I Made My First Broadcast Around Seventy Years Ago, When The
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BBC SOUND BROADCASTING Its Engineering Development
Published by the British Broadcorrmn~Corporarion. 35 Marylebone High Sneer, London, W.1, and printed in England by Warerlow & Sons Limited, Dunsruble and London (No. 4894). BBC SOUND BROADCASTING Its Engineering Development PUBLISHED TO MARK THE 4oTH ANNIVERSARY OF THE BBC AUGUST 1962 THE BRITISH BROADCASTING CORPORATION SOUND RECORDING The Introduction of Magnetic Tape Recordiq Mobile Recording Eqcupment Fine-groove Discs Recording Statistics Reclaiming Used Magnetic Tape LOCAL BROADCASTING. STEREOPHONIC BROADCASTING EXTERNAL BROADCASTING TRANSMITTING STATIONS Early Experimental Transmissions The BBC Empire Service Aerial Development Expansion of the Daventry Station New Transmitters War-time Expansion World-wide Audiences The Need for External Broadcasting after the War Shortage of Short-wave Channels Post-war Aerial Improvements The Development of Short-wave Relay Stations Jamming Wavelmrh Plans and Frwencv Allocations ~ediumrwaveRelav ~tatik- Improvements in ~;ansmittingEquipment Propagation Conditions PROGRAMME AND STUDIO DEVELOPMENTS Pre-war Development War-time Expansion Programme Distribution Post-war Concentration Bush House Sw'tching and Control Room C0ntimn.t~Working Bush House Studios Recording and Reproducing Facilities Stag Economy Sound Transcription Service THE MONITORING SERVICE INTERNATIONAL CO-OPERATION CO-OPERATION IN THE BRITISH COMMONWEALTH ENGINEERING RECRUITMENT AND TRAINING ELECTRICAL INTERFERENCE WAVEBANDS AND FREQUENCIES FOR SOUND BROADCASTING MAPS TRANSMITTING STATIONS AND STUDIOS: STATISTICS VHF SOUND RELAY STATIONS TRANSMITTING STATIONS : LISTS IMPORTANT DATES BBC ENGINEERING DIVISION MONOGRAPHS inside back cover THE BEGINNING OF BROADCASTING IN THE UNITED KINGDOM (UP TO 1939) Although nightly experimental transmissions from Chelmsford were carried out by W. T. Ditcham, of Marconi's Wireless Telegraph Company, as early as 1919, perhaps 15 June 1920 may be looked upon as the real beginning of British broadcasting. -
BBC School Radio on CD Primary Guide 2010/2011
BBC School Radio on CD Primary Guide 2010/2011 bbc.co.uk/schoolradio Welcome Welcome to the Guide to BBC School Radio programmes. The Guide includes details of all the series that will be available on CD in the 2010/2011 academic year, as well as details of how to order and information about Teacher’s Notes to support the programmes. Ordering the CDs is simple. You can use the pull-out form in the centre of the Guide or you can phone or fax your order to 0370 977 2727. You can also email your order to [email protected]. The order form can also be printed from the School Radio website at: bbc.co.uk/schoolradio/howtoorder.shtml Please remember to add the cost of postage to your completed order which should be returned to: BBC Schools’ Broadcast Recordings, PO Box 504, Leicester, LE94 0AE Download School Radio programmes In 2010/2011 most School Radio series – including Let’s Move, Time to Move, Something to Think About and Together – will also be available to download as podcasts. Programmes can be downloaded from the School Radio website for 7 days following transmission (or from leading podcast directories, including iTunes). Downloading programmes this way is simple and copies may be kept for as long as you wish. More information here: www.bbc.co.uk/schoolradio/podcasts.shtml Recording programmes off-air Programmes are transmitted overnight on Radio 4 Digital during term time, starting at 0300. A full schedule for each term is available at the School Radio website. Schools are permitted to record and use programmes under the provision of the ERA Act. -
TV Presenter Gloria Hunniford
‘People think I’m laid-back but I’m impatient. I’d drive on the hard shoulder in a jam if I could get away with it’ DEFINITE The happiest moment you will cher- ish forever… Being at the births of Caron’s boys Charlie and Gabriel, and Paul’s son Jake. The saddest time that shook your world… Without question, Caron’s ARTICLE death. To lose your child is the worst We ask a celebrity a set of devilishly thing that can happen to a parent. I think probing questions – and only accept about her hundreds of times a day. The unfulfilled ambition that contin- THE definitive answer. This week ues to haunt you… To become super- fit. There’s always an excuse not to. it’s TV presenter Gloria Hunniford The philosophy that underpins your The prized possession you value The priority activity if you were the life… Helping is part of my healing above all others… My 12 albums and Invisible Woman for a day… I’d reset the and I do this through the Caron Keat- drawers full of old family photos. computers that regulate London’s traf- ing Foundation, which supports people They’re the keys to my precious fic lights. So many are timed badly and suffering from all forms of cancer. memories and are irreplaceable. cause unnecessary hold-ups. The order of service at your funeral… The biggest regret you wish you could The pet hate that makes I want a big send-off with everyone amend… Never learning to play the your hackles rise… welcome at St Peter’s Church in Hever, piano. -
