“Queen”: Versatileness and Self-Discovery of Woman

Total Page:16

File Type:pdf, Size:1020Kb

“Queen”: Versatileness and Self-Discovery of Woman Research Journal of English Language and Literature (RJELAL) Vol.5.Issue 1. 2017 A Peer Reviewed (Refereed) International Journal (Jan-Mar) http://www.rjelal.com; Email:[email protected] RESEARCH ARTICLE “QUEEN”: VERSATILENESS AND SELF-DISCOVERY OF WOMAN NIGAR ALAM Ph.D (Full-Time) Research Scholar, Department of English, B.B.D University,Lucknow (U.P) [email protected] ABSTRACT Indian movies especially Bollywood has been an integral part in the lives of masses. It is a huge business in India with credible impact on our socioeconomic and political system. Some movies are for entertainment while some convey strong message to the society. One such movie ‘Queen’ directed by Vikas Bahl exposes the versatileness and self- discovery of a woman. Since time immemorial women have been subjected to emotional, mental and physical atrocities by the patriarchal mindset. The deep rooted gender stereotypes and gender role ascribed by societal norms have NIGAR ALAM long been major hurdles on the path to accomplish gender equality. Though women’s right group and activists have championed for the equal rights and opportunities for women in the society, it has not been enough to end gender imbalance. Perhaps each woman has to be strong and adaptable to come out of the situation she faces instead of meekly accepting it as destiny. Rani (Kangana Ranaut) the protagonist of the movie ‘Queen’ is all set to marry Vijay (Rajkumar Rao) but he backs out of alliance at the last minute citing now Rani didn’t match his standard. It was he who had persuaded Rani while she was studying and dumped her so unceremoniously just before their marriage. Rani a simple Indian girl didn’t let this unfortunate incident to be unfortunate. She took matters into her hand and declared she would continue with her pre-booked honeymoon alone. She didn’t choose to whimper at the turn of events but decided to live on her own terms. In Indian culture there is a misconception that single biggest achievement in the life of a girl is to get married. But ‘Queen’ proved that wrong. It portrayed how calling off marriage affected man too. Key Words: marriage, self-dependant, gender equality, Indian culture ©KY PUBLICATIONS The world has largely been led by patriarchal so called normal people. All human beings are societies and women have through the years largely essentially equal by law of nature and any inequality remained quiet in the face of atrocities. There is a based on gender, class, colour, or physical disability growing perception that strong can bully the feeble. is irrational. Biologically women are not lesser Women constitute half the population of the world human beings but our social norms and customs yet on account of being physically weaker is make them inferior than men. The holy scriptures of subjected to various cruelties by the other half of major religion of the world too doesn’t treat women the population. Similarly, physically challenged and differently then why women are in so deplorable transgender too are oppressed and harassed by the situation. Who is to be blamed? Is it women 348 NIGAR ALAM Research Journal of English Language and Literature (RJELAL) Vol.5.Issue 1. 2017 A Peer Reviewed (Refereed) International Journal (Jan-Mar) http://www.rjelal.com; Email:[email protected] themselves who allowed men to shrink them in such than men. All the three medals for India were won lowly position, or men who manipulated the by women. religious texts and laws in their favour. We need to Another movie Pink too exposed patriarchal introspect about it and find out ways to stand for mindset as it focuses on the ordeal of three single our rights. We are not allowed to be ourselves, to do girls. The girls bonding are exemplary as they stood things according to our wish. We have to follow for each other when their lifestyle was not approved what men want us to follow. We are represented in by the society. It brings home the point that leading less number in all the major powerful positions. a certain kind of life by women doesn’t make them There are just few women politicians, ministers, any lesser women or it doesn’t project to the other C.E.Os, writers, officers, doctors. We are still viewed sex that they are available. Two movies by as fit to be in home and do the mundane household Aishwarya Rai Jazba and Sarabjeet again portray duties. We are in possession of less intelligence and strong and courageous woman as mother and sister strength according to men and so we can be cowed respectively. Neerja a brave air hostess played by down. Education perhaps is the greatest tool to Sonam Kapoor fought bravely against terrorists who bring change in the mind-set of both men and had hijacked the plane. In the process she lost her women. It brings confidence and self respect in an life. Thus it’s not men only who are brave and can individual. ‘Education is the most powerful weapon put their life to danger, women too can do the which you can use to change the world.’ – Nelson same. Similarly in Kahani-2, the subject of child Mandela. abuse is taken by the protagonist Durga Rani Singh. Indian movies are a powerful tool to show Sonakshi Singh’s movies Force 2 and Akira presents reflection to the society. In recent times especially, the self defence technique a woman can adopt many women-centric movies have been made. when faced with challenging situations. Ki & Ka Earlier in movies, generally women played the part shows the portrayal of man and woman in opposite of singing and dancing around the trees or chasing roles where a man stays at home and a woman goes the heroes. But, now the realisation came that out to work. This is against the social norm where a women too have voice of their own and they should woman is supposed to do household work and a portray the chauvinist attitude of males. It’s not that man goes out to work to earn money. Thus, we can the movies only talk about women empowerment; now see Indian movies are representing women in they try to showcase how women fight against all the right direction. odds to overcome the difficulties they face in their The world failed to empathize with the life. The year 2016 has been full of female oriented grievances of women. A notion that women belong movies, the most recent one being Dangal. The in the kitchen is synonymous with misogyny in wrestler father Mahavir Singh Phogat couldn’t society. Women have been mostly found at the follow his dreams due to family constrains, vowed to receiving end. Feminists have long criticised the make his son win gold medal in wrestling for India institution of marriage. They stated that marriage but his wife gave birth to four daughters. It is unsaid leads to oppression of women and their rights dictum that wrestling is for men, but Mahavir gave curtailed. The gender inequality is judged from the up his obsession for having son and trains his fact that mostly women take up domestic and caring daughters in wrestling and they won gold medals for work and they get paid less than men for outside the country. He realised a gold medal is gold work. Traditionally, all men give speech and the whether won by a boy or a girl. This achievement is women surrender her name to take her husband’s more relevant considering that Haryana has one of name. A woman is supposed to follow the footsteps India’s worst child sex ratio and a shocking track of man and agree to all his whims. Her ideas and record in the matter of female foeticide and desires are considered irrelevant by male hierarchy. infanticide. The recently concluded Olympics (2016) Bette Davis said, “When a man gives his opinion, in Brazil established the fact that women are no less he’s a man. When a woman gives her opinion, she’s 349 NIGAR ALAM Research Journal of English Language and Literature (RJELAL) Vol.5.Issue 1. 2017 A Peer Reviewed (Refereed) International Journal (Jan-Mar) http://www.rjelal.com; Email:[email protected] a bitch.” (Published in Times Life, November 27, his antics. This period of mourning establishes the 2016) fact that she has loving family. Her parents and Queen released theatrically on 7 March 2014 younger brother are worried and protective. touches the subject of marriage and its importance Nobody blames her for the break up or forces her to in the life of an Indian girl. Rani the protagonist of reconcile with him. Rani is finally motivated by the the movie is excited and happy to be chosen by one words of her grandmother, who says, ‘Mera bhi of the most perfect man of Rajaouri. It is always boyfriend tha Faisal ... phir tere dadaji mil gaye imbibed in the minds of young girls that to be refugee camp mein ... kaun kahan mil jata hai beta married is the greatest achievement she can ever kis ko kya pata tu kisi baat ki chintaa iss waqat mat have in her life and Rani is fortunate to be chosen by kar bas apni zindagi ji aaram se bilkul jo milna hota one of the most eligible bachelor. The film opens hai na zindagi mein woh mil ke rahta hai uss ko with the celebration scene where women are nahin koi rok sakta. Aaj tere ko lag raha hai teri practicing dance moves and in the background we zindagi khatam kal ko phir sab theek ho jana hai can see the house is decorated with blinking lights parson tu aapne aa ke kahna hai dadi jo hua acha hi and heart shaped ‘Vijay weds Rani’; sweets are hua.’ She chose not to crib at the sudden change of packed.
Recommended publications
  • Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
    Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd.
