Masterpiece Theatre – the First 35 Years – 1971-2006
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Lost Prince Pack Latest
Miranda Richardson Miranda Richardson Miranda Richardson portrays Queen Mary, the Stranger,The Crying Game, Enchanted April, Damage, emotionally repressed mother of Prince John.A Empire Of The Sun,The Apostle and Spider (Official fundamentally inhibited character, she is a loving Selection, Cannes 2002), as well as the mother but has great difficulty communicating with unforgettable Queenie in the BBC’s Blackadder. She her son. says:“Mary had an absolute belief in the idea of duty. She thought that her husband’s word was the The actress, one of Britain’s most gifted screen law and believed in the divine right of kings. performers, immersed herself in research for the Although that view seems old-fashioned to us now, role and emerged with a clearer, more sympathetic she thought it could not be questioned. Ultimately, I idea about this often-maligned monarch. think this film understands Mary. It portrays her most sympathetically.” ‘’When people hear I’m playing Mary, they say, ‘Wasn’t she a dragon?’ But I’ve learnt from my For all that, Mary’s rigid adherence to the research that she wasn’t just a crabby old bag. She Edwardian code of ethics created a barrier may never have laughed in public, but that was between her and her independent-minded son, because she was shy. She felt she wasn’t able to Johnnie.“She loved him as fully as she could,” express her emotions in public.” Richardson reflects.“She knew that he was a free spirit who was able to be himself. Mary could never Miranda has gained a towering reputation for a be herself because she was always so serious, number of films, including Tom And Viv, Dance With A dedicated, dutiful and aware of her destiny. -
Lost Prince,The
THE LOST PRINCE Francis Hodgson Burnett CONTENTS I The New Lodgers at No. 7 Philibert Place II A Young Citizen of the World III The Legend of the Lost Prince IV The Rat V ``Silence Is Still the Order'' VI The Drill and the Secret Party VII ``The Lamp Is Lighted!'' VIII An Exciting Game IX ``It Is Not a Game'' X The Rat-and Samavia XI Come with Me XII Only Two Boys XIII Loristan Attends a Drill of the Squad XIV Marco Does Not Answer XV A Sound in a Dream XVI The Rat to the Rescue XVII ``It Is a Very Bad Sign'' XVIII ``Cities and Faces'' XIX ``That Is One!'' XX Marco Goes to the Opera XXI ``Help!'' XXII A Night Vigil XXIII The Silver Horn XXIV ``How Shall We Find Him? XXV A Voice in the Night XXVI Across the Frontier XXVII ``It is the Lost Prince! It Is Ivor!'' XXVIII ``Extra! Extra! Extra!'' XXIX 'Twixt Night and Morning XXX The Game Is at an End XXXI ``The Son of Stefan Loristan'' THE LOST PRINCE I THE NEW LODGERS AT NO. 7 PHILIBERT PLACE There are many dreary and dingy rows of ugly houses in certain parts of London, but there certainly could not be any row more ugly or dingier than Philibert Place. There were stories that it had once been more attractive, but that had been so long ago that no one remembered the time. It stood back in its gloomy, narrow strips of uncared-for, smoky gardens, whose broken iron railings were supposed to protect it from the surging traffic of a road which was always roaring with the rattle of busses, cabs, drays, and vans, and the passing of people who were shabbily dressed and looked as if they were either going to hard work or coming from it, or hurrying to see if they could find some of it to do to keep themselves from going hungry. -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
Book Reviews
BOOK REVIEWS Lawrence Phillips, ed. The Swarming Streets. Twentieth-Century Literary Representations of London. Amsterdam-New York: Rodopi, 2004. 