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DOCUMENT RESUME RC 021 689 AUTHOR Many Nations
DOCUMENT RESUME ED 424 046 RC 021 689 AUTHOR Frazier, Patrick, Ed. TITLE Many Nations: A Library of Congress Resource Guide for the Study of Indian and Alaska Native Peoples of the United States. INSTITUTION Library of Congress, Washington, DC. ISBN ISBN-0-8444-0904-9 PUB DATE 1996-00-00 NOTE 357p.; Photographs and illustrations may not reproduce adequately. AVAILABLE FROM Superintendent of Documents, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Books (010) Guides Non-Classroom (055) -- Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC15 Plus Postage. DESCRIPTORS *Alaska Natives; American Indian Culture; *American Indian History; American Indian Languages; *American Indian Studies; *American Indians; Annotated Bibliographies; Federal Indian Relationship; *Library Collections; *Resource Materials; Tribes; United States History IDENTIFIERS *Library of Congress ABSTRACT The Library of Congress has a wealth of information on North American Indian people but does not have a separate collection or section devoted to them. The nature of the Librarv's broad subject divisions, variety of formats, and methods of acquisition have dispersed relevant material among a number of divisions. This guide aims to help the researcher to encounter Indian people through the Library's collections and to enhance the Library staff's own ability to assist with that encounter. The guide is arranged by collections or divisions within the Library and focuses on American Indian and Alaska Native peoples within the United States. Each -
Ethnobotany List 121
bookfever.com list 121 ETHNOBOTANY We are pleased to present our first list dedicated to books in the general area of Ethnobotany. The study of useful plants is an ancient discipline, but the term ethnobotany to indicate a sepa- rate and distinct branch of the natural sciences did not come into use until 1895. It is, by defini- tion, interdisciplinary, drawing from botany, medicine, anthropology, religion, religion, history, pharmacology, phytochemistry and conservation and the books we offer reflect this wide range of disciplines. Although simply listed alphabetically by author, there are many books related to the use of plants in Africa, Hawaii and the Pacific, Asia and the Americas, and others describing the use of psychoactive plants in ancient religions and modern times. Brief terms: Please call or email to hold. Prices include media mail shipping in the USA. Other countries incremental cost. Payment may be by credit card, Paypal or check. Institutions may request an invoice. 1. Adler, Leonore Loeb and B. Runi Mukherji, editors. SPIRIT VERSUS SCALPEL: Traditional Healing and Modern Psychotherapy. Westport, CT & London: Bergin & Garvey, (1995) First printing. "Unique presentation of traditional and modern healing and mental health practices." Fore- words by Albert Pepitone and Uwe P. Gielen, introduction by the editors. Contains 15 papers, including J. Beatty "Cultural Perceptions of Life & Death"; D.A.Louw & E. Pretorius "The Traditional Healer in a Multicultural Society: The South African Experience"; E. Golomb "Oracles in Ladakh: A Personal Experience"; N.R. Mrinal, et al: "Traditional Healing in India"; S.S. de Silva & W.J. Epps "A Study of Curative Options Available in the Southern Province of Sri Lanka"; A. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA. -
AITKEN ALEXANDER London Book Fair 2019
