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La Table Ronde

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DISKURS Berlin ・Novalisstraße 7・10115 Berlin ・www.discursus.info・ [email protected] La Table Ronde 15.10.2017 - 14.01.2018 Vernissage: Sa., 14.10, 5 - 10 PM Performance: 3 - 9 PM Book Launch: La Table Ronde Sa., 24.11.2017, 7 PM Koreanisches Kulturzentrum Leipziger Pl. 3, 10117 Berlin Curator: Peter Ungeheuer Assistant curator: Gyusik Lee La Table Ronde will be served by: Paris Giachoustidis Lukas Glinkowski Peter Ungeheuer Katharina Arndt · Fritz Bornstück · Stefano Cagol · Jimok Choi · Heiner Franzen · Jay Gard Pierre Granoux · Gregor Hildebrandt · Christian Hoischen / Oliver Mark · Kristiane Kegelmann Zinu Kim · Timo Klöppel · Thomas Rentmeister · Stefan Rinck · Pietro Sanguineti · Nina E. Schönefeld Sador Weinsčlucker · Li Zhenhua · Thomas Zitzwitz DISKURS Berlin ・Novalisstraße 7・10115 Berlin ・www.discursus.info・ [email protected] *German version see below The exhibition "La Table Ronde" invites the visitors to attend an idealized French banquet. The exhibition space turns into a stage for the spectacle with eight courses. The twelve invited guests sitting at the table become part of the performance with their conversations and interactions. Curator and artists hatch into the role of hosts and cooks. For a period of six hours, the guests indulge in an opulent meal and their conversations reveal the depth of Immanuel Kant's saying, "Good food and drink is the true metaphysics of life / Gut Essen und Trinken ist die wahre Metaphysik des Lebens ". Unlike the exuberant dinner in the style of La Grande Bouffe by Marco Ferreri, this dinner performance celebrates good food and above all - life. French cuisine is recognized by UNESCO as intangible world cultural heritage - the banquet as a social gathering and at the same time as a social network, where knowledge and cultural identity are passed on through the profession. Here it is celebrated in the performance at the dinner table. The composition of the dishes reflects lost cooking traditions and almost forgotten dishes. Multiple courses were chosen for their a special meaning in culture or culinary history and celebrate the art of eating and drinking. In addition to the performance at the opening, the works of the 20 participating artists will be dealing with the various aspects of conditions of equality (La Table Ronde) via gastronomy. There are several senses addressed, one can not only hear and see the works, but also touch them, eat them and perceive the smell. They correspond dramatically to each course of the meal and components of the performance. The exhibition presents video works, installations, as well as photo documentation of the performance. • Die Ausstellung „La Table Ronde“ lädt ein, dem idealisierten französischen Gastmahl beizuwohnen. Der Ausstellungsraum wird zur Bühne für das Spektakel in acht Gängen. Die zwölf geladenen Gäste am Tisch werden mit ihren Gesprächen und Interaktionen Teil der Performance. Kurator und Künstler schlüpfen in die Rolle der Gastgeber und Köche. Über die Dauer von sechs Stunden geben sich die Tischgäste dem opulenten Mahl hin, ihre Gespräche offenbaren im Verlauf des Abends die Tiefe von Immanuel Kants Ausspruch „Gut Essen und Trinken ist die wahre Metaphysik des Lebens“. Anders als das ausufernde Essen im Stil des La Grande Bouffe von Marco Ferreri, feiert hier die Tischgesellschaft das gute Essen und vor allem das Leben. Die französische Küche wird von der UNESCO als immaterielles Weltkulturerbe anerkannt - das Gastmahl als gesellige Runde und gleichzeitig als gesellschaftliches Netzwerk, in dem das Wissen und die kulturelle Identität durch den Beruf überliefert und weitergegeben wird. Dies wird hier am Tisch performativ gelebt. Die Zusammenstellung der Speisen spürt verloren gegangenen Kochtraditionen und fast vergessenen Gerichten