Toradze Piano Studio (2013-11-24)
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MORITZ MOSZKOWSKI: ORCHESTRAL MUSIC, VOLUME TWO by Martin Eastick History has not served Moszkowski well. Even before his death in 1925, his star had been on the wane for some years as the evolving ‘Brave New World’ took hold after the Great War in 1918: there was little or no demand for what Moszkowski once had to offer and the musical sensitivities he represented. His name did live on to a limited extent, with the odd bravura piano piece relegated to the status of recital encore, and his piano duets – especially the Spanish Dances – continuing to be favoured in the circles of home music-making. But that was about the limit of his renown until, during the late 1960s, there gradually awoke an interest in nineteenth-century music that had disappeared from the repertoire – and from people’s awareness – and the composers who had been everyday names during their own lifetime, Moszkowski among them. Initially, this ‘Romantic Revival’ was centred mainly on the piano, but it gradually diversified to music in all its forms and continues to this day. Only very recently, though, has attention been given to Moszkowski as a serious composer of orchestral music – with the discovery and performance in 2014 of his early but remarkable ‘lost’ Piano Concerto in B minor, Op. 3, providing an ideal kick-start,1 and the ensuing realisation that here was a composer worthy of serious consideration who had much to offer to today’s listener. In 2019 the status of Moszkowski as an orchestral composer was ramped upwards with the release of the first volume in this Toccata Classics series, featuring his hour-long, four-movement symphonic poem Johanna d’Arc, Op. -
2003-2004 Amernet String Quartet: Strings of the Heart Series
I CONSERVATORY OF Music presents Al\1ERNET STRING QUARTET Strings of the Heart Series with Sergiu Schwartz ~ violin Sylvia Kim~ violin Dmitry Pogorelov ~viola Johanne Perron ~ cello and Tao Lin ~ harpsichord Friday, October 17, 2003 7:30p.m. Amamick-Goldstein Concert Hall de Hoemle International Center Program String Quartet No. 19 in C Major, K 465 "Dissonance" ..... W. A. Mozart (1756-1791) Adagio-Allegro Andante Cantabile Menuetto-Allegro Allegro Amernet String Quartet Misha Vitenson - violin Marsha Littley- violin Michael Klotz- viola Javier Arias- cello Concerto ind minor for Two Violins, BWV 1043 .............. J. S. Bach (1685-1750) Vivace Largo ma non tanto Allegro Sergiu Schwartz-violin Misha Vitenson - violin Marcia Littley, Sylvia Kim-violin Michael Klotz, Dmitry Pogorelov -viola Javier Arias, Johanne Perron-cello Tao Lin - harpsichord INTERMISSION 1 Octet, Op. 20 .................................................................... Felix Mendelssohn (1809-1847) Allegro moderato Andante Scherzo -Allegro leggierissimo Presto Misha Vitenson, Sergiu Schwartz, Sylvia Kim, MarciaLittley-violin Michael Klotz, Dmitry Pogorelov -viola Javier Arias, Johanne Perron-cello Biographies r Amernet String Quartet The Amernet String Quartet, Ensemble-in-Residence at Northern .,_ Kentucky University, has garnered worldwide praise and recognition as one of today's exceptional young string quartets. i It rose to international attention after only one year of existence, after winning the Gold Medal at the 7th Tokyo International Music Competition in 1992. Three years later the group was the First Prize winner of the prestigious 5th Banff International String Quartet Competition. The Amernet String Quartet has been described by The New York Times as "an accomplished and intelligent ensemble," and by the Niirnberger Nachrichten (Germany) as "fascinating with flawless intonation, extraordinary beauty of sound, virtuosic brilliance and homogeneity of ensemble." The Amernet String Quartet formed in 1991, while two of its members were students at The Juilliard School. -
