Soundmerch Announces Partnership with the Australian Music Prize $20,000 in Prize Money Guaranteed

Total Page:16

File Type:pdf, Size:1020Kb

Soundmerch Announces Partnership with the Australian Music Prize $20,000 in Prize Money Guaranteed SOUNDMERCH ANNOUNCES PARTNERSHIP WITH THE AUSTRALIAN MUSIC PRIZE $20,000 IN PRIZE MONEY GUARANTEED MEDIA RELEASE November 12th 2020 MELBOURNE’S Australia’s most prestigious music award announced Emerging in 2005, the Australian Music Prize its return in 2020 for its 16th prize, last month. With has provided a mouthpiece for the best albums in SOUNDMERCH COVID-19 putting many people and businesses under Australian contemporary music, judged by esteemed TODAY PROUDLY immense financial pressure, The AMP, whose primary peers within the Australian music industry that ANNOUNCES A source of income had been sponsorship, announced a focuses on creative merit over mainstream popularity. unique opportunity to purchase t-shirts with 70% of A sister prize to the UK’s coveted Mercury Prize, the PARTNERSHIP WITH all profit from sales going directly to the artists Australian Music Prize is Australia’s most sought- THE AUSTRALIAN through prize money and marketing of the albums. after achievement within the music community, MUSIC PRIZE honouring the album as an art form. Since then, SoundMerch has generously stepped (THE AMP) IN 2020, up to give back to the Australian music industry by With over 50 Australian albums nominated - so far STEPPING UP AS sponsoring the prize. With COVID-19 putting a pause - the 16th AMP will announce its final list of 2020 THE NAMING RIGHTS in live music and the tour merch that comes with Nominated Albums in December. In 2019, this list that, bands have been pushing their online music was 107 albums long out of 440 eligible albums with SPONSOR. merch more than ever as one of their main sources of numbers looking similar this year. As per previous income. This saw online merch and vinyl sales triple prizes, the Shortlist will be announced in early-Feb THE PARTNERSHIP for Australia’s SoundMerch who has been printing and 2021 and then a select panel of the judges will meet GUARANTEES A CASH producing merch for over 10 years. in March to decide on and announce, a winner. PRIZE OF $20,000 “We’ve had a great year and would like to give “It’s admirable of Tim to stand up to declare he’s FOR THE WINNER. something back to Australian artists given most of making money from Aussie music and therefore them haven’t had a great year. Doing this through he wants to give back and support the artists, The AMP also helps promote a healthy music scene I urge artists to work with companies like this. which in turn helps SoundMerch” SoundMerch’s support means we can guarantee Tim Everist, CEO of SoundMerch. a cash prize of $20,000 and if our t-shirt sales continue, we may even be able to offer more funds for those artists making great albums” Scott B. Murphy — AMP Founder and Prize Director THE #1 Dads Golden Repair Jess Cornelius Distance Shepparton Airplane Sharks 5 Seconds Of Summer Calm Karate Boogaloo Simona Castricum Panic/Desire NOMINATED Carn The Boogers Alice Ivy Don’t Sleep Snowy Band Audio Commentary ALBUMS – Katie Dey Mydata Andras Joyful Sophie Hutchings SO FAR L-Fresh The Lion South West Scattered On The Wind Andrew Tuttle Alexandra Loser Mindless Joy Stevan Just Kids Banoffee Look At Us Now Dad 2020 AUSTRALIAN Luke Howard Sweet Whirl How Much Works Big Yawn No! The Sand That Ate The Sea ARTIST ALBUM Tame Impala The Slow Rush RELEASES THAT HAVE Boomalli The Promise Mark Seymour & The Undertow Slow Dawn The Chats High Risk Behaviour BEEN NOMINATED