AITKEN ALEXANDER ASSOCIATES London Book Fair 2019 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland and Italy Email: [email protected] ANNA WATKINS Brazil, Bulgaria, China, Croatia, Czech Republic, Denmark, Estonia, Finland, Greece, Hungary, Iceland, Indonesia, Israel, Japan, Korea, Latvia, Lithuania, Macedonia, Norway, Portugal, Poland, Romania, Russia, Slovakia, Slovenia, Spain, Taiwan, Thailand and Turkey Email: [email protected] MONICA MACSWAN All Arabic and Indian language territories Email: [email protected] Literary Agents Centre Tables: Anna – 33f, Monica – 33e, Lisa – 34f For Film and Television Rights please contact: LESLEY THORNE Email: [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander @aitkenalexander Contents Page Fiction: The Wisdom of Bones by Kitty Aldridge p.1 Saltwater by Jessica Andrews p.2 The Body Lies by Jo Baker p.3 My Sister, the Serial Killer by Oyinkan Braithwaite p.4 In the Full Light of the Sun by Clare Clark p.5 Your Fault by Andrew Cowan p.6 This Brutal House by Niven Govinden p.7 The Porpoise by Mark Haddon p.8 Rabbit Foot Bill by Helen Humphreys p.9 The Harpy by Megan Hunter p.10 The Great Wide Open by Douglas Kennedy p.11 When We Were Rich by Tim Lott p.12 The Anthill by Julianne Pachico p.13 Lanny by Max Porter p.14 All the Water in the World by Karen Raney p.15 The Sandpit by Nicholas Shakespeare -
EFA Vzw / Asbl
EFA vzw / asbl TITLE I: NAME – REGISTERED TITRE I: NOM – SIEGE SOCIAL – BUT OFFICE - PURPOSE - TERM – DUREE Article 1: Nom, siège social Article 1: Name, registered office L'Association, dont la durée est illimitée, The Association, created for an unlimited a pour dénomination "European Festivals period of time, bears the name Association", en abrégé "EFA". "European Festivals Association", abbreviated "EFA". L'Association a son siège à 1000 Bruxelles, Rue Ravenstein 36, dans The Association has its main office in l'arrondissement judiciaire de Bruxelles. 1000 Bruxelles, Ravensteinstraat 36, judicial district of Brussels. Le siège peut être déplacé dans une autre localité du même arrondissement The main office can be moved to another judiciaire par décision de l'Assemblée location within the same judicial district Générale. Cette décision est transmise by decision of the General Meeting. Such au greffe du Tribunal de commerce et a decision is transmitted to the registry publiée dans les 30 jours aux annexes of the Commercial Court and published du Moniteur Belge. in the enclosures of the Moniteur Belge / Belgisch Staatsblad within 30 days. Tout document émanant de l'Association doit porter son nom, directement All documents emanating from the précédé ou suivi par les mots Association should mention its name, "association sans but lucratif" ou par immediately preceded or followed by the l'abréviation "asbl" ou "vzw". words “association sans but lucratif" or 'vereniging zonder winstoogmerk" or by the abbreviation “asbl" or "vzw”. Article -
Disc A: Miniaturised Concertos (Total Duration 58:48)
disc A: Miniaturised Concertos (total duration 58:48) 1 Swimming with the Stone Book (Andrew Poppy) 15:43 Kate Halsall, Fumiko Miyachii: pianos F Andrew Poppy: keyboard Joel Bell: electric guitar F Ruth Goller: electric bass F Lucy Shaw: upright bass Robert Millett & Jeremy Barnett: percussion 2 Always again (Naomi Pinnock) 13:48 Kate Halsall, Fumiko Miyachi: pianos F Delia Stevens: percussion 3 Furor (Philip Cashian) 9:14 Kate Halsall, Fumiko Miyachi: pianos Ensemble Dark Inventions, conductor Chris Leedham 4 Hanging in the Balance (Colin Riley) 19:54 I Ritual Groove II Break, Tackle and Bowl III Scent of an Ending Kate Halsall, Fumiko Miyachi: pianos James Waterworth: electronics, sound design video track not on album: Katharine Norman: Making Place 16:15 Kate Halsall (pianos) Buy the download (£2.00 or $3.50) at http://www.divineartrecords.com/CD/makingplace.htm Stream video on YouTube at https://youtu.be/RZLwjCh6j5E in case of difficulty accessing video contact [email protected] disc B: Maché (total duration 39:39) 1 Maché 1 16:20 Duncan MacLeod: Cut, Strike, Grip, Throw * Kate Halsall, Fumiko Miyachi: keyboards F Duncan MacLeod: electronics Simon Vincent: Study No. 3 * Kate Halsall, Martin Butler:pianos F Simon Vincent: electronic soundtrack Joel Bell: bell-like * Kate Halsall, Martin Butler: pianos F Joel Bell: e.guitar Ryoko Akama: an.dt.wo * Kate Halsall, Fumiko Miyachi: pianos 2 Maché 2 5:38 Dominic Murcott: Time and Place* Kate Halsall: pianos F Sounds of Chatham Historic Dockyard recorded by Chris Lewis 3 Maché 3 12:45 -
