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Greatest Generation
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Music Transition Dark Materia’s “The Picard Song,” record-scratching into a Sisko- centric remix by Adam Ragusea. Picard: Here’s to the finest crew in Starfleet! Engage. [Music begins. A fast-paced techno beat.] Picard: Captain Jean-Luc Picard, the USS Enterprise! [Music slows, record scratch, and then music speeds back up.] Sisko: Commander Benjamin Sisko, the Federation starbase... Deep Space 9. [Music ends.] 00:00:14 Music Music Record scratch back into "The Picard Song," which plays quietly in the background. 00:00:15 Ben Harrison Host Welcome to The Greatest Generation... [dramatically] Deep Space Nine! It's a Star Trek podcast from a couple of guys who are a little bit embarrassed to have a Star Trek podcast. And a little bit embarrassed to open their podcast the way I just did. [Stifles laughter.] I'm Ben Harrison. 00:00:29 Adam Host I'm Adam Pranica. There's nothing I can do about it. Pranica [Ben laughs.] When you open a show this way. Except just— 00:00:34 Ben Host You can't help me! 00:00:35 Adam Host —just sit back and watch. [Music fades out.] 00:00:37 Ben Host I hoisted myself on my own petard. That's what happened today. 00:00:41 Adam Host You're a voice acting professional! [Ben chuckles.] I mean, you take those kind of risks. -
Edinburgh 1910: Friendship and the Boundaries of Christendom
Vol. 30, No. 4 October 2006 Edinburgh 1910: Friendship and the Boundaries of Christendom everal of the articles in this issue relate directly to the take some time before U.S. missionaries began to reach similar Sextraordinary World Missionary Conference convened conclusions about their own nation. But within the fifty years in Edinburgh from June 14 to 23, 1910. At that time, Europe’s following the Second World War, profound uncertainty arose global hegemony was unrivaled, and old Christendom’s self- concerning the moral legitimacy of America’s global economic assurance had reached its peak. That the nations whose pro- Continued next page fessed religion was Christianity should have come to dominate the world seemed not at all surprising, since Western civiliza- tion’s inner élan was thought to be Christianity itself. On Page 171 Defining the Boundaries of Christendom: The Two Worlds of the World Missionary Conference, 1910 Brian Stanley 177 The Centenary of Edinburgh 1910: Its Possibilities Kenneth R. Ross 180 World Christianity as a Women’s Movement Dana L. Robert 182 Noteworthy 189 The Role of Women in the Formation of the World Student Christian Federation Johanna M. Selles 192 Sherwood Eddy Pays a Visit to Adolf von Harnack Before Returning to the United States, December 1918 Mark A. Noll The Great War of 1914–18 soon plunged the “Christian” nations into one of the bloodiest and most meaningless parox- 196 The World is Our Parish: Remembering the ysms of state-sanctioned murder in humankind’s history of 1919 Protestant Missionary Fair pathological addiction to violence and genocide. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
Protestant Christianity in Bolivia: Mission Theory and Practice in Three Mission Churches
72-9168 BOOTS, Wilson Texter, 1931- PROTESTANT CHRISTIANITY IN BOLIVIA: MISSION THEORY AND PRACTICE IN THREE MISSION CHURCHES. The American University, Ph.D., 1971 History, modern University Microfilms, A XEROX Company, Ann Arbor, Michigan © Copyright by WIISON TEXTER BOOTS 1971 PROTESTANT CHRISTIANITY IN BOLIVIA: MISSION THEORY M 5 m m C E IN THRfeE MISSION dfofcfcHES by Wilson Texter Boots Submitted to the Facility of the School of International Service of The American University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Latin American Studies Signatures of Ccmnittee: Chair Dean of the School Date: 5 A/?/ 1971 THE AMERICAN UNIVERSITY. The American University Washington, D.C. AUG 201971 m PLEASE NOTE: Some Pages have indistinct p rin t. Filmed as received. UNIVERSITY MICROFILMS PREFACE Bolivia was the last country of South America in which Protestant Christianity was established, with permanent Protestant activity not being initiated until 1898. The geographical isolation as well as the religious situation were important among other factors in making Bolivia a difficult missionary challenge to Protestant missions. The present study attempts to examine the mission theory and practice of the mission agencies, and the churches growing from their work, that primarily were responsible for the introduction and develop ment of Protestantism in Bolivia. These groups are the Canadian Baptist Mission, The Methodist Church (U.S.A.) and the Bolivian Indian Mission. Although a number of other Protestant agencies have been at work in Bolivia in recent years, the three Missions under consideration are the oldest and most established and the present writer makes the assumption in this study that they represent most clearly the activity and influence of Protestant Christianity. -
