Florida's Premier Live Music Festival
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B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
In Christ in Christ, All Things Hold Together –Colossians 1:17 All Are One in Christ Jesus –Galatians 3:28
A HOUSE FOR ALL GOD’S PEOPLE April 11, 2021 10:00 a.m. Community…in Christ In Christ, all things hold together –Colossians 1:17 All are one in Christ Jesus –Galatians 3:28 SECOND EASTER Blockbuster Sunday – A Journey Through Music of the Movies MEETING GOD IN MUSIC Concerning Hobbits Howard Shore --from Lord of the Rings: The Fellowship of the Ring The Sound of Music Rodgers and Hammerstein --from The Sound of Music Ryan Huebner and Tricia Melzer-Swaydrak, vocalists My day in the hills has come to end I know A star has come out to tell me it’s time to go But deep in the dark green forest Are voices that urge me to stay So I pause and I wait and I listen For one more sound for one more lovely thing That the hills might say The hills are alive With the sound of music With songs they have sung For a thousand years The hills fill my heart With the sound of music My heart wants to sing ev’ry song it hears My heart wants to beat like the wings of the birds That rise from the lake to the trees My heart wants to sigh like a chime that flies From a church on a breeze To laugh like a brook when it trips and falls Over stones on it’s way To sing through the night Like a lark who is learning to prey I go to the hills When my heart is lonely I know I will hear What I’ve heard before My heart will be blessed With the sound of music And I’ll sing once more WORDS OF WELCOME Welcome to in-person worship at Glenview Community Church! As we work to keep one another safe during the pandemic, please maintain a distance of six feet from people not in your household, sit only with people in your household or Covid bubble, wear a mask covering your nose and mouth at all times (except when receiving the elements of Communion), speak and sing in a whisper with your mask on, don’t touch anything unnecessarily, and wait for an usher to dismiss you at the end of the service. -
Montrose, Houston, Texas 77006; Phone: (713) BODLE of CHAMPAGNE and ROSES on MOVE-IN
5 YEARS OLD••• AND STILLGROWING STRONG!!! In Celebration of our 5th Anniversary BUY ONE YEAR NOW AND GEl YOUR SECOND YEAR FREE!!! At the FITNESS EXCHANGE we tailor a program to meet your needs and supervise you on our DOUBLE LINE OF NAUTILUS EQUIPMENT. Our SUNTANA (UVA) tanning beds are safer than the sun itself. Available also are FREE WEIGHTS. sauna. jacuzzi. juices. great music and more. HOURS: MON-FRI BAM-10PM. SAT 10AM-BPM. SUN NOON-BPM OFFERENDS APRIL 30! DALLAS ~ IFlllrrnesrs HOUSTON NUMBERS WELCOMES THE WHITE PARTY 2615 Oak Lawn 0 ~C UI:] aD 3307 Richmond #101 at Maple eD«:InrAlnOO at Buffalo Speedway PHONE 526-1220 NAUTILUS FOR MEN PHONE 524-9932 MEMBERS WORKOUT FREE IN ... PAGE 4 TWT APRIL 13 - 19, 1984 Dallas, Houston, Los Angeles, New York and San Francisco ~ ANNOUNCIN(;' HOUSTON'S NEWEST GAY APARTMENT COMMUNITY .. CORPORATE LEASING AVAILABLE IF You LIVE OUT OF STATE. PLEASE TELEPHONE COLLECT. _----~(ONTENTS Volume 10, Number 4 April 13-19, 1984 11 TWTNEWS~ _ I,V 'I/-2~\ 21.06 Appeal April 17, FBI Investigates San Antonio Shooting Death. ~~r- >- •......- ---,-,'----7':". "-: 19 COMMENT _ J 21 NEWSTALKPublic Forum _ ~'." - u: City Councilman George Greanias-Conclusion by Chuck Patrick ~~~~.~trlfte. yV"f-: 29 HIGHLlGHT _ .,r~\~~~*":\\~~:'~\.c 35 GaysBOOKSin Nazi Germany - Horrors of the Past by Herb Croner, Ph.D._ ,'i'~' ~'i. Streetbou Dreams. by Kevin Essner Reviewed by David Fields Out on a Limb. by Shirley MacLaine Reviewed by Sara lindley 38 MOVIES _ Hard to Hold. with Rick Springfield Reviewed by 0. Flores Alvarez ROSEWOOD ESTATES Romancing the Stone. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Music Theory Through the Lens of Film
