DOCSLIB.ORG

Art Lives Here

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

2007 annual report ART LIVES HERE 2007 annual report | 3 74623 MAM AR07-Body.indd 3 2/21/08 5:16:59 PM 4 | 74623 MAM AR07-Body.indd 4 2/21/08 5:17:45 PM contents 6 Board of Trustees 6 Committees of the Board of Trustees 8 President and Chairperson’s Report 10 Director’s Report 13 Curatorial Report 17 Exhibitions, Traveling Exhibitions 17 Publications 18 Loans 20 Acquisitions 28 Attendance 29 Education and Public Programs 31 Year in Review 35 Development 38 Donors 44 Support Groups 49 Support Group Offi cers 52 Staff 54 Financial Report 54 Financial Statements FRONT AND BACK COVER Roy Lichtenstein, Imperfect Diptych 57 ³⁄₈ × 93 ¾", 1988. Woodcut, screenprint, and collage on board. Gift of Rockwell Automation M2007.34 PAGE 2 William Klein, Man under El, New York, 1955 (detail). Gelatin silver print. Purchase, Richard and Ethel Herzfeld Foundation Acquisition Fund M2007.44 PAGE 3 James Siena, Ten to the Minus Thirty First, 2006 (detail). Enamel on aluminum. Purchase, with funds from the Contemporary Art Society M2007.10 LEFT Saul Leiter, Snow, 1960 (detail). Silver dye bleach print, printed later. Purchase, Richard and Ethel Herzfeld Foundation Acquisition Fund M2006.27 Unless otherwise noted, all photography of works in the Collection is by John Glembin. 74623 MAM AR07-Body.indd 5 2/21/08 5:18:10 PM board of trustees Through August 31, 2007 BOARD OF TRUSTEES COMMITTEES OF THE Earlier European DEVELOPMENT COMMITTEE Sheldon B. Lubar BOARD OF TRUSTEES Arts Committee Ellen Glaisner Chairperson EXECUTIVE COMMITTEE Jim Quirk W. Kent Velde W. Kent Velde Chair Co-Chairs W. Kent Velde Chair President Robert Roth Curt S. Culver Christopher S. Abele Vice Chair Jean Friedlander Betty Ewens Quadracci Donald W. Baumgartner Frederic G. Friedman Secretary Christopher S. Abele Danny L. Cunningham Lisa Bissonet Judy Gordon Danny L. Cunningham Frederic G. Friedman Dan Broderick Gail A. Lione Treasurer Ellen Glaisner Lorraine Croft Marianne Lubar Frederic G. Friedman Edward J. Hanrahan Stephen Einhorn Assistant Secretary and Kenneth C. Krei George A. Evans, Jr. Annual Campaign Committee Legal Counsel Raymond R. Krueger Avis M. Heller† Ellen Glaisner Gail A. Lione Arthur J. Laskin W. Kent Velde MEMBERS AT LARGE Marianne Lubar Helen Peter Love Co-Chairs Christopher S. Abele Sheldon B. Lubar Geoff rey Maclay Lori Bechthold Donald W. Baumgartner P. Michael Mahoney Marjorie Moon Andrea B. Bryant Lori Bechthold Betty Ewens Quadracci Frank A. Murn Sue Frautschi Valerie Clarke Lynde B. Uihlein Larry Salustro Jean Friedlander Michael J. Cudahy Andrea Schloemer Judy Gordon Curt S. Culver ACQUISITIONS AND Sally Schuler Donna Meyer Marvin L. Fishman COLLECTIONS COMMITTEE Kenneth Treis Jill G. Pelisek Ellen Glaisner Marianne Lubar William M. Treul William L. Randall Judy Gordon Chair Sandra Robinson Edward J. Hanrahan George A. Evans, Jr. Photography Committee Sally Schuler Judy Jorgensen Vice Chair Kevin Miyazaki Suzanne L. Selig Kenneth C. Krei Chair Donald W. Baumgartner Raymond R. Krueger Corporate Campaign Karen Johnson Boyd Carol Lewensohn Committee Gail A. Lione Marilyn Bradley Vice Chair Curt Culver Marianne Lubar Andrea B. Bryant Gail A. Lione P. Michael Mahoney Dick Blau Margaret Chester Rick Norris Barbara Ciurej Stephen Einhorn José A. Olivieri