Cable Ties Far Enough Miiesha Nyaaringu The Friends Of David McComb (TO DATE) BY THE Caiti Baker Mary Of The North Truckload Of Sky Mild Minds Mood JUDGES OF THE Clamm Beseech Me The Necks Three DMAs The Glow Nat Vazer 16TH AUSTRALIAN Is This Offensive And Loud? Tracey Mc Neil & The Goodlife e44443 Coldstream Road You Be The Lightning MUSIC PRIZE Nick Griffith 7AM Eddy Current Suppression Ring Traffik Island Sweat Kollecta’s All In Good Time Party Dozen Peanut Butter Traffik Jam Pray For Party Dozen Fanny Lumsden Fallow Vanessa Perica Orchestra Primo! Sogni Love Is A Temporary Madness Good Boy It Takes A Lot Of Skill To Milk A Mare Rolling Blackouts Coastal Fever Violent Soho Everything Is A-OK Sideways To New Italy Gordi Our Two Skins Ziggy Ramo Black Thoughts Roza Terenzi Modern Bliss Gordon Koang Unity RVG Feral Gum Out In The World Sarah Mary Chadwick Jack Colwell Swandream Please Daddy LOVE AUSSIE The AMP Tees and Tee/Facemask bundles MADE MUSIC? are available at SoundMerch BUY A TEE 70% OF ALL PROFITS FROM SALES WILL GO DIRECTLY TO ARTISTS BY WAY OF PRIZE MONEY AND MARKETING OF THEIR ALBUMS. PRE-ORDER NOW THE SOUNDMERCH AMP 2020 IS PROUDLY SUPPORTED BY 16TH SOUNDMERCH AMP JUDGES Cameron Adams Bryget Chrisfield Sosefina Fuamoli Kate Hennessy Abbe May Andrew Sinclair Sam Anning Dan Condon ‘Ofa Fotu Triana Hernandez Tiarney Miekus Jeb Taylor Steve Bell Shaad D’Souza Tim Freedman Michael Hohnen Bruce Milne Cassie Walker Chris Berkley Jessica Dale Chris Gill Chris Holland Holly Pereira Simon Winkler Maia Bilyk Tim Daley Mike Glynn Phil Jamieson Zoë Radas David James Young Martin Boulton Hayden Davies Dan Gordon Amelia Jenner Rok Riley Bernard Zuel Mikey Cahill Andrew Drever Alex Gow Shannon Logan Jeremy Rose CONTACT SCOTT B MURPHY PRIZE DIRECTOR, THE AMP [email protected] 0408 118 000.
Recommended publications
  • Annual Report 2019-20
    ANNUAL REPORT 2019-20 Photographer: Martin Philbey CONTENTS About Us 03 Chair’s Report 04 Chief Executive Officer’s Report 06 Treasurer’s Report 08 Mission Statement and Vision 10 Three Year Strategy 11 Music Victoria Advocacy 14 Advisory Panels 15 Victorian Music Development Office 16 Professional Development Program 18 Music Victoria Awards 2019 19 Live Music Professionals 20 Cultivate 22 Music Victoria Board Members 24 Music Victoria Staff 27 Sponsorship and Partners 30 Financial Report 31 Page 02 ABOUT US Contemporary Music Victoria Inc. (Music Victoria) The organisation is governed by a volunteer Board is an independent, not-for-profit organisation and of Directors comprising of 6 members elected the state peak body for contemporary music. by members of Music Victoria, and 3 appointed members by the Board. Music Victoria operates It represents musicians, venues, music businesses under its Rules of Association, updated on 22 and professionals, and music lovers across the October 2019. contemporary Victorian music community. Music Victoria provides advocacy on behalf of the music sector, actively supports the development of the Victorian music community, and celebrates and promotes Victorian music. Photographer: Josh Brnjac Page 03 CHAIR’S REPORT SALLY HOWLAND music venues. The result, as referred to in Patrick’s report, was a significant investment from Creative Victoria who readily understand the central importance of safeguarding live music. Never before has the economic, social and cultural impact of music been so profoundly evident. Our second response was to offer free membership. Whilst this meant a hit to our budget, the Board took the view that offering a connection, a sense of belonging and support to the industry was of paramount importance.
