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Journal of Film Preservationfilm of Journal Journal Dans Ce Numéro Journal of Film Preservation Journal Dans ce numéro... In this issue... En este número... 65 12 / 2002 of Film ANTTI ALANEN Head of Programming at the JANET MCBAIN Curator at the Scottish Screen Preservation Finnish Film Archive (Helsinki) Archive (Glasgow) CAMILLE BLOT-WELLENS investigadora - KATE MCLOUGHLIN Manager of Outreach colaboradora en la Filmoteca Española (Madrid) Programs, ScreenSound Australia, audio-visual archivist (Canberra) PAOLO CHERCHI USAI Senior Curator of the Motion Picture Department of the George Eastman House KASANDRA O’CONNELL Head of the Irish Film (Rochester) Archive (Dublin) STEFAN DROESSLER Director of the Filmmuseum - RUTGER PENNE Editor of the FIAF International Muenchner Stadtmuseum (München) FilmArchive Database and the P.I.P. (Brussels) Revista de Revista la Internacional Federación de Fílmicos Archivos JORGE MARIO DURÁN Director Departamento de GREGORIO ROCHA Writer, producer, director (New Cine (Bogotá) York) RAY EDMONDSON Founder of SEAPAVAA, President GAIL RUBENSTEIN Assistant Editor of the FIAF of Archve Associates (Kambah) International FilmArchive Database and the P.I.P. (Brussels) ROBERTO ESCAMILLA Director de programación y acervo de la Cineteca Nuevo Leon (Monterrey) ENCARNACÍ RUS AGUILAR investigadora - Published Published by the International Federation of Film Archives colaboradora en la Filmoteca Española (Madrid) DAVID FRANCIS Honorary Member of FIAF (Fairfax Station, NA, USA) ROGER SMITHER Keeper of the Film and Video Archive at the Imperial War Museum, Vice President MABLE HO Acquisition Manager of the Hong Kong of FIAF (London) Film Archive (Hong Kong) RITO ALBERTO TORRES Technical Director Fundación YOSHIRO IRIE National Film Center / National Patrimonio Fílmico Colombiano Museo de Arte Revue de Revue la Fédération Internationale des du Archives Film Museum of Modern Art (Tokyo) Moderno (Bogotá) SABINE LENK Director at the Film Museum IVÁN TRUJILLO BOLIO Director general de 65 • FIAF 12/2002 (Duesseldorf) actividades cinematográficas de la UNAM, Presidente de FIAF (México) ERIC LEROY Chercheur, Archives du film et du dépot légal du Centre national de la cinématographique HILLEL TRYSTER Deputy Director and Researcher at (Bois d’Arcy) the Steven Spielberg Jewish Film Archive (Jerusalem) December / décembre / Get the cleaning power of a diciembre 2002 65 deep tank machine with the non-immersion film cleaner, Prista® FIAF Award / Prix FIAF / Premio FIAF 2 The 2002 FIAF Award for Manoel de Oliveira Prista is a fraction of the price Iván Trujillo of a deep tank machine and uses environmentally friendly 5 Reconstructing the German Version of Lola Montes Signal Hydronaphtha. Signal Stefan Droessler Hydronaphtha cleans without leaving a residue and is rated Second Century Forum / Forum du Second Siècle / excellent as a cleaning Forum del Segundo Siglo solvent. Polyester, triacetate 18 Challenges of Film Archiving in the 21st Century and nitrate film can be David Francis cleaned with confidence. Historical Column / Chronique historique / Columna histórica Cover: Lola Montes, 24 La venganza de Pancho Villa. (The Vengeance of Pancho Villa) Max Ophülo (1955) A lost and found border film. Prista occupies a small Gregorio C. Rocha footprint of .33 sq. meters/3.5 sq. feet. 30 Quelques repères sur la Communauté asiatique dans le cinéma Readout displays of key français mechanical functions Eric Leroy are located at eye level. 36 Silent Japanese Films: What Was the Right Speed? Yoshiro Irie 42 Estudio e identificación de películas de los primeros años del Prista’s patent pending (RD64) cinematógrafo. La collección Sagarmínaga cleaning system gently agitates Encarni Rus, Camille Blot the film to eliminate dust, lint and grease to produce film as 53 Recuperación y restauración de nuestra Alma provinciana clean, or cleaner, than your Rito Alberto Torres, Jorge Mario Durán deep tank machine. In Memoriam Don’t take our word for it. 58 Maryann Gomes Contact us and we will Janet McBain, Roger Smither forward you independent laboratory test results. Bologna & Sacile 60 Notes from Il Cinema Ritrovato 2002. Bologna, 29 June – 6 July Antti Alanen ® 64 Le Giornate del Cinema Muto, 2002 Prista Hillel Tryster SLS San Lab Systems Inc. San Lab Systems Inc. 8430 Aitken Road, Chilliwack, B.C., Canada V2R 3W8 Phone: 604-703-0513 Phone Toll Free North America:1-877-603-2041 Fax: 604-795-6136 E-mail: [email protected] www.sanlabsystems.com Journal of Film Preservation Training / Formation / Formación Journal of Film Preservation 69 Rochester Reflections – The 10th FIAF Summer School, and Beyond Half-yearly / Semi-annuel ISSN 1609-2694 Ray Edmondson Copyright FIAF 2002 FIAF and Affiliates / FIAF et affiliés / FIAF y afiliados FIAF Officers President / Président 72 