227 pp. Regina Rudaityte (Vilnius, Lithuania) Cities, like people, are living-beings, changing shape, outlines the discourse of desire concentrating on flickering and bustling, deteriorating and coming to flanerie and womens conflicted experience of the life again; they arouse enormous interest and make London street in the early twentieth century(p.18) a fascinating object for dissection and exploration. in the fiction of Virginia Woolf and Dorothy Since the emergence of Modernism, literature has Richardson. It is obvious that the tension between always been concerned with the city as its setting streetwalking, presupposing the pursuit of freedom and metaphorical space. According to Malcolm on the one hand, and the representation of the Bradbury, who notably wrote interesting London street as an arena of potential risk and sexual observations about cities of Modernism in general danger for women on the other hand, puts women in and about London in particular, the London marginalized positions in the city. cityscape becomes important literary subject-matter While in Mrs Dalloway streetwalking is a mind- and the source of new forms. altering and ecstatic activity for V.Woolfs heroine, London and its changing identity throughout the as Vicki Tromanhausers essay Virginia Woolfs twentieth century is also the focus of the collection London and the Archeology of Character demon- of essays under review The Swarming Streets. strates, and London is represented through the Twentieth-Century Literary Representations of projection of the human psyche onto it linking London which alongside the illuminating book space and consciousness was essential for Woolfs Streetwalking the Metropolis: Women, the City, and concept of character. -
The Fall Free
FREE THE FALL PDF Albert Camus,Robin Buss | 96 pages | 03 Aug 2015 | Penguin Books Ltd | 9780141187945 | English | London, United Kingdom The Fall | Netflix As IMDb celebrates its 30th birthday, we The Fall six shows to get you ready for those pivotal years of your life Get some streaming picks. At a Los Angeles hospital in the s, Alexandria is a child recovering from a broken arm. She befriends Roy Walker, a movie stunt man with legs paralyzed after a fall. At her request, Roy tells her an elaborate story about six men of widely varied backgrounds who are on a quest to kill a corrupt provincial governor. Between chapters of the story, Roy inveigles Alexandria to scout the hospital's pharmacy for morphine. As Roy's fantastic tale nears its end, Death seems close at hand. The Fall is an interesting movie with a variety of features such as mystery, suspense, violence, romance etc. It mixes reality with fantasy. I personally enjoyed the movie. Although it seems a little bit complicated to The Fall, this The Fall gives us a lesson of loyalty. It is amazing to see how two persons of different age develop a very strong friendship. The character of the little girl really The Fall my heart. She is an adorable actress; so cute and tender. The scenes have been filmed in very attractive The Fall all over the world. That is one reason by which people keeps interested thorough the whole movie. I personally recommend this movie to everyone. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. -
Death and Nightingales”
FOR IMMEDIATE RELEASE RED ARROW STUDIOS INTERNATIONAL ACQUIRES DISTRIBUTION RIGHTS TO “DEATH AND NIGHTINGALES” MAJOR BBC DRAMA ADAPTED AND DIRECTED BY ALLAN CUBITT (“THE FALL”), PRODUCED BY THE IMAGINARIUM & SOHO MOON PICTURES LONDON. MAY 17, 2018: Red Arrow Studios INtErNatioNal has pickEd up the distribution rights to major NEw drama sEriEs “Death and Nightingales”, basEd on EugENE McCabE’s modErN Irish classic novEl. AdaptEd aNd dirEctEd by Allan Cubitt (“The Fall”), the 3 x 60’ drama sEriEs is aN ImagiNarium aNd Soho MooN PicturEs production for BBC Two. ImagiNarium’s JoNathan CavENdish (“ElizabEth: ThE GoldEN AgE”) is oN board to producE, with James MitchEll (“DrEams of a LifE”) for Soho MooN PicturEs and Tommy BulfiN (“PEaky BliNdErs”) for BBC Two as ExecutivE ProducErs. ThE sEriEs was commissionEd by Patrick HollaNd aNd PiErs WeNgEr, ControllEr of BBC Drama and is bEiNg supportEd by NorthErN IrElaNd ScrEEN. Red Arrow Studios INtErNatioNal will lauNch “Death and Nightingales” at MIPCOM 2018. McCabE’s “Death and Nightingales” is a rivetiNg story of love, betrayal, decEption and revENgE, sEt iN thE bEautiful, hauNtiNg couNtrysidE of Fermanagh, IrElaNd in 1885: a placE wherE NEighbours obsErvE Each other and iNform; a world of spiEs, coNfEssioNs and doublE dEaliNg; and whErE a pervading sEnsE of beauty is shot through with mEnacE and impENdiNg doom. Set ovEr a dEspEratEly tENsE 24-hour period, it is BEth WiNtErs’ 25th birthday - thE day shE has dEcidEd to joiN thE charmiNg Liam Ward aNd escape from hEr limited life aNd difficult aNd complex relatioNship with her ProtEstaNt laNdowNEr stEpfathEr, Billy. As dEcadEs of paiN aNd bEtrayal finally build to a devastating climax, this powErful and gripping drama illuminatEs tENsioNs that tEar both families aNd NatioNs apart. -