    [Show full text]
  • Music Victoria Annual Report 2017
    annual repoRt 017 2 Including Music Victoria’s strategic summary and other documents with 2017 updates. contents Details of 2017 AGM 03 Minutes of 2016 AGM 05 Chair’s Report 09 Chief Executive Officer’s Report 12 Treasurer’s Report 14 About Us 16 Mission Statement and Vision 16 Strategic Plan 19 Key Achievements 2017 20 Music Victoria Staff 21 Music Victoria Advocacy 23 Music Victoria Board 24 Subcommittees Advisory Panels The Age Music Victoria Awards and The After Party 28 Professional Development Program The Age MV Awards Programs 30 Good Music Neighbours Live Music Professionals Victorian Music Crawl Financial Report 33 Page 02 DETAILS OF 2017 AGM The Annual General Meeting of Contemporary individual membership, and one vote if you have a Music Victoria Inc. (‘Music Victoria’) will be held band, small business, non-profit, corporate, gold at the offices of Music Victoria, Level 1, 49 Tope or platinum membership). Street, South Melbourne, Victoria, 3205 from 6:00pm sharp, Thursday 7 December 2017 (doors Members will be able to vote on the election of from 5.30pm). four (4) members to the Board. All current financial members of Music Victoria Members will also vote on amendments to the are welcome and encouraged to attend. If your Rules of Association of Music Victoria (‘Rules’), membership has lapsed, you must renew by namely updating the Rules to refer to committee Wednesday 22 November 2017 if you wish to members/directors of Music Victoria, collectively, attend or vote at the AGM. as ‘the Board’, instead of ‘Committee of Management’. Members of Music Victoria who are financial members as at 23 November 2017 are eligible Music Victoria annual reports and a copy of the to vote in the election of members of the proposed amended Rules will be circulated to Committee of Management (‘Board’).
    [Show full text]
  • SFX Entertainment
    MediaTainment FINANCE Issue No. 23 For Decision-Makers and Strategists Who Value Creativity and Appreciate the Value Creativity Brings to Business www.mediatainmentfinance.com Facebook: MediaTainment Finance; Twitter: @MediatainmentMT; @JayKayMed NEWS … 3-14 film: Pinewood regains Shepperton Studios in £37m buyout; China Star raises HK$134m tv: Viacom buys Channel 5 to take on UK; Hearst pays $81m for AwesomenessTV stake music: 10 highest-earning music stars amass $1.36bn games: Gfinity introduces eSport to UK stock exchange; Vivendi settles $275m lawsuit fashion: Advent seeks IPO for fashion retail giant architecture: Thomas Heatherwick Studios designs London, New York river gardens books/prints: HarperCollins launches New Age imprint; Vox Media raises $46.5m ads/marketing: Dentsu Aegis’ $48m Fetch Media acquisition; Brands embrace new tech sport: UK Premier League rights to top $7bn copyright: US Supreme Court tackles Spider Man toy; IP worth $14.5bn to the Philippines live entertainment: Dalian Wanda’s $1.3bn theme park; global music tours valued $20bn photography/art: Iceland government slashes arts funding FEATURES & REPORTS THE UNSEEN: —the London design studio that is taking fashion and innova- tive creative industries by a storm with a magic fabric that changes colour in response to the invisible substances in our environment. See more on … page 15 SFX Entertainment Inc: — why on earth use stock exchange cash to fi- nance electronic dance music festivals starring DJs with names like Avicii, Deadmau5 and Afrojack ? CEO Robert Sillerman
    [Show full text]
  • Media Release
    MEDIA RELEASE October 29th, 2020 THE 16TH AMP – SUPPORTING OUR ARTISTS ELIGIBILITY ON TRACK IN 2020! “The world needs music more than ever, and anything The AMP has many that we can do to support songwriters and artists to keep channels of ongoing THE AUSTRALIAN MUSIC creating is critical. This year might have been the most research to ensure all challenging ever to write, record, release and/or promote eligible albums are heard, PRIZE (THE AMP) ANNOUNCES an album, but also the most meaningful to fans and the including artists alerting THAT ITS 16TH PRIZE, FOR music industry at large. We’re a long-time and proud The AMP of their eligible album directly. ELIGIBLE 2020 ALBUM supporter of The Australian Music Prize for keeping a spotlight on new Australian music.” RELEASES, IS ON COURSE TO The AMP asks that all Dean Ormston — APRA AMCOS CEO Nominated artists make DELIVER A SHORTLIST AND contact with AMP admin WINNER EARLY IN 2021. “Music is about uniting people and now more than ever (via AMP website) so that we all need a bit of hope and happiness. I’m excited the eligibility can be confirmed, THE JUDGES of The AMP have been Mushroom Group is supporting the Australian Music Prize and future plans disclosed. listening to over 300 albums since (AMP) once again in 2020. It’s an important award offering recognition and support to some of our best independent To check on eligibility June and have – so far – Nominated Australian artists and songwriters, acknowledgment and to advise The AMP 52 albums as contenders – the best needed more than ever as our local music industry goes of albums, visit: albums of 2020 – the list follows.