Larry D’Attilio EDUCATION AND PUBLIC Arthur A. Gebhardt PROGRAMS COMMITTEE Jill G. Pelisek Carmen Haberman F. William Haberman Christopher S. Abele Anthony J. Petullo F. William Haberman Arthur J. Laskin Chair Andrew E. Randall Lindsay Lochman Gail A. Lione William L. Randall Cardi Smith Kim Abler Wayne R. Lueders Roy Reiman Frederick Vogel IV John Augenstein J. Thomas Maher III Joseph A. Rice Thomas Buck Marjorie Moon Marcia Rimai Prints and Drawings Committee José Chavez Anthony J. Petullo Sandra Robinson J. Thomas Maher III Marlene Doerr Richard R. Pieper Suzanne L. Selig Chair Daniel Donder Sandra Robinson Deloris Sims Christine Grota Reva Shovers Kent Anderson Dorothy M. Stadler Eugene Humphrey Frederick Vogel III Roger L. Boerner Stacy G. Terris Sarah Jerome Robert A. Wagner Lois Ehlert Lynde B. Uihlein Judy Jorgensen Hope Melamed Winter Laurence Eiseman, Jr. James G. White Marianne Epstein A. Raymond Kehm Peggy Larson ACQUISITIONS AND Julia Evans AUXILIARY SPOKESPERSONS COLLECTIONS COMMITTEE Jean Friedlander Janet Matthews Mary Caan SUBCOMMITTEES Dr. Milton Gutglass Nancy Mitchell President, Collectors’ Corner Decorative Arts Committee George T. Jacobi Phillip Naylor Sue Nelson A. Raymond Kehm Constance Godfrey David Ritz José A. Olivieri Chair, Docents Chair Helen Weber Betty Ewens Quadracci Barbara Buzard Barry Wind Phyllis Scharner Cindy Zautcke President, Garden Club Judith Croak Barbara Elsner AUDIT COMMITTEE George Evans R. Bruce McDonald Barbara N. Fuldner Chair Henry E. Fuldner Keith Burns Dudley J. Godfrey, Jr.† Danny L. Cunningham Nicole Teweles Sheldon B. Lubar Anne Vogel Andrew E. Randall Frederick Vogel III Stacy G. Terris Robert A. Wagner W. Kent Velde 6 | 74623 MAM AR07-Body.indd 6 2/21/08 5:18:11 PM EXHIBITIONS COMMITTEE NOMINATIONS AND PRESIDENTS EMERITUS Lynde B. Uihlein GOVERNANCE COMMITTEE COUNCIL AND Chair Gail A. Lione CHAIRPERSONS SINCE 1968 Chair Roger L. Boerner Christopher S. Abele 1968–1971 Donald W. Baumgartner Karen Johnson Boyd Arnold D. K. Mason* Marianne Lubar Dale R. Faught 1971–1973 Sheldon B. Lubar Jean Friedlander Robert V. Krikorian* Betty Ewens Quadracci Carmen Haberman 1973–1977 Suzanne L. Selig George T. Jacobi Sheldon B. Lubar Lynde B. Uihlein Judy Jorgensen 1977–1980 W. Kent Velde Jane L. Kaiser Lloyd W. Herrold Frederic G. Friedman, Raymond R. Krueger 1980–1983 Ex-Offi cio Mary Ann LaBahn David T. Kahler Donna Meyer 1983–1986 PLANNED GIVING COMMITTEE Anthony J. Petullo Robert Feitler Andrea B. Bryant Betty Ewens Quadracci 1986–1989 Jill G. Pelisek Suzanne L. Selig Susan M. Jennings Co-Chairs Dorothy M. Stadler 1989–1992 Donn Dresselhuys Allen L. Samson FACILITIES COMMITTEE Dale R. Faught 1992–1995 Donald W. Baumgartner Frederic G. Friedman P. Michael Mahoney Chair Ed Hashek 1995–1998 Steven G. Chamberlin Judy Jorgensen Frank J. Pelisek* Marianne Lubar, trustee and chair Sally Schuler 1998–2001 of the Acquisitions and Collection Rick Norris Committee Donald W. Baumgartner PUBLIC AFFAIRS COMMITTEE FINANCE COMMITTEE 2001–2004 Danny L. Cunningham Raymond R. Krueger Sheldon B. Lubar Chair Chair 2004–2005; Chairperson, 2005– Donald W. Baumgartner Christopher S. Abele Andrew A. Ziegler Richard J. Glaisner H. Carl Mueller 2005–2007 Sheldon B. Lubar Betty Ewens Quadracci W. Kent Velde P. Michael Mahoney Lynde B. Uihlein 2007– Marcia Rimai SEARCH COMMITTEE W. Kent Velde