HANCOCK's HALF HOUR COLLECTIBLES Notes To
HANCOCK’S HALF HOUR COLLECTIBLES Notes to accompany Volume 2 All photographs copyright (C) BBC The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost or rare work of, and related to, Tony Hancock, one of our greatest comedians. Tony Hancock,1951 The Tony Hancock Appreciation Society (THAS) Since its inception in 1976, the THAS and its many allies have been at the forefront of efforts to find, preserve and promote the works of Tony Hancock. As detailed in the previous volume of this series, this toil has, over the decades, yielded innumerable discoveries of work by Hancock that was previously believed to have been lost. The result is that the THAS now has the most extensive archive of Hancock’s stage, radio, television, and film work in the world. In addition, we have myriad recorded items related to his career, such as interviews and documentaries featuring Hancock, his colleagues and friends. Each offers valuable insights into his life and work. It is this extensive collection, combined principally with that of Ted Kendall, the noted sound engineer and media researcher, and the contents of the BBC Sound Archives, that have enabled the publication of Hancock’s Half Hour Collectibles. It is natural for modern audiences to question why broadcast material is missing from the period in which Hancock was ascendant from the late 40s until 1968. As many readers may know, this issue has, in fact, affected the legacy of numerous performers, programmes and broadcasts; and this phenomenon is by no means limited to the BBC, the United Kingdom, or indeed, the period during which Hancock was active. -
British Radio Drama and the Avant-Garde in the 1950S
British radio drama and the avant-garde in the 1950s Hugh Chignell 1 Bournemouth University, UK Correspondence: Professor Hugh Chignell, Faculty of Media and Communication, Bournemouth University, Poole, Dorset, BH12 5BB, UK. +44 (0)1202 961393 Email: [email protected] 1 British radio drama and the avant-garde in the 1950s Abstract The BBC in the 1950s was a conservative and cautious institution. British theatre was at the same time largely commercial and offered a glamorous distraction from wider social and political realities. During the decade, however, new avant-garde approaches to drama emerged, both on the stage and on radio. The avant-garde was particularly vibrant in Paris where Samuel Beckett was beginning to challenge theatrical orthodoxies. Initially, managers and producers in BBC radio rejected a radio version of Beckett’s, Waiting for Godot and other experimental work was viewed with distaste but eventually Beckett was accepted and commissioned to write All That Fall (1957), a masterpiece of radio drama. Other Beckett broadcasts followed, including more writing for radio, extracts from his novels and radio versions of his stage plays as well as plays by the experimental radio dramatist, Giles Cooper. This article examines the different change agents which enabled an initially reluctant BBC to convert enthusiastically to the avant-garde. A networked group of younger producers, men and women, played a vital role in the acceptance of Beckett as did the striking pragmatism of senior radio managers. A willingness to accept the transnational cultural flow from Paris to London was also an important factor. The attempt to reinvent radio drama using ‘radiophonic’ sound effects (pioneered in Paris) was another factor for change and this was encouraged by growing competition from television drama on the BBC and ITV. -
The Production of Religious Broadcasting: the Case of The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output. -
Download Caprice's Press Book