    [Show full text]
  • 2005 (Pdf, 4.7
    2006 Global Citizenship Report Vital Responsible Ethical Global Governance Integrity Technology Product Innovative Reliable Operations Speed Agility Supply Expert Privacy Trustworthy Safety Collaborative Employee Citizenship Diversity Engaging Customer Relationship Accessible Social Meaningful Profitable Public Leadership Optimistic Forward Growth Inventive Essential Report About this report Table of contents GRI indicators* Scope 1. Introduction . 3 2.11-2.13, 2.15 This report describes HP’s HP’s global citizenship priorities . 3 3.19 global citizenship activities L e t t e r f ro m C EO M a r k H u rd . 4 1.1-1.2 worldwide. It charts HP’s progress in fiscal year 2005. H P p ro fi l e . 5 2.1-2.8, 3.7, EC1-EC2 Letter from Diana Bell . 7 1.1-1.2 Reporting year Global citizenship . 8 1.1, 3.6, 3.19 All data are for HP’s fiscal year 2005 (ending October 31, 2005), Economic value . 12 EC3, EC5, EC6, EC8, EC13 unless otherwise noted. 2. Governance and ethics . 15 Corporate governance . 15 3.1-3.2, 3.4, 3.6, 3.8 Currency and measurement All $ references in this document Business ethics . 16 3.7, HR10, SO2, SO7, PR9 are U.S. dollars, unless otherwise 3. Product environmental impacts . 18 3.19, EN14 noted. D e s i g n f o r E nvi ro n m e n t . 18 3.16-3.17, PR6 Measures used in the report are E n e rgy e f fi ci e n c y . 22 EN30 metric, except where stated.
    [Show full text]
  • SR NO First Name Middle Name Last Name Address Pincode Folio
    SR NO First Name Middle Name Last Name Address Pincode Folio Amount 1 A SPRAKASH REDDY 25 A D REGIMENT C/O 56 APO AMBALA CANTT 133001 0000IN30047642435822 22.50 2 A THYAGRAJ 19 JAYA CHEDANAGAR CHEMBUR MUMBAI 400089 0000000000VQA0017773 135.00 3 A SRINIVAS FLAT NO 305 BUILDING NO 30 VSNL STAFF QTRS OSHIWARA JOGESHWARI MUMBAI 400102 0000IN30047641828243 1,800.00 4 A PURUSHOTHAM C/O SREE KRISHNA MURTY & SON MEDICAL STORES 9 10 32 D S TEMPLE STREET WARANGAL AP 506002 0000IN30102220028476 90.00 5 A VASUNDHARA 29-19-70 II FLR DORNAKAL ROAD VIJAYAWADA 520002 0000000000VQA0034395 405.00 6 A H SRINIVAS H NO 2-220, NEAR S B H, MADHURANAGAR, KAKINADA, 533004 0000IN30226910944446 112.50 7 A R BASHEER D. NO. 10-24-1038 JUMMA MASJID ROAD, BUNDER MANGALORE 575001 0000000000VQA0032687 135.00 8 A NATARAJAN ANUGRAHA 9 SUBADRAL STREET TRIPLICANE CHENNAI 600005 0000000000VQA0042317 135.00 9 A GAYATHRI BHASKARAAN 48/B16 GIRIAPPA ROAD T NAGAR CHENNAI 600017 0000000000VQA0041978 135.00 10 A VATSALA BHASKARAN 48/B16 GIRIAPPA ROAD T NAGAR CHENNAI 600017 0000000000VQA0041977 135.00 11 A DHEENADAYALAN 14 AND 15 BALASUBRAMANI STREET GAJAVINAYAGA CITY, VENKATAPURAM CHENNAI, TAMILNADU 600053 0000IN30154914678295 1,350.00 12 A AYINAN NO 34 JEEVANANDAM STREET VINAYAKAPURAM AMBATTUR CHENNAI 600053 0000000000VQA0042517 135.00 13 A RAJASHANMUGA SUNDARAM NO 5 THELUNGU STREET ORATHANADU POST AND TK THANJAVUR 614625 0000IN30177414782892 180.00 14 A PALANICHAMY 1 / 28B ANNA COLONY KONAR CHATRAM MALLIYAMPATTU POST TRICHY 620102 0000IN30108022454737 112.50 15 A Vasanthi W/o G
    [Show full text]
  • Group Housing
