Nyc-Cation” in All Five Boroughs August 28–30
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American Folk Art from the Volkersz Collection the Fine Arts Center Is an Accredited Member of the American Alliance of Museums
Strange and Wonderful American Folk Art from the Volkersz Collection The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most accredited by the AAM in 1971. prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums accredited by the AAM in 1971. Copyright© 2013 Colorado Springs Fine Arts Center Copyright © 2013 Colorado Springs Fine Arts Center Library of Congress Cataloguing-in-Publication Data Library of Congress Cataloguing-in-Publication Data Strange and Wonderful: American Folk Art from the Volkersz Collection. Authors: Steve Glueckert; Tom Patterson Charles Bunnell: Rocky Mountain Modern. Authors: Cori Sherman North and Blake Milteer. Editor: Amberle Sherman. ISBN 978-0-916537-16-6 Published on the occasion of the exhibition Strange and Wonderful: American Folk Art from the Volkersz Collection at the Missoula Art 978-0-916537-15-9 Museum, September 22 – December 22, 2013 and the Colorado Spring Fine Arts Center, February 8 - May 18, 2014 Published on the occasion of the exhibition Charles Bunnell: Rocky Mountain Modern at the Colorado Springs Fine Arts Center, Printed by My Favorite Printer June 8 – Sept. 15, 2013 Projected Directed and Curated by Sam Gappmayer Printed by My Favorite Printer Photography for all plates by Tom Ferris. -
Brightsign Statue of Liberty Museum Case Study FINAL
BrightSign Media Players Deliver Immersive Experiences at New Statue of Liberty Museum While Protecting AV Infrastructure Against Unexpected Downtime The Statue of Liberty-Ellis Island Foundation, Inc. recently completed a $100M beautification project on Liberty Island – the centerpiece of which was construction of the new Statue of Liberty Museum. The five-year project entailed close collaboration with the National Park Service/U.S. Department of the Interior to design and construct the 26,000-square- foot museum, whose stone-and-glass construction embraces modern design while seamlessly blending with the island’s timeless beauty. Exhibit designer ESI Design brought in AV integrator Diversified to design and implement the museum’s extensive AV network. Diversified project manager Carol Feeley-Vario commented on how the museum’s location heavily influenced her firm’s approach to the project: “While Liberty Island may appear as if it’s just a stone’s throw away from New York City, we needed to bear in mind the practical remoteness of the site. Any service visit would require working within the parameters of ferry schedules and visitation hours – which is why we went to great lengths to build redundancies into the system that would all but eliminate the need to conduct repairs on-site.” With network reliability as a top priority, Diversified deployed more than 80 BrightSign media players at various points in the museum. And while BrightSign’s hardware is responsible for distributing content to dozens of displays throughout the museum, perhaps the most critical role BrightSign plays in the museum is that of fail-over. -
The Henry Darger Study Center at the American Folk Art Museum a Collections Policy Recommendation Report
The Henry Darger Study Center at the American Folk Art Museum A Collections Policy Recommendation Report by Shannon Robinson Spring 2010 I. Overview page 3 II. Mission and Goals page 5 III. Service Community and Programs page 7 IV. The Collection and Future Acquisition page 8 V. Library Selection page 11 VI. Responsibilities page 12 VII. Complaints and Censorship page 13 VIII. Evaluation page 13 IX. Bibliography page 15 X. Additional Materials References page 16 I. Overview The American Folk Art Museum in New York City is largely focused on the collection and preservation of the artwork of self-taught artists in the United States and abroad. The Museum began in 1961 as the Museum of Early American Folk Arts; at that time, the idea of appreciating folk