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La Macchina Del Tempo Il Paradiso Dei Cinefili

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La Macchina Del Tempo Il Paradiso Dei Cinefili IL CINEMA RITROVATO 2012 (L’impiegato statale/The Civil Servant, URSS/1931) 9.00 14.45 10.30 RITROVATI E RESTAURATI Cinema Arlecchino Sala Scorsese 22.00 Piazza Maggiore Sala Mastroianni Gontran engendre une sombre postérité R.: Ivan Pyr’ev. D.: 71’. V. russa La grande avventura di Raoul Walsh Ivan Pyr’ev, l’enigma della Mosfil’m Muti musicali (Francia/1912) R.: Lucien Nonguet. D.: 9’. Did. olandesi Ritorna l’appuntamento con i migliori restauri internazionali e i capolavori ritrovati. Tra gli Legenda 23 SABATO Ritrovati e Restaurati eventi più attesi, la extended version di Once Upon a Time in America di Sergio Leone, restaurata Piazza Maggiore Introduce il curatore della rassegna Olaf Möller THE BIG TRAIL (Grandeur version) PARTIJNYJ BILET LOLA UN SECOLO DI CLIP MUSICALI 1: SCOPITONES Accompagnamento al piano di Maud Nelissen 14.30 Sala Scorsese Accompagnamento al piano di Donald Sosin (Il grande sentiero, USA/1930) R.: Raoul Walsh. D.: 122’. V. inglese (Anna/La tessera del Partito, URSS/1936) R.: Ivan Pyr’ev. D.: 93’. V. russa Tais-toi, petite folle (Francia) R.: Claude Lelouch. D.: 3’ dalla Cineteca di Bologna e presentata in anteprima al Festival di Cannes, con venticinque Cinema Arlecchino (Lola, donna di vita, Francia/1961) minuti inediti tagliati in fase di montaggio nel 1984. E ancora: La Grande illusion di Jean Lezione di cinema: John Boorman R.: Jacques Demy. D.: 85’. V. francese Le Jazz et la Java (Francia/1964) R.: Claude Lelouch. D.: 3’ 14.45 Sala Scorsese IN MOSTRA MODALITÀ DI ACCESSO Renoir, il capolavoro pacifista interpretato da Jean Gabin; uno dei film più belli della Nouvelle Cinema Jolly Il regista John Boorman dialoga con Peter von Bagh, diret- 17.30 Sala Mastroianni 9.00 Sala Mastroianni Digitale He‘s Got the Power (Francia/1963) D.: 3’ Ivan Pyr’ev, l’enigma della Mosfil’m Mario Dondero Vague francese, Lola di Jacques Demy, con la seducente Anouk Aimée; Viaggio in Italia, film Cinema Lumière tore artistico del festival Muti musicali Il Giappone parla! Primi sonori del Sol Levante 15.30 Cinema Arlecchino Restaurato della Fondation Technicolor pour le Patrimoine du Come softly to me (Francia/1960-1965) D.: 3’ SVINARKA I PASTUCH Accredito: accesso a tutte le proiezioni al Lumière, [Katsuben talkie] Ritrovati e Restaurati / I colori del cinema sonoro Walk on By (Francia/1960-1965) R.: Claude Lelouch. D.: 3’ (Swineherd and Shepherd/La guardiana dei porci e il pastore, e la comunità del cinema. all’Arlecchino e al Cinema Jolly e accesso ai posti riservati in Lo diciamo da tempo: Il Cinema Ritrovato è il paradiso dei cinefili! Una fantastica macchina del che risplende del sodalizio Rossellini/Bergman e che apre la stagione del cinema moderno, Sala Cervi LE MIRACLE DES FLEURS CHUSHINGURA Cinéma, Fondation Groupama pour le Cinéma e Ciné Tamaris La fotografia come arte della relazione 14.30 Cinema Arlecchino (Francia/1912) R.: René Leprince. D.: 15’ (I quarantasette Ronin, Giappone/1910-1912) ONCE UPON A TIME IN AMERICA (Extended version) Sacré Josh (Francia/1960-1965) D.: 3’ URSS/1941) R.: Ivan Pyr’ev. D.: 85’. V. russa Piazza Maggiore (fino a 10 minuti prima dell’inizio del film) tempo