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Annual Report 2019-20
ANNUAL REPORT 2019-20 Photographer: Martin Philbey CONTENTS About Us 03 Chair’s Report 04 Chief Executive Officer’s Report 06 Treasurer’s Report 08 Mission Statement and Vision 10 Three Year Strategy 11 Music Victoria Advocacy 14 Advisory Panels 15 Victorian Music Development Office 16 Professional Development Program 18 Music Victoria Awards 2019 19 Live Music Professionals 20 Cultivate 22 Music Victoria Board Members 24 Music Victoria Staff 27 Sponsorship and Partners 30 Financial Report 31 Page 02 ABOUT US Contemporary Music Victoria Inc. (Music Victoria) The organisation is governed by a volunteer Board is an independent, not-for-profit organisation and of Directors comprising of 6 members elected the state peak body for contemporary music. by members of Music Victoria, and 3 appointed members by the Board. Music Victoria operates It represents musicians, venues, music businesses under its Rules of Association, updated on 22 and professionals, and music lovers across the October 2019. contemporary Victorian music community. Music Victoria provides advocacy on behalf of the music sector, actively supports the development of the Victorian music community, and celebrates and promotes Victorian music. Photographer: Josh Brnjac Page 03 CHAIR’S REPORT SALLY HOWLAND music venues. The result, as referred to in Patrick’s report, was a significant investment from Creative Victoria who readily understand the central importance of safeguarding live music. Never before has the economic, social and cultural impact of music been so profoundly evident. Our second response was to offer free membership. Whilst this meant a hit to our budget, the Board took the view that offering a connection, a sense of belonging and support to the industry was of paramount importance. -
Music Victoria Annual Report 2017
annual repoRt 017 2 Including Music Victoria’s strategic summary and other documents with 2017 updates. contents Details of 2017 AGM 03 Minutes of 2016 AGM 05 Chair’s Report 09 Chief Executive Officer’s Report 12 Treasurer’s Report 14 About Us 16 Mission Statement and Vision 16 Strategic Plan 19 Key Achievements 2017 20 Music Victoria Staff 21 Music Victoria Advocacy 23 Music Victoria Board 24 Subcommittees Advisory Panels The Age Music Victoria Awards and The After Party 28 Professional Development Program The Age MV Awards Programs 30 Good Music Neighbours Live Music Professionals Victorian Music Crawl Financial Report 33 Page 02 DETAILS OF 2017 AGM The Annual General Meeting of Contemporary individual membership, and one vote if you have a Music Victoria Inc. (‘Music Victoria’) will be held band, small business, non-profit, corporate, gold at the offices of Music Victoria, Level 1, 49 Tope or platinum membership). Street, South Melbourne, Victoria, 3205 from 6:00pm sharp, Thursday 7 December 2017 (doors Members will be able to vote on the election of from 5.30pm). four (4) members to the Board. All current financial members of Music Victoria Members will also vote on amendments to the are welcome and encouraged to attend. If your Rules of Association of Music Victoria (‘Rules’), membership has lapsed, you must renew by namely updating the Rules to refer to committee Wednesday 22 November 2017 if you wish to members/directors of Music Victoria, collectively, attend or vote at the AGM. as ‘the Board’, instead of ‘Committee of Management’. Members of Music Victoria who are financial members as at 23 November 2017 are eligible Music Victoria annual reports and a copy of the to vote in the election of members of the proposed amended Rules will be circulated to Committee of Management (‘Board’). -
SFX Entertainment
MediaTainment FINANCE Issue No. 23 For Decision-Makers and Strategists Who Value Creativity and Appreciate the Value Creativity Brings to Business www.mediatainmentfinance.com Facebook: MediaTainment Finance; Twitter: @MediatainmentMT; @JayKayMed NEWS … 3-14 film: Pinewood regains Shepperton Studios in £37m buyout; China Star raises HK$134m tv: Viacom buys Channel 5 to take on UK; Hearst pays $81m for AwesomenessTV stake music: 10 highest-earning music stars amass $1.36bn games: Gfinity introduces eSport to UK stock exchange; Vivendi settles $275m lawsuit fashion: Advent seeks IPO for fashion retail giant architecture: Thomas Heatherwick Studios designs London, New York river gardens books/prints: HarperCollins launches New Age imprint; Vox Media raises $46.5m ads/marketing: Dentsu Aegis’ $48m Fetch Media acquisition; Brands embrace new tech sport: UK Premier League rights to top $7bn copyright: US Supreme Court tackles Spider Man toy; IP worth $14.5bn to the Philippines live entertainment: Dalian Wanda’s $1.3bn theme park; global music tours valued $20bn photography/art: Iceland government slashes arts funding FEATURES & REPORTS THE UNSEEN: —the London design studio that is taking fashion and innova- tive creative industries by a storm with a magic fabric that changes colour in response to the invisible substances in our environment. See more on … page 15 SFX Entertainment Inc: — why on earth use stock exchange cash to fi- nance electronic dance music festivals starring DJs with names like Avicii, Deadmau5 and Afrojack ? CEO Robert Sillerman -
