DOCSLIB.ORG

CIM RADIO STREAM MONITOR a New Server-Side Online Radio Measurement INTRODUCTION

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CIM RADIO STREAM MONITOR a New Server-Side Online Radio Measurement INTRODUCTION CIM RADIO STREAM MONITOR A new server-side online radio measurement INTRODUCTION In addition to the Currency Radio Audience Measurement (RAM) study, the CIM offers a new tool dedicated to online radio: the Radio Stream Monitor, which monitors the broadcasting of radios on all streaming platforms, both in Belgium and in the rest of the world on the basis of traffic volumes (and not of users and their profiles). A NEW BORN IN THE CIM AUDIO MEASUREMENT FRAMEWORK CIM RAM CIM Internet NEW CIM Radio Stream = All Audio GfK Gemius Monitor CURRENCY Neuromedia Live Radio FM/DAB ✓ Included - - Over IP (internet protocol) ✓ Included ✓ Included* ✓ Included Audio on demand Podcast/Time shifted - ✓ Included* - Other Audio over IP - - - Method Radio diaries User-side log analysis Server-side log analysis Sample based Traffic on census level Traffic on census level Profile panel based Limit Declared Behavior *Only scripted players Distribution of audio files (not listening) SERVER-SIDE MEASUREMENT PRINCIPLES 1. This study identifies traffic volumes, based on combinations of IP address and user agent, NOT individuals. 2. The data sources are logfiles from streaming servers that list the number of audio streams distributed (but not necessarily listened to). 3. This measurement of Radio-over-IP is exhaustive, as it involves: - All channels (from broadcasters that allow access to their server logfiles) - All events (streams requested and distributed over IP) - On all listening platforms (see next slide…) The study is done by NeuroMedia, a Belgian specialist in streaming measurement. SCOPE OF SERVER-SIDE MEASUREMENT Currently measured (for participating stations) Not measured Live Radio listening (over IP) Audio on demand (TSL, podcasts, …) - Audio via station player or app Other audio over IP - Video* (same audio content) via station player or app - Streaming services (Spotify, Deezer) - Audio via aggregators - YouTube - Audio via other players (WiFi radios, stand alone players, …) Live Radio - Audio or video via Smart TV browser or apps - Via TV channels - AM/FM/DAB+ *Except DPG The split audio/video is available in the dashboard SERVER-SIDE DATA Subscribers can use the NeuroMedia dashboard to analyse : Listening patterns - Evolution of different metrics (# sessions, duration, …) per stations - Relation between metrics (e.g. # sessions by user, time spent by sessions) - Listening curves hour by hour - Distribution of sessions by duration Contacts potential - Number of “active sessions” - On all listening platforms (owned and not owned) ON AVERAGE 755 K ACTIVE SESSIONS ONLINE LISTENING PER DAY (MORE DURING LOCKDOWN), MUCH MORE SUCCESSFULLY IN THE NORTH (76%) Nat 1.000.000 900.000 833.829858.036833.320 790.194 800.000 754.525 South; 24% 700.000 625.404 590.039 600.000 500.000 400.000 300.000 North; 76% 200.000 100.000 0 Jan Feb Mar Apr May Jun avg Source Cim Radio stream Monitor Jan-25th Jun 2020 LISTENING TIME NORTH & SOUTH Cim Radio Stream Monitor CIM RAM: Min/day :Min/day 250 250 196 200 200 158 150 132 150 105 101 101 96 94 96 97 97 100 100 84 84 78 74 77 81 80 50 50 26 16 12 10 0 0 Jan Feb Mar Apr May Jun avg Total Listened Listened via Not Listened Unknown Internet via Internet North South North South Source Cim