W. Kent Velde LAYTON ART COLLECTION BOARD OF TRUSTEES Chair HUMAN RESOURCES Henry E. Fuldner AND REMUNERATION F. William Haberman President COMMITTEE Terry A. Hueneke Kenneth C. Krei Constance Godfrey Kenneth C. Krei Chair Frederick Vogel III Gail A. Lione Christopher S. Abele, trustee and Vice Presidents president of the Argosy Foundation, P. Michael Mahoney Roy Reiman sponsor of Biedermeier: The José A. Olivieri Marcia Rimai Frederick Vogel III Invention of Simplicity Anthony J. Petullo Sande Robinson Treasurer Deloris Sims George A. Evans, Jr. W. Kent Velde WAR MEMORIAL CORPORATION BOARD Secretary OF TRUSTEES INVESTMENT COMMITTEE David Gordon P. Michael Mahoney P. Michael Mahoney Curator of the Collection Raymond R. Krueger Chair Thomas B. Fitzgerald Curt S. Culver Constance Godfrey † Mark G. Doll Dudley J. Godfrey, Jr. Richard J. Glaisner Kate Huston Wayne R. Lueders Polly Van Dyke Allen M. Taylor William Van Dyke W. Kent Velde Frederick Vogel IV Robert A. Wagner Ray R. Krueger, trustee and chair of the Public Aff airs Committee *Deceased †Deceased after August 31, 2008 2007 annual report | 7 74623 MAM AR07-Body.indd 7 2/22/08 10:11:15 AM president and chairperson’s report As we start a new year, we are pleased that the twelve months covered by this report (September 1, 2006–August 31, 2007) have been an extraordinary period of vitality, strength, and artistic growth at the Milwaukee Art Museum. In short, we had a spectacular year. We achieved goal-reaching attendance and critical success with Biedermeier, Francis Bacon, and Pissarro and had solid sales in the Museum Store and Café Calatrava. Our fi nances are sound. We have mandated that the Museum run with a balanced budget, and once again this year, we are pleased to report a solid fi nancial performance, after a transfer of $294,000 to a Board- designated fund for future use, with an operating surplus at year-end. The hard work and enthusiasm of everyone here at the Milwaukee Art Museum, past and present, has enabled us to reach our objectives. We extend our thanks and appreciation to former Board president Andy Ziegler for his dedication to the Milwaukee Art Museum. Also, we bid farewell and say thanks to outgoing Board members Terry Hueneke, Jeff Joerres, and James Schloemer for their tireless energy. We have no doubt that the momentum will continue as Kenneth C. Krei from M&I Wealth Management and Valerie B. Clarke from Friends of Art join our Board of W. Kent Velde Trustees. Also, Mary Cann, who represents Collectors’ Corner, and Phyllis Scharner, from the Garden Club, bring fresh perspective and energy to the Board. We are indebted to our Members and trustees for their stellar contributions to the annual operating fund, which make possible the wide array of programs and services we off er the community year after year. David Gordon, CEO and director of the Milwaukee Art Museum, is stepping down after fi ve and half years of outstanding service to the Museum. His British humor and wit, love of art, and leadership will be missed. The new fi scal year begins with the best possible foundation for the future: an exuberant community of museum professionals, trustees, artists, and visitors, all of whom bring an eagerness to experience something new and diff erent while demanding absolute authenticity.
Recommended publications
  • VIEWS December 1997

