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FOR IMMEDIATE RELEASE Exhibition “Double Take – the Asia Photographs of Brian Brake and Steve Mccurry”
FOR IMMEDIATE RELEASE Exhibition “Double Take – The Asia Photographs of Brian Brake and Steve McCurry” Travels with Asia Society Hong Kong Center to Shanghai (Hong Kong, June 29, 2018) – Asia Society Hong Kong Center (ASHK) today announced the successful launch of Double Take – The Asia Photographs of Brian Brake and Steve McCurry in Shanghai, China. The exhibition is co-organized by ASHK and Shanghai Center of Photography (SCoP), with Museum of New Zealand Te Papa Tongarewa (Te Papa) as Exhibition Partner, and represents the third leg in its journey to major Asian art centers. ASHK first partnered with Te Papa in 2016 to stage the exhibition as Picturing Asia: Double Take at its Chantal Miller Gallery; in 2017, The Auckland Art Festival joined as co-organizer to take the exhibition to New Zealand. The current exhibition in Shanghai opened on June 16, 2018 and met with strong interest from the local media and art and photography aficionados. “We are very proud of our enduring partnership with Te Papa to take Double Take on its journey around Asia, and we are grateful for the support of SCoP to present this exhibition to a new audience in Shanghai. Picturing Asia: Double Take was one of our most successful contemporary art exhibitions and we are confident it will enjoy equal popularity in Shanghai,” said S. Alice Mong, Executive Director of Asia Society Hong Kong Center. “Double Take sheds light on Brake and McCurry’s common passion in capturing the many facets of Asia. Through their lenses, Brian Brake and Steve McCurry have brought Asia’s cultural richness to the eyes of global audiences. -
Statistical Downscaling of Island Sea Levels in the Southwest Pacific : a Multiple Linear Regression Approach Vandhna Kumar
Statistical downscaling of island sea levels in the southwest Pacific : a multiple linear regression approach Vandhna Kumar To cite this version: Vandhna Kumar. Statistical downscaling of island sea levels in the southwest Pacific : a multiple linear regression approach. Oceanography. Université Paul Sabatier - Toulouse III, 2019. English. NNT : 2019TOU30234. tel-02957675 HAL Id: tel-02957675 https://tel.archives-ouvertes.fr/tel-02957675 Submitted on 5 Oct 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE En vue de l’obtention du DOCTORAT DE L’UNIVERSITÉ DE TOULOUSE Délivré par l'Université Toulouse 3 - Paul Sabatier Présentée et soutenue par Vandhna KUMAR LeLe 8 18Novem octobre 2019 Descente d'échelle statistique du niveau de la mer pour les îles du Paci-que Sud-Ouest - une approche de régression linéaire multiple Ecole doctorale : SDU2E - Sciences de l'Univers, de l'Environnement et de l'Espace Spécialité : Océan, Atmosphère, Climat Unité de recherche : LEGOS - Laboratoire d'Etudes en Géophysique et Océanographie Spatiale Thèse dirigée par Alexandre GANACHAUD Jury M. Christophe MAES, Rapporteur Mme MélanieMme Mé BECKER, Rapporteure Mme Luciana FENOGLIO, Examinatrice Mme Déborah IDIER, Examinatrice M. -
Schooner Kaimiloa “KFUH” Owner Millionaire Family Mr
Schooner Kaimiloa “KFUH” Owner millionaire family Mr. and Mrs. Medford R. Kellum. This is a multi purpose story including what became of the Kellum’s and “The Kaimiloa Expedition.”Our subjects wife, Elizabeth Lauder Kellum was the niece of Andrew Carnegie. Liz was probably one of the most wealthy young ladies in the U.S.A. at the time. The rest of the story; Medford Kellum’s younger years an alumni of College of William & Mary 1895. Starting in 1907 had served as a seaman and tourist guide for the Lauder family, holding captains operators license 65178 from the 1914 list of officers of merchant; steam; motor and sail vessels. He had supervised the Lauder family on Florida fishing trips for Tarpon in the Florida Keys. January of 1910 Med married Elizabeth