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Philological and Historical Commentary on Ammianus Marcellinus XXVI
Philological and Historical Commentary on Ammianus Marcellinus XXVI Philological and Historical Commentary on Ammianus Marcellinus XXVI By J. den Boeft, J.W. Drijvers, D. den Hengst and H.C. Teitler LEIDEN • BOSTON 2008 This book is printed on acid-free paper. A Cataloging-in-Publication record for this book is available from the Library of Congress. ISBN: 978 90 04 16212 9 Copyright 2008 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in aretrievalsystem,ortransmittedinanyformorbyanymeans,electronic,mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. printed in the netherlands CONTENTS Preface ................................. vii Introduction ........................... ix A noteonchronology ................. xv Legenda ................................ xxvii Commentary on Chapter 1 ........... 1 Commentary on Chapter 2 ........... 37 Commentary on Chapter 3 ........... 59 Commentary on Chapter 4 ........... 75 Commentary on Chapter 5 ........... 93 Commentary on Chapter 6 ........... 125 Commentary on Chapter 7 -
Eclectic Antiquity Catalog
Eclectic Antiquity the Classical Collection of the Snite Museum of Art Compiled and edited by Robin F. Rhodes Eclectic Antiquity the Classical Collection of the Snite Museum of Art Compiled and edited by Robin F. Rhodes © University of Notre Dame, 2010. All Rights Reserved ISBN 978-0-9753984-2-5 Table of Contents Introduction..................................................................................................................................... 1 Geometric Horse Figurine ............................................................................................................. 5 Horse Bit with Sphinx Cheek Plates.............................................................................................. 11 Cup-skyphos with Women Harvesting Fruit.................................................................................. 17 Terracotta Lekythos....................................................................................................................... 23 Marble Lekythos Gravemarker Depicting “Leave Taking” ......................................................... 29 South Daunian Funnel Krater....................................................................................................... 35 Female Figurines.......................................................................................................................... 41 Hooded Male Portrait................................................................................................................... 47 Small Female Head...................................................................................................................... -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
Vespasia Polla Vespasiani Family*
Vespasia Polla Vespasiani Family* Titus Flavius Petronius Sabinus c45 BCE Centurion Reserve Army Vespasius Pollo of Pompeii, Tax Collector Reate Sabinia Italy-15 Rome [+] Tertulia Military Tribune ?-45 Tertuilius di Roma 32 BCE Lazio Italy -9AD Rome Nursia + ? = Titus Flavius I Sabinus Tax Collector + = Vespasia & Banker c20 BCE Rieti Lazio Italy-? Polla 19 BCE-? = Flavius = Titus Flavius Caesar Vespasianus Augustus 9 Falacrinae-79 Rieti, Italy Proconsul = Titus Flavius II Sabinus Consul of Rome c8-69 Vespasia c10 of Africa 53-69, Emperor of Rome 69-79 + 1. 38 AD Domitilla the Elder 2 Sabratha + 1. 63 AD Arrechina Clementina Arrechinus 1 BCE-c10BCE North Africa (present Libya)-66 Rome; +[2.] Antonia Caenis ?-74 = 3 children Tertulla c12-65; +2. Marcia Furnilla Petillius Rufus, Prefect of Rome c 18 AD + ? Caesia = 1. Titus Flavius Caesar = 1. Titus Flavius Caesar Domitianus Augustus = 1. Flavia = Quintus Petillius Cerialis Vespasianus Augustus 39 51-96 Rome Emperor of Rome 81-96 + 1. 70 Domitilla the Caesius Rufus Caesii Senator Rome-81 Rieti Emperor of Domitia Longina; [+] 2. Julia Flavia 64-91 Rome Younger 45- of Rome, Governor of Britain Rome 79-81 +1. Marcia 66 Rome +60 30 Ombrie Italy-83 Furnilla+ 2. Arrecina Tertulla Cassius Labienus Posthumus = 1. Titus Flavius [PII265-270] + ? = + =Flavia Saint + = Titus Flavius III Caesar 73-82 Rome = 1. Julia Flavia 64-91 Domitilla ?-95< Clemens Sabinus 50-95 Rome = Marcus Postumia Festus de Afranius Hannibalianus Rome, Consul Suffect de Rome ?- Afranii Prince of Syria c200- = Titus Flavius IV -