FRANZ SCHUBERT VLADIMIR FELTSMAN Franz Schubert a Tribute to Scriabin NI6198 Sonata No
FRANZ SCHUBERT VLADIMIR FELTSMAN Franz Schubert A Tribute to Scriabin NI6198 Sonata No. 4 Op. 30, Valse Op. 38, Danses Op. 73, Vers la flamme Op. 72, Piano Sonatas Volume 6 Valse Op. Posth., Selections from Preludes Op. 11, 16, 22, 37, 74, Poémes Op. 32, 63 Morceaux Op. 49, 51, 57, Etudes Op.42 Vladimir Feltsman A Tribute to Silvestrov NI6317 Music by Valentin Sivestrov, CPE Bach, Schubert, Scarlatti, DISC ONE Chopin, Schumann and Wagner. 1 12 Valses nobles D 969 (pub.1827) 8.35 A Tribute to Prokofiev NI6361 Sonata in A-flat major D 557 (1817) 11.44 Story Op. 3, Remembrance Op. 4, Prelude in C Harp Op. 12, Visions fugitives Op. 22, Sarcasms Op. 17, Music for Children Op. 65, Two pieces from Cinderella, 2 I Allegro moderato 3.50 3 II Andante 3.26 Forgotten Russians NI6377 4 III Allegro 4.28 Music by Stanchinsky, Feinberg, Obukhov, Lourié, Roslavets, Mosolov, and Protopopov For track lists visit www.wyastone.co.uk 5 Scherzo in D D 570 (1817) Allegro vivace 3.12 Klavierstücke D 459 (1816) 22.34 VLADIMIR FELTSMAN Pianist and conductor Vladimir Feltsman is one of the 6 [I] Allegro moderato D 459/1 8.03 most versatile and constantly interesting musicians of our time. His vast repertoire 7 [II] Adagio D 459/3 6.14 encompasses music from the Baroque to 20th-century composers. A regular guest soloist 8 [III] Scherzo con trio. Allegro D 459/4 3.15 with leading symphony orchestras in the United States and abroad, he appears in the most 9 [IV] Scherzo. -
2016 Program Booklet
Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p. -
Connected by Music Dear Friends of the School of Music
sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends. -
Boston Symphony Orchestra Concert Programs, Summer, 1980
- wm /j ^CHAM?^ iir ?**»»« hl ,(t«ll <Ma4^4m^mf7$f i$i& Vs^Qp COGNAC W****** B r jfi>AV., RY y -^^COgJi INf :<k champacni: < THE FIRST NAME IN COGNAC SINCE 1724 /ELY F.INI CHAYf PAGNJi COGNAC: IKUV1 IHI TWO "PREMIERS CRUS" OF fHFi COGNAC REGION BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA A Music Director \K , vft Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Ninth Season, 1979-80 Trustees of the Boston Symphony Orchestra, Inc. Talcott M. Banks, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Vice-President Roderick M. MacDougall, Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. Allen G. Barry E. Morton Jennings, Jr. Irving W. Rabb Leo L. Beranek Edward M. Kennedy Paul C. Reardon Mrs. John M. Bradley George H. Kidder David Rockefeller, Jr. George H.A. Clowes, Jr. Edward G. Murray Mrs. George Lee Sargent Abram T. Collier Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Richard P. Chapman John T. Noonan Mrs. James H. Perkins Administration of the Boston Symphony Orchestra, Inc. Thomas W. Morris General Manager Peter Gelb Gideon Toeplitz Daniel R. Gustin Assistant Manager Orchestra Manager Assistant Manager Joseph M. Hobbs Walter D. Hill William Bernell Director of Director of Assistant to the Development Business Affairs General Manager Caroline E. Hessberg Dorothy Sullivan Anita R. Kurland Promotion Administrator Controller of Coordinator Youth Activities Joyce M. Snyder Richard Ortner Elisabeth Quinn Development Assitant Administrator, Director of Coordinator Berkshire Music Center Volunteer Services Elizabeth Dunton James E. -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