nach - sie zelebriert die Kunst des guten Essens und Trinkens. Es wurden dabei Gerichte ausgewählt, die küchenhistorisch oder kulturell eine besondere Bedeutung haben. Neben der Performance am Eröffnungsabend beleuchten die Arbeiten der 20 teilnehmenden Künstler verschiedene Aspekte des gastronomischen Mahls. Es werden dabei mehrere Sinne angesprochen; man kann die Arbeiten nicht nur hören und sehen, sondern auch über den Geruchssinn wahrnehmen. Sie sind dabei dramaturgisch einzelnen Gängen und Komponenten der Performance zugeordnet. Die Arbeit wird nachfolgend in Form von Video- und Fotodokumentation als Teil der Ausstellung zu sehen sein. DISKURS Berlin ・Novalisstraße 7・10115 Berlin ・www.discursus.info・ [email protected] KATHARINA ARNDT www.katharina-arndt.com Born 1977 in Oschatz, Germany Lives and works in Berlin EDUCATION 2005 Study of Fine Arts at HBK Braunschweig 2006 Master of Fine Arts by John Armleder at HBK Braunschweig SOLO EXHIBITIONS (selection) 2016 Virtual Reality, ARD-Hauptstadtstudio, Berlin 2016 Final Girl, FB69 – galerie Kolja Steinrötter, Münster 2016 Not cry in public, Larry, Berlin 2014 Bored to death in Paradise, Gallery Majke Hüsstege, Hertogenbosch 2014 No Hell – No Heaven, Hornsleth&Friends Gallery, Kopenhagen GROUP EXHIBITIONS (selection) 2018 Sneaky paradise, Lachenmann Art, Konstanz 2017 La Table Ronde, Diskurs Berlin, Berlin 2017 Let’s buy it! – Kunst und Einkauf, Ludwiggalerie, Oberhausen 2017 Ladies Night, Feinkunst Krüger, Hamburg 2015 Fleischeslust, Museum Villa Rot, Burgrieden 2015 Von oben sieht alles kleiner aus, Kunsthaus Dahlem, Berlin 2015 Saloon, Sexauer Gallery, Berlin 2014 Money Works Part II, Haus am Lützowplatz, Berlin COLLECTION Sammlung Haupt, Berlin DISKURS Berlin ・Novalisstraße 7・10115 Berlin ・www.discursus.info・ [email protected] FRITZ BORNSTÜCK www.bornstueck.de Born 1982 Lives and works in Berlin EDUCATION 2012 Postgraduate Studies at De Ateliers – Amsterdam 2009 Meisterschüler of Thomas Zipp 2006 Studied also with Björn Dahlem, Felix Schramm und Tillmann Küntzel 2005 Studied Fine Art at the UdK in Berlin with Prof. Leiko Ikemura 2003 Studied fine art with Prof. Friedemann Hahn in Mainz Studied mathematics und philisophy SOLO EXHIBITIONS (selection until 2010) 2017 ZOB, Galerie Greulich, Frankfurt (upcoming, 09/2017) J.W.D. Galerie MaÏa Muller, Paris 2016 Transatlantic Hokuspokus, Galerie Börgmann, Mönchengladbach Nevernore Ranch, Hermann Germann Contemporary, Zürich 2015 For the Birds, Galerie Mikael Andersen, Copenhagen Zustand33, Keith, Berlin 2013 Endless Nameless, Galerie Mikael Andersen, Copenhagen 2012 Intentional Stance, De Ateliers, Amsterdam When the sun comes up, I promise, I'll be true, SPG, Stockholm 2010 My Love For You Is Like A Japanese Car - GMA, Copenhagen Dawn of the Living - Fabrikken For Kunst Og Design, Kopenhagen GROUP EXHIBITIONS (selection until 2012) 2017 Jokes on Paintings, Schaufenster, Berlin Junge Prager, Junge Berlin, Cermak & Eisenkraft, Prag und Berlin Raushole, Projektraum Pool, Karlsruhe 2016 Quattro Formaggi, Galerie Jochen Hempel, Berlin Salon der Gegenwart – ebd., Hamburg The Joy of Overpainting – Keith, Berlin Die Geschichte hat einen Fehler, zu viele Erzähler, Kunstverein Gütersloh Spiegelgasse 1, Galerie Börgmann, Mönchengladbach Where are We Now?, NBK, Berlin Your Light is My Darkness, Feinkunst Krüger, Hamburg 2015 Die Augen verfolgen den Satelliten, so wie auch der Satellit die Augen verfolgt, Adler, Düsseldorf Painting Show, Galerie Patrck Ebensperger, Vienna 2014 Ship of Fools, De Dokzaal, Amsterdam Painting Causes Paintings – Schwarzwaldallee, Basel Candy Colored Clown, Hermann Germann Contemporary, Zürich Sorry, we ate your Brains – Club, Das Motobol, Berlin 2013 Batman Elektronik, Galerie Mikael Andersen, Berlin Future Red Flowers, Späti Multikulti, Berlin 2012 It takes two to tango, Herrmann Germann Contemporary, Zürich Bait and Tackle, Galerie Mikael