Caprice Bourret CAPRICE BOURRET Founder, Designer and CEO of By Caprice Products, Mother, Motivational Business Speaker and Philanthropist n www.capricebourret.com www.GoBycaprice.com Career Highlights Caprice Bourret International Model &Entrepreneur One of the most photographed women in the world ‘300 Magazine Covers across the globe’ Starred in over 150 TV shows and Movies Three years running voted ‘Maxim Magazines Women of the Year’ ‘GQ’s International Woman of the Year’ Best selling calendars 5 years running Playing lead roles in London’s West End ‘The Vagina Monologues’ And ‘Rent’ Produced and Lead Role in hit musical ‘Debbie does Dallas The Musical’ Launched her autography Caprice…My Boys, My Body, My Business Career Highlights Founder and CEO of By Caprice Products Philanthropist Women's Trust – Patron Brain Tumour Research- Patron Tikva - Patron Jewish Care - Patron Princes Trust - Ambassador Childlline – Ambassador Drop4Drop – Ambassador Action on Addition – Committee member Mommy to Jax and Jett Bibliography Caprice Bourret is an award-winning model, businesswoman and philanthropist. Having shot to fame in the 1990s, Caprice’s break-through front cover was Vogue Magazine. She is often referred to as ‘one of the most photographed women in the world’ and has appeared on more than 350 magazine covers across the globe and over 150 TV shows and films. From her humble beginnings in Southern California, Caprice settled in England in her early 20’s and is now a true adopted Brit. Caprice has been voted GQ Magazine’s Woman of the Year and Maxim’s International Woman of the Year for three years running. -
The Navy Lark: Helen, the New Wren Volume 29 : Four Episodes of the Classic Bbc Radio Comedy Pdf, Epub, Ebook
THE NAVY LARK: HELEN, THE NEW WREN VOLUME 29 : FOUR EPISODES OF THE CLASSIC BBC RADIO COMEDY PDF, EPUB, EBOOK Lawrie Wyman | 1 pages | 19 Feb 2015 | BBC Audio, A Division Of Random House | 9781785290138 | English | London, United Kingdom The Navy Lark: Helen, the New Wren Volume 29 : Four Episodes of the Classic BBC Radio Comedy PDF Book Please enter a number less than or equal to 4. Actress Castle. Trevor Hill producer of The Sooty Show saw them there and gave them their own BBC television series, featuring the pigs in both string and glove puppet form, manipulated by Jan and Vlasta. Welles 1 H. See terms. Will ship within 4 business days of receiving cleared payment. She has been acting since the age of 13, appearing in a number of British television programmes. Elliot dramatization Added:. This item will be shipped through the Global Shipping Program and includes international tracking. Actress Malibu Country. I Quit! Actress We Bought a Zoo. Best known as a swimsuit model for Sports Illustrated Hidden categories: Episode lists with incorrectly formatted alternate air dates Episode lists with non-compliant line colors Articles using Template:Episode table with invalid colour combination Episode lists with unformatted air dates. Visit store. The master recording was apparently wiped, but co-writer Snoad kept a copy which he later returned to the BBC. For seven years, Galton and Simpson wrote every word uttered by Hancock, a difficult and touchy man who embraced the illusion that he could do better than his writers, and parted company with them. While providing musical interludes with his "talking harmonica" during the entire run of the radio comedy Educating Archie , featuring the ventriloquist Peter Brough and his doll, Chesney met Ronald Wolfe, who joined the show as a scriptwriter in The Werewolf phenomenon is as old as the history of mankind. -
1984 the Digital Conversion of This Burns Chronicle Was Sponsored by Alexandria Burns Club
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1984 The digital conversion of this Burns Chronicle was sponsored by Alexandria Burns Club The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com BURNS CHRONICLE 1984 BURNS CHRONICLE AND CLUB DIRECTORY INSTITUTED 1891 FOURTH SERIES: VOLUME IX PRICE: Paper £3.50, Cloth £4.25, (Members £2.50 and £3.00 respectively). CONTENTS George Anderson 4 From the Editor 6 Obituaries 8 Heritage James S. Adam 13 Book Reviews 14 Facts are Cheels that winna Ding J.A.M. 17 Burns Quiz 21 Afore ye go ... remember the Houses! John Riddell 22 Bi-Centenary of Kilmarnock Edition 23 Personality Parade 24 John Paul Jones and Robert Burns James Urquhart 29 Junior Chronicle 34 Mossgiel William Graham 46 Sixteen Poems of Burns Professor G. Ross Roy 48 Broughton House, Kirkcudbright 58 'Manners-Painting': Burns and Folklore Jennifer J. Connor 59 A Greetin' Roon the Warl' 63 Henryson's 'The Tail! of the Uponlandis Mous and the Burges Mous' and Burns's 'The Twa Dogs' Dietrich Strauss 64 Anecdotal Evidence R. Peel 74 Nannie's Awa' J. L. Hempstead 77 The Heart of Robert Burns Johnstone G. Patrick 78 Rob Mossgiel, Bard of Humanity Pauline E. Donnelly 81 The Lost Art of saying 'Thank you' David Blyth 89 Answers to the Quiz 91 The Burns Federation Office Bearers 92 List of Districts 97 Annual Conference Reports, 1982 101 Club Notes 114 Numerical List of Clubs on the Roll 211 Alphabetical List of Clubs on the Roll 257 The title photograph is from the Nasmyth portrait of Burns and is reproduced by courtesy of the Scottish National Portrait Gallery. -