Simon Biggs Born 1957, Adelaide, Australia. [email protected]
Simon Biggs born 1957, Adelaide, Australia. [email protected], http://www.littlepig.org.uk/ grants & awards 2018 Research Themes Investment Scheme, PhD studentship, University of South Australia ($80,046), Australia 2017 Chief Investigator, Creative Embodied Movement Design Network (Swinburne), Australian Research Council ($350,000) 2015 Strategic Research Infrastructure Grant, University of South Australia ($43,500), Australia 2013 Artist in Residence, Bundanon Trust, NSW, Australia SPIRES research travel grant, University of California, Davis, USA 2012-14 Co-Investigator, Design in Action Knowledge Exchange Hub, Arts and Humanities Research Council (£5 million), UK 2010-14 Principal Investigator, Moving Targets, Scottish Funding Council, Spirit programme (£1.2 million), UK 2010-13 Principal Investigator, ELMCIP, Humanities in the European Research Area, Joint Research Programme (€1 million), EU 2010 Artist in Residence, Bundanon Trust, NSW, Australia 2007 Alt-W Research and Development bursary (with Sue Hawksley), New Media Scotland, UK 2003-04 Artist's Research Fellowship, Arts and Humanities Research Board, (£32,000) Cambridge University, UK 2003 Travel and Exhibition Grant, British Council, Sao Paulo, Brazil/UK 2002 Travel and Exhibition Grant, British Council, Sao Paulo, Brazil/UK New Technology Arts Fellowship, Arts Council of England, Cambridge University, UK 2000 Project Grant, Arts Council of England, New Audiences Fund, UK 1999 Project Grant, Arts Council of England, Combined Arts, UK 1998 Performance Grant, Arts Council -
Bibliographies of Northern and Central California Indians. Volume 3--General Bibliography
DOCUMENT RESUME ED 370 605 IR 055 088 AUTHOR Brandt, Randal S.; Davis-Kimball, Jeannine TITLE Bibliographies of Northern and Central California Indians. Volume 3--General Bibliography. INSTITUTION California State Library, Sacramento.; California Univ., Berkeley. California Indian Library Collections. St'ONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. Office of Library Programs. REPORT NO ISBN-0-929722-78-7 PUB DATE 94 NOTE 251p.; For related documents, see ED 368 353-355 and IR 055 086-087. AVAILABLE FROMCalifornia State Library Foundation, 1225 8th Street, Suite 345, Sacramento, CA 95814 (softcover, ISBN-0-929722-79-5: $35 per volume, $95 for set of 3 volumes; hardcover, ISBN-0-929722-78-7: $140 for set of 3 volumes). PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS American Indian History; *American Indians; Annotated Bibliographies; Films; *Library Collections; Maps; Photographs; Public Libraries; *Resource Materials; State Libraries; State Programs IDENTIFIERS *California; Unpublished Materials ABSTRACT This document is the third of a three-volume set made up of bibliographic citations to published texts, unpublished manuscripts, photographs, sound recordings, motion pictures, and maps concerning Native American tribal groups that inhabit, or have traditionally inhabited, northern and central California. This volume comprises the general bibliography, which contains over 3,600 entries encompassing all materials in the tribal bibliographies which make up the first two volumes, materials not specific to any one tribal group, and supplemental materials concerning southern California native peoples. (MES) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** U.S. -
Music of the American Indian: Plains: Comanche, Cheyenne, Kiowa
