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The Anthony Powell Society
The Anthony Powell Society Newsletter Issue 2: Spring 2001 50p 1 Editorial beautiful, narcissistic mother of South African origins, wrapped in the comforts of wealth created from gold, by Stephen Holden according to Uncle Giles; the beautiful Lady Warrington, before her curious marriage to Buster Foxe; the magnificent country residence, Glimber, which she holds As this second edition of the Newsletter goes out, it is less only temporarily; the house in London near Berkeley than one month till the First Biennial Anthony Powell rd Square, "a gloomy, double-fronted facade, flanked on Conference takes place on 23 April 2001 at Eton either side with hollow cones for the linkmen's torches... College. The conference has already started to attract all in an obscure way, depressing." comment in the British press, and it promises to be a stimulating day and one, I am sure, that will not be Her mother has a deadening effect on Charles' spirits; this without controversy. There are still places left, so take my is mentioned repeatedly. According to Templer, "She advice and book now, using the booking form attached or gave his sister absolute hell until she married the first man via the Anthony Powell webpages if you wish. who came along... She led his father a dance too." As Charles was obviously aware, "there would be precious This edition contains articles on Charles Stringham (with little money left for him if Mrs Foxe continued spending further meditations promised), and on Powell’s sometimes at her present rate," which must have given a transient fractious friendship with Kingsley Amis; also a round-up quality to life as Charles knew it. -
Book Reviews
BOOK REVIEWS Lawrence Phillips, ed. The Swarming Streets. Twentieth-Century Literary Representations of London. Amsterdam-New York: Rodopi, 2004. 227 pp. Regina Rudaityte (Vilnius, Lithuania) Cities, like people, are living-beings, changing shape, outlines the discourse of desire concentrating on flickering and bustling, deteriorating and coming to flanerie and womens conflicted experience of the life again; they arouse enormous interest and make London street in the early twentieth century(p.18) a fascinating object for dissection and exploration. in the fiction of Virginia Woolf and Dorothy Since the emergence of Modernism, literature has Richardson. It is obvious that the tension between always been concerned with the city as its setting streetwalking, presupposing the pursuit of freedom and metaphorical space. According to Malcolm on the one hand, and the representation of the Bradbury, who notably wrote interesting London street as an arena of potential risk and sexual observations about cities of Modernism in general danger for women on the other hand, puts women in and about London in particular, the London marginalized positions in the city. cityscape becomes important literary subject-matter While in Mrs Dalloway streetwalking is a mind- and the source of new forms. altering and ecstatic activity for V.Woolfs heroine, London and its changing identity throughout the as Vicki Tromanhausers essay Virginia Woolfs twentieth century is also the focus of the collection London and the Archeology of Character demon- of essays under review The Swarming Streets. strates, and London is represented through the Twentieth-Century Literary Representations of projection of the human psyche onto it linking London which alongside the illuminating book space and consciousness was essential for Woolfs Streetwalking the Metropolis: Women, the City, and concept of character. -
Masterpiece Theatre – the First 35 Years – 1971-2006