Lauder, half his age. From 1920 to 1923 he made a fortune in Miami real estate. In 1924 the couple sailed in quest of eternal happiness, only to have it end in Reno Nevada divorce courts. It (1928) was a tragic year, the end of the Kellum marriage and Elizabeth expired a year or so later after the divorce, leaving some children and their daughter Anna.. However in the better years of the association Med Kellum formed an expedition in 1924 through the Bishop Museum in Honolulu who invited a select a group of scientists to accompany them on their private four masted schooner Kaimiloa (Explorer) on a visit to many island calls in the south Pacific. Their expedition into Polynesian Anthropology would be known as “The Kaimiloa Expedition.” The Schooner Kaimiloa Captained by A.E. -
Ildren's History Natural Y Pacific Culture Taonga
ART CHILDREN’S HISTORY NATURAL HISTORY PACIFIC CULTURE TAONGA MĀORI ABOUT TE PAPA POSTERS AND STATIONERY ART CHILDREN’S HISTORY NATURAL HISTORY TE PAPA PACIFIC CULTURE TAONGA MĀORI PRESS ABOUT TE PAPA POSTERS AND STATIONERY ART CHILDREN’S HISTORY NATURAL HISTORY PACIFIC CULTURE CATALOGUE TAONGA MĀORI ABOUT TE PAPA 2018–2019 AND WWW. STATIONERY ART CHILDREN’S TEPAPAPRESS. HISTORY PACIFIC CULTURE CO.NZ TAONGA MĀORI ABOUT TE PAPA POSTERS AND STATIONERY ART CHILDREN’S HISTORY PACIFIC CULTURE ART TAONGA MĀORI PACIFIC CULTURE CHILDREN’S TE PAPA PRESS NEW ZEALAND’S UNIQUE MUSEUM PUBLISHER Te Papa Press is the publishing arm of the Museum of New Zealand Te Papa Tongarewa. It creates popular, highly respected and award-winning books about the art, culture and natural world of Aotearoa New Zealand, for readers everywhere. ART Scenic Playground: The Story Crafting Aotearoa: Behind New Zealand’s A Cultural History of Mountain Tourism Making in New Zealand and Peter Alsop, Dave Bamford and Lee Davidson the Wider Moana Oceania Drawing on a treasure trove of publicity – Karl Chitham, Kolokesa Māhina-Tuai and posters, advertisements, paintings, Damian Skinner hand-coloured photos and more – this book explores how A major new history of craft that spans three New Zealand built its reputation as an alpine playground, and how centuries of making and thinking in Aotearoa mountains became central to belonging to Aotearoa. Featuring over New Zealand and the wider Moana (Pacific). It tells the previously 600 spectacular images, Scenic Playground is the first time this untold story of craft in Aotearoa New Zealand, and proposes a new important slice of our history has been fully told. -
Destination: Marshall Islands. Video Guide. INSTITUTION Peace Corps, Washington, DC
DOCUMENT RESUME ED 354 198 SO 022 829 TITLE Destination: Marshall Islands. Video Guide. INSTITUTION Peace Corps, Washington, DC. Office of World Wise Schools. PUB DATE Jan 92 NOTE 82p.; For related documents, see SO 022 828-832. Accompanying videotape available from the producer; videotapes will be sent to the school librarian or media specialist. AVAILABLE FROM Peace Corps of the United States of America, Office of World Wise Schools, 1990 K Street, N.W., Washington, DC 20526. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher)(052) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Area Studies; Elementary Secondary Education; *Geographic Concepts; *Geography Instruction; *Multicultural Education; Social Studies; Thematic Approach; Videotape Recordings IDENTIFIERS Global Education; *Marshall Islands; *Peace Corps ABSTRACT This video guide was developed by the Peace Corps' Office of World Wise Schools. Activities that the guide describes are for use in a 3- to 5-day unit on one of the nations of Oceania, the Republic of the Marshall Islands. The activities are designed to provide students with opportunities to:(1) compr.re and contrast Marshallese and U.S. culture; and (2) relate the fundamental geographic themes of location, place, and movement with the history and culture of the Marshall Islands. Included in the guide are Level A, for grades three through five, Level B, for grades six through nine, and Level C, for grades 10 through 12. Each level includes worksheets and suggestions for using them. Fifty-seven references and a list of organizations that provided information are included. (LBG) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. -