    LIST OF ALLOTED PROPERTIES DEPARTMENT NAME- GROUP HOUSING S# RID PROPERTY NO. APPLICANT NAME AREA 1 60244956 29/1013 SEEMA KAPUR 2,000 2 60191186 25/K-056 CAPT VINOD KUMAR, SAROJ KUMAR 128 3 60232381 61/E-12/3008/RG DINESH KUMAR GARG & SEEMA GARG 154 4 60117917 21/B-036 SUDESH SINGH 200 5 60036547 25/G-033 SUBHASH CH CHOPRA & SHWETA CHOPRA 124 6 60234038 33/146/RV GEETA RANI & ASHOK KUMAR GARG 200 7 60006053 37/1608 ATEET IMPEX PVT. LTD. 55 8 39000209 93A/1473 ATS VI MADHU BALA 163 9 60233999 93A/01/1983/ATS NAMRATA KAPOOR 163 10 39000200 93A/0672/ATS ASHOK SOOD SOOD 0 11 39000208 93A/1453 /14/AT AMIT CHIBBA 163 12 39000218 93A/2174/ATS ARUN YADAV YADAV YADAV 163 13 39000229 93A/P-251/P2/AT MAMTA SAHNI 260 14 39000203 93A/0781/ATS SHASHANK SINGH SINGH 139 15 39000210 93A/1622/ATS RAJEEV KUMAR 0 16 39000220 93A/6-GF-2/ATS SUNEEL GALGOTIA GALGOTIA 228 17 60232078 93A/P-381/ATS PURNIMA GANDHI & MS SHAFALI GA 200 18 60233531 93A/001-262/ATS ATUULL METHA 260 19 39000207 93A/0984/ATS GR RAVINDRA KUMAR TYAGI 163 20 39000212 93A/1834/ATS GR VIJAY AGARWAL 0 21 39000213 93A/2012/1 ATS KUNWAR ADITYA PRAKASH SINGH 139 22 39000211 93A/1652/01/ATS J R MALHOTRA, MRS TEJI MALHOTRA, ADITYA 139 MALHOTRA 23 39000214 93A/2051/ATS SHASHI MADAN VARTI MADAN 139 24 39000202 93A/0761/ATS GR PAWAN JOSHI 139 25 39000223 93A/F-104/ATS RAJESH CHATURVEDI 113 26 60237850 93A/1952/03 RAJIV TOMAR 139 27 39000215 93A/2074 ATS UMA JAITLY 163 28 60237921 93A/722/01 DINESH JOSHI 139 29 60237832 93A/1762/01 SURESH RAINA & RUHI RAINA 139 30 39000217 93A/2152/ATS CHANDER KANTA
    [Show full text]
  • Mental Health Crisis Services Promoting Person-Centred and Rights-Based Approaches
    Technical package Technical package Mental health crisis services Promoting person-centred and rights-based approaches I Technical package Mental health crisis services Promoting person-centred and rights-based approaches Mental health crisis services: promoting person-centred and rights-based approaches (Guidance and technical packages on community mental health services: promoting person-centred and rights-based approaches) ISBN 978-92-4-002572-1 (electronic version) ISBN 978-92-4-002573-8 (print version) © World Health Organization 2021 Some rights reserved. This work is available under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 IGO licence (CC BY-NC-SA 3.0 IGO; https://creativecommons.org/licenses/by-nc-sa/3.0/igo). Under the terms of this licence, you may copy, redistribute and adapt the work for non-commercial purposes, provided the work is appropriately cited, as indicated below. In any use of this work, there should be no suggestion that WHO endorses any specific organization, products or services. The use of the WHO logo is not permitted. If you adapt the work, then you must license your work under the same or equivalent Creative Commons licence. If you create a translation of this work, you should add the following disclaimer along with the suggested citation: “This translation was not created by the World Health Organization (WHO). WHO is not responsible for the content or accuracy of this translation. The original English edition shall be the binding and authentic edition”. Any mediation relating to disputes arising under the licence shall be conducted in accordance with the mediation rules of the World Intellectual Property Organization (http://www.wipo.int/amc/en/mediation/rules/).