Depaul Symphony Orchestra
Friday, February 2, 2018 • 8:00 P.M. DEPAUL SYMPHONY ORCHESTRA Cliff Colnot, conductor DePaul Concert Hall 800 West Belden Avenue • Chicago Friday, February 2, 2018 • 8:00 P.M. DePaul Concert Hall DEPAUL SYMPHONY ORCHESTRA Cliff Colnot, conductor PROGRAM Moritz Moszkowski (1854-1925); arr. Carl Topilow Suite for 2 Violins and Orchestra, Op. 71 (1903) Allegro energico Allegro moderato Lento assai Moto vivace Ilya Kaler, violin Olga Dubossarskaya Kaler, violin Ludwig van Beethoven (1770-1827) Symphony No. in C Minor, Op. 67 (1808) Allegro con brio Andante con moto Scherzo: Allegro Allegro DEPAUL SYMPHONY ORCHESTRA • FEBRUARY 2, 2018 PROGRAM NOTES Moritz Moszkowski; arr. Carl Topilow Suite for 2 Violins and Orchestra, Op. 71 Duration: 22 minutes Of Moritz Moszkowski’s death in April 1925, a report declared, “So painful an announcement has not stricken the entire musical world since the deaths of Chopin, Rubinstein, and Liszt, of whom he was a worthy successor.” Yet how did the music of this man, included in such a legacy of composers, end up so little known today? One may not find the answer but instead can be encouraged to dig deep and unearth hidden treasures such as this one. Moszkowski was born in Breslau, Prussia (now Wrocław, Poland) and received musical lessons at home before training at conservatories in Dresden and Berlin, including the Stern Conservatory and Theodore Kullak’s Neue Akademie der Tonkunst. He was only seventeen when he accepted Kullak’s invitation to join the staff at this academy, where he taught for over twenty-five years. In 1873 he made his successful début in Berlin as a pianist and just two years later was invited by Liszt to give a concert together. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Press Release of the 2019 Salzburg Festival Grigory Sokolov & the Salzburg Festival Present ALEXANDRA DOVGAN (SF, 1 July
Press Release of the 2019 Salzburg Festival Grigory Sokolov & the Salzburg Festival present ALEXANDRA DOVGAN (SF, 1 July 2019) Born in 2007, Alexandra Dovgan brings an exceptional talent to the piano. Grigory Sokolov and the Salzburg Festival present the 11-year-old pianist in a concert on Wednesday, 31 July at 3 pm at the Main Auditorium of the Mozarteum Foundation. Grigory Sokolov says about Alexandra Dovgan: “This is one of those rare occasions. The eleven-year-old pianist Alexandra Dovgan can hardly be called a wonder child, for while this is a wonder, it is not child’s play. What one hears is a performance by a grown-up individual and a person. It is a special pleasure for me to commend the art of her remarkable music teacher, Mira Marchenko. Yet there are things that cannot be taught and learned. Alexandra Dovgan’s talent is exceptionally harmonious. Her playing is honest and concentrated. I predict a great future for her…” Free tickets to her concert are available starting on 6 July at the Salzburg Festival Shop. Alexandra Dovgan © Oscar Tursunov Grigory Sokolov & the Salzburg Festival present ALEXANDRA DOVGAN Wednesday, 31 July, 3 pm Mozarteum Foundation – Main Auditorium Programme DOMENICO SCARLATTI Sonata for harpsichord in D major, K 436 DOMENICO SCARLATTI Sonata for harpsichord in F minor, K 466 LUDWIG VAN BEETHOVEN Sonata for piano No. 10 in G major, Op. 14/2 JOHANN SEBASTIAN BACH Preludio, Gavotte and Gigue from the Partita for violin solo No. 3 in E major, BWV 1006 (Piano arrangement by Sergei Rachmaninoff) SERGEI RACHMANINOFF “Margaritki” (Daisies) from 6 Romances, Op. -
Pittsburgh Symphony Orchestra LORIN MAAZEL, Music Director-Designate
