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American Folk Art from the Volkersz Collection the Fine Arts Center Is an Accredited Member of the American Alliance of Museums
Strange and Wonderful American Folk Art from the Volkersz Collection The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most accredited by the AAM in 1971. prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums accredited by the AAM in 1971. Copyright© 2013 Colorado Springs Fine Arts Center Copyright © 2013 Colorado Springs Fine Arts Center Library of Congress Cataloguing-in-Publication Data Library of Congress Cataloguing-in-Publication Data Strange and Wonderful: American Folk Art from the Volkersz Collection. Authors: Steve Glueckert; Tom Patterson Charles Bunnell: Rocky Mountain Modern. Authors: Cori Sherman North and Blake Milteer. Editor: Amberle Sherman. ISBN 978-0-916537-16-6 Published on the occasion of the exhibition Strange and Wonderful: American Folk Art from the Volkersz Collection at the Missoula Art 978-0-916537-15-9 Museum, September 22 – December 22, 2013 and the Colorado Spring Fine Arts Center, February 8 - May 18, 2014 Published on the occasion of the exhibition Charles Bunnell: Rocky Mountain Modern at the Colorado Springs Fine Arts Center, Printed by My Favorite Printer June 8 – Sept. 15, 2013 Projected Directed and Curated by Sam Gappmayer Printed by My Favorite Printer Photography for all plates by Tom Ferris. -
Nyc-Cation” in All Five Boroughs August 28–30
***MEDIA ADVISORY*** THIS WEEKEND IN NYC: TAKE A “NYC-CATION” IN ALL FIVE BOROUGHS AUGUST 28–30 NYC & Company, the official destination marketing organization and convention and visitors bureau for the five boroughs of New York City, is encouraging locals and regional visitors to take a “NYC-cation” this weekend, August 28–30, by heading to a museum in Manhattan, the New York Aquarium in Brooklyn or grabbing lunch and swimming in Queens. CONTACTS Chris Heywood/ This week, museums and cultural institutions begin to reopen in NYC, offering Alyssa Schmid locals and regional visitors even more places to explore and reinvigorating the NYC & Company destination as an arts and culture capital. 212-484-1270 [email protected] Visitors to the five boroughs are encouraged to wear masks, practice social Mike Stouber Rubenstein distancing and frequently wash/sanitize hands, as indicated in NYC & 732-259-9006 Company’s Stay Well NYC Pledge. [email protected] DATE Below is a brief selection of what’s open this weekend, including museums August 27, 2020 and places to visit on the water: The Bronx: FOR IMMEDIATE RELEASE August 2020 marks the 100th anniversary of women’s suffrage. This weekend, take a trip to Woodlawn Cemetery to honor a few of the women who helped shape this country today, including Elizabeth Cady Stanton, who was also buried there. Other notable figures interred in the 400-acre cemetery include artists and writers, business moguls, civic leaders, entertainers, jazz musicians, and more, with names including Miles Davis, Robert Moses, Nellie Bly, Duke Ellington, Herman Melville and more. -
The Henry Darger Study Center at the American Folk Art Museum a Collections Policy Recommendation Report
The Henry Darger Study Center at the American Folk Art Museum A Collections Policy Recommendation Report by Shannon Robinson Spring 2010 I. Overview page 3 II. Mission and Goals page 5 III. Service Community and Programs page 7 IV. The Collection and Future Acquisition page 8 V. Library Selection page 11 VI. Responsibilities page 12 VII. Complaints and Censorship page 13 VIII. Evaluation page 13 IX. Bibliography page 15 X. Additional Materials References page 16 I. Overview The American Folk Art Museum in New York City is largely focused on the collection and preservation of the artwork of self-taught artists in the United States and abroad. The Museum began in 1961 as the Museum of Early American Folk Arts; at that time, the idea of appreciating folk art alongside contemporary art was a consequence of modernism (The American Folk Art Museum, 2010c). The collection’s pieces date to as early as the eighteenth century and in it’s earlier