art alongside contemporary art was a consequence of modernism (The American Folk Art Museum, 2010c). The collection’s pieces date to as early as the eighteenth century and in it’s earlier days was largely comprised of sculpture. The Museum approached collecting and exhibiting much like a contemporary art gallery. This was in support of its mission promoting the “aesthetic appreciation” and “creative expressions” of folk artists as parallel in content and quality to more mainstream, trained artists. (The American Folk Art Museum, 2010b). Within ten years of opening, however, and though the collection continued to grow, a financial strain hindered a bright future for the Museum. In 1977, the Museum’s Board of Trustees appointed Robert Bishop director (The American Folk Art Museum, 2010c). While Bishop was largely focused on financial and facility issues, he encouraged gift acquisitions, and increasing the collection in general, by promising many artworks from his personal collection. -
Download the 2010 Art Beyond Sight Awareness Month Poster
Everyone Welcome, Everywhere Art Beyond Sight Awareness Month October 2010 Art Beyond Sight Celebrates Project Access Participating Organizations: Abilities! Albertson, NY • Accessible Image, Oslo, Norway • AHRC-NYC • Alabama Library for the Blind and Physically Handicapped, Montgomery • Alain Mikli International, Paris, France • Alaska State Museum, Juneau • Albright-Knox Art Gallery, Buffalo, NY • American Folk Art Museum, NYC • American Foundation for the Blind, NYC • American Printing House for the Blind, Louisville, KY • American Public University System (APUS), Charles Town, WV • Andrew Heiskell Braille and Talking Book Library, NYC • The Andy Warhol Museum, Pittsburgh, PA • Antelope Valley Indian Museum, Lancaster, CA • Arizona Braille and Talking Book Library, Phoenix • Arizona State Museum, Tucson, AZ • Art As Responsa, Lake Oswego, OR • Arte- ConTacto, Vienna, Austria • Art Education for the Blind, NYC • Art Gallery of Hamilton, Ontario, Canada • Art Gallery of Ontorio, Toronto, Canada • Art Institute of Chicago • Arts and Services for Disabled, Inc., Long Beach, CA • The Baltimore Museum of Art • The Barnum Museum, Bridgeport, CT • Bellarmine Museum- Fairfield University, Fairfield, CT • Beyond Sight Foundation, Mumbai, India • Bibliotheca Alexandrina, The New Library of Alexandria, Egypt • Biggs Museum of American Art, Dover, DE • Birmingham Museum of Art, AL • BlindArt, London, England • The Blind Artists Society, Albany, NY • Blinded Veterans Association, Washington, DC • The Braille Institute of America, Los Angeles • Bronx -
Curriculum Vitae Ralph Fasanella 1914
Curriculum Vitae Ralph Fasanella 1914–1997 Note: • Last updated September 3, 2014 • This document has been prepared by the curatorial department of the American Folk Art Museum and is not intended to be exhaustive. If you would like to make additions or corrections, please contact us: American Folk Art Museum 2 Lincoln Square (Columbus Avenue at 66th Street) New York, NY 10023-6214 T 212. 595. 9533 F 212. 595. 6759 [email protected] © 2014 American Folk Art Museum 1 Curriculum Vitae Ralph Fasanella 1914–1997 ONE-PERSON EXHIBITIONS 2014 Ralph Fasanella: Lest We Forget, Smithsonian American Art Museum, Washington, D.C. (May 2–August 3); traveled to American Folk Art Museum, New York (September 2– November 30) Ralph Fasanella: The Art of Social Engagement, AFL-CIO Headquarters, Washington, D.C. (May 2–August 1) Everyday Heroes: Ralph Fasanella’s Paintings of American Life, Fenimore Art Museum, Cooperstown, New York (April 1–May 26) 2013 Fasanella’s Lawrence, Lawrence Heritage State Park Gallery, Lawrence, Massachusetts (October 11–December 16) Ralph Fasanella: A More Perfect Union, Andrew Edlin Gallery, New York (May 9–July 3) 2008 Ralph Fasanella: Passionate Visionary of New York, Art League of Long Island, Dix Hills, New York (May 3–June 15) 2 2006 Ralph Fasanella (1914–1997): Artist of the People, ACA Galleries, New York (December 9, 2006–February 3, 2007) 2001 Ralph Fasanella’s America, Fenimore Art Museum, Cooperstown, New York (April 1–December 31, 2001); traveled to New-York Historical Society, New York (April 1–July 15, 2002) -