For April 2021 – by Eileen Truby You Are Holding a Dinner Party for 5 Gues
U3a Creative Writing Group – “Writing prompt” for April 2021 – by Eileen Truby You are holding a dinner party for 5 guests plus yourself. The guests will be well known people, not necessarily living, but who have contributed to society in some way. Write about why you chose them and describe briefly conversations they would have had with each other and set the menu for the dinner. The guests I would invite are: Ventriloquist Peter Brough and his ventriloquist’s dummy Archie Andrews Ventriloquist Keith Harris and his puppet Orville the Duck Annette Mills and her string puppet Muffin the Mule Harry Corbett (magician and puppeteer) and his glove puppet Sooty the yellow teddy bear. Charlie Drake - Comedian/singer/slapstick artist Host - Eileen Truby The menu would be plain and simple and preferably something that could be eaten one handed as most of my guests would be using one of their hands to manipulate their puppets. I’d choose: Tomato soup with croutons so the guests wouldn’t have to mess about with breaking and buttering rolls. Homemade fish and chips, preferably served in newspaper (easy to pick up with fork or fingers). Finger bowls will be needed for use before dessert. Jelly and custard for dessert (easy to eat with a spoon). Drinks would be beers, wine, soft drinks and tea/coffee. I’ve chosen these guests as they remind me of the innocence and carefree days of my childhood. My children look at me as if I’ve gone mad when I tell them I used to listen to a radio program that starred a ventriloquist dummy called Archie Andrews. -
Broadcasting in the UK and US in the 1950S
Broadcasting in the UK and US in the 1950s Broadcasting in the UK and US in the 1950s: Historical Perspectives Edited by Jamie Medhurst, Siân Nicholas and Tom O’Malley Broadcasting in the UK and US in the 1950s: Historical Perspectives Edited by Jamie Medhurst, Siân Nicholas and Tom O’Malley This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Jamie Medhurst, Siân Nicholas, Tom O’Malley and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8899-0 ISBN (13): 978-1-4438-8899-8 CONTENTS Contributors ............................................................................................... vii Editors ........................................................................................................ ix Acknowledgements .................................................................................... xi List of illustrations .................................................................................... xiii Chapter One ................................................................................................. 1 Introduction Jamie Medhurst and Tom O’Malley Chapter Two ............................................................................................... -
Kristin Rebien Burned Bridges. the Rise and Fall of the Former BBC
Kristin Rebien Burned Bridges. The Rise and Fall of the Former BBC Journalist Karl-Eduard von Schnitzler in East Germany Schnitzler’s journalistic career was closely intertwined with larger political developments. Its vicissitudes indicate major shifts in the role of politics in broadcasting. Declared anti-Nazism enabled Schnitzler to receive journalistic training at the BBC German Service during World War II. It also allowed him to rise to a central position in British-controlled post-war radio in Germany. Declared Communism caused him to lose this position at the onset of the Cold War. Schnitzler’s relocation to the East was part of a larger regional concentration of political elites. Parallel to the pressure curve of the Cold War, his career went through a second complete cycle of success and subsequent failure. When the Allies seized Germany in 1945, they brought with them not only their collective visions for a new German state, but also their national cultural beliefs. Traditional regional differences within Germany were now crisscrossed with new lines of difference between the four zones of occupation. Not only was Lower Saxony traditionally different from Bavaria, but new cultural differences arose between the British and the American, the Soviet and the French zone. This new type of regionalism became particularly virulent in the field of radio broadcasting that had to be rebuilt from scratch in all four zones. Post-war broadcasting was, in administrative organization and programming, fundamentally different from National Socialist radio. It also did not revert to the practices of Weimar Republic radio. In the vacuum that arose in 1945, each zone of occupation established its own broadcasting model.