e dello spazio, un appuntamento tra la città e il mondo che, da ventisei anni, conduce gli Les Misérables di Raymond Bernard, interpretato da Harry Baur nel 1934. Anche quest’anno il Versione originale con sottotitoli italiani e inglesi Introducono Agnès e Rosalie Varda e Mathieu Demy La grande avventura di Raoul Walsh IL DISINGANNO DI PIERROT R.: Shozo Makino. D.: 42’. V. giapponese (C’era una volta in America, USA-Italia/1984) Où ça où ça (Francia/1964) D.: 3’ Sala espositiva della Cineteca • Intero o 70,00 amanti della cultura e del cinema, per otto giorni, dal mattino a mezzanotte, tra film e autori del festival accoglierà la World Cinema Foundation, con due splendide riscoperte: l’indiano Kalpana o Relatore / incontro / tavola rotonda (Replica domenica 24 ore 9.00) (Italia/1915) R.: Ugo Falena. D.: 28’ TSUKIGATA HANPEITA R.: Sergio Leone. D.: 245’. V. inglese Precedono Quando quando (Francia/1960-1965) D.: 3’ 15.45 Sala Mastroianni (via Riva di Reno, 72) • Ridotto* 35,00 Novecento, tra eventi storici e shock estetici, tra innovazioni linguistiche e vette di classicità, (1948) di Uday Shankar e l’indonesiano After the Curfew (1954) di Usmar Ismail, più i restauri THE BIG TRAIL (Grandeur version) Accompagnamento al piano di Stephen Horne (Giappone/1925) R.: Teinosuke Kinugasa. D.: 13’. V. giapponese Digitale Pathé courant 178a J‘aime pas le rock (Francia/1960-1965) D.: 3’ Lois Weber, una maga! Dal 23 giugno solo alla cassa del Cinema Lumière della Film Foundation di Martin Scorsese e una selezione dei film dell’avanguardia americana. Accompagnamento musicale dal vivo Dal 19 giugno al 15 settembre 2012 tra immagini in bianco e nero, a colori, colorate a mano, sonore, accompagnate da musicisti (Il grande sentiero, USA/1930) R.: Raoul Walsh. D.: 122’. V. inglese WHY WORRY? / KYOJIN SEIFUKU [Katsuben Talkie] Restaurato da Fondazione Cineteca di Bologna in collabora- (Francia/1912) D.: 2’30’’ Telstar (Francia/1960-1965) R.: Claude Lelouch. D.: 3’ SCANDALO, PARTE PRIMA da lunedì a venerdì, live e, per due volte, dall’orchestra del Teatro Comunale di Bologna. Otto giorni appassionanti Introduce Dave Kehr 18.30 Cinema Jolly (USA/1923) R.: Fred C. Newmeyer, Sam Taylor. D.: 29’. V. giapponese zione con Andrea Leone Films e Regency Enterprises grazie al Fleurs et fruits, reproduction par Chronochrome Gaumont Le Jour le plus long (Francia/1962) R.: Claude Lelouch. D.: 3’ Fine Feathers dalle 09 alle 13 e dalle 14 alle 18 Biglietto giornaliero Il colore nel cinema sonoro A seguire, incontro con Fumiaki Itakura (National Film Cen- contributo di Gucci e The Film Fondation (Francia/1912) D.: 4’30’’ Nathalie (Francia/1963) R.: Claude Vernick. D.: 3’ (USA/1912) R.: Lois Weber, Phillips Smalley. D.:14’. Did. inglesi Ingresso libero • Intero o 10,00 e irripetibili per immergersi nel piacere di molte visioni uniche, per scoprire i migliori restauri LA GRANDE AVVENTURA DI RAOUL WALSH Accompagnamento al piano di Gabriel Thibaudeau o Viaggio nel cinema di Raoul Walsh (1887-1980), cineasta dell’avventura e del grande 14.30 Cinema Jolly DOLLYWOOD (selezione di pubblicità animate) ter, Tokyo) e i curatori Alexander Jacoby e Johan Nordström Introduce Mariann Lewinsky A Japanese Idyll • Ridotto* 6,00 dell’anno, per incontrare i protagonisti della storia del cinema e del cinema contemporaneo. spettacolo. I suoi film sono