days was largely comprised of sculpture. The Museum approached collecting and exhibiting much like a contemporary art gallery. This was in support of its mission promoting the “aesthetic appreciation” and “creative expressions” of folk artists as parallel in content and quality to more mainstream, trained artists. (The American Folk Art Museum, 2010b). Within ten years of opening, however, and though the collection continued to grow, a financial strain hindered a bright future for the Museum. In 1977, the Museum’s Board of Trustees appointed Robert Bishop director (The American Folk Art Museum, 2010c). While Bishop was largely focused on financial and facility issues, he encouraged gift acquisitions, and increasing the collection in general, by promising many artworks from his personal collection. -
Download the 2010 Art Beyond Sight Awareness Month Poster
Everyone Welcome, Everywhere Art Beyond Sight Awareness Month October 2010 Art Beyond Sight Celebrates Project Access Participating Organizations: Abilities! Albertson, NY • Accessible Image, Oslo, Norway • AHRC-NYC • Alabama Library for the Blind and Physically Handicapped, Montgomery • Alain Mikli International, Paris, France • Alaska State Museum, Juneau • Albright-Knox Art Gallery, Buffalo, NY • American Folk Art Museum, NYC • American Foundation for the Blind, NYC • American Printing House for the Blind, Louisville, KY • American Public University System (APUS), Charles Town, WV • Andrew Heiskell Braille and Talking Book Library, NYC • The Andy Warhol Museum, Pittsburgh, PA • Antelope Valley Indian Museum, Lancaster, CA • Arizona Braille and Talking Book Library, Phoenix • Arizona State Museum, Tucson, AZ • Art As Responsa, Lake Oswego, OR • Arte- ConTacto, Vienna, Austria • Art Education for the Blind, NYC • Art Gallery of Hamilton, Ontario, Canada • Art Gallery of Ontorio, Toronto, Canada • Art Institute of Chicago • Arts and Services for Disabled, Inc., Long Beach, CA • The Baltimore Museum of Art • The Barnum Museum, Bridgeport, CT • Bellarmine Museum- Fairfield University, Fairfield, CT • Beyond Sight Foundation, Mumbai, India • Bibliotheca Alexandrina, The New Library of Alexandria, Egypt • Biggs Museum of American Art, Dover, DE • Birmingham Museum of Art, AL • BlindArt, London, England • The Blind Artists Society, Albany, NY • Blinded Veterans Association, Washington, DC • The Braille Institute of America, Los Angeles • Bronx -
Curriculum Vitae Ralph Fasanella 1914
Curriculum Vitae Ralph Fasanella 1914–1997 Note: • Last updated September 3, 2014 • This document has been prepared by the curatorial department of the American Folk Art Museum and is not intended to be exhaustive. If you would like to make additions or corrections, please contact us: American Folk Art Museum 2 Lincoln Square (Columbus Avenue at 66th Street) New York, NY 10023-6214 T 212. 595. 9533 F 212. 595. 6759 [email protected] © 2014 American Folk Art Museum 1 Curriculum Vitae Ralph Fasanella 1914–1997 ONE-PERSON EXHIBITIONS 2014 Ralph Fasanella: Lest We Forget, Smithsonian American Art Museum, Washington, D.C. (May 2–August 3); traveled to American Folk Art Museum, New York (September 2– November 30) Ralph Fasanella: The Art of Social Engagement, AFL-CIO Headquarters, Washington, D.C. (May 2–August 1) Everyday Heroes: Ralph Fasanella’s Paintings of American Life, Fenimore Art Museum, Cooperstown, New York (April 1–May 26) 2013 Fasanella’s Lawrence, Lawrence Heritage State Park Gallery, Lawrence, Massachusetts (October 11–December 16) Ralph Fasanella: A More Perfect Union, Andrew Edlin Gallery, New York (May 9–July 3) 2008 Ralph Fasanella: Passionate Visionary of New York, Art League of Long Island, Dix Hills, New York (May 3–June 15) 2 2006 Ralph Fasanella (1914–1997): Artist of the People, ACA Galleries, New York (December 9, 2006–February 3, 2007) 2001 Ralph Fasanella’s America, Fenimore Art Museum, Cooperstown, New York (April 1–December 31, 2001); traveled to New-York Historical Society, New York (April 1–July 15, 2002) -
Conversation