    [Show full text]
  • What's on Unsw
    WHAT’S ON UNSW S1W9 2016 BROUGHT TO YOU BY WANT EVEN MORE BLITZ? WANT WEB EXCLUSIVES? blitz.arc.unsw.edu.au WK5-10 QUAD 7:15PM START Arc presents the biggest open-air movie-palooza at UNSW with Pop-Up Pictures. Message your mates, rustle a rug and smuggle some snacks to Quad on Monday and Tuesday nights. Get in early to secure the best spot. arc.unsw.edu.au/pictures WK9 WK10 MON MON TUES TUES 2 BLITZ MAG CONTENTS Violent Soho p.09 Adam Mada p.08 RÜFÜS p.10 In this issue... Tom Morrison THE INTERVIEWS 08 Chair of the Arc Board Adam Mada E [email protected] W arc.unsw.edu.au/ Violent Soho board-blog RÜFÜS Eden Gillespie Antonio Castigila Lydia Morgan 11 5 THINGS ABOUT THE Blitz Editor Online Editor Blitz Designer NUMBER 5 E [email protected] 11 CIDER VS. BEER W blitz.arc.unsw.edu.au Dear readers, Hip-hip-hooray! 13 5 SPOTIFY SECRETS All Arc members will receive an invitation to vote on the election of four During week 10, the classiest café on campus turns five. It’s a birthday directors to sit on the Board of Arc, the UNSW student organisation. 14 MOSHING 101 bash that promises more than just goodie bags and cake, there’ll be This election is special as it is the first time that two of the elected directors awesome deals running all week (see p.17 for more). 14 MUSOSCOPES will be required to be women, a proud step Arc has taken to reflect the value of diversity in our governance.
    [Show full text]
  • Sydney Gala 29Th November 2016
    SYDNEY GALA 29TH NOVEMBER 2016 Photo: Geoffrey D’Unienville Vance Joy at Austin City Limits Photo: Ashley Mar Photo Wall at “Ketchup” Logo by Daniel Lewis Photo: Carl Dziunka Heart of St Kilda Concert, Melbourne Thank you to our Board Damian Cunningham (Audience and Sector Development Director, Live Music Office) Dean Ormston (Head of Member Services, APRA AMCOS) Emma Coyle (Industry Development Manager, Music SA) Emily Collins (Executive Officer, Music NSW) Joel Edmondson (Executive Officer, Q Music) Katie Noonan (Musician) Laura Harper (Chief Executive Officer, Music Tasmania) Maggie Collins (Programmer at BIGSOUND) Mike Harris (CEO, WAM) Paris Martine (Contrary Music) Simon Collins (Music Editor, The West Australian) and all our team & volunteers! Director - Larry Heath Publicist - Nat Files Graphic & Logo Design - Daniel Lewis Video - Filip Franzoni Photo: Geoffrey D’Unienville Program Jake Stone (DJ Set) Show kicks off at 8pm with your host KLP Performance: Colin Lillie and Leah Flanagan NSW Awards Performance: LEFT. Genre Awards Performance: High VIolet Industry and Festival Awards Performance: L-FRESH THE LION Musician and Band Awards Performance: Totally Unicorn NSW AWARDS LIVE ACT OF THE YEAR LIVE MUSIC EVENT OF THE YEAR -Presented by the City of Sydney- Byron Bay Bluesfest All our Exes Live in Texas FBi SMACS Festival Boy & Bear King Street Crawl Gang of Youths Newtown Festival RUFUS Secret Garden Shining Bird THE AAA AWARD: LIVE VOICE OF THE YEAR ALL AGES AMBASSADOR David Le’aupepe (Gang of Youths) -Presented by MusicNSW- Julia Jacklin 4Elements Music Project (4EMP) Montaigne Black Wire Records Ngaiire Campbelltown Arts Centre Vera Blue Century Venues Good Life Festival VENUE OF THE YEAR -Presented by Moshtix- Civic Underground Newtown Social Club Oxford Art Factory The Chippendale Hotel The Enmore Photo: Ian Laidlaw Yours & Owls Festival, Wollongong GENRE AWARDS HIP HOP LIVE ACT OF THE YEAR ROOTS LIVE ACT OF THE YEAR^ A.B.