Radio stream Monitor Jan-25th Jun 2020 Source Cim Ram, 12+, 05:00-229:00, RAM March- June-JulyOctober-November-February2019-2020 RADIO 2 & STUDIO BRUSSEL ARE THE 2 MOST LISTENED RADIOS IN STREAMING AND RADIO 2 AND Q MUSIC IN RAM Top Radio CIM Radio Stream Monitor – Others CIM Ram 0% Klara 2% Market Share ATS 2% WILLY TopRadio 1% Qmusic 1% Others NRJ Qmusic 12% 11% Vlaanderen 12% Radio 1 Joe 0% NRJ 13% Nostalgie NL 9% Vlaander 6% Joe Radio 1 Radio 2 Studio Brussel en 13% 8% 0% 19% 11% Nostalgie Studio MNM (NL) MNM Brussel 10% Radio 2 6% Klara 14% 17% 30% 3% Source Cim Radio stream Monitor Jan-25th Jun 2020 Source Cim Ram, 12+, 05:00-229:00, RAM March-June-JulyOctober-November-February2019-2020 NOSTALGIE & RADIO CONTACT ARE THE 2 MOST LISTENED RADIOS IN STREAMING VS NOSTALGIE & VIVACITE IN THE RAM Cim Radio Stream Monitor – Market CIM Ram Musiq'3 (RTBF) Share ATS Chérie NRJ 2% DH Radio Others 0% 0% 4% 3% DH Radio Others Bel RTL Pure 1% 13% 12% Musiq'3 (RTBF) Nostalgie 2% NRJ 8% (FR) VivaCité 6% Contact FR 18% (RTBF) 14% 8% Classic 21 Radio 10% Contact Nostalgie FR 16% La Première 17% (RTBF) Bel Pure VivaCité 11% RTL 3% 14% 10% Fun Radio Classic 21 Fun Radio La Première 4% (RTBF) Chérie FM Mint Belgique 5% 14% 1% 2% 2% Source Cim Radio stream Monitor Jan-25th Jun 2020 Source Cim Ram, 12+, 05:00-229:00, RAM March-June-JulyOctober-November-February2019-2020 CONCLUSIONS Traffic volumes are not negligible at all ! 754.525 active sessions in average by day (01/01-25/06). These sessions cannot be included in the total radio listening volumes. Given that this study includes radio streaming traffic, these results are in no way comparable to those of the currency CIM RAM study, based on declared data and measures radio listening whatever the source (FM, DAB, Online ...)..
Load more

Recommended publications
  • Digibox & Ci+ Zendernummering
    DIGIBOX & CI+ ZENDERNUMMERING NUMÉROTATION DES CHAÎNES Regio Brussel Région Bruxelles 105 VIJF HD Televisiezenders 106 Vitaya Chaînes de télévision 107 BRUZZ 1 La Une HD 108 KanaalZ 2 La Deux HD 109 CAZ 3 RTL Tvi HD 110 Play Time HD 4 Club TRL HD 111 Nat Geo HD 5 Plug RTL 112 Ketnet 6 TF1 HD 113 Discovery Vl HD 8 AB3 114 Fox 10 BX1 115 Njam! 12 R. Contact Vision 116 Plattelands TV 15 La Trois 118 BBC Entertainment 30 Arte Belgique 120 Cadet 31 TV5 Monde 121 Nickelodeon/Spike HD 33 Sundance TV FR 122 Nick Jr. 41 France 3 123 Studio 100 TV 42 France 4 124 vtmKzoom 43 France 5 126 ZES HD 44 France Ô 127 Ment TV 60 France 2 130 Stories 100 vtm HD 131 MTV VL 101 één HD 133 Cartoon Network 102 VIER HD 134 Comedy Central 103 Canvas HD 135 Brava 104 Q2 HD 136 evenaar telenet.be/business V.U.: Telenet BVBA/E.R. : Telenet SPRL, Liersesteenweg 4, 2800 Mechelen/Malines – April/Avril 2017 DIGIBOX & CI+ ZENDERNUMMERING NUMÉROTATION DES CHAÎNES Regio Brussel Région Bruxelles 137 Viceland 312 Bloomberg 140 Xite 344 Animal Planet 142 Actua TV 620 Eurosport FR 145 Dobbit TV 621 Eurosport HD 201 2M Monde 622 Eurosport 2 HD 202 Al Maghreb TV 625 Extreme Sport 203 TRT Turk 210 Rai1 213 Mediaset Italia 214 TVE Play Sports (optioneel) 217 The Israëli Network Play Sports (optionelle) 220 BBC1 221 BBC2 610 Play Sports HD1 230 NPO 1 611 Play Sports HD2 231 NPO 2 612 Play Sports HD3 232 NPO 3 613 Play Sports HD4 241 ZDF 614 Play Sports HD5 299 Euronews FR 615 Play Sports HD6 301 Euronews 616 Play Sports HD7 303 CNN 617 Play Sports HD8 304 CNBC 618 Play Sports GOLF HD 305 BBC World 628 Eleven Sports 1 NL 306 Al Jazeera Eng.