Soundmerch Announces Partnership with the Australian Music Prize $20,000 in Prize Money Guaranteed
SOUNDMERCH ANNOUNCES PARTNERSHIP WITH THE AUSTRALIAN MUSIC PRIZE $20,000 IN PRIZE MONEY GUARANTEED MEDIA RELEASE November 12th 2020 MELBOURNE’S Australia’s most prestigious music award announced Emerging in 2005, the Australian Music Prize its return in 2020 for its 16th prize, last month. With has provided a mouthpiece for the best albums in SOUNDMERCH COVID-19 putting many people and businesses under Australian contemporary music, judged by esteemed TODAY PROUDLY immense financial pressure, The AMP, whose primary peers within the Australian music industry that ANNOUNCES A source of income had been sponsorship, announced a focuses on creative merit over mainstream popularity. unique opportunity to purchase t-shirts with 70% of A sister prize to the UK’s coveted Mercury Prize, the PARTNERSHIP WITH all profit from sales going directly to the artists Australian Music Prize is Australia’s most sought- THE AUSTRALIAN through prize money and marketing of the albums. after achievement within the music community, MUSIC PRIZE honouring the album as an art form. Since then, SoundMerch has generously stepped (THE AMP) IN 2020, up to give back to the Australian music industry by With over 50 Australian albums nominated - so far STEPPING UP AS sponsoring the prize. With COVID-19 putting a pause - the 16th AMP will announce its final list of 2020 THE NAMING RIGHTS in live music and the tour merch that comes with Nominated Albums in December. In 2019, this list that, bands have been pushing their online music was 107 albums long out of 440 eligible albums with SPONSOR. merch more than ever as one of their main sources of numbers looking similar this year. -
Australia Council Support for Music
Inquiry into the Australian music industry Submission 98 AUSTRALIA COUNCIL FOR THE ARTS SUBMISSION TO THE STANDING COMMITTEE ON COMMUNICATIONS AND THE ARTS INQUIRY INTO THE AUSTRALIAN MUSIC INDUSTRY OCTOBER 2018 1 Inquiry into the Australian music industry Submission 98 Committee Secretary Standing Committee on Communications and the Arts PO Box 6021 Parliament House Canberra, ACT 2600 Dear Secretary, The Australia Council for the Arts welcomes the opportunity to provide this submission to the Inquiry into the Australian Music Industry. As the Australian Government’s principal arts funding and advisory body, the Council invests in artistic excellence through support for all facets of the creative process; increases awareness about the value of the arts; and is committed to the arts being more accessible to all Australians. Conducting, commissioning and publishing research into, and about, the arts is a key function under the Australia Council Act 2013.1 This submission outlines the role Council plays in supporting and promoting the diverse, excellent and energetic contemporary music culture. We would welcome the opportunity to discuss this further with you. Yours sincerely, Tony Grybowski Chief Executive Officer Australia Council for the Arts 1 Australia Council Act 2013 s.9 (Aust) 2 Inquiry into the Australian music industry Submission 98 Contents Executive summary 4 AUSTRALIA COUNCIL SUPPORT FOR MUSIC 7 FACTORS CONTRIBUTING TO GROWTH AND SUSTAINABILITY 9 Music practice 9 Disruption and resilience 11 Live music 14 Festivals 15 National -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Waifsreturnwith Mixofoldandnew
THE HUNTER’S ENTERTAINMENT GUIDE DEFINITIVE newcastlelive.com.au ENTERTAINMENT l The Waifs live at Newcastle Civic Theatre. Picture: Marina Nei Waifs return with mix of old and new THE WAIFS thigh red lace dress and black jacket, April 2 kicked off the night with Heart Of Me Civic Theatre and Donna Simpson followed soon with Somebody. But the house really got warmed up with Bridal Train, as Josh REVIEW JIM KELLAR Cunningham’s guitar magic, in this case acoustic, came to the fore and reminded everyone how important all THEY were like old friends who came three members are to the vibe of the to visit on a rare trip through band. Newcastle. They had changed a little, Josh took the spotlight for his own but the ties