    VIEWS December 1997

    Volume 12, Number 1 VISUAL MATERIALS SECTION 1 VIEWS: The Newsletter of the Visual Materials Section Society of American Archivists Volume 12, Number 1 December 1997 JAZZIN’ IN CHICAGO by the Library of Congress for use, and LC will update and maintain the document. It is available on the Library of Minutes of Visual Materials Section Meeting. Society Congress’s (LC) “Cataloger’s Desktop,” which can be of American Archivists Annual Meeting, Chicago. Saturday, ordered on the World Wide Web through LC’s Cataloging August 30, 1997. 8:30 AM. Distribution Service. I. Meeting opened with welcome to the assembled Mark E. Martin (Temple Memorial Library) of the group by Chair, Judi Hoffman (Library of Congress). Advanced Workshop Committee reported that there have Introduction of incoming Chair, Catherine Johnson (Dance been no workshops in the last two years and that he is Heritage Coalition). Laurie A. Baty (National Historical retiring from his position. Publications and Records Commission) announced the sale of Section tee shirts made possible by Diane Ryan of John Slate (Texas Afro-American Photographic the Chicago Historical Society. All shirts were sold at the Archives) from Bibliography Committee reported that the conclusion of the meeting. bibliography is located on Richard Pearce-Moses’ (Heard Museum) website and submissions and/or suggestions are II. Elizabeth Atkins (Ford Motor Company) from the welcome. It is hoped that the bibliography will be SAA Program Committee made an announcement incorporated into the Visual Materials website. concerning next year’s meeting in Orlando, Florida, and encouraged section members to submit session proposals. Laurie A.
  • Art and Power in Putin's Russia

    Art and Power in Putin's Russia

    RUSSIA Art and Power in Putin’s Russia BY SASHA PEVAK The separation between art and power in Russia’s recent history has never been clear-cut. Soon after the fall of the USSR, contemporary art, namely actionism in the 90s, openly criticized society and entered the political sphere. This trend continued after Vladimir Putin’s election in 2000. Russian identity politics in the 2000s were based on four pillars: state nationalism with the Putin’s “power vertical”, the vision of Russia as a nation-state, Orthodox religion, and the myth of the Unique Russian Path, reinforced by the notion of “sovereign democracy” and the idea of the omnipresence of a fifth column inside the country 1. The will to consolidate society around these values provoked, according to political scientist Lena Jonson, tensions between the State and culture, especially as far as religious issues were concerned. These issues were the cause of the trials against the exhibitions “Attention! Religion” (2003) and “Forbidden Art – 2006” (2007), shown in Moscow at the Andrei Sakharov Museum and Public Centre. The latter staged temporary events and activities based on the defence of Human Rights. For part of the national opinion, the Centre symbolized democracy in Russia, whereas for others it represented an antipatriotic element, all the more so because it was financed by foreign foundations. In 2014, the Department of Justice catalogued it as a “foreign agent,” on the pretext that it carried out political actions with American subsidies 2. In 2003, the exhibition “Caution, Religion!”, organized by Aroutioun Zouloumian, was vandalized by religious activists several days after the opening 3.
  • In This Issue

    In This Issue

    The Women’s Review of Books Vol. XXI, No. 1 October 2003 74035 $4.00 I In This Issue I In Zelda Fitzgerald, biographer Sally Cline argues that it is as a visual artist in her own right that Zelda should be remembered—and cer- tainly not as F. Scott Fitzgerald’s crazy wife. Cover story D I What you’ve suspected all along is true, says essayist Laura Zimmerman—there really aren’t any feminist news commentators. p. 5 I “Was it really all ‘Resilience and Courage’?” asks reviewer Rochelle Goldberg Ruthchild of Nehama Tec’s revealing new study of the role of gender during the Nazi Holocaust. But generalization is impossible. As survivor Dina Abramowicz told Tec, “It’s good that God did not test me. I don’t know what I would have done.” p. 9 I No One Will See Me Cry, Zelda (Sayre) Fitzgerald aged around 18 in dance costume in her mother's garden in Mont- Cristina Rivera-Garza’s haunting gomery. From Zelda Fitzgerald. novel set during the Mexican Revolution, focuses not on troop movements but on love, art, and madness, says reviewer Martha Gies. p. 11 Zelda comes into her own by Nancy Gray I Johnnetta B. Cole and Beverly Guy-Sheftall’s Gender Talk is the Zelda Fitzgerald: Her Voice in Paradise by Sally Cline. book of the year about gender and New York: Arcade, 2002, 492 pp., $27.95 hardcover. race in the African American com- I munity, says reviewer Michele Faith ne of the most enduring, and writers of her day, the flapper who jumped Wallace.
  • Випперовские Чтения» «Классика И Современность. Отражения» 26–28 Февраля 2018 Года