191 Launceston Tasmania 7250 State Secretary: [email protected] Journal Editors: [email protected] Home Page
Tasmanian Family History Society Inc. PO Box 191 Launceston Tasmania 7250 State Secretary: [email protected] Journal Editors: [email protected] Home Page: http://www.tasfhs.org Patron: Dr Alison Alexander Fellows: Dr Neil Chick, David Harris and Denise McNeice Executive: President Anita Swan (03) 6326 5778 Vice President Maurice Appleyard (03) 6248 4229 Vice President Peter Cocker (03) 6435 4103 State Secretary Muriel Bissett (03) 6344 4034 State Treasurer Betty Bissett (03) 6344 4034 Committee: Judy Cocker Jim Rouse Kerrie Blyth Brian Hortle Leo Prior John Gillham Libby Gillham Helen Stuart Judith Whish-Wilson By-laws Officer Denise McNeice (03) 6228 3564 Assistant By-laws Officer Maurice Appleyard (03) 6248 4229 Webmaster Robert Tanner (03) 6231 0794 Journal Editors Anita Swan (03) 6326 5778 Betty Bissett (03) 6344 4034 LWFHA Coordinator Anita Swan (03) 6394 8456 Members’ Interests Compiler John Gillham (03) 6239 6529 Membership Registrar Muriel Bissett (03) 6344 4034 Publications Coordinator Denise McNeice (03) 6228 3564 Public Officer Denise McNeice (03) 6228 3564 State Sales Officer Betty Bissett (03) 6344 4034 Branches of the Society Burnie: PO Box 748 Burnie Tasmania 7320 [email protected] Devonport: PO Box 587 Devonport Tasmania 7310 [email protected] Hobart: PO Box 326 Rosny Park Tasmania 7018 [email protected] Huon: PO Box 117 Huonville Tasmania 7109 [email protected] Launceston: PO Box 1290 Launceston Tasmania 7250 [email protected] Volume 29 Number 1 June 2008 ISSN 0159 0677 Contents Editorial .................................................................................................................. -
Bernstein 100
Saturday 16 December 2017 7.30–9.45pm Barbican Hall LSO SEASON CONCERT BERNSTEIN 100 Bernstein Symphony No 2, ‘The Age of Anxiety’ Interval Bernstein Wonderful Town (concert version) Sir Simon Rattle conductor Krystian Zimerman piano WONDERFUL Danielle de Niese Eileen Alysha Umphress Ruth Nathan Gunn Bob Baker Duncan Rock Wreck/Second Associate Editor David Butt Philip Lonigan Ashley Riches Guide/First Editor/Frank Kevin Brewis Third Cop/First Man/Cadet/Villager Stephen John Davis First Cop/Chick Clark Flora Dawson Violet TOWN Second Woman Soophia Foroughi Andrew Keelan Second Cop/Second Man Jane Quinn First Woman Michael Baxter Fourth Cop Daniele Quilleri, Gary Brown casting consultants London Symphony Chorus Simon Halsey chorus director Part of Bernstein 100 at the Barbican Welcome LSO News On Our Blog Bernstein was also known for some LSO LIVE’S A MIDSUMMER NIGHT’S PANUFNIK COMPOSER BUSHRA EL-TURK of the 20th century’s greatest musicals, DREAM WINS RECORDING OF THE YEAR and this evening’s programme concludes A former participant on the LSO's Panufnik with his 1953 work Wonderful Town. This The LSO’s recording of Mendelssohn’s Composers Scheme, Bushra El-Turk tells is a piece well-known to Sir Simon Rattle, A Midsummer Night’s Dream, performed with us what it was like working with the LSO who created a landmark recording in 1999. Sir John Eliot Gardiner, the Monteverdi Choir and how she combined Middle Eastern and It is a pleasure to welcome a brand new cast and three artists from the Guildhall School, Western art music in her piece Tmesis. -
Recovery Plan for the Ivory-Billed Woodpecker (Campephilus Principalis)
U.S. Fish & Wildlife Service Recovery Plan for the Ivory-billed Woodpecker (Campephilus principalis) I Recovery Plan for the Ivory-billed Woodpecker (Campephilus principalis) April, 2010 U.S. Fish and Wildlife Service Southeast Region Atlanta, Georgia Approved: Regional Director, Southeast Region, U.S. Fish and Wildlife Service Date: II Disclaimer Notice of Copyrighted Material Cover Illustration Credit: Recovery Plans delineate Permission to use copyrighted A male Ivory-billed Woodpecker reasonable actions that are illustrations and images in the at a nest hole. (Photo by Arthur believed to be required to final version of this recovery plan Allen, 1935/Copyright Cornell recover and/or protect listed has been granted by the copyright Lab of Ornithology.) species. Plans published