Conversation
conversation Outsiderism: a discOurse On self-taught art Brooke DAvis AnDerson AnD eDWArD m. GÓMEZ With a background in art history, museum studies, printmaking and ceramics, Brooke Davis Anderson, 47, has served as the director and curator of the Contemporary Center at New York’s American Folk Art Museum (AFAM) since 1999. There she oversaw the acquisition of the Henry Darger Archives in 2000. Prior to assuming the AFAM post, she traveled extensive- ly in Africa and served as the director of the gallery at Winston-Salem State University in North Carolina, a histori- cally black institution, where she also taught art history and museum stud- ies. For her master’s thesis at New York University, Anderson examined the work of a selection of contempo- rary artists of African descent in the American South. Focusing on the increasingly inter- national discourse regarding outsider artists—self-taught, nonacademically trained art-makers who work and often live outside the social-cultural mainstream—Anderson has orga- nized such milestone exhibitions Brooke Davis Anderson at the American as “Obsessive Drawing” (2005), Folk Art Museum during the exhibition “Martín Ramírez” (2007), “Dargerism: with Anderson about her work and “Approaching Abstraction.” Photo Jay Potter. Contemporary Artists and Henry how she has helped bridge what, for Darger” (2008) and “Martín Ramírez: some observers, may still be a divide The Last Works” (2008). She is the between the work of academically CURRENTLY ON VIEW “Approaching Abstraction” at the author of books and numerous essays trained and self-taught artists. American Folk Art Museum, New York, on the work of contemporary self- through September 5. -
The American Folk Art Museum's Attendance Is Projected to Be
The American Folk Art Museum’s attendance is projected to be 80,000 this fiscal year, up from 66,000. Important donors are giving again. And for the first time in its history, this summer the museum will send a work from its collection to the Venice Biennale. Not the stuff of headlines for an institution like the Metropolitan Museum of Art or even the Frick Collection. But not bad for a museum that was a few steps from extinction in 2011. In fact, the folk art museum’s greatest success, its supporters say, may be its decision to shed, for now at least, the outsize ambitions that steered it toward trouble in the first place. “We’re all cautious now about taking too big steps before we’re ready for it,” said Audrey Heckler, a folk art collector who is one of the newer members of the museum’s 13-member board. “I really think we got our act together.” The museum almost went out of business two years ago because of financial problems resulting largely from its decision to build a flagship building on West 53rd Street in Midtown Manhattan, alongside the Museum of Modern Art. It borrowed $32 million to construct the building, which was designed by the architects Billie Tsien and Tod Williams and opened in 2001; it then struggled to pay off the construction bonds that had been issued through the city’s Trust for Cultural Resources, a public benefit corporation that helps institutions finance capital projects. In 2009 the museum defaulted on its debt payments, the first institution borrowing through the trust ever to do so. -
Statue City Cruises Welcomes French Statue of Liberty Replica to Ellis Island As Extended Operating Hours Begin and As Pedestal of Statue of Liberty Reopens July 1St