    Випперовские Чтения» «Классика И Современность. Отражения» 26–28 Февраля 2018 Года

    МЕЖДУНАРОДНАЯ НАУЧНАЯ КОНФЕРЕНЦИЯ «ВИППЕРОВСКИЕ ЧТЕНИЯ» «КЛАССИКА И СОВРЕМЕННОСТЬ. ОТРАЖЕНИЯ» 26–28 февраля 2018 года INTERNATIONAL RESEARCH VIPPER CONFERENCE “CLASSICS AND CONTEMPORANEITY. REFLECTIONS” 26–28 February, 2018 1 ПРОГРАММА феноменов искусства, наделенных статусом «классиче- with the Apollon journal came up with the specific dis- interventions, contemporary museum increasingly ских». Будут проанализированы разные формы диалога course, which, by appealing to the museum categories, prefers extra- systematic and extra-historical caram- PROGRAM с искусством прошлого, с его классическими образцами, made the impressionist and post- impressionist painting bolage (J.-H. Martin) view that assumes the maximum их творческий потенциал, функции и цели, границы их acceptable by the educated public. The problem was set scope of associations, comparisons, and interpreta- 26 ФЕВРАЛЯ, ПОНЕДЕЛЬНИК смыслообразующих и формообразующих возможностей. again after the October, when in 1918–1920 the Moscow tions. At the same time, different museums, such as ГЛАВНОЕ ЗДАНИЕ ГМИИ им. А.С. ПУШКИНА, Krasimira Lukitcheva (Russia) museum community proposed a number of alternative Louvre, Versaille, Prado, Villa Borghese, demonstrate (ул. Волхонка, д. 12) ЗАЛ 30 INTERPRETING THE CLASSICAL HERITAGE IN THEORY concepts of the new museum, where modern French art various strategies of work with contemporary mate- 26 FEBRUARY, MONDAY AND PRACTICE OF ART OF THE SECOND HALF OF THE was once again the central point of discussion (Museum rial. Evaluation of the pros and cons of international HALL 30, THE MAIN BUILDING OF THE PUSHKIN 20th — BEGINNING OF THE 21st CENTURY of Artistic Culture, Museums of the New Western Art, experience is one of the pressing problems in creating STATE MUSEUM (12, VOLKHONKA STREET) The talk will address the complex and tense context Pavel Muratov’s project of reorganization of the Muse- the concept of the 21st century museum.
  • Example Case Study: Milwaukee Art Museum

    Example Case Study: Milwaukee Art Museum

    Example Case Study: Milwaukee Art Museum ARCH 631: Structural Systems Prof. Anne Nichols 2004 1 Contents Overview (Introduction) 1 The Milwaukee Art Museum (Background) 1 The Architect (Background) 2 The Quadracci Pavilion (Body) 4 Design Concept 4 Building Layout 4 Structural Features 8 Building Components and System 9 Burke Brise-Soleil 13 Pedestrian Bridge 14 Loading Summary 15 Gravity Loads 16 Lateral Load Resistance 20 Foundation and Soil 22 Summary Bibliography (References) i Overview On May 4, 2001, a much-anticipated addition to the Milwaukee Art Museum first opened its doors to the public. The $125-million-dollar project, designed by architect Santiago Calatrava, became an icon for the museum and the city of Milwaukee, Wisconsin even before its completion. This report presents a case study of the project. Background information regarding the architectural context for the addition will be provided, as well as a synopsis of the architect’s mastery of structural design. A number of unique elements of the building will be discussed in detail. In addition, the building’s complex structural design will be reviewed through component and system evaluation, diagrams, and simplified computer-based structural analysis. The Milwaukee Art Museum The Milwaukee Art Museum (MAM) traces its beginnings to two institutions, the Layton Art Gallery, established in 1888, and the Milwaukee Art Institute, which was established in 1918. In 1957 the groups joined together, forming the private, nonprofit Milwaukee Art Center, now known as the Milwaukee Art Museum. At this time, the Center moved to its present location on the Milwaukee waterfront Finnish architect Eero Saarinen, known for his St.
  • Ald. Michael Murphy Chair, Milwaukee Arts Board

