Enrique Ferrer

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Enrique Ferrer Nace en Madrid. Comienza sus estudios en el Real Conservatorio Superior de Música de Madrid, donde estudia bajo la dirección de la Mª Luisa Castellanos en la Cátedra de Pedro Lavirgen. En 1989 es contratado por José Tamayo en su compañía La Antología de la Zarzuela para una tourne mundial. En 1993 fue premiado en el Concurso Nacional de Canto “Ciudad de Logroño”. Un año más tarde gana una beca de estudios en la academia The Academy of Vocal Arts de Filadelfia, Estados Unidos, donde estudia con los maestros Cristopher Macatsoris y Bill Shuman. Protagoniza las óperas, “Falstaff “,“Don Giovanni”, “Così fan tutte” y “Don Pasquale”, El Mesías y varios conciertos en el Carnegie Hall de New York. Obtiene grandes sucesos de público y de crítica que lo califica como “unas de las grandes promesas jóvenes de la lirica”. Es finalista en el Concurso Internacional de Canto en Philadelphia “Luciano Pavarotti”. El Maestro se muestra entusiasmado por las dotes vocales y artística del joven tenor. Premiado en el Concurso Internacional de Canto Jaime Aragall en Barcelona. Durante 1995 formó parte de una producción de “Luisa Fernanda” en el Teatro Colón de Bogotá. En 1997 debuta en el Teatro Lírico Nacional de la Zarzuela “El Rey que Rabió” de R. Chapí, “La Fama del Tartanero” del mismo Teatro, “La Canción del Olvido”, “Don Gil de Alcalá” en producción del Teatro de la Zarzuela. Ha participado en varias grabaciones para televisión de zarzuelas como “Los Gavilanes” y “La del Manojo de Rosas”. Desde el 2004 participa en todas las galas de zarzuela de año nuevo que se realizan en el Auditorio Nacional de Música de Madrid. Ha formado parte del elenco principal del estreno en España de la producción de “El Fantasma de la Opera” de Andrew Lloyd Webber, en Madrid. Debuta en el Kennedy Center de Washintong en una producción de “La Traviata” bajo la dirección de Placido Domingo e puesta en escena de Marta Domingo. En 2000 se traslada a Italia para perfeccionarse en el repertorio italiano , realizando diversos conciertos. En el 2001 interviene en una nueva producción de “Lucia di Lammemor” en Oviedo, “Il Pipistrello” en Bilbao y “ Rigoletto” en Madrid. Desde el 2003 la natural evolución de su vocalidad, le ha permitido ampliar su repertorio; debuta “Carmen” en Lima , Perù en 2006, “ Manon Lascaut” en Izmir, Turquia 2007 y Amica en el Teatro dell’Opera di Roma en 2008. En el 2009 “Manon Lescaut” y “ La Vida Breve” en la Opera di Ankara , “Andrea Chenier” en la Operà de Montecarlo , “ Tosca” en el Festival Puccini di Torre del Lago , “La Boheme” en el Teatro Jovellanos di Gijon ( Spagna). Nel 2010 “ Manon Lescaut “ Lyon, “La Boheme” a Montecarlo, Carmen en Italia, Francesca da Rimini a Buennos aires. En el 2011 Luisa Fernanda al Teatro de la Zarzuela, Manon Lescaut a Montpellier, La Boheme y Nabucco a la Arena de Verona, en el 2012 “Turandot” , La Navarraise” a Montecarlo, “Stiffelio”, “Carmen”, “La Forza de Destino” a Koln“ Pepita Jimenez”( Primera Sudamericana) 2012, “Amica” 2013, Tosca 2013, IL Trovatore 2014 en Koln. .