    [Show full text]
  • OFFICE of the PRINCIPAL JUDGE, FAMILY COURTS (H.Qs)
    OFFICE OF THE PRINCIPAL JUDGE, FAMILY COURTS (H.Qs), DWARKA, NEW DELHI ORDER In continuation of this office order no. 4932-4988/Cir./Admn./FC/DWK/2020 dated 31.07.2020 issued in compliance of the directions of the Hon’ble High Court of Delhi vider order No.26/DHC/2020 dated 30.07.2020 and in order to facilitate the hearing through Video Conferencing “Annexure-A” is the list of Readers of the Court of Principal Judges, Family Courts, Delhi/ New Delhi, their phone numbers and URL. Sd/- (Sanjay Garg-I) Principal Judge (H.Qs) Family Courts, Dwarka, New Delhi. No.5000-5056/Cir./Admn./FC/DWK/2020 Dated:03.08.2020 Copy forwarded for information and necessary action to:- 1. The Registrar General, High Court of Delhi, New Delhi. 2. All the Ld. Principal Judges, Ld. Additional Principal Judge, Ld. Judges, Family Courts, Delhi/ New Delhi. 3. The President/ Secretary, Dwarka Bar Association for their information. 4. Senior Administrative Officer Judicial, Family Courts (H.Qs), Dwarka, New Delhi. 5. All the Readers, Family Courts, Delhi/ New Delhi with the direction to bring this order in the notice of all the staff posted with them. 6. All the Branch In-charges, Family Courts, Delhi/ New Delhi with the direction to bring this order in the notice of all the staff posted with them. 7. Branch In-charge, Computer Branch, Family Courts (H.Qs), Dwarka, New Delhi with the direction to upload this order on official website. 8. PS to Principal Judge (H.Qs), Family Courts, Dwarka, New Delhi. Sd/- Principal Judge (H.Qs) Family Courts, Dwarka, New Delhi.
    [Show full text]
  • Medicare Shared Savings Program
    MEDICARE SHARED SAVINGS PROGRAM Accountable Care Organizations Participant Taxpayer Identification Numbers Names MSSP ACO Participant TIN Names for 2012 and 2013 As of August 2013 TABLE OF CONTENTS A.M. Beajow, M.D. Internal Medicine Associates ACO, P.C. ..................................................................... 9 AAMC Collaborative Care Network ........................................................................................................... 9 Accountable Care Clinical Services PC ...................................................................................................... 9 Accountable Care Coalition of Caldwell County, LLC .............................................................................. 11 Accountable Care Coalition of Central Georgia, LLC ............................................................................... 11 Accountable Care Coalition of Coastal Georgia, LLC ............................................................................... 12 Accountable Care Coalition of DeKalb, LLC ............................................................................................. 12 Accountable Care Coalition of Eastern North Carolina, LLC ................................................................... 14 Accountable Care Coalition of Georgia, LLC ........................................................................................... 15 Accountable Care Coalition of Greater Athens Georgia II, LLC ............................................................... 15 Accountable Care
    [Show full text]
  • Anjali Khurana
    ANJALI KHURANA Actor * Dancer * Choreographer * Voice Actor [email protected] Mumbai: +91 9769237026 | US: +1 617-283-8247 FILM/TV Maya (Feature Film, French/English/Hindi) Anjali Director Mia Hansen-Love Inside Edge (Amazon Original TV Series) Nikita Director Karan Anshuman, Amazon Prime 24 (TV Series, Indian Adaptation) Anti-terrorism Unit Agent Director Rensil D’Silva/Abhinay Deo, RDP Neerja (Feature Film, Hindi/Mumbai) Dolly Director Ram Madhvani, Fox Star Studios Brothers (Feature film, Hindi/Mumbai) Reporter Director Karan Malhotra, Lionsgate Films Heartbeats (Feature Film, English) Tanya Director Duane Adler, Myriad Pictures Agni Bankai (Web Series, shoot in progress) AJ Director Sonal Srivastava, Culture Machine Bombariya (Feature Film, Hindi/Mumbai Archie’s Girl Director Pia Sukanya, Beautiful Bay Ent. Haaye Dil (Feature Film, Hindi/Mumbai) Sharon Director Rocky Khanna, Cinematique Watcher (pre-feature film, English/USA) Shiole Director Justin Plasse, Sensorium Pictures The Door (Short Film, Hindi/English) Priya Director Gaurav Bhat, Picture Bridge Studios Theodore & Dorothy (Short Film, English) Dorothy Director Chaitanya Mohan Things Fall Apart (Short Film, Hindi) Wife Director Jeff Goldberg, JG Studio Rose (Independent Short Film, English) Wife Director Annie Zaidi Twelve Chimes (Short Film, English) Stacey Director Zach Citarella Last (Short Film, English) Newscaster Director Becki Dennis Fast Forward (Feature Film, Hindi) Choreographer’s Assistant/Dancer Director Zaigam Ali/Sonia Jaffer MUSIC VIDEOS Naina Bawre Lead (Actor) Director Reema Sengupta, Catnip India Bombay Bassment Lead (Actor/Dancer) Director Bob Omulo, Mumbai, India You Lied to Me Sara (Actor) Director Marlin Jones, Los Angeles, CA Behka Choreographer/Dancer Director Shivraj Santhakumar, Times Music Nasha Choreographer/Dancer Director Shivraj Santhakumar, Wildkumar Inc.