The Library of Congress Motion Picture, Broadcasting and Recorded Sound Division Recording Laboratory AfS L39 MUSIC OF THE AMERICAN INDIAN PLAINS: COMANCHE, CHEYENNE, KIOWA, CADDO, WICHITA, PAWNEE From the Archive of Folk Culture Recorded and Edited by Willard Rhodes First issued on long-playing record in 1954. Accompanying booklet published 1982. Library of Congress Catalog Card Number 82-743369 Available from the Recording Laboratory, Library of Congress, Washington, D .C. 20540. Cover illustration: DANCE OF THE DOG SOLDIER SOCIETIES, by Dick West. Courtesy Philbrook Art Center. Dedicated to the memory of Willard W. Beatty, Director of Indian Education for the Bureau of Indian Affairs, Department of the Interior, from 1937 to 1951. • • FOREWORD TO THE 1954 EDITION • • For a number of years the Bureau of Indian Affairs has sponsored the recording of typical Indian music throughout the United States. During this time approximately a thousand Indian songs have been recorded by Mr. Willard Rhodes, professor of music at Columbia Univer sity. The study originated in an effort to deter mine the extent to which new musical themes were continuing to develop. Studies have shown that in areas of Indian concentration, especially in the Southwest, the old ceremonial songs are still used in the traditional fashion. In the Indian areas where assimilation has been greater, Indian type music is still exceedingly popular. There is considerable creative activity in the development of new secular songs which are used for social gatherings. These songs pass from reservation to reservation with slight change. While the preservation of Indian music through recordings contributes only a small part to the total understanding of American Indians, it is nevertheless an important key to this understand ing. -
Summer 2013 Boston Symphony Orchestra
boston symphony orchestra summer 2013 Bernard Haitink, LaCroix Family Fund Conductor Emeritus, Endowed in Perpetuity Seiji Ozawa, Music Director Laureate 132nd season, 2012–2013 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Arthur I. Segel • Thomas G. Stemberg • Caroline Taylor • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Thelma E. Goldberg • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Nathan R. Miller • Richard P. Morse • David Mugar • Mary S. Newman • Vincent M. O’Reilly • William J. Poorvu • Peter C. Read • Edward I. Rudman • Richard A. Smith • Ray Stata • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. -
MUSIC of the AMERICAN INDIANS SIOUX from the Archive Offolk Culture
The Library of Congress Motion Picture, 8rOCldcaSting Clnd Recorded Sound Division Recording Laboratory AFS L40 MUSIC OF THE AMERICAN INDIANS SIOUX From the Archive ofFolk Culture Recorded and E.dited by Willard Rhodes First issued on long-playing record in 1954. Accompanying booklet published 1987. Library of Congress Catalog Card Number 82-743370. Available from the Recording Laboratory, Library of Congress, Washington, D.C. 20540. Cover illustration: SIOUX SUN DANCE, by Oscar Howe. Courtesy Philbrook Art Center. • II • Dedicated to the memory of Willard W. Beatty, Director of Indian Education for the Bureau of Indian Affairs, Department of the Interior, from 1937 to 1951. • II • • • FOREWORD TO THE 1954 EDITION • • For a number of years the Bureau of Indian Affairs has sponsored the recording of typical Indian music throughout the United States. During this time approximately a thousand Indian songs have been recorded by Mr. W illard Rhodes, professor of music at Columbia Univer sity. The study originated in an effort to deter mine the extent to which new musical themes were continuing to develop. Studies have shown that in areas of Indian concentration, especially in the Southwest, the old ceremonial songs are still used in the traditional fashion. In the Indian areas where assimilation has been greater, Indian type music is still exceedingly popular. There is considerable creative activity in the development of new secular songs which are used for social gatherings. These songs pass from reservation to reservation with slight change. While the preservation of Indian music through recordings contributes only a small part to the total understanding of American Indians, it is nevertheless an important key to this understand ing.