by holders. These illustrations the U.S. Fish and Wildlife are not placed in the public Service (Service) are sometimes domain by their appearance prepared with the assistance herein. They cannot be copied or of recovery teams, contractors, otherwise reproduced, except in state agencies, and other affected their printed context within this and interested parties. Plans document, without the consent of are reviewed by the public and the copyright holder. submitted for additional peer review before the Service adopts Literature Citation Should Read them. Objectives will be attained as Follows: and any necessary funds made U.S. Fish and Wildlife Service. available subject to budgetary 200x. Recovery Plan for the and other constraints affecting Ivory-billed Woodpecker the parties involved, as well as the (Campephilus principalis). need to address other priorities. U.S. Fish and Wildlife Service, Recovery plans do not obligate Atlanta, Georgia. -
Volume 4• Number 1• Spring 2006
Volume 4 • Number 1 • Spring 2006 The TRUE tt JOURNAL OF CHUR C H AND MISSION facilitates critical and creative engagement with what it means to be the church and how the people of God participate in God’s mission in the world. The JOURNAL offers scholarly reflection for the purpose of faithful application. UNIVERSITY ADMINISTR A TION Dr. John M. Lilley President of the University Dr. Randlall O’Brien, Provost of the University Rev. Paul Powell, Dean of the Seminary Dr. David E. Garland, Assoc. Dean for Academic Affairs EDITORIAL BO A RD Dr. Michael W. Stroope, Faculty Advisor Kathryn Seay, Student Editor-in-Chief Ericka Bond Josh Burden Derek Hatch Adam Horton E-MA IL [email protected] PHONE (254) 710-6745 ADDRESS Truett Journal of Church and Mission George W. Truett Theological Seminary One Bear Place #97126 Waco, TX 76798-7126 ISSN 1543-3552 The Truett Journal of Church and Mission is published twice annually at the conclusion of the Spring and Fall semesters by the George W. Truett Theological Seminary of Bay- lor University (Waco, Texas). The views finally expressed do not necessarily reflect those of the University, the Seminary, or the Journal’s Editorial Board. All contents of this Journal are fully protected under copyright laws. Permission is granted to repro- duce articles for church or classroom use, provided both that clear attribution is given to the author and the Truett Journal of Church and Mission and that the reproductions are not sold for commercial purposes. For other uses, please contact the Editorial Board of the Journal. -
December 2015
September – December 2015 Welcome Welcome to another great season of shows to take through the autumn of 2015. The force is with us in September when Ireland's premier Star Wars Club, The Emerald Garrison, is here for a weekend of fantastic celebrations and photo opportunities in INVASION DERRY with guest stars and iconic characters. This is in our venue as part of CULTURETECH, the festival of digital technology, media and music which attracts speakers and visitors from across the world. Drama plays a big part in our programme beginning with THE MATCHMAKER, by John B. Keane, one of Ireland's most celebrated writers. SHERLOCK HOLMES AND THE RIPPER MURDERS débuts here in October with a host of stars from stage and screen. This show has been garnering terrific reviews on tour. The acclaimed London Classic Theatre Company also brings us Samuel Beckett's WAITING FOR GODOT in October. There is a wide range of music this season from renowned Irish troubadour PAUL BRADY in October and legendary singer-songwriter ALBERT HAMMOND in the same month. THE WATERBOYS make their much anticipated return following the release of their brand new album, Modern Blues. FRANCES BLACK joins us in November and PHIL COULTER will be on stage later in the same month. One of the world's most prominent tenors RUSSELL WATSON, who has sold in excess of seven million albums worldwide, débuts at our venue in November. NATHAN CARTER is back for all his Derry fans in December as are THE BAY CITY ROLLERS while THE PRIESTS are set to give us a warm Christmas rendition of much loved seasonal classics. -
Songs by Artist