conversation Outsiderism: a discOurse On self-taught art Brooke DAvis AnDerson AnD eDWArD m. GÓMEZ With a background in art history, museum studies, printmaking and ceramics, Brooke Davis Anderson, 47, has served as the director and curator of the Contemporary Center at New York’s American Folk Art Museum (AFAM) since 1999. There she oversaw the acquisition of the Henry Darger Archives in 2000. Prior to assuming the AFAM post, she traveled extensive- ly in Africa and served as the director of the gallery at Winston-Salem State University in North Carolina, a histori- cally black institution, where she also taught art history and museum stud- ies. For her master’s thesis at New York University, Anderson examined the work of a selection of contempo- rary artists of African descent in the American South. Focusing on the increasingly inter- national discourse regarding outsider artists—self-taught, nonacademically trained art-makers who work and often live outside the social-cultural mainstream—Anderson has orga- nized such milestone exhibitions Brooke Davis Anderson at the American as “Obsessive Drawing” (2005), Folk Art Museum during the exhibition “Martín Ramírez” (2007), “Dargerism: with Anderson about her work and “Approaching Abstraction.” Photo Jay Potter. Contemporary Artists and Henry how she has helped bridge what, for Darger” (2008) and “Martín Ramírez: some observers, may still be a divide The Last Works” (2008). She is the between the work of academically CURRENTLY ON VIEW “Approaching Abstraction” at the author of books and numerous essays trained and self-taught artists. American Folk Art Museum, New York, on the work of contemporary self- through September 5. -
The American Folk Art Museum's Attendance Is Projected to Be
The American Folk Art Museum’s attendance is projected to be 80,000 this fiscal year, up from 66,000. Important donors are giving again. And for the first time in its history, this summer the museum will send a work from its collection to the Venice Biennale. Not the stuff of headlines for an institution like the Metropolitan Museum of Art or even the Frick Collection. But not bad for a museum that was a few steps from extinction in 2011. In fact, the folk art museum’s greatest success, its supporters say, may be its decision to shed, for now at least, the outsize ambitions that steered it toward trouble in the first place. “We’re all cautious now about taking too big steps before we’re ready for it,” said Audrey Heckler, a folk art collector who is one of the newer members of the museum’s 13-member board. “I really think we got our act together.” The museum almost went out of business two years ago because of financial problems resulting largely from its decision to build a flagship building on West 53rd Street in Midtown Manhattan, alongside the Museum of Modern Art. It borrowed $32 million to construct the building, which was designed by the architects Billie Tsien and Tod Williams and opened in 2001; it then struggled to pay off the construction bonds that had been issued through the city’s Trust for Cultural Resources, a public benefit corporation that helps institutions finance capital projects. In 2009 the museum defaulted on its debt payments, the first institution borrowing through the trust ever to do so. -
Annual Report Fiscal Year 2016 American Folk Art Museum July 1, 2015–June 30, 2016
ANNUAL REPORT FISCAL YEAR 2016 AMERICAN FOLK ART MUSEUM JULY 1, 2015–JUNE 30, 2016 The American Folk Art Museum received a grant from the Friends of Heritage Preservation to conserve a work by Thornton Dial. The conservation treatment was carried out by conservators Barbara Appelbaum and Paul Himmelstein, of Appelbaum & Himmelstein, LLC. They have decades of experience working on paintings, textiles, and folk art, including extensive work on the museum’s collection. The Friends of Heritage Preservation is a small, private association of individuals, based in Los Angeles, who seek to promote cultural identity through the preservation of significant endangered artistic and historic works, artifacts, and sites. AMERICAN FOLK ART MUSEUM COLLECTIONS AND EDUCATION CENTER 2 LINCOLN SQUARE, (COLUMBUS AVENUE BETWEEN 47-29 32ND PLACE, LONG ISLAND CITY, NY 65TH AND 66TH STREETS), NEW YORK, NY 11101-2409 10023-6214 212. 