un’avventura interiore, abitata da memorabili figure di donna, 21 GIOVEDÌ Dopo la caduta. Il cinema e la crisi del 1929 Allarme per Venere (Olanda) D.: 1’48’’. V. italiana 16.00 Sala Mastroianni Serata promossa da Groupama Assicurazioni (USA/1912) R.: Lois Weber, Phillips Smalley. D.: 12’. Did. inglesi SONNENSTRAHL Bellezza femminile (Olanda/1952) D.: 2’18’’. V. italiana 9.15 Sala Scorsese Lois Weber, una maga! UN SECOLO DI CLIP MUSICALI 2: TONBILDER Scandal Mongers Figura tra le più originali ed eclettiche del fotogiornalismo Biglietto mattutino (dalle 9 alle 13) i suoi personaggi sono tormentati e instancabili nella ricerca del proprio ruolo nel mondo: (In caso di pioggia, la proiezione si sposterà al Cinema Arlecchino) o 22.00 (Viva la vita, Germania-Austria/1933) R.: Pál Fejös. D.: 87’. V. tedesca Festa nella casa delle caramelle (Olanda/1954) D.: 2’11’’. V. italiana Maestri del documentario italiano I PRIMI FILM PER LA BOSWORTH Am Meer (Germania/1908) D.: 3’ (USA/1915) R.: Lois Weber, Phillips Smalley. D.: 35’ ca. Did. inglesi contemporaneo, Mario Dondero, può essere considerato un • Intero 4,00 pochi registi hanno saputo scavare un così personale percorso dentro il solco del sistema Piazza Maggiore o La grande avventura di Raoul Walsh Arriva la mamma (Olanda/1960) D.: 2’. V. italiana I FILM DI ELIO PICCON Suspense Lunedì 25 alle ore 12 e alle 16.15 (a seguito della proiezione di Do- Am Elterngrab (Germania/1907) D.: 3’ Accompagnamento al piano di Neil Brand vero e proprio poeta del reportage. La mostra è composta di • Ridotto* 3,00 hollywoodiano. Il programma si compone di una selezione di film muti, di rarità del primo Pranzo nella Jungla (Olanda/1963) D.: 3’30’’. V. italiana Tre tempi di cinema astratto (USA/1913) R.: Lois Weber, Phillips Smalley. D.: 10’. Did. inglesi Militärische Disziplin / Lustiges auf dem Kasernenhof una selezione delle più belle fotografie che Mario Dondero ha sonoro e di capolavori della maturità: Il grande sentiero, Notte senza fine, Tamburi lontani, (Replica mercoledì 27, ore 14.30 – Cinema Arlecchino) cumenteur) lezioni di cinema con Agnès Varda al Cinema Lumière. PURSUED 14.30 Sala Mastroianni Milano cent‘anni or sono (Campari) (Olanda/1953) D.: 2’49’’. V. italiana (Italia/1951) R.: Elio Piccon. D.: 6’. V. italiana Sunshine Molly (Germania/1910) D.: 3’ 16.00 Cinema Arlecchino dedicato al cinema e ai suoi protagonisti. Biglietto pomeridiano (dalle 14 alle 20) La macchina del tempo La banda degli angeli. 1912. Novantasei film di cento anni fa Milano cent‘anni or sono (Campari) (Olanda/1953) D.: 2’49’’. V. inglese L’antimiracolo (Italia/1965) R.: Elio Piccon. D.: 87’. V. italiana (USA/1915) R.: Lois Weber, Phillips Smalley. D.: 36’. Did. inglesi Babylied (Germania/1904) D.: 3’ Ritrovati e Restaurati Apertura straordinaria durante Il Cinema Ritrovato: • Intero o 6,00 (Notte senza fine, USA/1947) R.: Raoul Walsh. D.: 101’. V. inglese o precede FRAMMENTI DI SOGNI The Discovery of America (Campari) (Olanda/1953) D.: 2’15’’. V. inglese A seguire, incontro con Natalia Piccon (figlia del regista) Hypocrites (USA/1915) R.: Lois Weber. D.: 54‘. Did. inglesi Liebes Männchen, folge mir (Germania/1910) D.: 4’ LES MISÉRABLES (prima parte: Tempête sous un crâne) da sabato 23 giugno a sabato 30 dalle 9 alle 18 • Ridotto* 4,00 1912.
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