ENTERING the TWILIGHT ZONE 1 Entering the Twilight Zone Eerie Parallels Between the 1950S and Today
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
“Oh, Happy Days”: Milwaukee & the Wisconsin Dells
Moderate May 31 to June 6, 2021 11 6 Pace “Oh, Happy Days”: Milwaukee & The Wisconsin Dells Milwaukee lies along the shores of Lake Michigan at the union of three rivers – the Menomonee, the Kinnickinnic and the Milwaukee. Known for its breweries, the MLB Brewers, and a “big city of little neighborhoods”, Milwaukee’s unique neighborhoods create a one of a kind culture, where you’ll see architecture designed by Frank Lloyd Wright. The city was also made famous by the TV series “Happy Days” and “Laverne & Shirley”. Delight in a selfie with a bronze statue of the “Fonz”! Experience the natural beauty, wonder and mystery of the Wisconsin Dells during a leisurely boat cruise. Ride in a quaint horse-drawn carriage through a mile of cliff walled gorges. Visit the International Crane Foundation, a nonprofit conservation organization protecting cranes and conserving ecosystems, watersheds and flyways on which the cranes depend. Tour Highlights & Inclusions • Deluxe coach transportation with wifi, air-conditioned, washroom equipped • Two-nights’ accommodation at the Hampton Inn of Holland, MI • Two-nights’ accommodation at the Drury Plaza Hotel Milwaukee Downtown • Two-nights’ accommodation at the Hampton Inn & Suites Wisconsin Dells • Breakfast daily, one box lunch and four dinners • Guided tour of Milwaukee, and the International Crane Foundation • Lost Canyon Tour on horse drawn carriage • Tour two of Frank Lloyd Wright’s designs – SC Johnson Headquarters, and Annunciation Greek Orthodox Church • Guided tour of the Harley-Davidson Museum, Pabst -
50 Years in Rock History
HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control. -
Daily Scenic Tour Welcome to Willow Creek
516 Great Bridge Boulevard • Chesapeake, VA 23320 • Phone (757) 547-7876 • www.seniorlivinginstyle.com JUNE 2020 Daily Scenic Tour Enjoy an hour scenic bus trip to get out and enjoy some new sights where we will drive around different areas, allowing everyone to WILLOW CREEK STAFF have a mini escape from home. Managers ...............GLENN & VALERIE CAMPBELL Assistant Managers .... DALE & MARILYN WRIGHT Executive Chef ................................ TONIA JOYNER Community Sales .......................MANDI PROCTOR Activity Coordinator ....................MEREDITH PUGH Maintenance ������������������������������������D.J. RALSTON Bus Driver .....................................APRIL OUTLAND TRANSPORTATION Monday, 9:30 a.m. and 2 p.m.: Shopping Day — Front Lobby Tuesday: Doctor Appointments — Front Lobby Wednesday: Weekly Outings — Front Lobby Jean H. loving our curbside Thursday: Doctor Appointments — Front Lobby pickup surprise, Bergey’s Betty H., Frank N. and Wanda Friday, 9:30 a.m. and 2 p.m.: Dairy Ice Cream enjoying the mini escape Shopping Day — Front Lobby Welcome to Willow Creek We have two new neighbors, who survived a double quarantine! Spark up a conversation or bring them to a favorite activity of Christine Herbert Reynolds, yours today! Condoyannis “Herb” or “Bud” Willow Creek Garden Boxes Are Blooming Mae Marie was happy to see her Bill G. was excited to get baby seeds have begun to sprout, a flower delivery service after the 2-week quarantine Kathleen Cantrell wins the quarantine to plant some beautiful “Can You Dig It Activity.” window sill growing competition! Great job! flowers on his patio. Jonathan and Meredith Loved Making Lemonade With Everyone They want to thank you all for what an amazing wedding day Willow Creek created to celebrate their Mae Marie, Hal R., Harriet S., Elsie J., and marriage. -
