheatre Choreographer Hysterica X / Los -
La Mujer Invisible –The Invisible Woman
Torres Narváez 1 Beliza Torres Narváez Doctoral Student Performance as Public Practice Department of Theatre and Dance University of Texas in Austin THE PERFORMANCE OF RACE IN LA MUJER INVISIBLE La mujer invisible -the invisible woman- steps on stage wearing sexy black go-go boots and a low-cut, knee-high, black-and-white polka dot dress that accentuates her big curvy body. Her head is crowned with dark brown unruly curls. She looks fabulous and she knows it. La mujer invisible came to tell it to your face, she is going to say it all as it is. When she starts singing, you just have to hold your breath and let her sensual, potent voice caress you, that same voice that will bluntly tell you a couple of truths. When I first saw Nancy Millán’s performance La Mujer Invisible, I was deeply moved by her compelling story about growing up a fat girl and becoming an over-weight woman. Her presence on stage was an act of resistance against dominant standards of women’s beauty. Instead of asking for our sympathy and pity, she claims visibility as a woman and as an actress by producing her own performance piece, where she is the protagonist, standing in the center, becoming the evidence that fatness is not the opposite of beauty or talent. After seeing Millán’s work I could not stop myself from writing about it. My short review, as other reviews published or comments circulating the Internet have been mainly concerned with the quality of the show and its main theme: obesity and body image. -
La Traviata Resources
LA TRAVIATA RESOURCES Books/Plays The Cambridge History of Nineteenth-Century Music Author: Jim Samson. Notes: Provides basic reference information and history of nineteenth- century music. Illustrated. English. 772 pages. Cambridge University Press. 2001. Camille: A Play in Five Acts By: Alexandre Dumas Jr. Translator: Matilda Heron. English. 72 pages. Kessinger Publishing. 2009. Camille: The Fate of a Coquette (play) By: Alexandre Dumas. Translator: Henriette Metcalf. Notes: Broadway revival, which opened in 1935. The production starred Richard Waring and Eva Le Gallienne. Samuel French. 1959. La Dame aux Camélias (novel) By: Alexandre Dumas (Fils). Translator: David Coward. Notes: Dumas's subtle and moving portrait of a woman in love is based on his own love affair with a desirable courtesan in Paris. English. 256 pages. Oxford University Press. 2008. La Dame aux Camélias (novel) By: Alexandre Dumas. Notes: This is the touching story of the romance between Armand Duval, Dumas' alter ego, and the beautiful courtesan Marguerite Gaultier. Marguerite sacrifices her own happiness for Armand's sake, only to result in a tragic conclusion. Dumas, fils, has written a moving and engrossing book that reveals the effects of love on human nature. French Edition. 422 pages. Pocket. 2000. La Traviata (full Score) By: Giuseppe Verdi. Notes: This is the complete orchestral and vocal score of Verdi's sentimental favorite. Ideal companion for the student or opera fanatic who really wants to see what Verdi wrote for whom. English. 432 pages. Dover Publications. 1990. Sarah Bernhardt: The Art of High Drama Author: Carol Ockman. Contributor: The Jewish Museum, NY. Notes: Sarah Bernhardt’s (Marguerite in the film La dame aux camélias) importance extended beyond the world of theater—she was an icon, a target of admiration and scorn, an artist, and a trendsetter.