Suetonius the Life of Titus Translated by Alexander
SUETONIUS THE LIFE OF TITUS TRANSLATED BY ALEXANDER THOMSON, M.D. REVISED AND CORRECTED BY T. FORESTER, ESQ., A.M. VITA DIVI TITI (465) I. Titus, who had the same cognomen with his father, was the darling and delight of mankind; so much did the natural genius, address, or good fortune he possessed tend to conciliate the favour of all. This was, indeed, extremely difficult, after he became emperor, as before that time, and even during the reign of his father, he lay under public odium and censure. He was born upon the third of the calends of January, [30th Dec.] in the year remarkable for the death of Caius [776], near the Septizonium [777], in a mean house, and a very small and dark room, which still exists, and is shown to the curious. II. He was educated in the palace with Britannicus, and instructed in the same branches of learning, and under the same masters. During this time, they say, that a physiognomist being introduced by Narcissus, the freedman of Claudius, to examine the features of Britannicus [778], positively affirmed that he would never become emperor, but that Titus, who stood by, would. They were so familiar, that Titus being next him at table, is thought to have tasted of the fatal potion which put an end to Britannicus's life, and to have contracted from it a distemper which hung about him a long time. In remembrance of all these circumstances, he afterwards erected a golden statue of him in the Palatium, and dedicated to him an equestrian statue of ivory; attending it in the Circensian procession, in which it is still carried to this day. -
Arcana Mundi : Magic and the Occult in the Greek and Roman Worlds : a Collection of Ancient Texts / Translated, Annotated, and Introduced by Georg Luck
o`o`o`o`o`o SECOND EDITION Arcana Mundi MAGIC AND THE OCCULT IN THE GREEK AND ROMAN WORLDS A Collection of Ancient Texts Translated, Annotated, and Introduced by Georg Luck o`o`o`o`o`o THE JOHNS HOPKINS UNIVERSITY PRESS BALTIMORE The first edition of this book was brought to publication with the generous assistance of the David M. Robinson Fund and the Andrew W. Mellon Foundation. ∫ 1985, 2006 The Johns Hopkins University Press All rights reserved. Published 1985, 2006 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Arcana mundi : magic and the occult in the Greek and Roman worlds : a collection of ancient texts / translated, annotated, and introduced by Georg Luck. — 2nd ed. p. cm. Includes bibliographical references (p. ) and indexes. isbn 0-8018-8345-8 (hardcover : alk. paper) isbn 0-8018-8346-6 (pbk. : alk. paper) 1. Occultism—Greece—History—Sources. 2. Occultism—Rome—History— Sources. 3. Civilization, Classical—Sources. I. Luck, Georg, 1926– bf1421.a73 2006 130.938—dc22 2005028354 A catalog record for this book is available from the British Library. For Harriet This page intentionally left blank Contents List of Texts ix Preface xiii List of Abbreviations xvii General Introduction: Exploring Ancient Magic 1 I. MAGIC Introduction 33 Texts 93 II. MIRACLES Introduction 177 Texts 185 III. DAEMONOLOGY Introduction 207 Texts 223 IV. DIVINATION Introduction 285 Texts 321 V. -
Des Soldats De L'armée Romaine Tardive: Les Protectores (Iiie-Vie
THÈSE Pour obtenir le diplôme de doctorat Spécialité : Histoire, histoire de l’art et archéologie Préparée au sein de l’Université de Rouen Normandie Des soldats de l’armée romaine tardive : les protectores e e (III -VI siècles ap. J.-C.) Volume 2 : Prosopographie et annexes Présentée et soutenue par Maxime EMION Thèse soutenue publiquement le 6 décembre 2017 devant le jury composé de Professeur émérite d’histoire romaine, M. Michel CHRISTOL Examinateur Université Paris 1 Panthéon-Sorbonne Professeur d’histoire romaine, Université M. Pierre COSME Directeur de thèse de Rouen Normandie Professeur d’histoire romaine, Université Mme Sylvie CROGIEZ-PETREQUIN Rapporteur François-Rabelais, Tours Professor Doktor, Kommission für Alte M. Rudolf HAENSCH Geschichte und Epigraphik des Deutschen Rapporteur Archäologischen Instituts, Munich Maître de conférences d’histoire romaine, M. Sylvain JANNIARD Examinateur Université François-Rabelais,Tours Thèse dirigée par Pierre COSME, GRHis (EA 3831) UNIVERSITÉ DE ROUEN NORMANDIE École doctorale Histoire, Mémoire, Patrimoine, Langage (ED 558) THÈSE DE DOCTORAT EN HISTOIRE, HISTOIRE DE L’ART ET ARCHÉOLOGIE Des soldats de l’armée romaine tardive : e e les protectores (III -VI siècles ap. J.