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Pittsburgh Symphony Orchestra LORIN MAAZEL, Music Director-Designate MICHAEL TILSON THOMAS Conductor VLADIMIR FELTSMAN, Pianist WEDNESDAY EVENING, APRIL 27, 1988, AT 8:00 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Symphony No. 6 in F major, Op. 68 ("Pastoral") ............... BEETHOVEN Allegro ma non troppo (Awakening of Joyful Feelings Upon Arriving in the Country) Andante molto mosso (Scene by the Brook) Allegro (Merry Gathering of Country Folk) Allegro (Tempest, Storm) Allegretto (Shepherds' Hymn: Glad and Thankful Feelings After the Storm) INTERMISSION Concerto No. 3 in D minor for Piano and Orchestra, Op. 30 . RACHMANINOFF Allegro ma non tanto Intermezzo: adagio Finale: alia breve VLADIMIR FELTSMAN Bravo to May Festival Underwriters In the spirit of honoring the past and ensuring the future, these families and individuals have demonstrated their support by underwriting the artist fees and major production costs of this 95th Annual May Festival. Representing both long-time Ann Arbor arts patrons and a new generation of leadership in the cultural life of this community, these donors are committed to maintaining the Musical Society's tradition of excellence through their public-spirited generosity. We gratefully recognize the following: Dennis A. Dahlmann Mrs. Theophile Raphael Mr. and Mrs. Peter N. Heydon Eileen and Ron Weiser with Elizabeth E. Kennedy McKinley Associates, Inc. Bill and Sally Martin An anonymous family The Power Foundation Forty-second Concert of the 109th Season Ninety-fifth Annual May Festival PROGRAM NOTES by Dr. FREDERICK DORIAN in collaboration with Dr. JUDITH MEIBACH Symphony No. 6 in F major, Op. 68 ("Pastoral") . -
2/1-Spaltig, Mit Einrückung Ab Titelfeld
Landesarchiv Berlin E Rep. 061-16 Nachlass Rudolf Mosse Findbuch Inhaltsverzeichnis Vorwort II Verzeichnungseinheiten 1 Behörden und Institutionen 151 Firmenindex 151 Personenindex 151 Sachindex 165 Vereine und Vereinigungen 170 E Rep. 061-16 Nachlass Rudolf Mosse Vorwort I. Biographie Rudolf Mosse wurde am 9. Mai 1843 in Grätz (Posen) geboren. Nach der Schulzeit ging er 1861 für eine Buchhandelslehre nach Berlin, wo er zunächst im Verlag des "Kladderadatsch" mitarbeitete. Wenig später übernahm er in Leipzig die Geschäftsleitung des "Telegraphen" und wirkte außerdem so erfolgreich in der Anzeigenaquisition der "Gartenlaube", dass man ihm eine Teilhaberschaft anbot. Mosse schlug das Angebot jedoch aus und zog 1866 wieder nach Berlin, wo er 1867 die "Annoncen-Expedition Rudolf Mosse" gründete. Obwohl dieses erste Geschäft bankrott ging, gelang 1870/71 ein zweiter Versuch. Mosse gründete ergänzend dazu 1872 seine erste Zei- tung, das "Berliner Tageblatt", mit bedeutendem Inseratenteil. Er pachtete außerdem Insera- tenteile von anderen Zeitungen und Zeitschriften, um sie ausschließlich mit Inseraten seiner Vermittlung zu bestücken. Mosse baute sein Unternehmen durch die Gründung eines Ver- lags aus; 1889 gründete er gemeinsam mit Emil Cohn die "Berliner Morgenpost" und über- nahm 1904 die "Berliner Volkszeitung". Der erfolgreiche Verleger konnte mit seinen Unternehmen ein bedeutendes Vermögen er- werben. Vor Beginn des Ersten Weltkriegs galt Mosse als Berlins größter Steuerzahler. Ru- dolf Mosse war verheiratet mit Emilie, geb. Loewenstein (1851-1924). 1893 adoptierte er die fünfjährige Felicia. Rudolf Mosse war eine gesellschaftlich außerordentlich stark engagierte Persönlichkeit. Er wirkte in zahlreichen Ausschüssen, Vereinen und Gremien mit. Gemeinsam mit seiner Frau betätigte er sich an gemeinnützigen Projekten. Emilie Mosse gründete beispielsweise 1888 den ersten Mädchenhort in Berlin.