`The Campus Novel`: Kingsley Amis, Malcolm Bradbury, David Lodge – a Comparative Study
`The Campus Novel`: Kingsley Amis, Malcolm Bradbury, David Lodge – a comparative study Lucie Mohelníková Bachelor Thesis 2009 ***scanned submission page 2*** ABSTRAKT Hlavním zám ěrem této práce nebylo pouze p řiblížit žánr “univerzitního románu” a jeho nejznám ější britské autory, ale také vysv ětlit a ukázat, pro č se univerzitní romány Kingsleyho Amise a jeho následovník ů Malcolma Bradburyho a Davida Lodge t ěší tak velké popularit ě. Každý z t ěchto autor ů m ěl sv ůj osobitý styl psaní a vytvo řil nezapomenutelný satirický román. Klí čová slova: rozlobení mladí muži, Hnutí, Jim Dixon, Stuart Treece, Phillip Swallow, Morris Zapp, univerzitní román ABSTRACT The main intention of this thesis is not only to introduce the genre of “campus novel” and its most known British authors but also to explain and demonstrate why the campus novels by Kingsley Amis and his successors Malcolm Bradbury and David Lodge are that much popular. Each of these authors had his own individual style of writing and created an unforgettable satiric novel. Keywords: Angry Young Men, The Movement, Jim Dixon, Stuart Treece, Phillip Swallow, Morris Zapp, campus novel ACKNOWLEDGEMENTS I would like to thank my supervisor Mgr. Barbora Kašpárková for her kind help and guidance throughout my thesis. DECLARATION OF ORIGINALITY I hereby declare that the work presented in this thesis is my own and certify that any secondary material used has been acknowledged in the text and listed in the bibliography. March 13, 2009 …………………………………… CONTENT 1 CAMPUS NOVEL ........................................................................................................9 -
The Foreign Field Free
FREE THE FOREIGN FIELD PDF Cynthia Harrod-Eagles | 528 pages | 01 Apr 2010 | Little, Brown Book Group | 9780751537703 | English | London, United Kingdom The Foreign Field by Cynthia Harrod-Eagles It was directed by Charles Sturridge and featured an ensemble cast of American, Australian, British, and French actors and actresses. The title evokes the Rupert Brooke poem "The Soldier". The film was driven into production by Alec Guinness who used his influence with the The Foreign Field to make it and with the various famous actors to appear in it. Cyril McKern and Waldo Randolphwho are British and American, respectively, have both returned to France in search of the same woman Moreau with whom they each had a rendezvous in unknown to the other. Cyril is accompanied by fellow veteran Amos Guinnesswhile Waldo has his petty daughter Beverly Chaplin and her henpecked husband Herrmann in tow. Amos is childlike and carries an empty jam jar as if it is a favored toy. The two groups encounter one another, and after some conflict find common ground in old sorrows. Along the way they meet the recently widowed Lisa Bacallwho has The Foreign Field in search of her brother's The Foreign Field. Eventually it is revealed that Amos saved Cyril's life during the battle of Normandy in but sustained a severe head-wound in the process. The wound The Foreign Field left Amos permanently brain-damaged and Cyril has been his carer ever since. Cyril also confides in the others that Amos does not have long left to live and this will be the last chance for the two men to come to Normandy to pay their respects to their close friend Briggs who was killed in action. -
Don Shaw (Scnptwn~Ter) Page 1 of 2
Don Shaw (Scnptwn~ter) Page 1 of 2 Don Shaw (Scriptwriter). "The stress today is on film punctuation. They want to keep the story flowing... They want a lot of action. Don Shaw wrote a total of four episodes for Survivors, all of them extremely well written. One of them, Mad Dog, was one of the highlights of the entire series. He is also well known for his contributions to Doom watch and his recent BBC series, Dangerfield. How did Don start out on his career as a scriptwriter? "I started out by acting in radio plays while I was still a teacher. I had actually been to Sandhurst as an officer cadet with King Hussein of Jordan, King Feisal of Iraq and the Duke of Kent. I didn't