    [Show full text]
  • Positive Current Operating Profit(1) Thanks to Cost Savings • €40 Million Net Profit Group Share, an Increase of 84.3%
    Paris, March 31, 2021 - 6.15 pm 2020 annual results – NRJ Group Positive Current Operating Profit(1) thanks to cost savings €40 million net profit Group share, an increase of 84.3% Group share equity strengthened at €644.7 million Proposed dividend of €0.21 per share On 31 March 2021, the NRJ Group Board of Directors met and approved the consolidated and annual accounts for the 2020 financial year. In millions of euros 2020 2019 Change Revenue excluding barters 324.8 386.2 -15.9% EBITDAii excluding barters 36.5 61.8 -40.9% Current operating profit excluding barters 3.0 30.5 -90.2% Operating profit 3.0 28.2 -89.4% Financial result 41.1 2.2 N.A Net profit Group share 40.0 21.7 +84.3% As at Dec 31, As at Dec 31, In millions of euros Change 2020 2019 Net cash surplusiii 248.9 179.8 +38.4% Shareholders'equity Group share 644.7 604.8 +6.6% In 2020, set back by the health crisis and its economic consequences, the Group recorded a €59.0 million (-18.4%) drop in revenue(1) for its media activities, reaching a low point in the second quarter of 2020 (-44.4%). In this exceptional and unprecedented context, from March 2020, NRJ Group: • implemented new ways of working which, whilst first and foremost preserving its employees’ health, provided listeners, viewers and clients with the services they expected; • offered advertisers solutions tailored to their specific communication needs for that period; • implemented a plan to reduce the Group’s expenses and investments in response to the brutal drop in revenue.
    [Show full text]
  • POLICY BRIEF #49 23 June 2021
    POLICY BRIEF #49 23 June 2021 9 major ways in which the pandemic has marked Flemish news consumption Ruben Vandenplas, Pauljan Truyens, Sarah Vis & Ike Picone Today, the Reuters Institute for the Study of Journalism publishes its yearly Digital News Report, in which imec-SMIT is the Belgian partner. This year, our analysis shines a spotlight on the impact of the coronavirus pandemic on news use in Flanders. In this policy brief, we will guide you through 9 MAJOR WAYS in which the pandemic has marked Flemish news consumption in 2021. Interested in how to move forward based on these results? Take a look at the CONVERSATION STARTERS at the bottom of this document. COVID-19: FLANDERS’ FIRST DIGITAL DISINFORMATION WAVE Flemish news users are confronted more with fake or misleading news on 1 COVID-19 than with disinformation on any other topic. Politicians appear to be the subject of most concern as a source for fake news on COVID-19. NEWS INTEREST GROWS, BUT SO DOES NEWS AVOIDANCE The uncertainty of a global health crisis sparked an increased news hunger 2 among Flemish news users. Despite the interest in news, a growing number of users are tuning out of news altogether, as news avoidance rises. TELEVISION TAKES THE CROWN The pandemic caused tremors in the news routines of Flemish users. With users 3 spending most of their time indoors, television has reinstated its place as the most important provider of news. SOCIAL MEDIA NEWS IN DECLINE Social media see less use as a source for news. This coincides with a growing 4 concern over fake news on social media and messaging apps.