    [Show full text]
  • Like a Sustainable Version: Practising Independence in the Central Sydney Independent Music Scene
    Like a sustainable version: Practising independence in the Central Sydney independent music scene Shams Bin Quader A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Gender and Cultural Studies School of Philosophical and Historical Inquiry Faculty of Arts and Social Sciences University of Sydney 2020 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person, not material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institute of higher learning, except where due acknowledgement has been made in the text. Shams Bin Quader 22 April 2020 SHAMS QUADER i ABSTRACT Independent music is a complex concept. It has meant different things at different historical moments of popular music and within academic, music press and industry discourses. Even though what independent music refers to might not be substantive, it has tended to signify an oppositional ethos comprising practices related to maintaining distinction from commercialised popular music. Historical narratives of popular music reveal that independent music or indie, has been defined and re-defined, from signifying an ethos of resistance comprising anti-major record label and anti- corporatisation attitudes, to rubrics of sound aesthetics, marketing categories and niche audience segments. Its different connotations then should not be assumed. Comprehension of different dimensions of independent music call for theorisation of youth, rebellion, alternative cultures, and their connections with musical forms, along with production and distribution-related organisational infrastructures revolving around them.
    [Show full text]
  • Annual Report 2017
    CONTENTS President’s Report 4 Treasurer’s Report 6 CEO’s Report 8 QMusic Program Report 10 QMusic Management Committee 16 QMusic Staff 19 Income & Expenditure Statement 22 Assets & Liabilities Statement 23 Statement of Cash Flows 24 3/374 Brunswick Street PO Box 878 Fortitude Valley QLD 4006 Notes to the Financial Statements 25 Australia T (07) 3257 0013 Statement by Members of the Committee 30 E [email protected] www.qmusic.com.au Independent Audit Report 31 Queensland Music Network Incorporated ABN 14 083 014 720 Disclaimer to the Detailed Income & Expenditure Statement 33 Promoting the artistic value, cultural worth and commercial potential of Queensland music. Detailed Income and Expenditure Statement 34 QMusic - The Queensland Music Network - is a registered non-profit association dedicated to developing, servicing and representing the Queensland music industry. QMusic acknowledges that Aboriginal and Torres Strait Islanders are the custodians of the land and recognise the disadvantage caused by colonisation and dispossession. Aboriginal and Torres Strait Islander music plays a critical role in the broader Australian music context and Australian culture overall. QMusic is committed to working with community to build opportunities for Aboriginal and Torres Strait Islander artists and music businesses. QMusic acknowledges the support and funding of the Queensland Government, Australia Council for the Arts and APRA AMCOS 2017 ANNUAL REPORT 3 PRESIDENT’S REPORT Like the wider music industry, QMusic has known its share of challenging times in more than two decades in existence. Those times have helped to place the positive moments into perspective. And 2017 will go down as a strong year for QMusic.