595. 9533 | WWW.FOLKARTMUSEUM.ORG [email protected] The Man Rode Past His Barn to Another New Day, Thornton Dial Sr. (1928–2016), Bessemer, Alabama, 1994–1995, oil and enamel on canvas with clothing, carpet, rope, wire, and industrial sealing compound, 84 x 120", gift of Jane Fonda, 2001.2.1. Photo by Gamma One. AMERICAN FOLK ART MUSEUM ANNUAL REPORT FISCAL YEAR 2016 WELCOME LETTER 2 Dr. Anne-Imelda Radice INTRODUCTION 3 Monty Blanchard DASHBOARD 4 EXHIBITIONS 6 LOANS AND AWARDS 16 PUBLICATIONS 17 EDUCATIONAL PROGRAMS 18 ADULT PUBLIC PROGRAMS 24 COLLECTIONS AND EDUCATION CENTER 28 MUSEUM CAREER INTERNSHIP PROGRAM 29 MEMBERS AND FRIENDS 30 FALL BENEFIT GALA 32 MUSEUM SHOP 33 NEW ACQUISITIONS 34 FINANCIAL STATEMENTS 40 DONORS, FOLK ART CIRCLE, AND MEMBERS 42 BOARD OF TRUSTEES 45 STAFF 46 IN MEMORIAM 48 Left: Photo by Christine Wise. -
Karl Wirsum B
Karl Wirsum b. 1939 Lives and works in Chicago, IL Education 1961 BFA, The School of the Art Institute of Chicago, Chicago, IL Solo Exhibitions 2019 Unmixedly at Ease: 50 Years of Drawing, Derek Eller Gallery, NY Karl Wirsum, Corbett vs Dempsey, Chicago, IL 2018 Drawing It On, 1965 to the Present, organized by Dan Nadel and Andreas Melas, Martinos, Athens, Greece 2017 Mr. Whatzit: Selections from the 1980's, Derek Eller Gallery, New York, NY No Dogs Aloud, Corbett vs. Dempsey, Chicago, IL 2015 Karl Wirsum, The Hard Way: Selections from the 1970s, Organized with Dan Nadel, Derek Eller Gallery, New York, NY 2013 Derek Eller Gallery, New York, NY 2010 Drawings: 1967-70, co-curated by Dan Nadel, Derek Eller Gallery, New York, NY Jean Albano Gallery, Chicago, IL 2008 Karl Wirsum: Paintings & Prints, Contemporary Art Center of Peoria, Peoria, IL Winsome Works(some), Chicago Cultural Center, Chicago, IL; traveled to Madison Museum of Contemporary Art, WI; Herron Galleries, Indiana University- Perdue University, Indianapolis, IN 2007 Karl Wirsum: Plays Missed It For You, Jean Albano Gallery, Chicago, IL 2006 The Wirsum-Gunn Family Show, Jean Albano Gallery, Chicago, IL 2005 Union Art Gallery, University of Wisconsin Milwaukee, Milwaukee, WI 2004 Hello Again Boom A Rang: Ten Years of Wirsum Art, Jean Albano Gallery, Chicago, IL 2002 Paintings and Cutouts, Quincy Art Center, Quincy, IL Jean Albano Gallery, Chicago, IL 2001 Rockford College Gallery, Rockford, IL 2000 Jean Albano Gallery, Chicago, IL 1998 Jean Albano Gallery, Chicago, IL University Club of Chicago, Chicago, IL 1997 The University of Iowa Museum of Art, Sculpture Court, Iowa City, IA 1994 Phyllis Kind Gallery, Chicago, IL J. -
Roger Brown (1941 – 1997)
Roger Brown (1941 – 1997) Born, Hamilton, AL Died, Atlanta, GA Education 1970, MFA School of the Art Institute of Chicago 1968, BFA School of the Art Institute of Chicago 1962-1964 attended the American Academy of Art Solo Exhibitions 2015 Roger Brown: Political Paintings, DC Moore Gallery, New York, NY, June 18 – July 31, 2015 Roger Brown: Virtual Still Life, Maccarone Gallery, New York, NY, June 25 – August 7, 2015 2014 Roger Brown: Virtual Still Life, Russell Bowman Art Advisory, September 5 – November 1, 2014 Roger Brown: His American Icons, The Hughes Gallery, Sydney, Australia, March 22 - April 14, 2014 2013 Roger Brown, DC Moore Gallery, New York, NY, January 10 - February 9, 2013 2012 Roger Brown: This Boy’s Own Story, Sullivan Galleries, School of the Art Institute of Chicago, IL, August 24 – November 10, 2012 Dual exhibition, Roger Brown: Major Paintings, Russell Bowman Art Advisory, Chicago, IL and Zolla Lieberman Gallery, Chicago, IL, September 7 - October 27, 2012 Roger Brown: Urban Traumas and Natural Disasters, Springfield Art Museum, Springfield, MO, September 17 – November 13, 2012 2011 Roger Brown: Calif. U.S.A., Hyde Park Art Center, Chicago, IL, June 20 – October 3 roger brown: urban traumas and natural disasters, Springfield Art Museum, Springfield, MO, September 17 - November 13 1 2010 Roger Brown: Calif. U.S.A., curated by Nicholas Lowe, Hyde Park Art Center, Chicago, IL, June 20 – October 3, 2010 2009 Roger Brown: Early Work, Major Paintings and Constructions, 1968-1980, Russell Bowman Art Advisory, Chicago, IL, March 27 – May 16 Roger Brown, Art Works: Chicago A Progressive Corporate Exhibition of Chicago Artists, Metropolitan Capital Bank, Chicago, IL 2008 Roger Brown: The American Landscape, DC Moore Gallery, New York, NY, May 1 – June 13 2007-2009 Roger Brown: Southern Exposure, curated by Sidney Lawrence, The Jule Collins Smith Museum of Fine Art at Auburn University, AL, October 6, 2007 – January 5, 2008. -