Andersen Berlin Three artists walk into a bar..., De Appel, Amsterdam AWARDS AND PRIZES 2017 Casa Zia Lina, Insel Elba 2015 Arbeitsstipendium des Senats, Berlin 2012 Buning Brongers Prize (Mondrian Foundation), Amsterdam 2010 De Ateliers, Atelierstipendium, Amsterdam COLLECTIONS Arken Museum, Copenhagen Sammlung Hildebrand, Leipzig Sammlung Lützow, Berlin Sammlung Paschertz Sammlung SØR Rusche, Berlin/Köln Collectie De Heus, Barneveld DISKURS Berlin ・Novalisstraße 7・10115 Berlin ・www.discursus.info・ [email protected] Collection de Ateliers, Amsterdam STEFANO CAGOL www.stefanocagol.com Born 1969 in Trento, Italy Lives and works in Trentino South Tyrol EDUCATION 1989 – 1993 MFA, Accademia di Belle Arti di Brera, Milano 1998 Post-Doctoral Fellowship, Ryerson University, Toronto SOLO EXHIBITIONS (selection) 2017 The Consequences of Vacua, C+N Canepaneri Gallery, Milano 2016 Stefano Cagol. Works 1995 | 2015, Mart, Galleria Civica di Trento, Trento 2015 The Body of Energy (of the mind), CLB Berlin Collaboratorium, Berlin 2012 Sensor: Stefano Cagol, ZKM | Museum of Contemporary Art, Karlsruhe 2011 CONCILIO, collateral event, 54th International Art Exhibition – La Biennale di Venezia, Chiesa di San Gallo, Venezia GROUP EXHIBITIONS (selection) 2017 Aftermieter, Haus Mödrath - Räume für Kunst, Kerpen-Köln 2016 Acts of Sedition, White Box, New York Manifesta 11, Cabaret der Künstler - Zunfthaus Voltaire, Zürich The end of the world as we know it, Cospace Gallery, Shanghai PIGS, Artium, Vitoria-Gasteiz; Galeria Municipal do Porto, Oporto 2015 Sammeln für Morgen. Neue Werke im Museion, Museion, Bozen Visit 2010-2015. Die Stipendiaten der RWE Stiftung, Kunstmuseum Bochum, Bochum 2014 The 2nd Xinjiang Biennale: New Art on the Silk Road, Urumqi 2013 Maldives Pavilion, 55th International Art Exhibition – La Biennale di Venezia, Venezia Barents Art Triennale,
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    Thursday, July 1, 2010 Part III Department of the Treasury Office of Foreign Assets Control 31 CFR Chapter V Alphabetical Listing of Blocked Persons, Blocked Vessels, Specially Designated Nationals, Specially Designated Terrorists, Specially Designated Global Terrorists, Foreign Terrorist Organizations, and Specially Designated Narcotics Traffickers; Final Rule VerDate Mar<15>2010 16:15 Jun 30, 2010 Jkt 220001 PO 00000 Frm 00001 Fmt 4717 Sfmt 4717 E:\FR\FM\01JYR2.SGM 01JYR2 mstockstill on DSKH9S0YB1PROD with RULES2 38212 Federal Register / Vol. 75, No. 126 / Thursday, July 1, 2010 / Rules and Regulations DEPARTMENT OF THE TREASURY persons, blocked vessels, specially Register and the most recent version of designated nationals, specially the SDN List posted on OFAC’s Web site Office of Foreign Assets Control designated terrorists, specially for updated information on designations designated global terrorists, foreign and blocking actions before engaging in 31 CFR Chapter V terrorist organizations, and specially transactions that may be prohibited by designated narcotics traffickers whose the economic sanctions programs Alphabetical Listing of Blocked property and interests in property are administered by OFAC. Please note that Persons, Blocked Vessels, Specially blocked pursuant to the various some OFAC sanctions programs prohibit Designated Nationals, Specially economic sanctions programs transactions involving persons and Designated Terrorists, Specially administered by the Department of the vessels not identified on Appendix A to Designated Global Terrorists, Foreign Treasury’s Office of Foreign Assets 31 CFR chapter V or other lists provided Terrorist Organizations, and Specially Control (‘‘OFAC’’). OFAC is hereby by OFAC. Designated Narcotics Traffickers amending and republishing Appendix A This amendment reflects the names of AGENCY: Office of Foreign Assets in its entirety to include or delete, as persons and vessels identified on Control, Treasury.