Masterpiece Theatre The First 35 Years: 1971-2006 Season 1: 1971-1972 The First Churchills The Spoils of Poynton Henry James The Possessed Fyodor Dostoyevsky Pere Goriot Honore de Balzac Jude the Obscure Thomas Hardy The Gambler Fyodor Dostoyevsky Resurrection Leo Tolstoy Cold Comfort Farm Stella Gibbons The Six Wives of Henry VIII ▼ Keith Michell Elizabeth R ▼ [original for screen] The Last of the Mohicans James Fenimore Cooper Season 2: 1972-1973 Vanity Fair William Makepeace Thackery Cousin Bette Honore de Balzac The Moonstone Wilkie Collins Tom Brown's School Days Thomas Hughes Point Counter Point Aldous Huxley The Golden Bowl ▼ Henry James Season 3: 1973-1974 Clouds of Witness ▼ Dorothy L. Sayers The Man Who Was Hunting Himself [original for the screen] N.J. Crisp The Unpleasantness at the Bellona Club Dorothy L. Sayers The Little Farm H.E. Bates Upstairs, Downstairs, I John Hawkesworth (original for tv) The Edwardians Vita Sackville-West Season 4: 1974-1975 Murder Must Advertise ▼ Dorothy L. Sayers Upstairs, Downstairs, II John Hawkesworth (original for tv) Country Matters, I H.E. Bates Vienna 1900 Arthur Schnitzler The Nine Tailors Dorothy L. Sayers Season 5: 1975-1976 Shoulder to Shoulder [documentary] Notorious Woman Harry W. Junkin Upstairs, Downstairs, III John Hawkesworth (original for tv) Cakes and Ale W. Somerset Maugham Sunset Song James Leslie Mitchell Season 6: 1976-1977 Madame Bovary Gustave Flaubert How Green Was My Valley Richard Llewellyn Five Red Herrings Dorothy L. Sayers Upstairs, Downstairs, IV John Hawkesworth (original for tv) Poldark, I ▼ Winston Graham Season 7: 1977-1978 Dickens of London Wolf Mankowitz I, Claudius ▼ Robert Graves Anna Karenina Leo Tolstoy Our Mutual Friend Charles Dickens Poldark, II ▼ Winston Graham Season 8: 1978-1979 The Mayor of Casterbridge ▼ Thomas Hardy The Duchess of Duke Street, I ▼ Mollie Hardwick Country Matters, II H.E. -
`The Campus Novel`: Kingsley Amis, Malcolm Bradbury, David Lodge – a Comparative Study
`The Campus Novel`: Kingsley Amis, Malcolm Bradbury, David Lodge – a comparative study Lucie Mohelníková Bachelor Thesis 2009 ***scanned submission page 2*** ABSTRAKT Hlavním zám ěrem této práce nebylo pouze p řiblížit žánr “univerzitního románu” a jeho nejznám ější britské autory, ale také vysv ětlit a ukázat, pro č se univerzitní romány Kingsleyho Amise a jeho následovník ů Malcolma Bradburyho a Davida Lodge t ěší tak velké popularit ě. Každý z t ěchto autor ů m ěl sv ůj osobitý styl psaní a vytvo řil nezapomenutelný satirický román. Klí čová slova: rozlobení mladí muži, Hnutí, Jim Dixon, Stuart Treece, Phillip Swallow, Morris Zapp, univerzitní román ABSTRACT The main intention of this thesis is not only to introduce the genre of “campus novel” and its most known British authors but also to explain and demonstrate why the campus novels by Kingsley Amis and his successors Malcolm Bradbury and David Lodge are that much popular. Each of these authors had his own individual style of writing and created an unforgettable satiric novel. Keywords: Angry Young Men, The Movement, Jim Dixon, Stuart Treece, Phillip Swallow, Morris Zapp, campus novel ACKNOWLEDGEMENTS I would like to thank my supervisor Mgr. Barbora Kašpárková for her kind help and guidance throughout my thesis. DECLARATION OF ORIGINALITY I hereby declare that the work presented in this thesis is my own and certify that any secondary material used has been acknowledged in the text and listed in the bibliography. March 13, 2009 …………………………………… CONTENT 1 CAMPUS NOVEL ........................................................................................................9 -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Golden Man Booker Prize Shortlist Celebrating Five Decades of the Finest Fiction