    [Show full text]
  • Market Performances Barometer Status June 2015
    Market Performances Barometer Status June 2015 Confidential : strictly for Space clients GROSS MEDIA INVESTMENTS EVOLUTION 2 Source: MDB National North South € Mo 1,472.6 894.2 578.4 % Region 100% 61% 39% vs YTD 2014 - 3.5% - 3.2% - 3.9% Media (vs YTD 2014) Ecogroups (vs YTD 2014) 9% 3% 7% House Eq. (+ 8%) 41% Beauty (+ 7%) OOH (+ 4%) House Cl. (+ 5%) TV (+ 3%) Transport (+ 5%) 21% Clothing (+ 2%) 6% 1% 14% Radio (- 5%) Food (- 2%) Magazines (- 7%) Health (- 3%) Retail (- 3%) Dailies (- 10%) TV Radio Energy (- 6%) Cinema Internet Internet (- 10%) Services (- 14%) Dailies Mag. Cinema (- 16%) Telecom (- 20%) Free Press (- 24%) Free Press OOH Petfood (- 27%) KEY TV FIGURES 4 Variable Channel Daypart YTD-12 YTD-13 YTD-14 YTD-15 15 vs 14 Rating (%) TSU (Total Screen Usage) (1) 17-23:00 26.9% 28.9% 29.6% 29.4% 99 Total channels (Live + TSV) " 91.1% 90.5% 89.8% 87.7% 98 VHS + DVD player + Blue Ray " 2.3% 2.1% 2.7% 3.7% 139 Audience share TSU (%) (2) Video on demand + Digital recorder " 5.0% 6.1% 6.4% 7.6% 119 Game console and other devices (3) " 1.6% 1.3% 1.2% 1.0% 82 All Channels " 8.0% 9.7% 10.3% 12.2% 118 % Time shift viewing (4) Main Channels (5) " 10.4% 12.1% 13.6% 14.9% 110 Commercial breaks rating vs Main channels (5) - Live " 86 86 87 88 Full daypart rating Main channels (5) - TSV " 24 26 25 26 All TV channels (Live) Total day 129 137 136 130 96 ATV All TV channels (TSV) " 9 12 13 15 115 (Average daily viewing time) All TV channels (Live + TSV) " 138 148 149 145 98 in minutes Other TV Screen Usage " 18 21 22 28 125 Total TV Screen Usage
    [Show full text]
  • Brochure SFFS 2018
    BELGIUM - WALLONIA SUMMER FANCY FOOD SHOW 2018 New York, 30 June - 02 July 2018 Jacob Javits Convention Center Hall 3 Booths : 2105 - 2121 WALLONIA EXPORT-INVESTMENT AGENCY (AWEX) Place Sainctelette 2 B-1080 Brussels BELGIUM +32-2-421 82 11 [email protected] www.awex-export.be www.wallonia.be www.wallonia-international.be AWEX, partner of the international economic development of Wallonia. The Wallonia Export-Investment Agency (AWEX) is in charge of the development and management of Wallonia's international economic relations. With regards to foreign trade, the Agency has a promotion and information mission with regard to both the international and Walloon business community. Intended for purchasers, decision-makers, importers and foreign prospects, the Agency can, on request: • pass on economic data regarding Wallonia and its export potential; • provide information on the products and services of Walloon businesses; • seek Walloon businesses for the conclusion of international partnerships; • distribute lists of Walloon exporters. Vis-a-vis Walloon businesses, the Agency is their comprehensive international partner, providing a range of services and activities covering the entire export process: • General and commercial information on foreign markets; • Production of individual market studies on request; • Organisation of commercial canvassing operations (participation in international shows, organisation of economic missions, sector-based contact days, etc.); • Contacts with international organisations; • Promotion of Wallonia and its export potential; • Financial support and funding for exports; • Training and raising awareness of international professions. With regards to foreign investment, the Agency provides general expertise in the areas of promotion, prospecting and informing potential investors. It also ensures active monitoring of investors based in Wallonia, as well a mission to find foreign buyers for Walloon industrial sites in the process of restructuring.
    [Show full text]
  • Reuters Institute Digital News Report 2020
    Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media.