Journal of Film Music 5.1-2 (2012) 177-196 ISSN (print) 1087-7142 doi:10.1558/jfm.v5i1-2.177 ISSN (online) 1758-860X ARTICLE Music Theory through the Lens of Film FranK LEhman Tufts University [email protected] Abstract: The encounter of a musical repertoire with a theoretical system benefits the latter even as it serves the former. A robustly applied theoretic apparatus hones our appreciation of a given corpus, especially one such as film music, for which comparatively little analytical attention has been devoted. Just as true, if less frequently offered as a motivator for analysis, is the way in which the chosen music theoretical system stands to see its underlying assumptions clarified and its practical resources enhanced by such contact. The innate programmaticism and aesthetic immediacy of film music makes it especially suited to enrich a number of theoretical practices. A habit particularly ripe for this exposure is tonal hermeneutics: the process of interpreting music through its harmonic relationships. Interpreting cinema through harmony not only sharpens our understanding of various film music idioms, but considerably refines the critical machinery behind its analysis. The theoretical approach focused on here is transformation theory, a system devised for analysis of art music (particularly from the nineteenth century) but nevertheless eminently suited for film music. By attending to the perceptually salient changes rather than static objects of musical discourse, transformation theory avoids some of the bugbears of conventional tonal hermeneutics for film (such as the tyranny of the “15 second rule”) while remaining exceptionally well calibrated towards musical structure and detail. -
Mason Bates Mothership (2011)
MASON BATES MOTHERSHIP (2011) “The joining of horse hair and electrons seems Having raced across the world, the ship slows “The orchestra is seamless, completely complimentary - totally additive down. Electronic beeps provide a docking of the resources of the ensemble” TommyTrumpets signal, inviting a pair of soloists to come aboard the world’s greatest “Always enjoy rocking out to this piece!! Full of the mothership. A door opens with a hydraulic emotion. :-)” Jay Coles hiss and the first visitor’s musical voice takes synthesiser” Mason Bates “That Bassoon part is so badass! What a very cool over, quickly followed by another. True to the piece. Unique, and I like the electronic drums! It really Internet’s democracy, soloists are welcome to adds character.” ian2120 improvise on any instrument to make their own unique contribution. The pattern repeats, with These are just a handful of the 500+ comments the ship racing off to a new location, but the left on YouTube videos of Mothership. The second ‘docking episode’ welcomes visitors Internet has brought a new freedom of with very different personalities. Music and expression, allowing us to connect with other Internet both encompass hugely varied voices. people like never before – across continents, between age groups, and blind of education. As sci-fi as this seems, Mothership actually ‘TommyTrumpets’ could just as easily be your takes its structure from two centuries earlier. next door neighbour as Thomas Adès or Tom In his Second Symphony, Robert Schumann Hiddleston, the Internet having brought about wrote a scherzo with double trio, a form that an utterly democratic forum to consume and Bates takes and updates. -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006. -
Ira Gershwin