    Ald. Michael Murphy Chair, Milwaukee Arts Board

    Department of City Development 809 North Broadway, Milwaukee, WI 53202 (414) 286-5794 Fax (414) 286-5467 Tom Barrett, Mayor Ald. Michael Murphy, Chair www.milwaukee.gov/MAB Contact: Ald. Michael Murphy Chair, Milwaukee Arts Board (414) 286-2074 For Immediate Release City of Milwaukee Arts Board awards $238,000 to 35 arts organizations Summer arts programs for youth, free performances of Shakespeare’s Much Ado About Nothing, and a series of cross-neighborhood dinners in connection with the classic American play Our Town are among 35 projects awarded funding recently by the City of Milwaukee Arts Board. At its May meeting the MAB considered the recommendations of an eight-member citizen review panel and voted to award $238,000 in grants ranging from $3,500 to $7,000. MAB grants require a dollar-for-dollar cash match from other sources, and the combined budgets of the 35 selected projects this year is more than $3.48 million. There were a total of 41 eligible requests from Milwaukee nonprofit arts organizations to fund art, music, dance, arts education and other projects. “I’m always impressed by the quality work our local arts community puts forth,” said Ald. Michael Murphy, Milwaukee Arts Board Chair. “We’re pleased to be able to support their efforts.” This year marks the 27th annual grant awards. Since 1991, the Milwaukee Arts Board has awarded more than $4.95 million to 127 different organizations. Grantees will be honored by Mayor Tom Barrett, Ald. Murphy and others at a 4:30 p.m. reception June 12 at the Marcus Center for the Performing Arts followed by an awards program and celebration at 5 p.m.
  • UWM Libraries Digital Collections

    UWM Libraries Digital Collections

    OCTOBER/NOVEMBER 1996 COMPLIMENTARY VOLUME 1 1, ISSUE 1 CASTS OF CONTENTS CHARACTER ;Sfe5 m wm ::ft|f liiiiiiii! isiSiiiaiia ^m W 5S** m till ®m ililii*****"" . .•li.'-ftiiiill '"* •'• : "*"****> €15116 "^""^^feiSS?**! *£& Robert Cottingham, Art (detail), 1992. MAM, Landfall Press Archive, Gift of Jack Lemon. An Exhibition Featuring the Work of Former Artists-in-Residence in the FEHTU RES John Michael Kohler Arts Center's Arts/Industry Program at Kohler Co. Reflections on the Milwaukee Art Museum 12 September 29,1996 - January 5,1997 Photographs by Francis Ford 14 A Tale of Two Cities: Milwaukee vs. Milwaukee 16 TRE' ARENZ • LAWRENCE ARGENT • NANCY DWYER It Could Have Been a Parking Lot 17 PETER FLANARY • LESLIE FRY • MICHAEL GARR Beyond Bovines 18 MARTHA GLOWACKI • RONALD GONZALEZ INDIRA FREITAS JOHNSON • KEN LITTLE A Fine Line 19 EVA MELAS • CINDI MORRISON • JOEL OTTERSON Reflections on the Haggerty Museum of Art 20 CAROLYN OTTMERS • ALBERT PFARR • PAUL SEBBEN Fixing The Leaks 21 BUSTER SIMPSON • JANET WILLIAMS • ANDY YODER Essay/Steven Foster/Studies 22 OPENING CELEBRATION DEPARTMENTS Friday, October 4,1996 • 5:30-8:30 p.m. Refreshments • Music by The Mosleys Plexus/Reflexus 4 Free Admission Grants/Opportunities 6 Post Facto 24 Concurrent Exhibitions Calendar/Out There 28 Anna Torma: Notes and Visions Madison/Chicago 33 Kate Moran: Nine Dolls Full of Color Who Understand Touch through October 27 Rudy Rotter: Mahogany to Mink November 3, 1996 - February 2, 1997 ON THE COVER Opening and Exhibition Preview Front: David Schweitzer, Director, 1986. Photograph by Francis Ford. with Rudy Rotter and Guest Curator Debra Brehmer Back: Les Petite Bon-Bon, 1971.
  • ONLINE AUCTION: Thursday, Nov

