The Reluctant Famulus # 80 March/April 2011 Thomas D
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SF&F Newsletter Miller 1977-01
THE S F & F NEWSLETTER News/Info/Advertising Supplement to THE SF&F JOURNAL — (Vol. -2, #1; Whole y/16) Incorporating WASHINGTON S.F. NEWSLETTER '& part of THE JOURNAL SUPPLEMENT/SOTWJ Editor & Publisher: Don Miller - - - 300 ea., U/Sl.OO in U.S. -■-» - 3 Jan. *77 In This Issue — <| IN THIS ISSUE; IN BRIEF (Misc, notes/news/announcements); COLOPHON pg 1 ESFA REPORT: Minutes of ESFA Meetings of 11 & 12/76, by Allan Howard . pg 2 THE LCCAL SCENE: Misc. events coming up locally in January ........... pg 2 S.F. PARADE: Book Reviews, by David Bates, Stan Burns,- Jim Goldfrank, < I x Steve Lewis, Don Miller ................................................................................. 3-5 THE CON GAME: January, 1977 (incl. PRSFS meeting) .................. pg 5 ODDS & ENDS: More from Martin Wooster; The Local Scene (revisited); Miscellany (notes from Jon Coopersmith & T.L. Bohman) ............ pg 6 THE STEADY STREAM....: Of Books and Prozines Rec'd Thru 31/12/76 ..... pp 7-10 In Brief — Several changes taking place in the new year, with a year's experience under our belt with the new 'zines: (1) We have partially solved our publishing problem, with THE MYSTERY NOOK at least temporarily farmed out (anyone want to publish TSJ and/or TG?) and someone to do electrostencilling for us cheaply, but we still urgently need some way of getting our offset work with heavy blacks done cheaply, for covers & folios; (2) Including fanzine "reviews" in SFN and TSJ hasn't worked out; the for mer is too crowded, and the latter is too slow. So—THE JOURNAL SUPPLEMENT will come out bi-monthly, max. -
Souvenir Book Are Copyright© 1996 by Readercon, Inc
COMING TO BOOKSTORES EVERYWHERE SEPTEMBER 1O THE LONG-AWAITED NEW NOVEL Available in hardcover from G- P. PUTNAM'S SONS READERCON EIGHT JULY 12-14, 1996 WESTBOROUGH, MASS. Hello From the Chairman • B. Diane Martin • 3 Discovering Gibson • Barnaby Rapoport • 5 Burning Gibson • Paul Di Filippo • 6 Thoughts and Observations on William Gibson • Paul T. Riddell • 8 Junk Art City • Takayuki Tatsumi *10 Academy Leader • William Gibson *14 Idoru • William Gibson *16 William Gibson: A Bibliography • 18 Jackdaw • Stephen Brown • 20 Avant-Pop 101 • Larry McCaffrey • 22 Larry McCaffery: A Bibliography • 42 Alfred Bester & Me • William Gibson • 45 The Magpie Mind of Alfred Bester • Robert Ingria • 47 Alfred Bester: A Bibliography • 50 Richard M. Powers • David Hartwell • 53 The Readercon Committee • 55 B. Diane Martin • Con Committee Chair David G. Shaw • Programming Chair D. Shaw/B. Ingria • Track management Merryl Gross • Dealer's Room D. Walrath • Operations John O'Neil • At-con Treasurer Karl Wurst/R. Duffy • Registration Jamie Siglar • Bake Sale Brian Youmans • Hotel banquet Sheila Lightsey • Green Room & CS/GR logistics A. West/N.K. Wurst • Con Suite Kathei Logue • Kaffee Klatsches George Flynn • Fanzine display The contents of this souvenir book are Copyright© 1996 by Readercon, Inc. except where noted. Design and production by Bryan Cholfin, except the Jackdaw spread on pages 20-21 by Stephen Brown. Cover design and artwork by Joey Zone. The New York Review of Science Fiction | . A somewhat unusual critical semiprozine. It publishes general articles of remarkably varying quality on sf, as well as some of the best long reviews in the field. -
ALFRED & ID Eine Hommage an Alfred Bester