    [Show full text]
  • Download the Case Study Here!
    Case Study DPG Media in Belgium FULL-TIME REMOTE OPERATION Lawo Case Study: Full-Time Remote Operation DPG Media in Belgium Executive Summary Headline News with a Remote Setup DPG Media and Lawo designed a system that allows operators in one city (Antwerp) to leverage the hardware stationed in another (Vilvoorde). News City in Antwerp was outfitted with a news studio and a small control room connected to the hardware—among them an SDI video router purchased only two years earlier—in Vilvoorde over IP. Antwerp and Vilvoorde are 40km (±24.8 miles) apart. DPG Media also wanted to include the About DPG Media possibility to migrate its entire setup to IP in a DPG Media in Belgium is the perfect example of a print gradual process, whereby existing baseband media group that realized the importance of venturing components will be replaced by IP solutions. into broadcast and online media early on. This is why De In addition, DPG Media got interested in the Persgroep’s owner, Christian Van Thillo, co-founded the Vlaamse remote production possibilities that IP offered Mediamaatschappij (later “Medialaan”) joint venture together and wanted to leverage them not just for the with Roularta, another Belgian publisher, in the early 1990s. News project, but also for its Entertainment division. Today, its 35 media brands reach over 80% of the Dutch- speaking population in Belgium. Preparations for the project under review started when Lawo was After the acquisition of the remaining 50% in Medialaan—and Lawo’s VSM broadcast control system had contacted in 2016 by Medialaan in Vilvoorde, to the North of following a competition for a new office building in Antwerp, which already been running for a while and was to be Despite De Persgroep’s media assets in Belgium, Denmark, and Brussels, for the installation of two additional control rooms for DPG Media won—it was decided to move the news desks of all kept and expanded.
    [Show full text]
  • 2018-11-15 Maradiobe
    Communiqué de presse Journée historique pour la radio belge francophone ! Lancement du DAB+ en Wallonie et à Bruxelles. Bruxelles, 15 novembre 2018 Le secteur des radios belges francophones (réseaux privés et RTBF) a été invité ce matin par le Vice-Président du Gouvernement et Ministre des Médias de la Fédération Wallonie Bruxelles, Jean-Claude Marcourt, pour procéder au lancement officiel du DAB+, la nouvelle technologie de diffusion numérique de la radio. C’est un évènement exceptionnel qui va changer les habitudes des auditeurs : à partir de ce jeudi 15 novembre, le média RADIO entame un virage important dans son histoire. Car, avec le lancement du DAB+ (pour Digital Audio Broadcasting Plus), la radio entre de plein pied dans la technologie de sa diffusion numérique. Le DAB+, c’est en quelque sorte l’équivalent numérique de la FM, mais en mieux et en plus fort. Une technologie qui permet dès aujourd’hui d’écouter la RADIO, en numérique, partout (chez soi, au bureau et en voiture), gratuitement et sans abonnement internet. L’étendue des avantages du DAB+ est vaste, raison pour laquelle ce standard international est appelé à succéder à la radiodiffusion analogique FM, le moyen le plus répandu pour écouter la radio. Pourquoi changer de technologie ? La radio est le seul média à ne pas encore être passé à une diffusion numérique. La diffusion FM (analogique) ne permet pas de profiter des avantages du numérique qui fait partie de notre quotidien. En poussant sur le bouton allumant les nouveaux émetteurs DAB+ avec les représentants des réseaux francophones, le Vice-Président du Gouvernement et Ministre des Médias, Jean-Claude Marcourt, a déclaré ce matin : « Le passage à la radio numérique est historique pour la Wallonie et Bruxelles.