IPG Spring 2020 Photography Titles - December 2019 Page 1
Photography Titles Spring 2020 {IPG} David Batchelder Alfred & Me Christiane Stahl Summary David Batchelder’s images are labyrinths of wondrous forms, surprising colors, and shifting layers. They give us the impression of flying over landscape formations, snowy mountain ranges, meandering rivers; or, alternatively, we seem to be in the midst of choppy seascapes, where unfamiliar creatures are rising up out of the blue-green depths. However, the photographs depict nothing more than banal segments of a beach in Charleston, South Carolina. The abstract quality of these natural motifs bring out hidden ideas. Suddenly we Michael Imhof Verlag see faces, ghosts, animals, and plants. Batchelder, an American born in 1939, is not interested in the laws of 9783731908814 Pub Date: 2/1/20 structure but the chaotic, strange, surreal, and irrational—in short, the world of dreams and the imagination. On Sale Date: 2/1/20 $22.95 USD/€19.95 EUR Contributor Bio Discount Code: LON Dr. Christiane Stahl has held positions including: Academic Assistant at the Deutsche Historische Museum Hardcover Berlin, Head of the Alfred Ehrhardt Stiftung Köln, and Deputy chairperson of the Deutsche Gesellschaft für 112 Pages Photographie (DGPh), among others. Carton Qty: 18 Photography / Collections, Catalogs, Exhibitions PHO004000 11.8 in H | 9.8 in W | 0.5 in T | 2.1 lb Wt Darren Almond: Nocturn Darren Almond, Andreas Baur, Johannes Meinhard Summary The title of the book and exhibition is derived from the large-format Nocturnes (2004–2010) featuring photographs of moonlit landscapes using long exposure times, which evoke Romantic landscapes in their European variants, and classical Japanese and Chinese landscape painting in their Asiatic motifs. -
Brian Brake Sample Pages
Proudly supported by the Friends of Te Papa tpa0005-brake-ART-interior_FOTP.indd 2-3 16/8/10 3:06:58 INTRODUCTION ATHOL McCREDIE tpa0005-brake-ART-interior_FOTP.indd 8-9 16/8/10 3:07:10 FORMATIVE EXPERIENCES 1945—1954 LISSA MITCHELL tpa0005-brake-ART-interior_FOTP.indd 20-21 16/8/10 3:07:41 36 BRIAN BRAKE LENS ON THE WORLD FORMATIVE EXPERIENCES 37 Thoughtful rest c. 1946 Gelatin silver print 338 x 278 mm Moy moy (Little miss) 1946 Gelatin silver print 360 x 289 mm Collection of Wai-man Lau tpa0005-brake-ART-interior_FOTP.indd 36-37 16/8/10 3:08:04 THE ROVING PHOTOJOURNALIST 1954—1959 JOHN B TURNER tpa0005-brake-ART-interior_FOTP.indd 42-43 16/8/10 3:08:16 THE ROVING PHOTOJOURNALIST 99 Jordanian soldiers parading for the visit of King Hussein of Jordan, Bethlehem, West Bank 1958 Procession of Arab sultans, Say’un Wadi, Hadhramaut, Yemen 1958 tpa0005-brake-ART-interior_FOTP.indd 98-99 16/8/10 3:09:51 108 BRIAN BRAKE LENS ON THE WORLD Dal Lake, Srinagar, Kashmir, India 1957 Flower seller, Srinagar, Kashmir, India 1957 tpa0005-brake-ART-interior_FOTP.indd 108-109 16/8/10 3:10:10 THE ROVING PHOTOJOURNALIST 137 May Day celebrations, Tiananmen Square, Beijing, China 1957 Girls in May Day celebrations, Beijing, China 1957 tpa0005-brake-ART-interior_FOTP.indd 136-137 16/8/10 3:10:53 THE ROVING PHOTOJOURNALIST 155 Borobudur at dusk, Indonesia 1971 Jim Thompson’s house, Bangkok, Thailand c. 1968 tpa0005-brake-ART-interior_FOTP.indd 154-155 16/8/10 3:11:23 THE COLOUR PHOTO ESSAY 191 Monsoon girl From the ‘Monsoon’ series 1960 Jaipur, India From the ‘Monsoon’ series 1960 tpa0005-brake-ART-interior_FOTP.indd 190-191 16/8/10 3:12:15 LOOKING AT NEW ZEALAND 255 colour, mostly in double-page spread. -
Download PDF Catalogue