Them Was the Happy Days!" Tdv Liarc Tvictort a I,Uwiggins I I 101 1, Hj Tht I'iwm Pummilof Co, (TL .Vtw Tcrk World)
luiiim i 'iMiiiiiyssas;ggeti W' iiw i ais f-- Mf y "'otPr1- -' " "IS. - ' , j v ..a The Evening World Dall Majfa'zlnc,' T h u r s da March 18, 19 11. Them Was the Happy Days!" Tdv Liarc TvictorT a I,uwiggins I I 101 1, hj Tht I'iwm PuMMilof Co, (TL .Vtw Tcrk World). T jiwaNI Gee.JinKi, ( Do 7ou Urn Time ') AMD VA5 LAID UP FOR TWO ViECK 1RI CAUGHT VoO BCHIHO TUtt BARH ft Hello ( Vov) RecALL TTiew RewB -- vvl Do ever olo rrtviLOM'7 (Jo7aTe ciRcvo &. tqimmeo no (V NAoe vou gat nujD, 1 and ' PAIS JlMtA"!. HOVi I DID . r. - ..11. a cneftrA A6 ever W- Puff (0 C I -- t- BKlCH USED LPve IRIM T- OR- i- . Vnll Oi -.i (U TilRFVt ft hi HA ! I UO.' "n.i lPII kiwiat wi iv , SICK. - HA MA; HO HOi IhELLO AU! V I I 1 I J . I' ( l H'l IVMl.v I to (vr - HftPPY DAYS! TPero old pais- x 1 1 wz 1 4 Sayings of it 5 Honeybunch's Hubbv By c. M.jPayne "Cheer Up, Cuthbert! ff n 4! I CopTTltbl. Th What's iho Uso Being Blue? lrs. Solomon U Piw rubllihlog Co. (Tli Nfw Totk World). of Being the Confessions of the There Is a Lot of Luck Left HoNBTf "Bunch, you ft City rtevt-- 4 Seven Hundredth Wife I folk4 By Clarence L. Cnllen 'KNoW 17's mostly 5EQ ArfYtHlMC THAT SBy GET MAJTCS US LOOK TWICQ, Helen owland STRANGER THAT Coiijrijlit. 1011, b7 n l'r On. -
Divide and Dissent: Kentucky Politics, 1930-1963
University of Kentucky UKnowledge Political History History 1987 Divide and Dissent: Kentucky Politics, 1930-1963 John Ed Pearce Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Pearce, John Ed, "Divide and Dissent: Kentucky Politics, 1930-1963" (1987). Political History. 3. https://uknowledge.uky.edu/upk_political_history/3 Divide and Dissent This page intentionally left blank DIVIDE AND DISSENT KENTUCKY POLITICS 1930-1963 JOHN ED PEARCE THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 1987 by The University Press of Kentucky Paperback edition 2006 The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University,Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Qffices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Library of Congress Cataloging-in-Publication Data Pearce,John Ed. Divide and dissent. Bibliography: p. Includes index. 1. Kentucky-Politics and government-1865-1950. -
Happy Days Are Here Again 4/4 1...2...1234
HAPPY DAYS ARE HERE AGAIN 4/4 1...2...1234 So long, sad times, go 'long, bad times, we are rid of you at last Howdy, gay times, cloudy gray times, you are now a thing of the past Happy days are here again, the skies above are clear a-gain So let's sing a song of cheer a-gain, happy days are here a-gain Altoge-ther, shout it now, there's no one who can doubt it now So let's tell the world a-bout it now, happy days are here a-gain Your cares and troubles are gone, there'll be no more from now on, from now on Happy days are here a-gain, the skies above are clear again So let's sing a song of cheer a-gain, happy days are here a-gain So let's sing a song of cheer a-gain, happy days..... are..... here..... a-gain HAPPY DAYS ARE HERE AGAIN 4/4 1...2...1234 Am G F E7 Am E7 E7+ Am So long sad times, go long bad times, we are rid of you at last Am G B7 E7 C#m7 F#7 B7 E7 Howdy, gay times, cloudy gray times, you are now a thing of the past A E7+ A E7+ A E7+ A Happy days are here again, the skies above are clear a-gain Bbdim Bm7 E7 Bm7 E7 A D A E7 So let's sing a song of cheer a-gain, happy days are here a-gain A E7+ A E7+ A E7+ A Altoge-ther, shout it now, there's no one who can doubt it now Bbdim Bm7 E7 Bm7 E7 A D A So let's tell the world a-bout it now, happy days are here a-gain C# G#7 C# B7 E B7 E7 F7 Your cares and troubles are gone, there'll be no more from now on, from now on Bb F#+ Bb F#+ Bb F#+ Bb Happy days are here a-gain, the skies above are clear again Bdim Cm7 F7 Cm7 F7 Bb Eb Bb So let's sing a song of cheer a-gain, happy days are here a-gain Bdim Cm7 F7 Cm7 F7 Bb Eb Bb F#+ Bb So let's sing a song of cheer a-gain, happy days... -