Late Night Jazz – Ira Gershwin Samstag, 15. September 2018 22.05 – 24.00 SRF 2 Kultur Der ältere Bruder des Jahrhundertkomponisten George Gershwin (1898 – 1937) verschwindet hinter dem Genie des jüngeren Gershwin zuweilen etwas. Dabei lieferte er kongeniale Texte zu George Gershwin’s Melodien, zum Beispiel für die Oper «Porgy and Bess». Und nach dem frühen Tod des Bruders arbeitete Ira noch fast fünfzig Jahre weiter. Er schrieb Songtexte zu Melodien von Harold Arlen, Jerome Kern und Kurt Weill, die von Stars wie Barbra Streisand oder Frank Sinatra gesungen wurden. Redaktion: Beat Blaser Moderation: Annina Salis Sonny Stitt - Verve Jazz Masters 50 (1959) Label: Verve Track 01: I Got Rhythm Judy Garland - A Star Is Born (1954) Label: Columbia Track 03: Gotta Have Me Go with You Benny Goodman Sextet - Slipped Disc 1945 – 1946 (1945) Label: CBS Track 12: Liza Cab Calloway and His Orchestra - 1942-1947 (1945) Label: Classics Records Track 07: All at Once Ira Gershwin & Kurt Weill - Tryout. A series of private rehearsal recordings (1945) Label: DRG Track 07: Manhattan (Indian Song) Oscar Peterson Trio - The Gershwin Songbooks (1952) Label: Verve Track 06: Oh, Lady Be Good Ella Fitzgerald - Get happy! (1959) Label: Verve Track 02: Cheerful Little Earful Artie Shaw - In the Beginning (1936) Label: HEP Records Track 03: I Used to Be Above Love Stan Getz - West Coast Jazz (1955) Label: Verve Track 08: Of Thee I Sing Judy Garland - A star is born (1954) Label: Columbia Track 16: Here's What I'm Here For The Four Freshmen - The Complete Capitol Four -
Mona Lisa LEON BOTSTEIN, Conductor
Friday Evening, February 20, 2015, at 8:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents Mona Lisa LEON BOTSTEIN, Conductor MAX VON SCHILLINGS Mona Lisa ACT I Intermission ACT II Foreigner/Francesco del Giocondo: MICHAEL ANTHONY MCGEE, Bass-baritone Woman/Mona Fiordalisa: PETRA MARIA SCHNITZER, Soprano Lay Brother/Giovanni de Salviati: PAUL MCNAMARA, Tenor Pietro Tumoni: JUSTIN HOPKINS, Bass-baritone Arrigo Oldofredi: ROBERT CHAFIN, Tenor Alessio Beneventi: JOHN EASTERLIN, Tenor Sandro da Luzzano: CHRISTOPHER BURCHETT, Baritone Masolino Pedruzzi: MICHAEL SCARCELLE, Bass-baritone Mona Ginevra: ILANA DAVIDSON, Soprano Dianora: LUCY FITZ GIBBON, Soprano Piccarda: KATHERINE MAYSEK, Mezzo-soprano Sisto: JOHN KAWA, Tenor BARD FESTIVAL CHORALE JAMES BAGWELL, Director This evening’s concert will run approximately two hours and 20 minutes including one 20-minute intermission. Used by arrangement with European American Music Distributors Company, sole U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner. American Symphony Orchestra welcomes the many organizations who participate in our Community Access Program, which provides free and low-cost tickets to underserved groups in New York’s five boroughs. For information on how you can support this program, please call (212) 868-9276. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. FROM THE Music Director The Stolen Smile DVDs or pirated videos. Opera is the by Leon Botstein one medium from the past that resists technological reproduction. A concert This concert performance of Max von version still represents properly the Schillings’ 1915 Mona Lisa is the latest sonority and the multi-dimensional installment of a series of concert perfor- aspect crucial to the operatic experi- mances of rare operas the ASO has pio- ence. -
Copyright Connections
NASHVILLE'S PITCH SHEET SINCE 1992 Thursday, March 11, 2010 Copyright Connections ONLINE DIRECTORY Play On, including her current single, Subscribers can access the courtesy MusicRow.com “Temporary Home.” “Hillbilly Bone,” recorded Industry Contact Directory >>Tonight (3/11), the Alex LeVasseur at www.musicrow.com/ by Blake Shelton and featuring Trace Adkins, Memorial Scholarship Program will present directory. If you don't have is another current Laird-penned single Jeffrey Steele and Friends, an intimate a directory password email climbing the country charts. Tim McGraw, [email protected]. evening with Jeffrey Steele, Danny Gokey, Rascal Flatts, Lee Ann