Press release Under embargo until 6.30pm, Saturday 26 May 2018 Golden Man Booker Prize shortlist Celebrating five decades of the finest fiction www.themanbookerprize.com| #ManBooker50 The shortlist for the Golden Man Booker Prize was announced today (Saturday 26 May) during a reception at the Hay Festival. This special one-off award for Man Booker Prize’s 50th anniversary celebrations will crown the best work of fiction from the last five decades of the prize. All 51 previous winners were considered by a panel of five specially appointed judges, each of whom was asked to read the winning novels from one decade of the prize’s history. We can now reveal that that the ‘Golden Five’ – the books thought to have best stood the test of time – are: In a Free State by V. S. Naipaul; Moon Tiger by Penelope Lively; The English Patient by Michael Ondaatje; Wolf Hall by Hilary Mantel; and Lincoln in the Bardo by George Saunders. Judge Year Title Author Country Publisher of win Robert 1971 In a Free V. S. Naipaul UK Picador McCrum State Lemn Sissay 1987 Moon Penelope Lively UK Penguin Tiger Kamila 1992 The Michael Canada Bloomsbury Shamsie English Ondaatje Patient Simon Mayo 2009 Wolf Hall Hilary Mantel UK Fourth Estate Hollie 2017 Lincoln George USA Bloomsbury McNish in the Saunders Bardo Key dates 26 May to 25 June Readers are now invited to have their say on which book is their favourite from this shortlist. The month-long public vote on the Man Booker Prize website will close on 25 June. -
BOOKERJEVA NAGRADA (Man Booker Prize) Je Nagrada Za
BOOKERJEVA NAGRADA (Man Booker Prize) Je nagrada za najboljši roman v angleškem jeziku, ki ga je napisal avtor iz Commonwealtha ali Irske, podeljuje jo Booker Prize Foundation od leta 1969. In velja za eno najuglednejših književnih nagrad v angleško govorečem svetu. Nagrajene knjige, ki jih imamo v naši knjižnični zbirki, so označene debelejše: 2020 Douglas Stuart: SHUGGIE BAIN 2019 Margaret Atwood: TESTAMENTI in Bernardine Evaristo: GIRL, WOMAN, OTHER 2018 Anna Burns: MILKMAN 2017 Geroge Saunders: LINCOLN IN THE BARDO 2016 Paul Beatty: THE SELLOUT 2015 Marlon James: A BRIEF HISTORY OF SEVEN KILLINGS 2014 Richard Flanagan: THE NARROW ROAD TO THE DEEP NORTH (Ozka pot globoko do severa, 2017) 2013 Eleanor Catton: THE LUMINARIES 2012 Hilary Mantel: BRING UP THE BODIES 2011 Julian Barnes: THE SENSE OF AN ENDING (Smisel konca, 2012) 2010 Howard Jacobson: THE FINKLER QUESTION (Finklersko vprašanje, 2012) 2009 Hilary Mantel: WOLF HALL 2008 Aravind Adiga: THE WHITE TIGER (Beli tiger, 2010; prev. Marko Trobevšek) 2007 Anne Enright: THE GATHERING (Shajanje, 2013) 2006 Kiran Desai: THE INHERITANCE OF LOSS (Dediščina izgube, 2007) 2005 John Banville: THE SEA (Morje, 2006) 2004 Alan Hollinghurst: THE LINE OF BEAUTY (Linija lepote, 2006) 2003 DBC Pierre: VERNON GOD LITTLE (Vernon Gospod Little, 2004) 2002 Yann Martel: LIFE OF PI (Pijevo življenje, 2004) 2001 Peter Carey: TRUE HISTORY OF THE KELLY GANG 2000 Margaret Atwood: THE BLIND ASSASSIN (Slepi morilec, 2010) 1999 J. M. Coetzee: DISGRACE (Sramota, 2004) 1998 Ian McEwan: AMSTERDAM (Amsterdam, 2004) 1997 Arundhati Roy: THE GOD OF SMALL THINGS (Bog majhnih stvari, 2000) 1996 Graham Swift: LAST ORDERS (Zadnja želja, 2007) 1995 Pat Barker: THE GHOST ROAD 1994 James Kelman: HOW LATE IT WAS, HOW LATE (Kako pozno, pozno je bilo, 2006) 1993 Roddy Doyle: PADDY CLARKE HA HA HA (1995) 1992 Michael Ondaatje: THE ENGLISH PATIENT (Angleški pacient, 1998) Barry Unsworth: SACRED HUNGER 1991 Ben Okri: THE FAMISHED ROAD (Cesta sestradanih, 2016) 1990 A. -
Research Paper Commerce Medical Science Cultural Studies In