Front and back covers: Shane Cotton, lots 31 – 34 ART + OBJECT Art+Object 3 Abbey Street Newton Auckland PO Box 68345 Wellesley Street Auckland 1141 Tel +64 9 354 4646 Free 0 800 80 60 01 Fax +64 9 354 4645 [email protected] www.artandobject.co.nz instagram: @artandobject facebook: Art+Object youtube: ArtandObject Photography: Sam Hartnett 24.09.19 Design: Fount–via Print: Graeme Brazier EXHIBITING QUALITY LANDSCAPES NEW ZEALAND'S FINEST LUXURY PROPERTIES PAIHIA ROAD BAY OF ISLANDS This significant Bay of Islands property comprises of a substantial home on approximately 2.62 hectares, with a predominant northerly aspect and an elevated outlook. The property’s location commands views from Opua through to Russell, Waitangi and beyond the Black Rocks to Mataka Station. Designed by the highly respected architect, Ron Sang, the home exhibits superior features and a quality build. Regard to the aspect and location is evident throughout. The unusual curved design ensures outstanding views from every room. luxuryrealestate.co.nz/NT149 445 MOONEY ROAD QUEENSTOWN An elevated, private and sunny 3.5 hectares with expansive views is the setting for this substantial family home of 457 square metres designed for easy living and entertaining. Six bedrooms including master with ensuite and walk in wardrobe, main bathroom with full bath, and guest room with private ensuite, two living rooms, a serious cooks kitchen with scullery, an office and three car garaging complete the contemporary floor-plan. Canadian cedar cladding outside and high quality walnut joinery inside give a sophisticated alpine feel. luxuryrealestate.co.nz/QN47 636 HUNTER ROAD QUEENSTOWN Located in the golden circle of country homes 58 Hunter Road is one of Queenstown's most secluded estates set in a very private and unique environment. -
About This Book What Is Adventure? Adventure Novels Include Exciting Action and Danger As the Key Elements
About This Book What is adventure? Adventure novels include exciting action and danger as the key elements. The conflict is almost always between man and nature but can involve cunning villains against daring heroes. Often the reader is left asking, “What will happen next?” rather than “Why?” or “To whom?” How to use this book: Contracts for Independent Readers—Adventure includes everything you will need to implement an independent reading program in your classroom. The Teacher’s Organizational Checklist on page 4 will help you monitor your students’ progress throughout the year. To use this page, photocopy it to make a class supply and write each student’s name in the space provided. Hold a conference with each student to assess the goals the student has for the semester or the year. Have the student write her goals in the space provided. Next, have each student choose one of the novels included in this book to read. List the title of the book in the appropriate column. When the student has completed an activity, write the date it was completed in the bottom portion of the corresponding box. Use the key at the bottom of the page to note the type of activity completed in the top portion of the corresponding box as shown in the sample. After evaluating the activities, write any comments you have in the space provided and have the student do the same. At the end of the semester or year, direct each student to complete the self-assessment portion detailing how she feels she has done at reaching her goals. -
The Development of Te Papa's Historical Photography Collection
