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The Threepenny Opera (Rec
Volume 27 Kurt Weill Number 2 Newsletter Fall 2009 David Drew 1930–2009 In this issue Volume 27 Kurt Weill Number 2 Newsletter Note from the Editor 3 Fall 2009 Letters 3 Tribute to David Drew ISSN 0899-6407 David Drew: An Obituary 4 © 2009 Kurt Weill Foundation for Music Alexander Goehr 7 East 20th Street New York, NY 10003-1106 Letter from Drew to Lenya, 1956 5 tel. (212) 505-5240 Struggling for Supremacy: fax (212) 353-9663 The Libretto of Mahagonny 6 David Drew Published twice a year, the Kurt Weill Newsletter features articles Letter from Drew to Lys Symonette, 1970 9 and reviews (books, performances, recordings) that center on Kurt Weill but take a broader look at issues of twentieth-century music David Drew: Für Weill! 10 and theater. With a print run of 5,000 copies, the Newsletter is dis- Kim H. Kowalke tributed worldwide. Subscriptions are free. The editor welcomes the submission of articles, reviews, and news items for inclusion in Recordings future issues. Street Scene (rec. 1949) on Naxos 12 A variety of opinions are expressed in the Newsletter; they do not John Mauceri necessarily represent the publisher's official viewpoint. Letters to the editor are welcome. The Threepenny Opera (rec. 1976) on Sony 13 Foster Hirsch Staff Books Elmar Juchem, Editor Carolyn Weber, Associate Editor Dave Stein, Associate Editor Brady Sansone, Production The Sound of Broadway Music: A Book of Orchestrators and Orchestrations 14 by Steven Suskin Kurt Weill Foundation Trustees Mark N. Grant Kim Kowalke, President Joanne Hubbard Cossa Performances Guy Stern, Secretary Paul Epstein Philip Getter, Treasurer Susan Feder Johnny Johnson, Lost in the Stars, Die Dreigroschenoperin London 16 Walter Hinderer Patrick O’Connor Welz Kauffman Mahagonny Songspiel / Die sieben Todsünden Teresa Stratas, Honorary Trustee at Ravinia Festival, Chicago 18 John von Rhein Milton Coleman, Harold Prince, Julius Rudel, Trustees Emeriti Die sieben Todsünden in Cincinnati 20 Internet Resources bruce d. -
Collision Course
FINAL-1 Sat, Jul 7, 2018 6:10:55 PM Your Weekly Guide to TV Entertainment for the week of July 14 - 20, 2018 HARTNETT’S ALL SOFT CLOTH CAR WASH Collision $ 00 OFF 3ANY course CAR WASH! EXPIRES 7/31/18 BUMPER SPECIALISTSHartnett's Car Wash H1artnett x 5` Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 DANA F. HARTNETT LIC. #9482 Ian Anthony Dale stars in 15 WATER STREET “Salvation” DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents • Slip &Fall • Motorcycle &Pedestrian Accidents John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks • Injuries2 x to 3 Children Voted #1 1 x 3 With 35 years experience on the North Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful While Grace (Jennifer Finnigan, “Tyrant”) and Harris (Ian Anthony Dale, “Hawaii Five- The LawOffice of 0”) work to maintain civility in the hangar, Liam (Charlie Row, “Red Band Society”) and STEPHEN M. FORLIZZI Darius (Santiago Cabrera, “Big Little Lies”) continue to fight both RE/SYST and the im- Auto • Homeowners pending galactic threat. Loyalties will be challenged as humanity sits on the brink of Business • Life Insurance 978.739.4898 Earth’s potential extinction. Learn if order can continue to suppress chaos when a new Harthorne Office Park •Suite 106 www.ForlizziLaw.com 978-777-6344 491 Maple Street, Danvers, MA 01923 [email protected] episode of “Salvation” airs Monday, July 16, on CBS. -
An Open Door: the Cathedral's Web Portal
Fall 2013 1047 Amsterdam Avenue Volume 13 Number 62 at 112th Street New York, NY 10025 (212) 316-7540 stjohndivine.org Fall 2013 at the Cathedral An Open Door: The Cathedral’s Web Portal cross the city, the great hubs of communication a plethora of new opportunities, many of which society is WHAT’s InsIDE pulse: churches, museums, universities, only beginning to understand. As accustomed as we have government offices, the Stock Exchange. Each become in recent years to having the world at our fingertips, The Cathedral's Web Portal Things That Go Bump can be seen as a microcosm of the city or there is little doubt that in 10, 20, 50 years that connection In the Night Great Music in a Great Space the world. Many, including the Cathedral, were will be more profoundly woven into our culture. The human The New Season founded with this in mind. But in 2013, no heart in prayer, the human voice in song, the human spirit in Blessing of the Animals discussion about connections or centers of communication can poetry: all of these resonate within Cathedral walls, but need Long Summer Days A The Viewer's Salon help but reference the World Wide Web. The Web has only been not be limited by geography. Whether the Internet as a whole Nightwatch's ’13–’14 Season around for a blink of an eye of human history, and only for a works to bring people together and foster understanding is Dean's Meditation: small part of the Cathedral’s existence, but its promise reflects up to each of us as users. -