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La Traviata’ Makes for a Chilly Evening in LA
OperaOnline.us Worldwide reviews for a worldwide audience Act II party scene Photo: Robert Millard Marta Domingo’s new 1920s ‘La Traviata’ makes for a chilly evening in LA. GIUSEPPE VERDI LA TRAVIATA LOS ANGELES OPERA JUNE 13, 2006 By Carol Jean Delmar OperaOnline.us Although Los Angeles Opera’s new production of “La Traviata” boasts some pretty fancy chirping, “it just ain’t got no soul” -- even though there is a jazz band on the stage of the Dorothy Chandler Pavilion in the Act II party sequence. It’s a young “Traviata.” Violetta is no longer the Parisian courtesan Verdi patterned after Marie Duplessis, renamed Marguerite Gautier, in Alexandre Dumas’ “La Dame aux Camélias,” a memoristic novel, then play, which Dumas wrote based on his ill-fated love affair with Duplessis, who died of tuberculosis in 1847 at the age of 23. Because of the morés of the times, early productions of “Traviata” were set in the 1700s, since audiences simply wouldn’t tolerate an opera based on the life of a young man of class having a steady relationship with a fallen woman, even if she had indeed acquired the social graces of the élite. Of course later productions were modernized to the mid-1800s. But Marta Domingo’s new production is far more youthful. She has moved the action to the 1920s. And although the synopsis in the program places it in Paris, Domingo clearly assigns it to the flapper era in the United States, according to her program note. The production has a decidedly American flair to it, with art-deco disco touches, mirrored spinning balls hanging from the rafters, and Ziegfield Follies-type dancers flitting around the stage.
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La Traviata Dido and Aeneas / Bluebeard's Castle Sondra
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Network Notebook
Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
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Billboard Magazine
Pop's princess takes country's newbie under her wing as part of this season's live music mash -up, May 31, 2014 1billboard.com a girl -powered punch completewith talk of, yep, who gets to wear the transparent skirt So 99U 8.99C,, UK £5.50 SAMSUNG THE NEXT BIG THING IN MUSIC 200+ Ad Free* Customized MINI I LK Stations Radio For You Powered by: Q SLACKER With more than 200 stations and a catalog of over 13 million songs, listen to your favorite songs with no interruption from ads. GET IT ON 0)*.Google play *For a limited time 2014 Samsung Telecommunications America, LLC. Samsung and Milk Music are both trademarks of Samsung Electronics Co. Ltd. Appearance of device may vary. Device screen imagessimulated. Other company names, product names and marks mentioned herein are the property of their respective owners and may be trademarks or registered trademarks. Contents ON THE COVER Katy Perry and Kacey Musgraves photographed by Lauren Dukoff on April 17 at Sony Pictures in Culver City. For an exclusive interview and behind-the-scenes video, go to Billboard.com or Billboard.com/ipad. THIS WEEK Special Double Issue Volume 126 / No. 18 TO OUR READERS Billboard will publish its next issue on June 7. Please check Billboard.biz for 24-7 business coverage. Kesha photographed by Austin Hargrave on May 18 at the MGM Grand Garden Arena in Las Vegas. FEATURES TOPLINE MUSIC 30 Kacey Musgraves and Katy 5 Can anything stop the rise of 47 Robyn and Royksopp, Perry What’s expected when Spotify? (Yes, actually.) Christina Perri, Deniro Farrar 16 a country ingenue and a Chart Movers Latin’s 50 Reviews Coldplay, pop superstar meet up on pop trouble, Disclosure John Fullbright, Quirke 40 “ getting ready for tour? Fun and profits.
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La Traviata – World Renowned Cast LA Opera Season Opener Attended by Placido Domingo
< Back to previous page Home > Arts & Entertainment > Theatre | Region: United States > Southern California La Traviata – World Renowned Cast LA Opera Season Opener Attended by Placido Domingo By Ester Molayeme Sep 17, 2006 Special to The Epoch Times LOS ANGELES—Opening the 2006/07 Season of the LA Opera is the special presentation of Giuseppe Verdi's La Traviata, visually stunning, with the world renowned cast of Renée Fleming, Rolando Villazόn, and Renato Bruson. La Traviata marks LA Opera's first filming of the stage performance for DVD release by Decca. The sold-out Opening Night Gala on Saturday, September 9, 2006, at the Dorothy Chandler Pavilion, was marked by spectacular elegance. Fashionably dressed celebrities walked on the Pavilion's red carpet under the bright, reflecting chandeliers. Receiving a warm welcome was the LA Opera's new music director, James Conlon, who was for over 25 years associated with the Metropolitan Opera, for 10 years as the Principal Conductor of the Paris Opera, and who appeared in many of the world's most important opera companies, such as La Scala, and the Royal Opera House Covent Garden, among others. La Traviata is one of Verdi's most performed operas for its extraordinary arias filled with beautiful coloratura. Early in the performance we see the American soprano Renée Fleming shining as the beautiful, charming, and very vulnerable Violetta Valéry, who bears her soul to her new admirer, Alfredo Germont. SOPRANO: Renée Fleming stars in La Traviata as Violetta. (Andrew Eccles/Decca) In "Un di' felice eterea" Alfredo declares his love for Violetta with touching sincerity.