FOR IMMEDIATE RELEASE June 30, 2021 Statue City Cruises Welcomes French Statue of Liberty Replica to Ellis Island as Extended Operating Hours Begin and as Pedestal of Statue of Liberty Reopens July 1st With weekend visitation hovering above 50 percent pre-pandemic levels, visitors can enjoy increased capacity on board vessels, iconic museums, spectacular views and come ‘face to face’ with ‘Ladies of Liberty’ New York, NY–Statue City Cruises, the official and only authorized concessioner for ferry service to the Statue of Liberty National Monument and Ellis Island on behalf of the National Park Service, announced today extended operating hours to the Statue of Liberty and Ellis Island from Battery Park in lower Manhattan and Liberty State Park in Jersey City, NJ as the interior of the Statue of Liberty up to the pedestal reopens on July 1st (Both Islands have been open since Summer 2020 with access inside the Statue restricted). Tickets inside the pedestal are available for purchase beginning today. Beginning Thursday morning, July 1, Statue City Cruises will offer departures from both Battery Park, NY and Liberty State Park, NJ from 9:00 AM to 4:30 PM daily, providing visitors an extra 90 minutes to explore both islands, including the mini-Statue of Liberty that will be on Ellis Island facing the iconic Statue on Liberty Island from July 1 to July 5 before heading to its long-term home in Washington D.C. The last departures of the day from Liberty and Ellis Island will now be 6:15 PM. Although 1/16th the size of the original Statue of Liberty, the Statue’s “little sister” is based on the same plaster cast. -
Off* for Visitors
Welcome to The best brands, the biggest selection, plus 1O% off* for visitors. Stop by Macy’s Herald Square and ask for your Macy’s Visitor Savings Pass*, good for 10% off* thousands of items throughout the store! Plus, we now ship to over 100 countries around the world, so you can enjoy international shipping online. For details, log on to macys.com/international Macy’s Herald Square Visitor Center, Lower Level (212) 494-3827 *Restrictions apply. Valid I.D. required. Details in store. NYC Official Visitor Guide A Letter from the Mayor Dear Friends: As temperatures dip, autumn turns the City’s abundant foliage to brilliant colors, providing a beautiful backdrop to the five boroughs. Neighborhoods like Fort Greene in Brooklyn, Snug Harbor on Staten Island, Long Island City in Queens and Arthur Avenue in the Bronx are rich in the cultural diversity for which the City is famous. Enjoy strolling through these communities as well as among the more than 700 acres of new parkland added in the past decade. Fall also means it is time for favorite holidays. Every October, NYC streets come alive with ghosts, goblins and revelry along Sixth Avenue during Manhattan’s Village Halloween Parade. The pomp and pageantry of Macy’s Thanksgiving Day Parade in November make for a high-energy holiday spectacle. And in early December, Rockefeller Center’s signature tree lights up and beckons to the area’s shoppers and ice-skaters. The season also offers plenty of relaxing options for anyone seeking a break from the holiday hustle and bustle. -
Annual Report Fiscal Year 2016 American Folk Art Museum July 1, 2015–June 30, 2016
ANNUAL REPORT FISCAL YEAR 2016 AMERICAN FOLK ART MUSEUM JULY 1, 2015–JUNE 30, 2016 The American Folk Art Museum received a grant from the Friends of Heritage Preservation to conserve a work by Thornton Dial. The conservation treatment was carried out by conservators Barbara Appelbaum and Paul Himmelstein, of Appelbaum & Himmelstein, LLC. They have decades of experience working on paintings, textiles, and folk art, including extensive work on the museum’s collection. The Friends of Heritage Preservation is a small, private association of individuals, based in Los Angeles, who seek to promote cultural identity through the preservation of significant endangered artistic and historic works, artifacts, and sites. AMERICAN FOLK ART MUSEUM COLLECTIONS AND EDUCATION CENTER 2 LINCOLN SQUARE, (COLUMBUS AVENUE BETWEEN 47-29 32ND PLACE, LONG ISLAND CITY, NY 65TH AND 66TH STREETS), NEW YORK, NY 11101-2409 10023-6214 212. 595. 9533 | WWW.FOLKARTMUSEUM.ORG [email protected] The Man Rode Past His Barn to Another New Day, Thornton Dial Sr. (1928–2016), Bessemer, Alabama, 1994–1995, oil and enamel on canvas with clothing, carpet, rope, wire, and industrial sealing compound, 84 x 120", gift of Jane Fonda, 2001.2.1. Photo by Gamma One. AMERICAN FOLK ART MUSEUM ANNUAL REPORT FISCAL YEAR 2016 WELCOME LETTER 2 Dr. Anne-Imelda Radice INTRODUCTION 3 Monty Blanchard DASHBOARD 4 EXHIBITIONS 6 LOANS AND AWARDS 16 PUBLICATIONS 17 EDUCATIONAL PROGRAMS 18 ADULT PUBLIC PROGRAMS 24 COLLECTIONS AND EDUCATION CENTER 28 MUSEUM CAREER INTERNSHIP PROGRAM 29 MEMBERS AND FRIENDS 30 FALL BENEFIT GALA 32 MUSEUM SHOP 33 NEW ACQUISITIONS 34 FINANCIAL STATEMENTS 40 DONORS, FOLK ART CIRCLE, AND MEMBERS 42 BOARD OF TRUSTEES 45 STAFF 46 IN MEMORIAM 48 Left: Photo by Christine Wise. -