-C.) Volume II – Prosopographie, Annexes, Bibliographie Présentée et soutenue publiquement le 6 décembre 2017 par Maxime EMION Sous la direction de Pierre COSME Membres du jury : Michel CHRISTOL, Professeur des universités émérite, Université Paris I – Panthéon Sorbonne Pierre COSME, Professeur des universités, Université de Rouen Normandie Sylvie CROGIEZ-PÉTREQUIN, Professeur des universités, Université François-Rabelais de Tours Rudolf HAENSCH, Professor Doktor, Kommision für Altegeschichte und Epigraphik, Munich Sylvain JANNIARD, Maître de conférences, Université François-Rabelais de Tours CATALOGUE PROSOPOGRAPHIQUE, ANNEXES, BIBLIOGRAPHIE 567 568 Introduction au catalogue prosopographique. -
The Trinitarian Theology of Irenaeus of Lyons
Marquette University e-Publications@Marquette Dissertations, Theses, and Professional Dissertations (1934 -) Projects The Trinitarian Theology of Irenaeus of Lyons Jackson Jay Lashier Marquette University Follow this and additional works at: https://epublications.marquette.edu/dissertations_mu Part of the Religion Commons Recommended Citation Lashier, Jackson Jay, "The Trinitarian Theology of Irenaeus of Lyons" (2011). Dissertations (1934 -). 109. https://epublications.marquette.edu/dissertations_mu/109 THE TRINITARIAN THEOLOGY OF IRENAEUS OF LYONS by Jackson Lashier, B.A., M.Div. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin May 2011 ABSTRACT THE TRINITARIAN THEOLOGY OF IRENAEUS OF LYONS Jackson Lashier, B.A., M.Div. Marquette University, 2011 This dissertation is a study of the Trinitarian theology of Irenaeus of Lyons. With the exception of two recent studies, Irenaeus’ Trinitarian theology, particularly in its immanent manifestation, has been devalued by scholarship due to his early dates and his stated purpose of avoiding speculative theology. In contrast to this majority opinion, I argue that Irenaeus’ works show a mature understanding of the Trinity, in both its immanent and economic manifestations, which is occasioned by Valentinianism. Moreover, his Trinitarian theology represents a significant advancement upon that of his sources, the so-called apologists, whose understanding of the divine nature converges in many respects with Valentinian theology. I display this advancement by comparing the thought of Irenaeus with that of Justin, Athenagoras, and Theophilus, on Trinitarian themes. Irenaeus develops Trinitarian theology in the following ways. First, he defines God’s nature as spirit, thus maintaining the divine transcendence through God’s higher order of being as opposed to the use of spatial imagery (God is separated/far away from creation). -
A Handbook of Greek and Roman Coins
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library CJ 237.H64 A handbook of Greek and Roman coins. 3 1924 021 438 399 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021438399 f^antilioofcs of glrcfjaeologj) anU Antiquities A HANDBOOK OF GREEK AND ROMAN COINS A HANDBOOK OF GREEK AND ROMAN COINS G. F. HILL, M.A. OF THE DEPARTMENT OF COINS AND MEDALS IN' THE bRITISH MUSEUM WITH FIFTEEN COLLOTYPE PLATES Hon&on MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY l8 99 \_All rights reserved'] ©jcforb HORACE HART, PRINTER TO THE UNIVERSITY PREFACE The attempt has often been made to condense into a small volume all that is necessary for a beginner in numismatics or a young collector of coins. But success has been less frequent, because the knowledge of coins is essentially a knowledge of details, and small treatises are apt to be un- readable when they contain too many references to particular coins, and unprofltably vague when such references are avoided. I cannot hope that I have passed safely between these two dangers ; indeed, my desire has been to avoid the second at all risk of encountering the former. At the same time it may be said that this book is not meant for the collector who desires only to identify the coins which he happens to possess, while caring little for the wider problems of history, art, mythology, and religion, to which coins sometimes furnish the only key. -
Imperial Letters in Latin: Pliny and Trajan, Egnatius Taurinus and Hadrian1