    ONLINE AUCTION: Thursday, Nov

    ONLINE AUCTION: Thursday, Nov. 12th, 2020 from 4 - 10 p.m. INSTRUCTIONS AND BIDDING BOOK About the Lynn Institute: The Lynn Institute for Healthcare Research, a 501(c)(3) nonprofit organization, is committed to helping communities, neighborhoods, and vulnerable populations with health and lifestyle conditions that are impacting overall health. We identify at-risk populations, define unique health risks, publish findings, assemble collaboratives, create programs and develop sustainable plans with measurable goals and objectives to improve the health and hope of communities. Our Work Includes: Research Studies / Outcome-Based Initiatives Collaboratives Community Impact & Engagement - Zoo4U & Science4U Health & Lifestyle Programs: ¡ Count Me In 4 Kids ¡ HealthRide OKC / Prescription Co-Pay Assistance ¡ Foundations of Wellness / On the Road to Health Classes ¡ Planting Urban Gardens ¡ Health Screenings ¡ Food distributions of fresh produce and lean meats for nutrition and health; (Since August 2019, the Lynn Institute has distributed more than 350,000 pounds of fresh produce to impoverished neighborhoods in the OKC metro.) HOW CAN YOU HELP? It requires funding to offer the programs and provide impoverished communities access to basic life needs that most of us take for granted. ¡ Please take the opportunity this Thursday, November 12th from 4 – 10 p.m. to bid on and buy the incredible works of art that have been generously created by artists from around the state; ¡ Not bidding? You can still donate to the Lynn Institute on the auction site; and, ¡ Visit our Chairity partner, the North Gallery & Studios in the Shoppes at Northpark or the other galleries around our state where our individual artists show their work.
  • The Destruction of Art

    The Destruction of Art

    1 The destruction of art Solvent form examines art and destruction—through objects that have been destroyed (lost in fires, floods, vandalism, or, similarly, those that actively court or represent this destruction, such as Christian Marclay’s Guitar Drag or Chris Burden’s Samson), but also as an undoing process within art that the object challenges through form itself. In this manner, events such as the Momart warehouse fire in 2004 (in which large hold- ings of Young British Artists (YBA) and significant collections of art were destroyed en masse through arson), as well as the events surrounding art thief Stéphane Breitwieser (whose mother destroyed the art he had stolen upon his arrest—putting it down a garbage disposal or dumping it in a nearby canal) are critical events in this book, as they reveal something about art itself. Likewise, it is through these moments of destruction that we might distinguish a solvency within art and discover an operation in which something is made visible at a time when art’s metaphorical undo- ing emerges as oddly literal. Against this overlay, a tendency is mapped whereby individuals attempt to conceptually gather these destroyed or lost objects, to somehow recoup them in their absence. This might be observed through recent projects, such as Jonathan Jones’s Museum of Lost Art, the Tate Modern’s Gallery of Lost Art, or Henri Lefebvre’s text The Missing Pieces; along with exhibitions that position art as destruction, such as Damage Control at the Hirschhorn Museum or Under Destruction by the Swiss Institute in New York.
  • 2015 Benefit Auction Program Preview Program Preview Program Preview Saturday, November 7 Preview Exhibition: November 2-6

    2015 Benefit Auction Program Preview Program Preview Program Preview Saturday, November 7 Preview Exhibition: November 2-6

    2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT 2015 BENEFIT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW SATURDAY, NOVEMBER 7 PREVIEW EXHIBITION: NOVEMBER 2-6 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW WWW.SFCAMERAWORK.ORG ABOVE: CHRIS MCCAW, Sunburned GSP#815 ON COVER: PHILLIP MAISEL, (Mojave), 2014, LOT 54 Feldspar (1101), 2015, LOT 22 Chris McCaw’s Sunburn prints pare photogra- Phillip Maisel’s work lies somewhere between docu- phy down to its most basic elements—light and mentation, sculpture, photography, and collage. His time. For each unique photograph, McCaw makes working process begins with impermanent arrange- hours-long exposures onto photo-sensitive paper, ments of everyday materials – paper, glass, mirrors, allowing the sun to literally burn a trace of its tape - staged for the camera’s lens. He then makes path across the sky. This sunrise diptych was multiple adjustments – repositioning, introducing made in late winter in the Mojave. McCaw’s work or extracting various elements – and photographing has been exhibited most recently at the J. Paul each intervention in a sequence. Elements used in Getty Museum, Los Angeles; the National Gallery various stages of photographic processes (color fil- of Art, Washington, D.C.; and the Phoenix Art ters, glassine, and prints themselves) are integrated Museum. Sunburn, a monograph of his photo- back into the artwork either as part of the sculpture graphs was published by Candela Books in 2012. or as collage elements that may be re-inserted into a new, composite creation.
  • Minutes of the Meeting of the State Board of Agriculture June 12, 1942