Happy Days a New Musical Book by Music & Lyrics Garry Marshall by Paul Williams
Please Enjoy the Following Sample • This sample is an excerpt from a Samuel French title. • This sample is for perusal only and may not be used for performance purposes. • You may not download, print, or distribute this excerpt. • We highly recommend purchasing a copy of the title before considering for performance. For more information about licensing or purchasing a play or musical, please visit our websites www.samuelfrench.com www.samuelfrench-london.co.uk Happy Days A New Musical Book by Music & Lyrics Garry Marshall by Paul Williams Based on the Paramount Pictures Television Series “Happy Days” created by Garry Marshall Arrangements and Orchestrations by John McDaniel A Samuel French Acting Edition samuelfrench.com Copyright © 2010 by CBS Studios, Inc. Happy Days Artwork Copyright © 2010 Henderson Production Co., Inc. ALL RIGHTS RESERVED CAUTION: Professionals and amateurs are hereby warned that HAPPY DAYS - A NEW MUSICAL is subject to a Licensing Fee. It is fully protected under the copyright laws of the United States of America, the British Commonwealth, including Canada, and all other countries of the Copy- right Union. All rights, including professional, amateur, motion picture, recitation, lecturing, public reading, radio broadcasting, television and the rights of translation into foreign languages are strictly reserved. In its present form the play is dedicated to the reading public only. The amateur live stage performance rights to HAPPY DAYS, A NEW MUSICAL are controlled exclusively by Samuel French, Inc., and licens- ing arrangements and performance licenses must be secured well in advance of presentation. PLEASE NOTE that amateur Licensing Fees are set upon application in accordance with your producing circum- stances. -
“Happy Days Are Here Again”: the Song That Launched FDR's
“Happy Days Are Here Again”: The Song That Launched FDR’s Presidency In 1929, just prior to the Great Crash of the New York Stock Market, Milton Ager and Jack Yellen recorded, “Happy Days Are Here Again.” The song was an instant hit and would remain a popular refrain throughout the 1930s, as the theme of radio shows sponsored by Lucky Strike cigarettes. In 1932, the song became closely associated to the presidential campaign of New York Democratic Governor Franklin Delano Roosevelt in his effort to unseat incumbent President Herbert Hoover. When Roosevelt arrived in Chicago to accept his party’s nomination for president, he entered the room to the sound of “Happy Days Are Hear Again.” The song and its cheerful lyrics matched Roosevelt’s upbeat tempo and stood in stark contrast to Hoover’s demeanor. In addition, the song resonated throughout the nation as most Americans were looking to Roosevelt in hopes that his pledge of “a new deal for the American people” would usher them safely through the Great Depression into a new era of economic prosperity. “Happy Days Are Here Again” has long been associated with the Democratic party, and remains a sentimental favorite for its political leaders and supporters such as singer and actress Barbara Streisand, who has recorded her own version of the song. “Happy Days Are Here Again” is listed as #47 on the Recording Industry Association of America's list of "Songs of the Century". ---------------------------------------------------------------------------------------------------------------------- “Happy Days Are Here Again” by Jack Yellen & Milton Alger As recorded by Leo Reisman and His Orchestra, with Lou Levin, vocal (November 1929) for the 1930 MGM movie Chasing Rainbows . -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