    [Show full text]
  • Films 2018.Xlsx
    List of feature films certified in 2018 Certified Type Of Film Certificate No. Title Language Certificate No. Certificate Date Duration/Le (Video/Digita Producer Name Production House Type ngth l/Celluloid) ARABIC ARABIC WITH 1 LITTLE GANDHI VFL/1/68/2018-MUM 13 June 2018 91.38 Video HOUSE OF FILM - U ENGLISH SUBTITLE Assamese SVF 1 AMAZON ADVENTURE Assamese DIL/2/5/2018-KOL 02 January 2018 140 Digital Ravi Sharma ENTERTAINMENT UA PVT. LTD. TRILOKINATH India Stories Media XHOIXOBOTE 2 Assamese DIL/2/20/2018-MUM 18 January 2018 93.04 Digital CHANDRABHAN & Entertainment Pvt UA DHEMALITE. MALHOTRA Ltd AM TELEVISION 3 LILAR PORA LEILALOI Assamese DIL/2/1/2018-GUW 30 January 2018 97.09 Digital Sanjive Narain UA PVT LTD. A.R. 4 NIJANOR GAAN Assamese DIL/1/1/2018-GUW 12 March 2018 155.1 Digital Haider Alam Azad U INTERNATIONAL Ravindra Singh ANHAD STUDIO 5 RAKTABEEZ Assamese DIL/2/3/2018-GUW 08 May 2018 127.23 Digital UA Rajawat PVT.LTD. ASSAMESE WITH Gopendra Mohan SHIVAM 6 KAANEEN DIL/1/3/2018-GUW 09 May 2018 135 Digital U ENGLISH SUBTITLES Das CREATION Ankita Das 7 TANDAB OF PANDAB Assamese DIL/1/4/2018-GUW 15 May 2018 150.41 Digital Arian Entertainment U Choudhury 8 KRODH Assamese DIL/3/1/2018-GUW 25 May 2018 100.36 Digital Manoj Baishya - A Ajay Vishnu Children's Film 9 HAPPY MOTHER'S DAY Assamese DIL/1/5/2018-GUW 08 June 2018 108.08 Digital U Chavan Society, India Ajay Vishnu Children's Film 10 GILLI GILLI ATTA Assamese DIL/1/6/2018-GUW 08 June 2018 85.17 Digital U Chavan Society, India SEEMA- THE UNTOLD ASSAMESE WITH AM TELEVISION 11 DIL/1/17/2018-GUW 25 June 2018 94.1 Digital Sanjive Narain U STORY ENGLISH SUBTITLES PVT LTD.
    [Show full text]
  • ASHA Database Unnao Name of ID No.Of Population S.No
    ASHA Database Unnao Name Of ID No.of Population S.No. Name Of Block Name Of CHC/BPHC Name Of Sub-Centre Name Of ASHA Husband's Name Name Of Village District ASHA Covered 1 2 3 4 5 6 7 8 9 10 1 Unnao C.Karan Achalganj Kharauli 7406001 Anita Devi Shravan Kumar Chandanpur 1000 2 Unnao C.Karan Achalganj Banthar 7406002 Anita Gautam Manoj Kumar Banthar 1000 3 Unnao C.Karan Achalganj Banthar 7406003 Anita Kushwaha Prem Shankar Kushwaha Banthar 1000 4 Unnao C.Karan Achalganj Achalganj Ist 7406004 Anita Shriwastava Ramesh Chandra Achalganj 1200 5 Unnao C.Karan Achalganj Maswasi II 7406005 Anita Singh Mukesh Singh Galgalaha 1000 6 Unnao C.Karan Achalganj 7406006 Anita Singh Singaha 7 Unnao C.Karan Achalganj 7406007 Anju Mishra Gayatri Nagar 8 Unnao C.Karan Achalganj Kulhagarha 7406008 Antoni Ram Kumar Khutaha 1800 9 Unnao C.Karan Achalganj Maswasi 7406009 Anuradha Anil Tiwari Durgan Khera 1500 10 Unnao C.Karan Achalganj Badarka 7406010 Archana Yadav Mratunjay Kumar Badarka 1590 11 Unnao C.Karan Achalganj Kathar 7406011 Aruna Devi Lotan Sharma Kathar 1000 12 Unnao C.Karan Achalganj Jagjeewanpur 7406012 Asha Devi Fool Singh Yadav Manoharpur 1000 13 Unnao C.Karan Achalganj Dubepur 7406013 Asha Devi Kalicharan Bhaisai Chatur 850 14 Unnao C.Karan Achalganj Band 7406014 Asha Devi Muneshwar Saidpur 1300 15 Unnao C.Karan Achalganj Nibai 7406015 Beena Devi Dinesh Chandra Baruwa 1000 16 Unnao C.Karan Achalganj Mainaha 7406016 Beenu Rawat Arvind Kumar Tikauli 2000 17 Unnao C.Karan Achalganj Supasi 7406017 Bhagirathi Dulare Ramganj 1000 18 Unnao C.Karan Achalganj