    Minutes of the Meeting of the State Board of Agriculture June 12, 1942

    Minutes of the Meeting of the State Board of Agriculture June 12, 1942 Present: Mr* Berkey (Chairman); Messrs* Akers, Brody, Jakway, McPherson; Mrs. Masselink; Presi­ dent Hannah: Treasurer Wilkins; Secretary McDonel. Absent: Dr. Elliott. The Board members convened for dinner at 6:00 P.M. in the Presidents Dining Ptoom at the Union, after which the meeting was called to order in the Board Room at 7:15 P.M. The minutes of the previous meeting were approved. RESIGNATIONS 1. Resignation of Raymond T. Ohl, Assistant Professor in Foreign Languages, effective August 3V1942. 2. Resignation of Priscilla Long, Secretary to the Director of the Experiment Station, effec­ tive June 6, 1942. 3* Resignation of Miss Margaret Fill as half-time clerk in Horticulture Extension, effective May 31/1942. :4-. Correction in the date of resignation of Cathryn Bertram. Her resignation should be effec­ tive May 23, 1942, rather than May 31, 1942. 5* Resignation of Mrs, Marian Wood Peterman as stenographer in Farm Crops, effective June 15, I942. Mrs. Peterman has accepted a position with the Olds Motor Company. 6. Resignation of Mrs. Alice Steinbacher, stenographer in Engineering, effective June 15, 1942.. Mrs. Steinbacher will accompany her husband to the west coast. On motion of Mr. Brody, seconded by Mr. Jakway, it was voted to accept the Resignations. LEAVES :.'. 1. Leave of absence without pay for eight months for Arnold L. Williams, Instructor in English, effective January 1, 1943 • Dr. Williams has been granted a fellowship from the Huntington . Library. 2. Extension of leave of absence with pay for A.
  • R F;;A SOUTHEASTERN WISCONSIN REGIONAL PLANNING COMMISSION

    R F;;A SOUTHEASTERN WISCONSIN REGIONAL PLANNING COMMISSION

    F RIN ~ r F;;A SOUTHEASTERN WISCONSIN REGIONAL PLANNING COMMISSION KENOSHA COUNTY RACINE COUNTY Francis J. Pitts John R. Hansen TECHNICAL ADVISORY COMMITTEE ON THE STUDY OF Mary A. Plunkett Earl G. Skagen INDUSTRIAL LAND USE FOR SOUTHEASTERN WISCONSIN Sheila M. Siegler Michael W. Wells Arnold L. Clement ........................Planning and Development MILWAUKEE COUNTY WALWORTH COUNTY Chairman Director, Racine County Irene M. Brown John D. Ames Paul Milewski ............................. Director of Community Richard W. Cutler, Anthony F. Balestrieri Vice-Chairman Development, City of Oak Creek Secretary Allen L. Morrison Kurt W. Bauer ............... Executive Director, Southeastern Wisconsin Harout O. Sanasarian, Secretary Regional Planning Commission Vice·Chairman Frank H. Dobbs .................. Planning Director, Walworth County Park and Planning Commission James N. Dollhausen ...............Director of Planning, City of Mequon OZAUKEE COUNTY WASHINGTON COUNTY Edward F. Dorsey ..............Administrative Coordinator for Economic Allen F. Bruederle Harold F. Ryan Development, Wisconsin Gas Company Sara L. Johann Thomas J. Sackett William R. Drew ................... Commissioner, Department of City Alfred G. Raetz, Frank F. Uttech Development, City of Milwaukee Chairman Ray Forgianni. ........................ Director, Department of City Development, City of Kenosha Michael C. Harrigan ................. Administrator, Village of Saukville WAUKESHA COUNTY Frank M. Hedgcock ....................... Community Development Robert F. Hamilton