Imperial Letters in Latin: Pliny and Trajan, Egnatius Taurinus and Hadrian1 Fergus Millar 1. Introduction No-one will deny the fundamental importance of the correspondence of Pliny, as legatus of Pontus and Bithynia, and Trajan for our understanding of the Empire as a system. The fact that at each stage the correspondence was initiated by Pliny; the distances travelled by messengers in either direction (as the crow flies, some 2000 km to Rome from the furthest point in Pontus, and 1,500 km from Bithynia);2 the consequent delays, of something like two months in either direction; the seemingly minor and localised character of many of the questions raised by Pliny, and the Emperor’s care and patience in answering them – all these can be seen as striking and revealing, and indeed surprising, as routine aspects of the government of an Empire of perhaps some 50 million people. On the other hand this absorbing exchange of letters can be puzzling, because it seems isolated, not easy to fit into any wider context, since examples of Imperial letters in Latin are relatively rare. By contrast, the prestige of the Greek City in the Roman Empire and the flourishing of the epigraphic habit in at least some parts of the Greek world (primarily, however, the Greek peninsula and the western and southern areas of Asia Minor) have produced a large and ever-growing crop of letters addressed by Emperors to Greek cities and koina, and written in Greek. The collection of Greek constitutions published by J.H. Oliver in 1989 could now be greatly increased. -
Les Portraits Flaviens Dans Les Collections Du Musée Du Louvre Et Du Cabinet Des Médailles Marie Pierre Delanos
Les portraits flaviens dans les collections du Musée du Louvre et du Cabinet des Médailles Marie Pierre Delanos To cite this version: Marie Pierre Delanos. Les portraits flaviens dans les collections du Musée du Louvre et du Cabinet des Médailles . Art et histoire de l’art. 2014. dumas-01546143 HAL Id: dumas-01546143 https://dumas.ccsd.cnrs.fr/dumas-01546143 Submitted on 23 Jun 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License ÉCOLE DU LOUVRE Marie Pierre DELANOS Les portraits flaviens dans les collections du Musée du Louvre et du Cabinet des Médailles Mémoire de recherche e e (2 année de 2 cycle) en histoire de l'art appliquée aux collections présenté sous la direction me de M Cécile COLONNA Septembre 2014 Le contenu de ce mémoire est publié sous la licence Creative Commons 1 CC BY NC ND 2 Table des matières Table des matières ............................................................................................................................................ -
Venus in the Mirror: Roman Matrons in the Guise of a Goddess, the Reception for the Aphrodite of Cnidus
Venus in the Mirror: Roman Matrons in the Guise of a Goddess, the Reception for the Aphrodite of Cnidus Sadie Pickup, London The afterlife or reception of ancient sculpture offers a plethora of opportunities to discuss the continuance of images through ages and cultures. Aby Warburg’s work on the “survival of antiquity” and the ever expanding literature surrounding this topic indicates its potential fruitfulness.1 Few sculptures from antiquity resonate with Warburg’s idea: Nachleben der Antike (the afterlife of the antique), more than the Aphrodite of Cnidus (Knidia) (fig. 1). A work by Praxiteles from the fourth century BC, often considered the first life-size female nude in western art.2 The goddess draws her right hand across her groin, holding drapery in her left over a vessel.3 Sculptural copies and repli- cas in various media enable reconstruction, the work destroyed by fire in the fifth century AD when in Constantinople. Coins are an additional resource for identification and can be labelled.4 Three features are largely consistent: Aphrodite’s nudity, her gesture covering her groin with her right hand, and her pose, with weight resting on one leg, often her right. In most, she is also accompanied by a vessel, varying in nature.5 1 Warburg 1999. The basis for much subsequent scholarship is: Haskell – Penny 1981; Prettejohn 2012: is more recent and encompasses modern and contemporary examples. 2 Two of the ‘best’ copies are the Colonna and Belvedere or Standing Venuses: Rome, Vatican Museums 812 and 4260; LIMC II, 391. 3 Only a handful of texts detail the Knidia’s gesture: Lucian, Amores 13 and Cedr.