In seinem Essay „The Boredom of Fantasy“, 1953 in der August-Ausgabe von Harper’s Bazaar erschienen, begründet Arthur Koestler, selbst nicht ganz uninteressierter SF-Leser, warum Science Fiction für ihn keine Literatur sei: Swift’s Gulliver, Huxley’s Brave New World, Orwell’s Nineteen Eighty- Four are great works of literature because in them the oddities of alien worlds serve merely as a background or pretext for a social message. In SF-Fan.de other words, they are literature precisely to the extent to which they are not science fiction, to which they are works of disciplined imagi- präsentiert: nation and not of unlimited fantasy.1 Koestler hat hier exemplarisch ein klassisches Totschlag-Argument gegen die Science Fiction formuliert, und es dürfte nicht schwer sein, heute noch Michael K. Iwoleit SF-Skeptiker zu finden, die ihm mit ernstem Kopfnicken zustimmen wür- den, ungeachtet seiner offenkundigen Absurdität. Literatur nach dem Maß ihrer ethischen oder gesellschaftlichen Verantwortlichkeit zu beurteilen, ist eine jener Banalitäten aus der Mottenkiste der humanistischen Bildungs- ALFRED & ID tradition, die offenbar nicht totzukriegen sind. Die Erzählkunst eines Jonathan Swift, Witz, Ironie, Fabulierfreue, Einfallsreichtum, steht und fällt Eine Hommage an Alfred Bester nicht damit, ob sie lediglich „Vorwand für eine soziale Botschaft“ ist. Huxleys und Orwells maßlos überschätzte Antiutopien werden nicht da- durch zu besseren Romanen, dass sie Ängste und Bedrohungen eines Jahr- hunderts wie wenige andere Bücher zum Ausdruck gebracht haben. Sie wer- den es auch nicht dadurch, dass man sie zeitgenössischen SF-Schreibern immer wieder als angeblich unerreichbare Vorbilder unter die Nase reibt (man macht sich ja fast eines Sakrilegs schuldig, wenn man darauf hinweist, dass die besten heutigen SF-Autoren, McDonald etwa, Gibson, McAuley, Banks, Egan und andere, Jahr für Jahr Romane vorlegen, die Orwell und Huxley an literarischer Qualität weit übertreffen). -
Alfred Bester
Bibliographie d’ Alfred Bester Alfred BESTER (1913-1987) Romans R.01. « The Demolished Man ». In : Galaxy, janvier, février & mars 1952. En volume : The Demolished Man . Chicago : Shasta Publishers, 1953. % Hugo 1953 (Roman) En français : L’homme démoli (trad. de Jacques Papy). 1) Paris : Denoël, 1955 (Présence du futur, nº 9). Réimp. : 1958, 1977, 1989, etc. 2) In : L’homme démoli/Terminus les étoiles, recueil, Denoël, 2007 [F.02]. R.01.1 (1955) R.01.1 (1958) R.01.1 (1977) R.01.1 (1989) R.02. Who He? New York : Dial, 1953. [Non S.F.]. [Autre titre : The Rat Race ]. R.03. Tiger! Tiger! London : Sidgwick & Jackson, 1956. [1 ère version de R.04]. R.04. « The Stars My Destination ». In : Galaxy, octobre, novembre, décembre 1956 & janvier 1957. En volume : The Stars My Destination . [New York] : Signet/New American Library, 1957. [Version remaniée de R.03]. En français : 1) « Jusqu’aux étoiles » (trad. anonyme “tronquée”). In : Galaxie [1 ère série] , nºs 56 & 57, juillet & août 1958. 2) Terminus les étoiles (trad. de Jacques Papy). Paris : Denoël, 1958 (Présence du futur, nº 22). Réimp. : 1982, 1990, etc. 3) In : L’homme démoli/Terminus les étoiles, recueil, Denoël, 2007 [F.02]. R.04.1 (1958) R.04.1 (1982) R.04.1 (1990) R.05. « The Indian Giver ». In : Analog Science Fiction – Science Fact, novembre, décembre & janvier 1975. En volume : The Computer Connection . New York : Berkley Publishing Corporation, 1975. [Autre titre : Extro ]. En français : Les clowns de l’Eden (trad. de Guy Abadia). 1) Paris : Robert Laffont, 1976 (Ailleurs et Demain). 2) Paris : J’ai Lu, 1981 (n° 1269). -