Womack, Jessica Heidi Newfield, Sarah Buxton, Bob Simpson, Holly Williams, Clay Walker, Jessica ROWFAX POLICY Dipiero, LoCash Cowboys and Pearl Heart Harp, Julianne Hough, Little Big Town, Respect Intellectual at Nashville’s Rocketown. Proceeds from the Property. Sharing your Katharine McPhee, Joe Nichols and Laura Bell event will benefit the Alex LeVasseur subscription with others is Bundy are just a few of the artists who have Memorial Fund of The Community Foundation prohibited. RowFax is for recently chosen to record Luke’s work. professional use only and and its scholarship program, which helps does not guarantee song overlooked and underprivileged youth in pitching access. It is up to >>BMI will honor John Fogerty as a BMI Nashville by motivating them in school and in the subscriber to use their Icon at its 58th Annual Pop Awards, slated for life. Tickets are available at own resources and contacts Tuesday, May 18 at the Beverly Wilshire Hotel to submit material. RowFax NowPlayingNashville.com in Los Angeles. -
Herbert's Songs: Designed for Classical Singers A
HERBERT’S SONGS: DESIGNED FOR CLASSICAL SINGERS A CREATIVE PROJECT PAPER SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE MASTERS OF MUSIC BY LAURA R. KRELL DR. MEI ZHONG-ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA JULY, 2012 Herbert’s Songs: Designed for Classical Singers Introduction Victor Herbert has undoubtedly provided America some of its greatest, most tender, romantic, invigorating, and challenging songs for soprano. Today, Herbert’s masterworks appear simultaneously in both Musical Theater Anthologies and Operatic Collections. Many students encounter questions as to performance practice: can these songs be sung as “musical theater,” with young, immature voices, or should they be studied by classical singers? Despite the pool of speculation swirling around this issue, there has not been any significant research on this particular topic. This study will detail the vocal abilities of Herbert’s most prolific sopranos (Alice Nielsen, Fritzi Scheff, and Emma Trentini), and identify compositional elements of three of Herbert’s most famous arias (“The Song of the Danube,” “Kiss Me Again,” and “Italian Street Song”), using historical data to demonstrate that each composition was tailored specifically for the versatility and profound vocal ability of each opera singer, and is poorly mishandled by those without proper classical training. The writer will offer observations from three amateur online recordings of “Art Is Calling For Me.” The writer will use the recordings to highlight specific pitfalls untrained singers may encounter while singing Herbert, such as maneuvering coloratura passages, breath control, singing large intervallic leaps, and the repeated use of the upper tessitura. -
Holiday Issue 2014 CUES
OPERAVolume 55 Number 03 | Holiday Issue 2014 CUES World Premiere Iain Bell and Simon Callow A CHRISTMAS CAROL DECEMBER 5, 7, 9, 11, 14, 16, 17, 19, 20, 21 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Iain Bell Simon Callow Perryn Leech Myles Mellor For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera Readers of Houston Grand Opera’s Mobile: HGO.org Opera Cues magazine are the most desirable prospects for an advertiser’s message. LOYAL: 51 percent of readers have been reading Opera Cues for more than three years. DEDICATED: 42 percent of readers read the magazine from cover to cover. EDUCATED: More than 90 percent are college-educated, and 57 percent hold graduate degrees. SOCIAL: 44 percent patronize downtown restaurants when they go to a performance at Houston Grand Opera. For more information on advertising in Opera Cues, call Matt Ross at 713-956-0908. 2 | Opera Cues Holiday Issue 2014 www.HGO.org B:8.625” T:8.375” S:7.875” KEEPING ELITE PERFORMERS IN THE SPOTLIGHT.