    [Show full text]
  • Digital News Report 2018 Reuters Institute for the Study of Journalism / Digital News Report 2018 2 2 / 3
    1 Reuters Institute Digital News Report 2018 Reuters Institute for the Study of Journalism / Digital News Report 2018 2 2 / 3 Reuters Institute Digital News Report 2018 Nic Newman with Richard Fletcher, Antonis Kalogeropoulos, David A. L. Levy and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2018 4 Contents Foreword by David A. L. Levy 5 3.12 Hungary 84 Methodology 6 3.13 Ireland 86 Authorship and Research Acknowledgements 7 3.14 Italy 88 3.15 Netherlands 90 SECTION 1 3.16 Norway 92 Executive Summary and Key Findings by Nic Newman 8 3.17 Poland 94 3.18 Portugal 96 SECTION 2 3.19 Romania 98 Further Analysis and International Comparison 32 3.20 Slovakia 100 2.1 The Impact of Greater News Literacy 34 3.21 Spain 102 2.2 Misinformation and Disinformation Unpacked 38 3.22 Sweden 104 2.3 Which Brands do we Trust and Why? 42 3.23 Switzerland 106 2.4 Who Uses Alternative and Partisan News Brands? 45 3.24 Turkey 108 2.5 Donations & Crowdfunding: an Emerging Opportunity? 49 Americas 2.6 The Rise of Messaging Apps for News 52 3.25 United States 112 2.7 Podcasts and New Audio Strategies 55 3.26 Argentina 114 3.27 Brazil 116 SECTION 3 3.28 Canada 118 Analysis by Country 58 3.29 Chile 120 Europe 3.30 Mexico 122 3.01 United Kingdom 62 Asia Pacific 3.02 Austria 64 3.31 Australia 126 3.03 Belgium 66 3.32 Hong Kong 128 3.04 Bulgaria 68 3.33 Japan 130 3.05 Croatia 70 3.34 Malaysia 132 3.06 Czech Republic 72 3.35 Singapore 134 3.07 Denmark 74 3.36 South Korea 136 3.08 Finland 76 3.37 Taiwan 138 3.09 France 78 3.10 Germany 80 SECTION 4 3.11 Greece 82 Postscript and Further Reading 140 4 / 5 Foreword Dr David A.
    [Show full text]
  • Accès Aux Médias Audiovisuels Plateformes & Enjeux
    L’accès aux médias audiovisuels Plateformes & enjeux Sommaire 01 PAYSAGE p.7 02 RÉGLEMENTATION p.25 03 CONSOMMATION p.37 04 ENJEUX ÉCONOMIQUES p.51 05 PROTECTION DU CONSOMMATEUR ET DU PUBLIC p.65 06 L’ACCÈS À L’OFFRE p.73 07 ÉVOLUTION DU CADRE RÉGULATOIRE p.89 éditorial Au sens du décret sur les services de médias audiovisuels (SMA), un distributeur de services est une personne qui met à disposition du public un ou des services de médias audiovisuels. Ces services sont généralement édités par d’autres personnes que le distribu- teur, mais ces deux fonctions se confondent de plus en plus, bous- culant la chaîne de valeur traditionnelle. Le distributeur de services joue un rôle fondamental dans l’accès du public à l’offre de SMA. Le distributeur est aussi un vecteur in- contournable pour un nombre croissant d’éditeurs. En pratique, la Dominique Vosters distribution de SMA constitue autant un enjeu démocratique et Président du Conseil supérieur culturel qu’un enjeu économique. Ceci justifie pleinement la régu- de l’audiovisuel lation de ce secteur dans un cadre fixé par les législateurs belges et européen. Après avoir dressé un panorama des différents types de distri- bution disponibles en Fédération Wallonie-Bruxelles, le présent Il y a bien longtemps que le public francophone belge s’est habi- ouvrage examinera les divers modes de consommation des SMA tué à recourir à un intermédiaire pour accéder à un SMA. Sans re- qui y sont identifiés, particulièrement ceux qui recourent à de nou- monter à la radio par câble développée à Bruxelles, c’est dans les veaux moyens de distribution.