THEATRE DVD & Streaming & Performance
info / buy THEATRE DVD & Streaming & performance artfilmsdigital OVER 450 TITLES - Contemporary performance, acting and directing, Image: The Sydney Front devising, physical theatre workshops and documentaries, theatre makers and 20th century visionaries in theatre, puppets and a unique collection on asian theatre. ACTING / DIRECTING | ACTING / DEVISING | CONTEMPORARY PERFORMANCE WORKSHOPS | PHYSICAL / VISUAL THEATRE | VOICE & BODY | THEATRE MAKERS PUPPETRY | PRODUCTIONS | K-12 | ASIAN THEATRE COLLECTION STAGECRAFT / BACKSTAGE ACTING / DIRECTING Director and Actor: Passions, How To Use The Beyond Stanislavski - Shifting and Sliding Collaborative Directing in Process and Intimacy Stanislavski System Oyston directs Chekhov Contemporary Theatre 83’ | ALP-Direct |DVD & Streaming 68’ | PO-Stan | DVD & Streaming 110’ | PO-Chekhov |DVD & Streaming 54 mins | JK-Slid | DVD & Streaming 50’ | RMU-Working | DVD & Streaming An in depth exploration of the Peter Oyston reveals how he com- Using an abridged version of The works examine and challenge Working Forensically: complex and intimate relationship bines Stanislavski’s techniques in a Chekhov’s THE CHERRY ORCHARD, the social, temporal and gender between Actor and Director when systematic approach to provide a Oyston reveals how directors and constructs within which women A discussion between Richard working on a play-text. The core of full rehearsal process or a drama actors can apply the techniques of in particular live. They offer a Murphet (Director/Writer) and the process presented in the film course in microcosm. An invaluable Stanislavski and develop them to positive vision of the feminine Leisa Shelton (Director/Performer) involves working with physical and resource for anyone interested in suit contemporary theatre. psyche as creative, productive and about their years of collaboration (subsequent) emotional intensity the making of authentic theatre. -
Dear Patrons & Members
A Community Treasure Summer 2016 relit the marquee and soon after, launched our make all the difference to the future of our Dear Patrons & Members, Take-a-Seat campaign. At that time, this $8M theatre. You can view the plans and naming A lot can change in three months, and so much building expansion seemed completely outside opportunities or download forms to make a gift has changed at our organization since our last the realm of possibility or even likelihood. But, at www.bankonthearts.org. (Want to discuss quarterly newsletter! here we are, $5M into our campaign and going a campaign gift? Give us a call during regular strong. business hours or email me or our Development If you visit the Colonial today, you’ll notice Director at [email protected].) four gargantuan popcorn containers on your We are working harder than ever to fundraise at way into the theatre. Those are remnants of this time because there is still a lot of prover- In these months leading up to the grand our public Groundbreaking ceremony in April. bial road to go. Meanwhile, some interesting opening of the new wing of our theatre, we Thanks to those of you who came out for the discussions about future film programming are will continue to bring you seven days of film fun! (Those who missed it can see video of percolating in our office. programming, great live performers, and the the event at www.bankonthearts.org) Once annual events like Blobfest (July 8-10) that you inside our lobby, you can now see signs of the This is a transformational time for the Colonial know and love. -
NETC News, Vol. 15, No. 3, Summer 2006
A Quarterly Publication of the New England Theater NETCNews Conference, Inc. volume 15 number 3 summer 2006 The Future is Now! NETC Gassner Competition inside Schwartz and Gleason Among 2006 a Global Event this issue New Haven Convention Highlights April 15th wasn’t just income tax day—it was also the by Tim Fitzgerald, deadline for mailing submissions for NETC’s John 2006 Convention Advisor/ Awards Chairperson Gassner Memorial Playwrighting Award. The award Area News was established in 1967 in memory of John Gassner, page 2 Mark your calendars now for the 2006 New England critic, editor and teacher. More than 300 scripts were Theatre Conference annual convention. The dates are submitted—about a five-fold increase from previous November 16–19, and the place is Omni New