Tuhinga 20: 41–66 Copyright © Museum of New Zealand Te Papa Tongarewa (2009) Collecting photographs: The development of Te Papa’s historical photography collection Athol McCredie Museum of New Zealand Te Papa Tongarewa, PO Box 467, Wellington, New Zealand ([email protected]) ABSTRACT: This article examines the development of Te Papa’s historical photography collection, from its origins in the Colonial Museum to the present. In so doing, it outlines the collection’s contents and shows that the present-day shape of the collection bears the imprint of changing museology and evolving ideas about the role of photography in a museum. It covers the relatively passive collecting by founding director James Hector in the nineteenth century; the concerted effort to build a collection of ethnographic photographs under his successor, Augustus Hamilton; photographic activity by Museum staff during the twentieth century; and the acquisition of major collections from the mid-twentieth century to the present. Such collections include works by photographers like the Burton Brothers, Thomas Andrew, Leslie Adkin, Gordon H. Burt, Spencer Digby, Eric Lee-Johnson and Brian Brake, as well as those assembled by photo historians Hardwicke Knight and William Main. KEYWORDS: Colonial Museum, Dominion Museum, National Museum, Te Papa, photograph, collection, collecting, ethnographic, New Zealand, history, James Hector, Burton Brothers. One purpose of this exercise is simply to unravel some Introduction of the complexities of the collection by setting out what -
Auckland Art Gallery Toi O Tāmaki Exhibition History
Auckland Art Gallery Toi o Tāmaki Exhibition History To search Press Ctrl F to do a keyword search Index Browse by clicking on a year (click on top to return here) 1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 1927 top 23 Jun 27 – 16 Jul 27 A Collection of Old and Modern Etchings on Loan from Auckland Collectors Catalogue 25 Oct 27 – 30 Nov 27 Loan Collection of Japanese Colour Prints from Mr H.S. Dadley and Capt. G. Humphreys-Davies Catalogue 1928 top Australian Etchings 1929 top 1 Aug 29 – 24 Aug 29 Loan Collection of Prints Illustrating the Graphic Arts Catalogue 1930 top 7 Apr 30 – 26 Apr 30 Loan Collection of Bookplates Catalogue 6 Aug 30 – 30 Aug 30 Loan Collection of Prints: Representative of Graphic Art in New Zealand Catalogue 23 Sep 30 – 14 Oct 30 Loan Collection of Photographs by Members of the Camera Club of New York and Dr Emil Mayer Catalogue 22 Oct 30 – 12 Nov 30 Medici Prints: Dutch, Flemish and German 17 Nov 30 – 2 Dec 30 Medici Prints: English 5 Dec 30 – Dec 30 Medici Prints: Italian and French 1931 top 24 Nov 31 – Jan 32 Prints from the Collection Illustrating Various Methods 1932 top 28 Jan 32 – 1 Jun 32 Medici -
Important Paintings & Contemporary
IMPORTANT PAINTINGS & CONTEMPORARY ART 12 APRIL The Wisdom of Crowds is the title of the American writer’s James Surowiecki’s 2004 Front cover: analysis of group psychology. His central tenets relating to collective intelligence 'Colin McCahon: On came to mind when looking back on the recent weekend of March 17/18 in Going Out with the Tide', installation view, City Gallery Wellington where ART+OBJECT held its first ever auction in the capital, offering The Wellington, 2017. Photo: Collection of Frank and Lyn Corner. Speaking of crowds the A+O team was almost Shaun Waugh. Courtesy of overwhelmed by the number of Wellington art lovers (and others from around the Colin McCahon Research country who flew in for the viewing) who visited the Corner family home for the and Publication Trust. three days of the viewing. For a complete report on this landmark collection and Page 1: auction, turn to page 4 in the introduction to the current catalogue. lot 71, Charlie Tjapangati More crowds were in evidence for the opening of Te Papa Tongarewa’s 20th Tingari Painting anniversary exhibition Toi Art. For those of us who can remember the 1998 opening exhibition Dream Collectors this new show curated by Te Papa Head of Art Charlotte Davy and her team was a radical re-proposal of the contemporary art discourse of New Zealand in 2018 – proof positive of the power of art to engage the public to the tune of over 15 000 visitors on the opening weekend. If one makes a basic back of an envelope head count that adds up to over 20 000 people who enjoyed New Zealand art over a three day period in the capital.