    [Show full text]
  • Westminsterresearch the Digital Turn in Indian Film Sound
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The Digital Turn in Indian Film Sound: Ontologies and Aesthetics Bhattacharya, I. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr Indranil Bhattacharya, 2019. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] THE DIGITAL TURN IN INDIAN FILM SOUND: ONTOLOGIES AND AESTHETICS Indranil Bhattacharya A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy March 2019 ii Abstract My project maps film sound practices in India against the backdrop of the digital turn. It is a critical-historical account of the transitional era, roughly from 1998 to 2018, and examines practices and decisions taken ‘on the ground’ by film sound recordists, editors, designers and mixers. My work explores the histories and genealogies of the transition by analysing the individual, as well as collective, aesthetic concerns of film workers migrating from the celluloid to the digital age. My inquiry aimed to explore linkages between the digital turn and shifts in production practices, notably sound recording, sound design and sound mixing. The study probes the various ways in which these shifts shaped the aesthetics, styles, genre conventions, and norms of image-sound relationships in Indian cinema in comparison with similar practices from Euro-American film industries.
    [Show full text]
  • INDIVIDUALS and FAMILY FOUNDATIONS Pratham’S Success Is Made Possible by Visionaries Who Believe in the Promise of Education to End Poverty and Inequality
    INDIVIDUALS AND FAMILY FOUNDATIONS Pratham’s success is made possible by visionaries who believe in the promise of education to end poverty and inequality. Their generosity and commitment are deeply humbling. We offer them our sincerest gratitude for enabling us to make a positive impact on so many lives. INDIVIDUALS & FAMILY Dhingra Family Foundation Arpita & Amit Bhandari Sippi & Ajay Khurana FOUNDATIONS Sapphira Goradia Shalini & Dilip Bhargava Preethi Krishna & Ram Sundaram $500,000 & ABOVE Shetal & Ashish Gupta Nilima & Ravindranath Bhirud Shikha & Rohit Kapoor Geoffrey Bible Rajashree & Ravi The Sudesh and Chitra Chitra Kumar William Biggs Krishnamurthy Arora Family Foundation & Kumar Bashyam Ruchi & Murli Buluswar Padma & Venkatram Sarva Mangal Family Trust Urvashi & Sameer Maru Swapna Chandak Kuditipudi William C. Schumacher Poonam Mittal & Ajai Puri & Abhishek Bhutra Hema & Sam Kumar Family Foundation Sheela Murthy, Rishi Chandra Joya & Shauvik Kundagrami $100,000 - $499,999 Murthy Law Firm Sonal & Rohit Chopra Nivedita Lakhera & Sanjiv Anonymous Amna Naseer & Atul Khanna Bobby & Sheru Chowdhry Goyal Aashish & Dinny Devitre The O’Shea Family Dalal Family Foundation Megha & Rahul Mahajan The Dougan Family Foundation Ari Daman Debdeep Maji Charitable Fund Objectwin Foundation & Srinivas Narayanan Bharti Malkani & Vijay Jayant Hemant & Indrani Goradia Ila & Dinesh Paliwal Mariella & Albertini Dante Ben Mallick and Indrani’s Light Shital & Bhavesh Patel Rumki & Shivaji Dasgupta Monica & Ruyintan Mehta Foundation Poses Family Foundation
    [Show full text]