    [Show full text]
  • Australia Council Support for Music
    Inquiry into the Australian music industry Submission 98 AUSTRALIA COUNCIL FOR THE ARTS SUBMISSION TO THE STANDING COMMITTEE ON COMMUNICATIONS AND THE ARTS INQUIRY INTO THE AUSTRALIAN MUSIC INDUSTRY OCTOBER 2018 1 Inquiry into the Australian music industry Submission 98 Committee Secretary Standing Committee on Communications and the Arts PO Box 6021 Parliament House Canberra, ACT 2600 Dear Secretary, The Australia Council for the Arts welcomes the opportunity to provide this submission to the Inquiry into the Australian Music Industry. As the Australian Government’s principal arts funding and advisory body, the Council invests in artistic excellence through support for all facets of the creative process; increases awareness about the value of the arts; and is committed to the arts being more accessible to all Australians. Conducting, commissioning and publishing research into, and about, the arts is a key function under the Australia Council Act 2013.1 This submission outlines the role Council plays in supporting and promoting the diverse, excellent and energetic contemporary music culture. We would welcome the opportunity to discuss this further with you. Yours sincerely, Tony Grybowski Chief Executive Officer Australia Council for the Arts 1 Australia Council Act 2013 s.9 (Aust) 2 Inquiry into the Australian music industry Submission 98 Contents Executive summary 4 AUSTRALIA COUNCIL SUPPORT FOR MUSIC 7 FACTORS CONTRIBUTING TO GROWTH AND SUSTAINABILITY 9 Music practice 9 Disruption and resilience 11 Live music 14 Festivals 15 National
    [Show full text]
  • Qmusic Annual Report 2015-MASTER Hires
    Page 2 CONTENTS President’s Report 4 Treasurer’s Report 7 Queensland Music Network Incorporated Executive Officer’s Report 8 ABN: 14 083 014 720 QMusic Program Report 10 3 Winn Street Fortitude Valley QLD 4006 PO Box 878 QMusic Management Committee 17 Fortitude Valley QLD 4006 Phone: 07 3257 0013 QMusic Staff 19 Fax: 07 3257 0087 Income and Expenditure Statement 22 Email: [email protected] Web: www.Qmusic.com.au Assets and Liabilities Statement 23 Statement of Cash Flows 24 Notes to the Financial Statements 24 Statement by Members of the Committee 29 Independent Audit Report 30 Disclaimer to the Detailed Income and Expenditure Statement 32 Detailed Income and Expenditure Statement 33 QMusic – The Queensland Music Network – is a registered non-profit association dedicated to developing, servicing and representing the Queensland music industry. QMusic acknowledges the support and funding of the Queensland Government, Australia Council for the Arts and APRA AMCOS Page 3 President’s Report QMusic took another step along a new path in 2015, consolidating its financial performance while planning for growth opportunities. We began the year budgeting for a deficit, mindful of the need to view QMusic’s hard-won surplus as an investment tool rather than simply a safety buffer. The fact that QMusic was able to post another surplus in 2015 was due to the outstanding work of Joel Edmondson in his first year as executive officer and his remarkable team. Joel took over from Denise Foley, whose tireless work as executive officer enabled QMusic to thrive during some testing years and move into its third decade with confidence.
    [Show full text]
  • Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
    Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer.
    [Show full text]
  • Waifsreturnwith Mixofoldandnew
    THE HUNTER’S ENTERTAINMENT GUIDE DEFINITIVE newcastlelive.com.au ENTERTAINMENT l The Waifs live at Newcastle Civic Theatre. Picture: Marina Nei Waifs return with mix of old and new THE WAIFS thigh red lace dress and black jacket, April 2 kicked off the night with Heart Of Me Civic Theatre and Donna Simpson followed soon with Somebody. But the house really got warmed up with Bridal Train, as Josh REVIEW JIM KELLAR Cunningham’s guitar magic, in this case acoustic, came to the fore and reminded everyone how important all THEY were like old friends who came three members are to the vibe of the to visit on a rare trip through band. Newcastle. They had changed a little, Josh took the spotlight for his own but the ties that bind were as tight as Dark Highway and the trio continued to ever. mix and match new and old. The Even for seasoned bands, there’s response to the classics grew louder at always a risk when you come bearing every turn – Fisherman’s Daughter, gifts of new music not heard before, Lighthouse, Highway One. Yet the new stories we don’t know. But the mix of ones were to be savoured, a clear signal new and old was seamless. Although it The Waifs have much more to offer. felt like it took a couple of songs for us The encore was worth packaging like to link up on the musical merry-go- a Christmas present, or more likely a round, once the audience was on board wedding present, as the vibe was strong everyone was certainly on the same all night about love and partners.
    [Show full text]