Haven years—following an extensive promotional campaign. Opportunities Hotel in the heart of one of the nation’s most exciting page 5 theatre cities—and just an hour from the Big Apple itself! This promises to be a true extravanganza, with We read tragedies, melodramas, verse Ovations workshops and inteviews by some of the leading per- dramas, biographies, farces—everything. sonalities of current American theatre, working today Some have that particular sort of detail that page 6 to create the theatre of tomorrow. The Future is Now! shows that they’re autobiographical, and Upcoming Events Our Major Award recipient this others are utterly fantastic. year will be none other than page 8 the Wicked man himself, Stephen Schwartz. Schwartz is “This year’s submissions really show that the Gassner an award winning composer Award has become one of the major playwrighting and lyricist, known for his work awards,” said the Gassner Committee Chairman, on Broadway in Wicked, Pippin, Steve Capra. -
The Garry Effect
MR. META Shandling in a press photo for his first groundbreaking sitcom, It’s Garry Shandling’s Show, which ran on Showtime from 1986 to 1990, and notably broke the fourth wall. now-familiar tropes of showing the studio audience and directly address- ing viewers. And then there’s that winking theme song: “This is the theme to Garry’s show/The theme to Garry’s show/Garry called me up and asked if I would write his theme song.” Incredibly, the show found a huge audience, powered in part by Shan- dling’s status as a stand-up comic whose nasal delivery, blown-out bouf- fant and sardonic observations (rou- tinely centered on his sexual prowess, or lack thereof) earned him frequent appearances on Johnny Carson’s Tonight Show and a spot as one of its regular guest hosts. It also turned TELEVISION him into a role model for multiple generations of comedians. “He’s like the Replacements,” says Judd Apatow. The Garry Effect “A rock band that inspired a lot of peo- Judd Apatow’s HBO documentary aims to capture ple to start their own bands.” Garry Shandling’s lifetime of influence—as a Apatow included. For 25 years, the comedian, yes, but also as a human being. At comedy guru counted Shandling— who died of a heart attack in 2016 at more than four hours, it feels too short age 66—as a close friend and mentor. Apatow’s first contact was as a high school student, interviewing Shan- Try To imagine Television comedy works. Fly-on-the-wall camera dling for his school’s radio station. -
Herald of Holiness Volume 51 Number 21 (1962) W
Olivet Nazarene University Digital Commons @ Olivet Herald of Holiness/Holiness Today Church of the Nazarene 7-18-1962 Herald of Holiness Volume 51 Number 21 (1962) W. T. Purkiser (Editor) Nazarene Publishing House Follow this and additional works at: https://digitalcommons.olivet.edu/cotn_hoh Part of the Christian Denominations and Sects Commons, Christianity Commons, History of Christianity Commons, Missions and World Christianity Commons, and the Practical Theology Commons Recommended Citation Purkiser, W. T. (Editor), "Herald of Holiness Volume 51 Number 21 (1962)" (1962). Herald of Holiness/Holiness Today. 588. https://digitalcommons.olivet.edu/cotn_hoh/588 This Journal Issue is brought to you for free and open access by the Church of the Nazarene at Digital Commons @ Olivet. It has been accepted for inclusion in Herald of Holiness/Holiness Today by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. -■ * ~ * i£ § 3 $**S! m -JS* Village Street Scene By W. T. PURKISER know perfectly that the day of the Lord so cometh "Shall He Find Faith?" as a thief in the night. For when they shall say, That the Lord Jesus Christ will personally re Peace and safety; then sudden destruction cometh turn to this earth is the 'most certain fact about upon them, as travail upon a woman with child; the future God has given us to know. Many of and they shall not escape. But ye, brethren, are the details are half-revealed and half-concealed. not in darkness, that that day should overtake you The day and the hour are marked on God’s calen as a thief” (I Thessalonians 5:2-4) . -
A Writer's Calendar
A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive. -
“Rockin' All Over the World”: Organisational