Volume-4, Issue-12, Dec-2015 • ISSN No 2277 - 8160 Commerce Research Paper Medical Science Cultural Studies In Kingsley Amis’ Take A Girl Like You Ms. RASHMI RANI Lokmanya Tilak College of Engineering, Koparkhairane, Navi Mumbai ABSTRACT Kingsley Amis’s most ambitious reckoning with his central theme- the degradation of modern life—introduces one of the rare unqualified good guys in Amis’s rogue-ridden world: Jenny Bunn, a girl from the North English country has come south to teach school in a small smug town where she hopes to find love and fortune. The novel centers on the (increasingly desperate and cruel) attempts of Patrick Standish, a 30 year old schoolmaster at the local grammar school, to seduce Jenny, against a backdrop of his skirmishes with his school authorities and with the shabby, suburban middle class milieu in which the novel is set. In this novel, Kingsley Amis highlights the culture of British Society in 1950s. KEYWORDS : Culture, Comedy, Morality, Realistic Every human society has its own particular culture, or socio-cultural with the moral rather than the practical problems of life, and deals in system, which overlaps to some extent with other systems. Variation a more or less straight- forward way with the problem of maintaining among socio-cultural systems is attributable to physical habitats and some kind of standards in modern life. resources, to the range of possibilities inherent in various areas of activity, such as rituals, language and customs, and the manufacture Amis introduces his heroine; Jenny Bunn, as a beautiful, educat- and use of tools, and to the degree of social development. -
How the Booker Prize Won the Prize 206
How the Booker Prize Won the Prize 206 DOI: 10.2478/abcsj-2019-0023 American, British and Canadian Studies, Volume 33, December 2019 How the Booker Prize Won the Prize MERRITT MOSELEY University of North Carolina at Asheville, USA Abstract This article shows that the Booker Prize for fiction, which is neither the oldest nor the richest award given for novels in English, is nevertheless widely conceded to be the pre-eminent recognition. Sometimes it is called the "most significant"; sometimes the "most famous"; ultimately these two qualities are inseparable. I canvass some of the explanations for the Booker's position as top prize and argue that the most important reasons are Publicity, Flexibility, and Product Placement. The Booker has managed its public image skillfully; among the devices that assure its continued celebrity is the acceptance, almost the courting, of scandal. Flexibility is partly a function of the practice of naming five new judges each year, but the Booker has also been responsive to challenges, including the recognition that it paid too little attention to female authors. The decision to admit American books into the competition was a sign of flexibility, as it was a guarantee of scandal. And the Booker has followed a path of "product placement" that positions it accurately between demands for high art and for "readability," as examination of several periods in its history demonstrate. Keywords : Booker Prize; scandal; shortlist; popular novel; literary novel; Martyn Goff; American; Orange Prize; publicity; product placement Anthony Thwaite, writing in 1986, declared that The Booker Prize “is internationally recognized as the world’s top fiction prize.” An English author who was a Booker judge at the time, he may be suspected of some partisan overreach. -
The Presentation Op Morality in the Novels of Kingsley
THE PRESENTATION OP MORALITY IN THE NOVELS OF KINGSLEY AMIS Michael Laine B.A., McGill University, 1956 B.A., University of Oxford, 1958 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1962 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of £ <h$)/iX. The University of British Columbia, Vancouver 8, Canada. Date CL /C /ICQ. ABSTRACT One thesis examines the novels of the young British writer, Kingsley Amis, and attempts to assess his contribution to the modern novel in terms of the moral code which he presents and in terms of his success in presenting it. Chapter One dissociates Amis from the myth of the "Angry Young Men" and shows that he himself will not be placed in any movement. The chapter goes on to discuss his position as a satirist and illustrates his requirement that satire have a moral basis. At this point certain parallels with the work of Fielding are discussed. The chapter shows how much the moral position depends upon seeing Amis's heroes as decent, and tentatively defines decency as it appears to him. -