S F Commentary #62-66 1981-06
F COMMENTARY independent magazine about science fiction No. 62/63/64/65/66 June 1981 * 72 PAGES AUSTRALIA $5 (Sub. $10 for 10) I USA/CANADA $8 (Sub. $12 for 10) Aldiss’s puzzles ° Herbert’s God • Australia’s best Disch’s Daniel « Stellar gadflies • Damien’s dragons Everybody’s letters <> Susan Wood: a tribute CONTENTS: Home, Sapiens!: The Awakening of Myth; Mystery Within Mystery (Anne Brewster; Rowena Cory) 2. Three Novels from Cory and Collins: Australian SF Lurches Forward; A Succession of Different Cultures (Bruce Gillespie; Wynne N Whiteford) 4. Gauging the Stellar Gauge (Bruce Gillespie) 7. The Lately Great Alfred Bester (Damien Broderick) 11. Bishop Can't Transfigure It Out (Henry Gasko) 14. God, Frank Herbert, and the Concept of Deity in Science Fiction (George Turner) 16. The Philip Dick Forum: The Really Real; Staying Alive in a Fifteen-Cent Universe (Lesleigh Luttrell; Claudia Krenz) 18. Sing a Song of Daniel (Bruce Gillespie) 23. A Window on Creation: Some Thoughts on Brian W Aldiss' 'Report on Probability A' (John McPharlin) 27. Up from His Midnight Bed (Damien Broderick) 29. 8 Point Universe (Bruce Gillespie) 30. I Must Be Talking to My Friends (Editor; Denny Lien; Joyce Scrivener; Eli Cohen; John D Berry; Thomas M Disch; Brian W Aldiss; Andrew Wiener; Ian Carmichael; Peter Coomber; Stephen Hitchings; Angus Taylor; Christopher Priest; GeorgeTurner; Donald G Keller; Eric Lindsay; Sneja Gunew; Neville J Angove; Philip Stephensen-Payne; John Foyster.)39. Sins of My Old Age (3) (Elaine Cochrane) 63. Criticanto (John D Berry; Cy Chauvin;Tom Whalen; Rowena Cory) 64. ARTWORK: Mostly pen-and-ink renderings by Elaine Cochrane, with apologies to various originals, such as William Blake (p 7), Jack Gaughan (p 11—from Go/em^OO) and Escher (p 27). -
Crises of Identity in the Cold War Writings of Alfred Bester, 1950-1960
‘Tension, apprehension, and dissension have begun’: Crises of Identity in the Cold War Writings of Alfred Bester, 1950-1960 Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Molly Alyssa Cobb. January 2016 Abstract Molly Alyssa Cobb ‘Tension, apprehension, and dissension have begun’: Crises of Identity in the Cold War Writings of Alfred Bester, 1950-1960 Between 1950 and 1960, Alfred Bester produced numerous works which utilised his contemporary Cold War atmosphere in order to examine and extrapolate the current cultural state. The purpose of this thesis is to offer a reading of Bester’s works which focuses exclusively on the portrayal of psychology and the exploration of identity crises in relation to the split self. Designed to demonstrate Bester’s unique approach to the self as inherently split between the social and the personal, this thesis understands the Cold War as a collective neurosis, and uses this model as a framework for its examination of psychology. As such, this thesis aims to demonstrate that Bester’s use of psychology expresses the universal nature of compulsions and literature’s importance in depicting genuine human characters. The impact of nuclear weapons and the Cold War state of anxiety, paranoia, and suspicion on the human psyche is widely recognised and examined through the lens of identity. However, Bester’s particular approach utilises this understanding of identity to depict the reciprocal nature of individual and political psychology. One of the key arguments presented here is that Bester’s portrayal of universal psychology is designed to mirror the Cold War state of tension and anxiety against individual psychological pressures.