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The St. Petersburg Times
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Kitty Mcnamee Commercials: Corporate
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La Traviata Resources
LA TRAVIATA RESOURCES Books/Plays The Cambridge History of Nineteenth-Century Music Author: Jim Samson. Notes: Provides basic reference information and history of nineteenth- century music. Illustrated. English. 772 pages. Cambridge University Press. 2001. Camille: A Play in Five Acts By: Alexandre Dumas Jr. Translator: Matilda Heron. English. 72 pages. Kessinger Publishing. 2009. Camille: The Fate of a Coquette (play) By: Alexandre Dumas. Translator: Henriette Metcalf. Notes: Broadway revival, which opened in 1935. The production starred Richard Waring and Eva Le Gallienne. Samuel French. 1959. La Dame aux Camélias (novel) By: Alexandre Dumas (Fils). Translator: David Coward. Notes: Dumas's subtle and moving portrait of a woman in love is based on his own love affair with a desirable courtesan in Paris. English. 256 pages. Oxford University Press. 2008. La Dame aux Camélias (novel) By: Alexandre Dumas. Notes: This is the touching story of the romance between Armand Duval, Dumas' alter ego, and the beautiful courtesan Marguerite Gaultier. Marguerite sacrifices her own happiness for Armand's sake, only to result in a tragic conclusion. Dumas, fils, has written a moving and engrossing book that reveals the effects of love on human nature. French Edition. 422 pages. Pocket. 2000. La Traviata (full Score) By: Giuseppe Verdi. Notes: This is the complete orchestral and vocal score of Verdi's sentimental favorite. Ideal companion for the student or opera fanatic who really wants to see what Verdi wrote for whom. English. 432 pages. Dover Publications. 1990. Sarah Bernhardt: The Art of High Drama Author: Carol Ockman. Contributor: The Jewish Museum, NY. Notes: Sarah Bernhardt’s (Marguerite in the film La dame aux camélias) importance extended beyond the world of theater—she was an icon, a target of admiration and scorn, an artist, and a trendsetter.
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Deutsche Nationalbibliografie 2014 T 06
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About the Artists Musicals and Operettas, Including My Fair Lady, Carousel, the King and I, West Side Story, Show Boat, the Sound of Music, the Merry Widow and Zorba
In addition to her operatic roles she has sung many leading roles in About the Artists musicals and operettas, including My Fair Lady, Carousel, The King and I, West Side Story, Show Boat, The Sound of Music, The Merry Widow and Zorba. Recitals in the United States and Canada include a New York City debut in the New York Festival of Songs Series with pianist Michael Michael Baitzer, piano, is currently on the full-time music staff of Barrett and Guest Artist with symphony orchestras of Houston, Washington National Opera, a position he began last season after five Cleveland, Corpus Christi, Victoria, and the National Symphony. She seasons on a part-time basis, as well as on the music staff of Wolf Trap was last seen nationally and internationally on TV in the role of Suzy in Opera. In addition to these, he also served as a faculty member of the the opera La Rondine directed by Marta Domingo, which was released Juilliard School, and on the music staff of the Spoleto Festival USA for in 2009 on DVD by Decca. 10 years, as well as on the music staff of The Aspen Music Festival and Central City Opera for four and six years, respectively. Baritone Ethan Watermeier has performed a broad range of roles in opera, musical theatre, and plays throughout the United States. As a A graduate of Drake University with degrees in both Piano and Vocal recitalist, his work focuses primarily on American repertoire, from Performance, Michael continued studies in Collaborative Piano with early colonial song to works by living composers.
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Operalia 2016 En Guadalajara
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La Minute Glottophile Â•ﬂ Operalia 2014
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