P.I.P. turns 30! - Periodicals Indexing Project (1972-2002) Iván Trujillo Bolio Rutger Penne, Gail Rubenstein Secretary General / Secrétaire général Steven Ricci 75 Canberra: Big Screen: Touring Films to Regional Australia Treasurer / Trésorier Kate McLoughlin Karl Griep Comité de rédaction 79 Dublin: The Irish Film Archive Editorial Board Kasandra O’Connell Chief Editor / Rédacteur en chef Robert Daudelin EB Members / Membres CR 84 Düsseldorf: The Film Museum Mary Lea Bandy Sabine Lenk Eileen Bowser Paolo Cherchi Usai Christian Dimitriu 86 Hong-Kong: Waves of Generosity Susan Oxtoby Mable Ho Steven Ricci Hillel Tryster Corespondents/Correspondants 89 Monterrey: La Cineteca de Nuevo León Thomas Christensen Roberto Escamilla Claudia Dillmann Ray Edmondson Michael Friend Regional Groupings / Groupements régionaux / Silvan Furlan Agrupaciones regionales Steven Higgins 94 SEAPAVAA Steps Out Juan José Mugni Hisashi Okajima Ray Edmondson Donata Pesenti Eric Le Roy 96 Publications Received at the Secretariat / Publications reçues au Secrétariat / Publicaciones recibidas en el Secretariado Editeur / Publisher Christian Dimitriu Editorial Assistant 100 FIAF Bookshop / Librairie FIAF / Librería FIAF Olivier Jacqmain Graphisme / Design Meredith Spangenberg Imprimeur / Printer Artoos - Brussels Fédération Internationale des Archives du Film - FIAF Rue Defacqz 1 1000 Bruxelles / Brussels Belgique / Belgium Tel: (32-2) 538 30 65 Fax: (32-2) 534 47 74 E-mail: [email protected] The 2002 FIAF Award for Manoel de Oliveira Iván Trujillo FIAF Award Message delivered by Iván Trujillo at the ceremony of the Presentation of the 2002 FIAF Film Preservation Award to Manoel de Oliveira, on the occasion of the 50th San Sebastian International Film Festival on September 23, 2002, at the Kursaal Theatre. Prix FIAF Dear Manoel de Oliveira, Dear organizers of the San Sebastián Film Festival, Ladies and Gentlemen, Premio FIAF It is a very special day for the International Federation of Film Archive. For the second time, FIAF is presenting its Film Preservation Award to a personality whose career and participation have contributed to support Discours prononcé par Iván Trujillo lors FIAF’s mission and reason to live: the preservation of moving images. de la cérémonie de remise du Prix FIAF 2002 pour la Préservation du Cinéma à This year, it was unanimously decided to present the award to the film Manoel de Oliveira, à l’occasion du director Manoel de Oliveira. Not much can be added to crown a career 50ème Festival International du Film de thoroughly praised but to say that, for many people, Manoel de Oliveira San Sebastián le 23 septembre 2002 au is a living treasure who enriches his filmography year after year. Kursaal Theatre. He is probably the only active director who started his career before the Cher Manoel de Oliveira, Chers creation of FIAF, in 1938, with Douro, faina fluvial, in 1932. From his organisateurs du Festival du Film de famous Aniki Bóbó, in 1941, until his marvellous O princípio da incerteza San Sebastián, Mesdames, Messieurs, (2002), the work of Oliveira has become a reference for the pioneers C’est un grand jour pour la Fédération Internationale des Archives du Film. and the coming generations of film preservation workers. Pour la deuxième fois, la FIAF remet Manoel de Oliveira’s encouragement to our cause has been significant, son Prix de la Préservation du Cinéma à une personne dont la carrière et le with highlights of the supports he has always given to our colleagues dévouement ont soutenu la FIAF dans of the Cinemateca Portuguesa, with whom he has actually collaborated sa mission et sa raison de vivre : la in view of the preservation of his own films. All the FIAF Affiliates préservation des images en remember his wonderful appearance at our 1999 Congress in Madrid, mouvement. masterfully organised by the Filmoteca Española. Cette année, il a été décidé à l’unanimité de décerner le prix au FIAF is dealing with preservation of all sort of stories told with moving réalisateur Manoel de Oliveira. Que images. Its 130 affiliates spread over the 5 continents, preserve around dire de plus pour couronner une three million titles of audiovisual works. Some of these, as the films of carrière abondamment louée sinon Manoel de Oliveira, are seen as samples of real pieces of art and que Manoel de Oliveira est un trésor vivant qui enrichit sa filmographie highest demonstrations of human creativity. Without exception, all are année après année. historical documents that provide priceless information on a given Il est fort probablement le seul moment. réalisateur qui commença sa carrière, avec Douro, faina fluvial en 1932, When the Award was created, it was decided that its presentation avant la création de la FIAF, en 1938. would be accompanied by the screening of
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