Songs by Artist Karaoke Collection Title Title Title +44 18 Visions 3 Dog Night When Your Heart Stops Beating Victim 1 1 Block Radius 1910 Fruitgum Co An Old Fashioned Love Song You Got Me Simon Says Black & White 1 Fine Day 1927 Celebrate For The 1st Time Compulsory Hero Easy To Be Hard 1 Flew South If I Could Elis Comin My Kind Of Beautiful Thats When I Think Of You Joy To The World 1 Night Only 1st Class Liar Just For Tonight Beach Baby Mama Told Me Not To Come 1 Republic 2 Evisa Never Been To Spain Mercy Oh La La La Old Fashioned Love Song Say (All I Need) 2 Live Crew Out In The Country Stop & Stare Do Wah Diddy Diddy Pieces Of April 1 True Voice 2 Pac Shambala After Your Gone California Love Sure As Im Sitting Here Sacred Trust Changes The Family Of Man 1 Way Dear Mama The Show Must Go On Cutie Pie How Do You Want It 3 Doors Down 1 Way Ride So Many Tears Away From The Sun Painted Perfect Thugz Mansion Be Like That 10 000 Maniacs Until The End Of Time Behind Those Eyes Because The Night 2 Pac Ft Eminem Citizen Soldier Candy Everybody Wants 1 Day At A Time Duck & Run Like The Weather 2 Pac Ft Eric Will Here By Me More Than This Do For Love Here Without You These Are Days 2 Pac Ft Notorious Big Its Not My Time Trouble Me Runnin Kryptonite 10 Cc 2 Pistols Ft Ray J Let Me Be Myself Donna You Know Me Let Me Go Dreadlock Holiday 2 Pistols Ft T Pain & Tay Dizm Live For Today Good Morning Judge She Got It Loser Im Mandy 2 Play Ft Thomes Jules & Jucxi So I Need You Im Not In Love Careless Whisper The Better Life Rubber Bullets 2 Tons O Fun -
Journal of Baptist Studies
JOURNAL OF BAPTIST STUDIES Volume 9 October 2018 THE JOURNAL OF BAPTIST STUDIES VOLUME 9 (2018) The Journal of Baptist Studies California Baptist University 8432 Magnolia Avenue Riverside, CA 92504 THE JOURNAL OF BAPTIST STUDIES Editors: Anthony Chute and Matthew Y. Emerson Book Review Editor: John Gill Board of Editors: John Crowley, Nathan Finn, Michael Haykin, James Patterson, Mark Rogers, Earl Waggoner, Doug Weaver The Journal of Baptist Studies is an electronic, peer-reviewed journal dedicated to the study of Baptist history and thought. The journal is produced under the oversight of a Board of Editors representing numerous Baptist denominations and both religious and secular institutions. JBS does not advocate a particular theological or denominational agenda, but rather reflects the scholarship of individuals who identify with a number of positions and affiliations. The journal is available online for free and is independent of any institution. For submission policies and other information related to the Journal of Baptist Studies, please visit http://www.baptiststudiesonline.com. Please direct all correspondence related to the journal to Anthony Chute ([email protected]). Baptist Studies Online (BSO) is a website dedicated to the study of Baptist history and thought, with special emphasis on Baptists in North America. The purpose of BSO is to facilitate the scholarly study of Baptists by making available to researchers and students an online journal, a primary source library, a comprehensive collection of Baptist history- related links, and a periodically updated list of dissertation abstracts from SBC seminaries. BSO is a collaborative effort by Baptist scholars from a variety of traditions, with technical support provided by California Baptist University in Riverside, California. -
DATE ARTIST SONG 07/08/2015 Junior WELLS That's Alright
DATE ARTIST SONG 07/08/2015 Junior WELLS That’s alright mamma U2 Streets have no name Count Basie Splanky Unknown Isle of Kitchomaboko John Denver Windsong Glen Miller American Patrol El Divi Unchained Melody Cliff Richard Move it Frank Sinatra Something Stupid Garth Brooks Friends in low places Tom Jones/Jules Holland Lifes to short Acker Bilk Big feet Acker Bilk Stranger on the shore Moody Blues Nights in White Satin Kenny Rogers Crazy Elvis Presley Its now or never Glen Miller Kalamazoo Bix Biederbeck Jazz me blues Bryan Turval She was beautiful 19 04/09/2015 Beatles Let it be 19 Russel Watson Celeste Aide John Barry Out of Africa Barbra Streisland It had to be you Josh Groban You raise me up Simpley Red Holding back the years Abba Waterloo Colin Peters Band You're weaver a dream Bennet/Gaga Anything goes Rod Stewart I am sailing Dusty Springfield Son of a Preacher man Tina Turner Simply the best Amy Winehouse Back to black Meatloaf Bat out of hell Eric Clapton Layla Barry Manilow/John Denver This song Rod Stewart Stay away 17 02/10/2015 Doris Day Sugarbush 36 Celone Dion Immortality Peter Skelton You're a lady Russel Watson Bridge over troubled waters Johny Cash Ring of fire Helen Shapiro Walking back to happiness Bedrich Smetana Bartered Bride Barbra Streislan Second hand Rose Michael Buble You don't know me Glen Miller Tuxedo Junction Carol Kidd When I dream Placido Domingo/DenverLionel RitchieThree times a lady Henry Mancini Pink Panther Dr Hook Love with a beautiful woman Mario Lanza Be my love Only Men A loud Don't rain on my