like the army, so I finished my national service and became a teacher. It was while I was teaching that I passed a BBC audition in Birmingham and acted in a number of radio plays, and from that I learned how to write a radio script. I wrote a number of radio plays, and then I acquired a literary agent who told me that if I wanted to make a living out of writing then I ought to go into television. She introduced me to Gerry Davis, who was my first contact. I met Gerry with another writer, Roy Clarke, who now writes Last of the Summer Wine. They turned down one of his scripts but did mine. From that I moved on to Thirty Minute Theatre with Innes Lloyd, who became a very famous producer. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
Cronin Ing:Maquetación 3.Qxd
Alberto Enrique D’Ottavio Cattani J Med Mov 5 (2009): 59-65 JMM Archibald Joseph Cronin: a Writing-Doctor Between Literature and Film Alberto Enrique D’Ottavio Cattani1,2 1Cátedra de Histología y Embriología. Facultad de Ciencias Médicas. 2Consejo de Investigaciones de la Universidad Nacional de Rosario (Argentina). Correspondence: Alberto Enrique D’Ottavio Cattani, Matheu 371. 2000 Rosario, Santa Fe (Argentina). e-mail: [email protected] Received 1 October 2008; modified 18 March 2009; accepted 19 March 2009 Summary This paper broaches the subject of the life and numerous cinematographic and TV adaptations of the vast and controversial liter- ary work of Scottish doctor Archibald Joseph Cronin (1896-1981). Through it, we intend to stress the influence his books and/or the films based on them had on many young generations who, under their shelter, chose a career in medicine. Prize-winning writer and PhD, in his works -formally adorned with his great talent for description and observation- he intermingles naturalism, conflicting passions, medical situations and social criticism. Beyond all discussion about his literary career and his repercussion on film, his influence on those who embraced Medicine following in the steps of his characters, many of whom were nothing more than a reflection of himself, is unquestionable. Keywords: Cronin, Doctor, Writer, Film, Literature. To AJ Cronin, whose works strengthened my decision to become a doctor 19 July, 1896. An only child, his mother was Jessie Montgomerie and his father Patrick Cronin. In an Life and work of Archibald Joseph Cronin apparently paradoxical way, following the death of his father, who professed Catholicism, Archibald was The writer-doctors whose works have been raised as a Catholic by his Protestant mother. -
A Cream Cracker Under the Settee Talking Heads ->->->-> DOWNLOAD
A Cream Cracker Under The Settee Talking Heads ->->->-> DOWNLOAD 1 / 3 Cream Cracker Under the settee, Bed Among the Lentils and . Need essay sample on Cream Cracker Under the settee . Talking Heads broke new dramatic .A Cream Cracker Under the Settee by Alan Bennett. Doris, a widow, lives alone. His television series Talking Heads has become a modern-day classic, .Cream Cracker Under the Settee Audition Piece One I was glad when shed gone, dictating. I sat for a bit looking up at me and Wilfred on the wedding photo.Alan Bennett's A Cream Cracker Under the Settee . as in the Talking Heads series of monologues that was first . PROJECT ON GARNIER FAIRNESS CREAM Prepared by .A Cream Cracker Under The Settee is a dramatic monologue written by Alan Bennett in 1987 for television, as part of his Talking Heads series for the BBC.How does Alan Bennett Create Sympathy for Doris in A cream cracker under the Settee.'Cream Cracker under the Settee', written by Alan Bennett comes from a series of 1980s monologues called 'Talking Heads'.Cream Cracker Under the Settee: All about Doris A handy resource helping to develop understanding of the ways in which we are encouraged to feel empathy for Doris.A Cream Cracker Under The Settee has 12 ratings and 0 reviews: Published February 13th 2014 by Samuel French Ltd, 11 pages, PaperbackMonologue Of The Cracker Under The Settee. Print . is significant is the cream cracker under the settee. explore is when Doris starts talking about .Sue Wallace, who is currently making audiences go from out-loud laughter to profound sadness in 'A Cream Cracker under the Settee', has worked on Alan Bennet.A Cream Cracker Under the Settee by Alan Bennett.