that bind were as tight as Dark Highway and the trio continued to ever. mix and match new and old. The Even for seasoned bands, there’s response to the classics grew louder at always a risk when you come bearing every turn – Fisherman’s Daughter, gifts of new music not heard before, Lighthouse, Highway One. Yet the new stories we don’t know. But the mix of ones were to be savoured, a clear signal new and old was seamless. Although it The Waifs have much more to offer. felt like it took a couple of songs for us The encore was worth packaging like to link up on the musical merry-go- a Christmas present, or more likely a round, once the audience was on board wedding present, as the vibe was strong everyone was certainly on the same all night about love and partners. -
Finalist Catalogue & Voting Slip
Melbourne Finalist Prize for Music Catalogue & 2016 Voting Slip Finalist Exhibition Federation Square 7–21 November 2016 Our 2016 Partners and Patrons 06 About the Finalist Exhibition 08 2016 Prize & Awards 10 Civic Choice Award 2016 Voting Slip 13 Government Partners 15 Judges 16 Melbourne Prize Alumni 20 Melbourne Prize for Music 2016 22 Outstanding Musicians Award 2016 30 Beleura Award for Composition 2016 42 Development Award 2016 50 Distinguished Musicians Fellowship 2016 58 Thank You 60 About the Melbourne Prize Trust 62 What’s What’s Inside 6 Thank you to our 7 2016 Partners A Message from the Executive Director of the and Patrons Melbourne Prize Trust Thank you to our 2016 partners and patrons The Melbourne Prize Trust is I would like to thank our pleased to present the Melbourne esteemed judging panel for their Prize for Music 2016 and Awards, time and dedication to the Prize. offered as part of the annual We are delighted to also have Melbourne Prize cycle. Chong Lim as an advisor. This year we are delighted Our finalists in all categories to provide opportunities for are showcased at the exhibition Diana Gibson AO Victorian musicians across all held between 7 and 21 November music genres. The 2016 program 2016, where a free catalogue is Dr. Ron Benson would not be possible without available. Vote for a finalist to win the generous support of all our the $4,000 Civic Choice Award partners and patrons – thank you 2016 on our website. one and all. The Trust is proud to have The Melbourne Prize for Music the Victorian Government, 2016 and Awards is one of the through Creative Victoria, and most valuable music prizes in the City of Melbourne, through Australia, with a prize and Melbourne Music Week 2016, award pool of over $130,000. -
Women in Music Mentor Program 2020 Advisory Committee
Women In Music Mentor Program 2020 Advisory Committee Ali Tomoana A proud Māori/Samoan woman and Mother, Ali is the Co-Founder/Director of Brisbane-based Indie Record Label and Artist Management agency, Soul Has No Tempo. With a joint passion for cultivating and supporting local music, Ali & her husband Gavin created SHNT as a one-stop-shop for emerging artists to perform, create and release music. Managing breakthrough Australian artist Jordan Rakei through his early development and reloca- tion to London, Ali now proudly represents Ladi6, Tiana Khasi and Ella Haber, along with Melbourne-based singer-songwriter, Laneous, and is inspired daily by the qualities that make each artist unique. As a label, SHNT dive deep into music that pushes the boundaries of Soul, while exploring new methods in which their artists can control their freedom of expression as creators. Anne Wiberg Anne established her own business as a freelance promoter, music programmer and event and project producer in late 2017. Recent clients have included AIR Awards (Australian Independent Records), State Government for the annual Ruby Awards, South Australia’s premier arts awards, Darwin Festival as Music Programmer, Adelaide Festival as Producer of “Picaresque” with Robyn Archer for the 2019 season, Insite Arts, Mercury Cinema, and Adelaide Fringe Festival as content producer in 2018 and Gala Director for the 2020 event. For the past twelve months, she has worked as a consultant for the Adelaide Botanic Gardens and State Herbarium to assist the organisation with developing a public arts program for winter months. As well as starting to promote her own live music events, she also produces programs and talent for private and corporate events. -
The Australian Songwriter