Callbacks Sheet
Cast List - Drive In Theater Showcase 2020 Skylarks Thunderbirds Holiday Inn - Steppin' Out With My Baby Holiday Inn - Steppin' Out With My Baby Character First Name Last Name Character First Name Last Name Announcer Macey DiBastiani Announcer Mikey Mikkonen Dancer (F) Deanna Rosado Dancer (F) Julia Grohal Dancer (M) John Mayers Dancer (M) Patrick Barker Dancer (F) Alli Walker Dancer (F) Julia Latko Dancer (M) Logan Dill Dancer (M) Owen Mechling Dancer (F) Madelyn Michenzi Dancer (F) Jenni Truong Dancer (M) Kyle Billings Dancer (M) Aiden Silva Dancer (F) Kate Traeger Dancer (F) Katie Truong Dancer (M) Coda Heck Dancer (M) Ryan Smith Jim Hardy Shane Watson Jim Hardy Michael Daiuto Ted Hanover Curtis Druck Ted Hanover Nick Dilley Lila Dixon Ashlee Bowers Lila Dixon Natalie Thomas Into the Woods - Prologue Into the Woods - Prologue Character First Name Last Name Character First Name Last Name Narrator Sam Elsen Narrator Owen Mechling Cinderella Alaina Uricheck Cinderella Sophia Wetzel Jack John Mayers Jack Patrick Barker Baker Shane Watson Baker Nick Dilley Baker's Wife Grace Anne Shaw Baker's Wife Juliana Quintilian Step Mother Erica Broadaway Step Mother Charolette Hanshew Lucinda Logan MacDougall Lucinda Caroline Dumm Florinda Brecken MacDougall Florinda Tori Farmer Jack's Mother Reagan Czahor Jack's Mother Tess Becket Little Red Sydnee Bowers Little Red Julia Eakes Witch Ashlee Bowers Witch Maddie Rader Cinderella's Father Coda Heck Cinderella's Father Aiden Silva Milky White (Puppet) Macey DiBastiani Milky White (Puppet) Leah Monk Milky -
Quick, Timely Reads on the Waterfront
Quick, Timely Reads On the Waterfront Bugging State Street: An Erie Rite of Passage By David Frew July 2021 Dr. David Frew, a prolific writer, author, and speaker, grew up on Erie's lower west side as a proud "Bay Rat," joining neighborhood kids playing and marauding along the west bayfront. He has written for years about his beloved Presque Isle and his adventures on the Great Lakes. In this series, the JES Scholar-in-Residence takes note of life in and around the water. The 1950 Mercury was a popular artist’s pallet for the car crazies. Erie, Pennsylvania was not the only city where it happened. Teenagers in other towns had similar car-related customs. But the unique geography of the city made the popular pastime of driving up and down State Street in cars a special experience. During the 1950s, especially in the summer, hundreds of carloads of teens would find their way to State Street and begin a seemingly strange (to adults) nightly passage. Choosing one of three traditional entry portals, the cars would turn onto State Street either at 12th, 18th, or 26th streets and slowly descend the city’s main drag to the Public Dock (today’s Dobbins Landing). Almost seeking red lights, the perpetual parade of automobiles would crawl along, welcoming the opportunity to pause at each stoplight to rev engines and pop clutches. It was cool to “peel out” as you pulled away from a red light, even if there were just a few feet of space between you and the car ahead of you.