    [Show full text]
  • MARKET PERFORMANCES BAROMETER June 2020
    MARKET PERFORMANCES BAROMETER June 2020 1 Gross Media Investments Evolution 2 GROSS MEDIA INVESTMENTS EVOLUTION - Jan-May 2020 NB : No Internet figures in MDB for 2019 & 2020 Market National North South ▪ € Mo 1.124,6 688,9 435,7 ▪ vs YTD-19 - 28,3% - 28,2% - 28,5% ▪ % Region 100% 61% 39% Media Mix Evol. Media Evol. (vs YTD-19) EcoGroups Evol. (vs YTD-19) TV Magazines -24% Cleaning -9% 8,1% Health -15% Radio Radio -24% 7,5% Retail -22% 7,7% 0,8% Cinema 8,7% Direct Mail -25% Energy -23% 6,6% 1,4% Services -23% 41,9% Newspapers 6,2% 41,5% -28% TV Telecom -28% Outside: YTD-20 -32% Magazines Inside: YTD-19 Newspapers -29% Equipment Transport -36% Free Local 19,1% OOH -38% Press 19,0% Clothing -42% 0,7% OOH 14,9% Food -43% Cinema -57% 0,4% Beauty -46% Direct Mail 15,7% Free Local Press -57% Petcare -53% Source: MDB/Nielsen (Gross ratecard value) 3 MDB TOP 30 ADVERTISERS - Jan-May 2020 NB : No Internet figures in MDB for 2019 & 2020 Rank ADV.GROUP Gross Inv. vs YTD-19 Rank ADV.GROUP Gross Inv. vs YTD-19 1 COLRUYT GROUP 42,1 102 16 GROUPE 3 SUISSES 8,3 100 2 PROCTER & GAMBLE BENELUX 36,2 83 17 FERRERO 8,3 57 3 D'IETEREN GROUP 20,2 61 18 LOTERIE NATIONALE 8,3 90 4 AHOLD DELHAIZE 19,4 100 19 LIDL & CO 8,2 127 5 PSA GROUPE 15,5 55 20 NETHYS 8,2 119 6 UNILEVER 13,6 58 21 BMW GROUP BELGIUM 7,7 124 7 TELENET GROUP HOLDING 13,0 79 22 PEPSICO 7,3 118 8 PROXIMUS GROUP 12,0 55 23 THE COCA-COLA COMPANY 7,1 35 9 RENAULT-NISSAN ALLIANCE 11,9 84 24 NESTLE GROUP 7,0 129 10 RECKITT & BENCKISER 11,8 55 25 AS WATSON 6,8 86 11 ALDI 11,7 143 26 BEIERSDORF 6,8 76
    [Show full text]
  • NRJ GROUP Completes the Sale of Its Minority Interest in Euro-Information Telecom
    Paris, June 23, 2020 – 6:00pm NRJ GROUP completes the sale of its minority interest in Euro-Information Telecom NRJ Group announces that it has completed the sale to Euro-Information of its 5% remaining interest in Euro- Information Telecom, a company which has licensed the brand NRJ Mobile, for an amount of EUR 50 million. Euro- Information, a company of Crédit Mutuel group, now holds all the shares and voting rights of Euro-Information Telecom. Together with this sale, NRJ and Euro-Information Telecom have extended the NRJ Mobile brand licensing contract until December 31, 2025. This sale of minority interest will be effective in NRJ Group’s consolidated accounts as at June 30, 2020. NRJ Group intends to use the proceeds for corporate purposes. **************** About NRJ GROUP NRJ GROUP is one of France’s leading private media groups in the publishing, production and broadcasting sectors and also markets its own media spaces. In France, the Group tops the private radio market with its four brands (NRJ, CHERIE FM, NOSTALGIE and RIRE & CHANSONS), is a significant player on the television market where it operates and develops two free national channels (NRJ 12 and CHERIE 25) and a paid channel (NRJ HITS, the number 1 cable-satellite-ADSL music channel) and, through its subsidiary towerCast, ranks number two on the French broadcasting market. Backed by its strong brands, marketing expertise and commercial performance, in recent years the Group has also developed a digital ecosystem enabling it to monitor and anticipate changes in the consumption of media via new delivery mechanisms, expanding its original brand portfolio through websites, mobile and voice apps, multi-channel networks and nearly 240 Internet radio stations.
    [Show full text]