The Australian Songwriter Issue 91, December 2012 First published 1979 The Magazine of The Australian Songwriters Association Inc. In this edition: Chairman’s Message Editor’s Message 2012 Australian Songwriting Contest Award Winners ASA Sponsors Profiles ASA Member Profile: Manfred Vijars ASA Member Profile: Taylor Pfeiffer New ASA Regional Co-Ordinator for Regional QLD: Melinda J Wells New ASA Regional Co-Ordinator for Brisbane QLD: Hugh Brown New ASA Regional Co-Ordinator for Newcastle NSW: Chris Whitington Festivals Round Up 2012 In Memoriam The Load Out Official Sponsors of the 2012 Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators 1 Chairman’s Message I am writing this missive on the eve of the ASA’s annual National Songwriting Awards 2012. The date is Wednesday 12 December and to say I’m extremely excited would be a gross understatement. As we get closer to the evening itself, the extent of the amount of work that the Board does to put this occasion into place is evidenced by many sleepless nights and crowded days. The preparation for the event requires huge amounts of time and dedication, but the end result is always well worth it. Those of you who are attending this time around are in for a treat. It looks to be the biggest year ever for the ASA, with tickets now SOLD OUT . If you haven’t as yet experienced the night, I can only urge you to check out our website to have a look at Awards past and plan on coming along next year. -
Australia Council for the Arts
AUSTRALIA COUNCIL FOR THE ARTS SUBMISSION TO THE STANDING COMMITTEE ON COMMUNICATIONS AND THE ARTS INQUIRY INTO THE AUSTRALIAN MUSIC INDUSTRY OCTOBER 2018 1 Committee Secretary Standing Committee on Communications and the Arts PO Box 6021 Parliament House Canberra, ACT 2600 Dear Secretary, The Australia Council for the Arts welcomes the opportunity to provide this submission to the Inquiry into the Australian Music Industry. As the Australian Government’s principal arts funding and advisory body, the Council invests in artistic excellence through support for all facets of the creative process; increases awareness about the value of the arts; and is committed to the arts being more accessible to all Australians. Conducting, commissioning and publishing research into, and about, the arts is a key function under the Australia Council Act 2013.1 This submission outlines the role Council plays in supporting and promoting the diverse, excellent and energetic contemporary music culture. We would welcome the opportunity to discuss this further with you. Yours sincerely, Tony Grybowski Chief Executive Officer Australia Council for the Arts 1 Australia Council Act 2013 s.9 (Aust) 2 Contents Executive summary 4 AUSTRALIA COUNCIL SUPPORT FOR MUSIC 7 FACTORS CONTRIBUTING TO GROWTH AND SUSTAINABILITY 9 Music practice 9 Disruption and resilience 11 Live music 14 Festivals 15 National and regional touring 16 Making a living in the music industry 18 International opportunities 19 First Nations music 21 Gender representation 23 CRITICAL FOUNDATIONS 24 Copyright 24 Collecting systems and agencies 25 Funding 26 Broadcasters 29 LOOKING TO THE FUTURE 30 New models of support 30 Developments in copyright law 30 Distributed ledger technologies 31 Continued disruption 31 APPENDIX A: MAJOR PERFORMING ARTS FRAMEWORK 32 3 EXECUTIVE SUMMARY Music is infused throughout the daily life of almost every Australian – 97% of Australians listen to recorded music and more than half attend live music. -
BRIGGS, Adam (CV)
ADAM BRIGGS AWARDS Winner Artist of the Year – National NAIDOC Awards 2018 Winner Songwriter Of The Year (A.B. Original) APRA AMCOS Awards 2018 Winner Best TV theme Award for “Here” featuring Caiti Baker - APRA AMCOS Screen Music Awards 2017 Winner Breakthrough Independent Artist of the Year, Best Independent Artist, Best Independent Single, Best Independent Album or EP, Best Independent Hip Hop Album (A.B. Original) - AIR Awards 2017 Winner Best Urban and Best Independent Release (A.B. Original) - ARIA Awards 2017 Winner Best Album (A.B. Original) - Australian Music Prize , 2017 Winner Agenda Setter of the Year – GQ Men of the Year Awards 2017 Winner Best Album – Sheplife, National Indigenous Music Awards 2015 Winner Best Music Video - Bad Apples, National Indigenous Music Awards 2015 Winner Best New Talent – National Indigenous Music Awards 2014 Nominated Hip-Hop Artist of the Year – Deadly Awards 2012 Nominated Best Single – The Wrong Brother, Deadly Awards 2011 TELEVISION THE WEEKLY WITH CHARLIE PICKERING (Series 6) Role: Presenter Dir: Jon Olb, ABC TV 2020 THE WEEKLY WITH CHARLIE PICKERING (Series 5) Role: Presenter Dir: Jon Olb, ABC TV 2019 GET KRACK!N (Series 2) Role: Bekjut Dir: Hayden Guppy, Katering Productions 2019 SPICKS & SPECKS REUNION SPECIAL Guest Dir: Jon Olb, ABC TV 2018 BLACK COMEDY (Series 3) Role: Various Characters Dir: Beck Cole & Steven McGregor, Scarlett Pictures 2018 THE WEEKLY WITH CHARLIE PICKERING (Series 4) Role: Presenter Dir: Jon Olb, ABC TV 2018 TOUGH CONVERSATIONS (Documentary) Role: Himself Dir: Christopher