Statue of Liberty National Monument and Ellis Island New Jersey and New York July 2018 Foundation Document
NATIONAL PARK SERVICE • U.S. DEPARTMENT OF THE INTERIOR Foundation Document Statue of Liberty National Monument and Ellis Island New Jersey and New York July 2018 Foundation Document NEW JERSEY HUDSON JERSEY CITY RIVER NEW YORK Ferry tickets MANHATTAN N Railroad Terminal ew J e r Liberty State Park s e Ferry tickets y Battery f Castle Clinton e Park Ellis r National r Island y Monument Statue of Liberty National y EAST RIVER rr Monument e f rk o Y ew Governors Island Liberty N National Monument Island North 0 0.5 Kilometer BROOKLYN 0 0.5 Mile ELLIS ISLAND IMMIGRATION MUSEUM Interior shown at right Ferry Building American Immigrant Museum Wall of Honor Entrance Ellis Island Fort Gibson 0 75 meters 0 250 feet Buildings shown in gray are closed to the public. Statue of Liberty National Monument and Ellis Island Contents Mission of the National Park Service 1 Introduction 2 Part 1: Core Components 3 Brief Description of the Park 3 Statue of Liberty National Monument 3 Ellis Island 5 Park Purpose 6 Park Significance 7 Fundamental Resources and Values 8 Other Important Resources and Values 10 Interpretive Themes 10 Part 2: Dynamic Components 11 Special Mandates and Administrative Commitments 11 Special Mandates 11 Administrative Commitments 11 Assessment of Planning and Data Needs 12 Analysis of Fundamental Resources and Values 13 Analysis of Other Important Resources and Values 28 Identification of Key Issues and Associated Planning and Data Needs 31 Planning and Data Needs 31 Part 3: Contributors 33 Statue of Liberty National Monument and -
A Resource Guide to New York City's Many Cultures
D iv e r C it y : A Resource Guide to New York City’s Many Cultures New York City 2012 DiverCity: A Resource Guide to New York City’s Many Cultures Table of Contents I. Museums and Cultural Institutions A. Art Museums Page 1 B. Historical and Cultural Museums Page 7 C. Landmarks and Memorials Page 12 D. Additional Cultural Institutions Page 15 II. Cultural/Community Organizations and Associations Page 18 III. Performing Arts Centers and Organizations Page 22 IV. College/University Cultural Departments and Potential Speakers Page 25 Mu s eu m s a nd Cu l t u r a l In s ti t u ti o n s “We have become not a melting pot but a beautiful mosaic. Different people, different beliefs, different yearnings, different hopes, different dreams." - Jimmy Carter, 39th President of the United States 1 A) ART MUSEUMS Name Address Phone/ Website Admission Information Description American 2 Lincoln (212) 595-9533 FREE at all times The American Folk Art Museum is the Folk Art Square at leading center for the study and Museum 66th St. Folkartmuseum.org Hours: Tues-Sat enjoyment of American folk art, as well 12:00PM-7:30PM; Sun as the work of international self- taught 12:00PM- 6:00PM artists. Diversity in programming has become a growing emphasis for the museum since the 1990s. Major presentations of African- American and Latino artworks have become a regular feature of the museum's exhibition schedule and permanent collection. Asia Society 725 Park Avenue at (212) 288-6400 FREE Fridays 6-9PM The Asia Society is America's leading 70th Street institution dedicated to fostering Asiasociety.org Price: $10 Adults; $7 understanding of Asia and Seniors; $5 Student ID communication between Americans FREE children under 16 and the peoples of Asia and the Pacific.