  • Kerim Seiler Afraid of Red, Yellow and Blue

    Kerim Seiler Afraid of Red, Yellow and Blue

    GRIEDER CONTEMPORARY Kerim Seiler Afraid of Red, Yellow and Blue April 6, – May 25, 2018 Opening hours: Fri, 11 am – 6 pm and by prior arrangement Grieder Contemporary is delighted to present Afraid of Red, Yellow and Blue its fourth solo exhibition featuring the artist Kerim Seiler. There is no need for chromatic aberration. — Goethe That sociopathic feeling one gets in Kerim Seiler's studio, with the sun piercing rabidly through sky lights to the accompaniment by Mahavishnu Orchestra — is this the essence of Afraid of Red, Yellow and Blue? The liberality with which Heaven now and again unites in one person the inexhaustible riches of its trea- sures and all those graces and rare gifts it usually disperses amongst many over an extended period of generations is seen crystallized in the four paintings we find in this iconic exhibition. Inside Seiler's studio, 800 square meters ceilinged at 10 meters and surrounded above and to either side by silent corporate offices, studio assistants include a young man on the verge of receiving certification in massage therapy, who kneads away knots of tension that attend pathological art production; an older man buzzes about painting imaginary ornamentation along canvas peripheries; Seiler's strapping teenage son, Red, paints backgrounds; a lady painter spends four days per week refining foreground imagery. It is in this bustling production house that Caravaggio in his autumn years is most easily recalled. There is no experimentum crucis that could decide for or against Seiler’s theory on colors of the spec- trum. Moreover, we may say that those who possess such gifts as Seiler are not men but mortal gods, and that those who by their works leave an honored name among us on the roll of fame may hope to receive a fitting rewardin Heaven for their succoring labors and long-echoing merits.
  • Pickpocket Almanack Proposes That, If Recontextualized Representation of This Event

    Pickpocket Almanack Proposes That, If Recontextualized Representation of This Event

    WASHINGTON DC MExico CITY PORTLAND DUBLIN 01 03 05 07 Pickpocket The holiday SpiriT: 100 yearS from now examining The Use of Spaghetti JuncTion Sacrifice & conSumpTion by pip day food and drink in regardS by Tessa giblin & Saskia Vermeulen by pratap chatterjee To encouraging almanack This course will not take as its subject the Bicentennial of Mexican Independence, An exhibition is never the same twice. When you return to it after collecting nor the Centennial of the Mexican Revolution, nor the Centennial of the founding Social inTeracTion various other cultural offerings in a city, it is a different experience, the art- How does one mark the advent of the winter holidays? For most, it is a time to of the National University of Mexico, all being celebrated (with enormous federal works are changed slightly, or the context has shifted. That’s heightened in a transnational compendium, feast and make merry with close friends and family, but for some it is also a time budgets) this year. This course will consider notions of Independence, Revolution by harrell fletcher the case of an exhibition that is, itself, also changing. The Repetition Festival for acts of charity and sacrifice. We will explore three different traditions. The and Education by looking at official as well as smaller, off-beat cultural initiatives. Show comprises a single environment in the gallery in which four different film autumn of the year first is Eidh-ul-Adha—a Muslim festival that brings together families to feast and Participants will be invited to research initiatives that engage with alternative This course is comprised of three free events at which food and drink are installations by Clemens von Wedemeyer will appear one after the other.