A Resource Guide to New York City's Many Cultures
D iv e r C it y : A Resource Guide to New York City’s Many Cultures New York City 2012 DiverCity: A Resource Guide to New York City’s Many Cultures Table of Contents I. Museums and Cultural Institutions A. Art Museums Page 1 B. Historical and Cultural Museums Page 7 C. Landmarks and Memorials Page 12 D. Additional Cultural Institutions Page 15 II. Cultural/Community Organizations and Associations Page 18 III. Performing Arts Centers and Organizations Page 22 IV. College/University Cultural Departments and Potential Speakers Page 25 Mu s eu m s a nd Cu l t u r a l In s ti t u ti o n s “We have become not a melting pot but a beautiful mosaic. Different people, different beliefs, different yearnings, different hopes, different dreams." - Jimmy Carter, 39th President of the United States 1 A) ART MUSEUMS Name Address Phone/ Website Admission Information Description American 2 Lincoln (212) 595-9533 FREE at all times The American Folk Art Museum is the Folk Art Square at leading center for the study and Museum 66th St. Folkartmuseum.org Hours: Tues-Sat enjoyment of American folk art, as well 12:00PM-7:30PM; Sun as the work of international self- taught 12:00PM- 6:00PM artists. Diversity in programming has become a growing emphasis for the museum since the 1990s. Major presentations of African- American and Latino artworks have become a regular feature of the museum's exhibition schedule and permanent collection. Asia Society 725 Park Avenue at (212) 288-6400 FREE Fridays 6-9PM The Asia Society is America's leading 70th Street institution dedicated to fostering Asiasociety.org Price: $10 Adults; $7 understanding of Asia and Seniors; $5 Student ID communication between Americans FREE children under 16 and the peoples of Asia and the Pacific. -
On-Going Workshops
The Creative Center Online Calendar March - April 2021 The Creative Center’s Arts Workshop Program is free-of-charge for people living with, or who are survivors of, cancer and other chronic illnesses as well as their caregivers. All workshops will be presented remotely through the Zoom platform and require that you register in advance. All class times are Eastern Standard Time. PLEASE NOTE: If you do not pre-register, there is no guarantee there will be space for you in class. If you register for a class and don’t receive confirmation, please email [email protected]. We have both webinars and live classes on Zoom listed in the calendar. A standard Zoom meeting is fully interactive and allows all participants the ability to see, speak, hear, and screen-share with each other. A Zoom webinar is a view-only platform where the attendees cannot see each other, and the host and artists leading the webinar cannot see the attendees. Questions can be answered through the chat function on webinars. Click any blue underlined text to be taken to the registration page for that class. We recommend that participants gather all supplies/materials in advance. A suggested donation of $25 per workshop is greatly appreciated. Click here to donate directly. On-going Workshops Creative Writing: The Moving Pen (March-April) Mondays 6:00-8:00pm NOTE: This program is currently full but we are accepting waiting list registration. Participants must commit to writing each Monday to retain group membership. This prompt-based creative writing workshop is designed to help you discover your voice, develop new material and be part of a community of other writers in a supportive environment led by writer Frank Haberle from the NY WRITERS COALITION, a community-based organization that provides free creative writing workshops to New Yorkers, including the formerly voiceless and disenfranchised.