Int. J. Management Concepts and Philosophy, Vol. 9, No. 1, 2015 1 “Rockin’ All Over The World”: organisational improvisation lessons from the music-based practitioner Stephen A. Leybourne* Metropolitan College, Boston University, Boston, MA 02215, USA Email: [email protected] *Corresponding author Peter Cook Human Dynamics, London, UK Email: [email protected] Abstract: This paper explores the relationships and interactions between organisational improvisational activity and differing modes of improvisational expertise utilised by musicians from a range of musical genres. The evolving literature on organisational improvisation has been considered, together with parallel or reinforcing lessons drawn from the orchestral, jazz, and rock musical genres. It is evident that when we consider leadership and management, that more flexible and less rigid structures are being considered in a world of networked organisational structures. Successful managers and leaders draw on improvisational decisions and interventions that are grounded in experience and prior knowledge. Indeed, a degree of creative or constructive deviance is shown to be useful in achieving in the progressive modern organisation. Improvisational organisations have to be specially competent in the management of the unknown and unknowable rather than becoming blocked by such circumstances, and this paper draws out a number of lessons from a range of musical and organisational sources can assist the management practitioner. Keywords: organisational improvisation; creativity; improvisation; music. Reference to this paper should be made as follows: Leybourne, S.A. and Cook, P. (2015) ‘“Rockin’ All Over The World”: organisational improvisation lessons from the music-based practitioner’, Int. J. Management Concepts and Philosophy, Vol. 9, No. 1, pp.1–19. -
2017 WEDNESDAY Quaker Update Final
Quaker WEDNESDAY Update Silver Bay, NY • Wednesday, July 26, 2017 • Vol. 47, No. 4 Welcome to Friends arriving midweek! In order to orient you and help you move into the rhythm and flow of the week thus far, please be certain to stop at the Yearly Meeting conference office and pick up the program. There are also various reports, minutes, and other written materials there that will help you prepare for business. Wednesday’s Business Agenda Today’s meeting for worship with a concern for the life of the yearly meeting begins at 10:45am. Agenda for Wednesday 10:45-12:25 Welcome from Silver Bay CEO Steve Tamm Memorial minute, Vince Buscemi Report from our representatives to the Friends United Meeting Triennial Meeting for Discernment Steering Committee report on yesterday’s sessions Introduction of Peter Cook, Executive Director of the NYS Council of Churches Final report from our outgoing General Secretary, Christopher Sammond Period of open worship to follow Report from our Children and Youth Secretary, Melinda Wenner Bradley The first year of the Partner Project Today is “Thank Anita Paul Day!” Aren’t you glad there’s ARCH (Aging Resources Consultation and Help)? Take some time today to thank co-founder of the ARCH program Anita Paul, and wish her a happy retirement! Join us as we celebrate her 10 years of service with ice cream and watermelon today in Gullen Lounge at 6:30pm. Learn more about the New York State Council of Churches Peter Cook, Executive Director of the New York State Council of Churches, will be with us all day today. -
Rebooting Brecht: Reimagining Epic Theatre for the 21St Century
REBOOTING BRECHT: REIMAGINING EPIC THEATRE FOR THE 21ST CENTURY Andrea Rice A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 Committee: Edgar Landgraf, Advisor Kristie Foell Clayton Rosati ii ABSTRACT Edgar Landgraf, Advisor This thesis highlights the ways in which Bertolt Brecht’s concept of epic theatre pertains to video games, more particularly, visual novels. Digital drama and romance genres (aka “dating simulators”) are known for their “realism” for their ability to make the player feel as if they are interacting with real people. Yet, the deceptiveness is their apparent inability to replicate fully the kinds of social interactions a person can have. The plot structure oftentimes is also rather simplistic: the goal of these games is that the player gets the girl of their dreams, despite any hardships. The horror game Doki Doki Literature Club (2017) by game developer Dan Salvato challenges these genre shortcomings and aspire to make productive, I will argue, a Brechtian notion of epic theatre. Salvato had a love-hate relationship with visual novels. To him, visual novels were nothing more than “cute girls doing cute things” where any tragic backstory or character arc is just another objective the player must overcome to make the girl of their dreams fall in love with them. Like Brecht, Salvato wants to destroy the illusions created by visual novels and shock people into reflecting about such illusions. He created Doki Doki Literature Club, a horror game disguised as a dating simulator, which takes a critical look at issues such a mental health that visual novels often gloss over and treat as plot points in the story.