Introduction
Notes Introduction 1. The choice of literary fiction to the general exclusion of popular fiction is partly because the latter’s response to the Cold War has received some study, but also because study of the topic tends to overemphasise its source material. For example, see LynnDiane Beene paraphrased in Brian Diemert, ‘The Anti- American: Graham Greene and the Cold War in the 1950s’, in Andrew Hammond, ed., Cold War Literature: Writing the Global Conflict (London and New York: Routledge, 2006), p. 213; and David Seed, American Science Fiction and the Cold War: Literature and Film (Edinburgh: Edinburgh University Press, 1999), p. 192. 2. Caute, Politics and the Novel during the Cold War (New Brunswick and London: Transaction Publishers, 2010), p. 76. 3. Richard J. Aldrich, ‘Introduction: Intelligence, Strategy and the Cold War’, in Aldrich, ed., British Intelligence, Strategy and the Cold War, 1945–51 (London and New York: Routledge, 1992), p. 1. For useful summaries of the different schools of Cold War historiography, see S.J. Ball, The Cold War: An International History, 1947– 1991 (London and New York: Arnold, 1998), pp. 1–4; and Ann Lane, ‘Introduction: The Cold War as History’, in Klaus Larres and Lane, eds, The Cold War: The Essential Readings (Oxford and Malden: Blackwell, 2001), pp. 3–16. 4. Dwight D. Eisenhower quoted in John Lewis Gaddis, The Cold War, new edn (2005; London: Penguin, 2007), p. 123. In the mid-1940s, the US assertion that ‘in this global war there is literally no question, political or military, in which the United States is not interested’ was soon echoed by Vyacheslav Molotov’s claim that ‘[o]ne cannot decide now any serious problems of international relations without the USSR’ (quoted in Paul Kennedy, The Rise and Fall of the Great Powers: Economic Change and Military Conflict from 1500 to 2000, new edn (1987; New York: Vintage Books, 1989), p. -
Kingsley Without the Women Biography & Memoirs Times Online
Kingsley without the women Biography & Memoirs Times Online http://tls.timesonline.co.uk/printFriendly/0,,21802318725765332318... CLICK HERE TO PRINT CLOSE WINDOW Times Online January 31, 2007 Kingsley without the women Clive James ::nobreak:: Zachary Leader THE LIFE OF KINGSLEY AMIS 1,008pp. Cape. £25 (US 439.95). 978 224 06227 5 In his early role as Lucky Jim, Kingsley Amis declared the awkward essence of his personality: “I’m the boredom detector”. That ability, or affliction, qualified all his other propensities, even the one for multitargeted amorous desire. In Zachary Leader’s long, thorough and generally judicious new biography, Amis’s spasmodic quest for emotional satisfaction is rarely out of the picture. The novelist, poet, critic, teacher and bibulous clubman we more or less frequently meet, but the man with sex on his mind we seldom escape. Journalists understandably find this material an alluring compost in which to burrow. But even here they tend to miss the spiritual element, signalled by how easily the universal lover – Roger Micheldene in One Fat Englishman was one of these, and clearly a disgusted portrait of his author – could be put off by an illconsidered remark from the object of his quest. In missing that, the critics miss half the secret: it wasn’t just an itching id that made Amis restless. The truly dedicated bedroom operator is seldom daunted by a cliché coming from the mouth he longs to kiss. With Amis it was otherwise. A word out of order from the fair face on the pillow could set him reaching for his trousers.