Basic Information Sheet on Daoism (Taoism)
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Models of Daoist Practice and Attainment
Models of Daoist practice and attainment here are a variety of outdated interpretative frameworks for understanding the Treligious tradition which is Daoism. The most ubiquitous is the bifurcation of Daoism into so-called “philosophical Daoism” and so-called “religious Daoism,” including the inaccurate claim that the former is “pure” or “original” Daoism. Daoism was a religious community from the beginning, here dated to the Warring States period (480–222 BCE). A second, and perhaps equally problematic, view claims that Daoism originates with Zhang Daoling 張道陵 (fl. 140s) and the Tianshi天師 (Celestial Masters) movement. While the Celestial Masters do represent one of the earliest forms of organized Daoism, many later Daoist religious communities (e.g., Quanzhen 全真 [Complete Perfection]) gave little recognition to its importance. One alternative interpretative approach involves understanding the diverse models of Daoist practice and attainment. In combination with historical periodization, this approach provides a means by which to appreciate the complexity and diversity of the Daoist tradition, including possible continuities and departures, divergences and convergences among different Daoist adherents and communities. While it may seem self-evident that “realization of the Dao” or “attunement with the Way” is both the origin and culmination of a Daoist training regimen, one cannot deny that Daoists have developed and advocated different and perhaps competing models for such realization or attunement. In terms of traditional models of Daoist praxis, one may identify at least the following: (1) quietistic; (2) ritualistic; (3) cosmo- logical; (4) exorcistic; (5) behavioral/ethical; (6) mediumistic/shamanic; (7) dietetical; (8) ascetical; (9) literary/artistic; (10) alchemical; (11) meditative; (12) hermeneutical; (13) medical; (14) mystical; and (15) syncretistic. -
The University of Chicago Practices of Scriptural Economy: Compiling and Copying a Seventh-Century Chinese Buddhist Anthology A
THE UNIVERSITY OF CHICAGO PRACTICES OF SCRIPTURAL ECONOMY: COMPILING AND COPYING A SEVENTH-CENTURY CHINESE BUDDHIST ANTHOLOGY A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVINITY SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY ALEXANDER ONG HSU CHICAGO, ILLINOIS AUGUST 2018 © Copyright by Alexander Ong Hsu, 2018. All rights reserved. Dissertation Abstract: Practices of Scriptural Economy: Compiling and Copying a Seventh-Century Chinese Buddhist Anthology By Alexander Ong Hsu This dissertation reads a seventh-century Chinese Buddhist anthology to examine how medieval Chinese Buddhists practiced reducing and reorganizing their voluminous scriptural tra- dition into more useful formats. The anthology, A Grove of Pearls from the Garden of Dharma (Fayuan zhulin ), was compiled by a scholar-monk named Daoshi (?–683) from hundreds of Buddhist scriptures and other religious writings, listing thousands of quotations un- der a system of one-hundred category-chapters. This dissertation shows how A Grove of Pearls was designed by and for scriptural economy: it facilitated and was facilitated by traditions of categorizing, excerpting, and collecting units of scripture. Anthologies like A Grove of Pearls selectively copied the forms and contents of earlier Buddhist anthologies, catalogs, and other compilations; and, in turn, later Buddhists would selectively copy from it in order to spread the Buddhist dharma. I read anthologies not merely to describe their contents but to show what their compilers and copyists thought they were doing when they made and used them. A Grove of Pearls from the Garden of Dharma has often been read as an example of a Buddhist leishu , or “Chinese encyclopedia.” But the work’s precursors from the sixth cen- tury do not all fit neatly into this genre because they do not all use lei or categories consist- ently, nor do they all have encyclopedic breadth like A Grove of Pearls. -
The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
Lao Tzu and Francis Libermann on Living the Mystery Binh the Quach C.S.Sp
Spiritan Horizons Volume 2 | Issue 2 Article 9 Fall 2007 Lao Tzu and Francis Libermann on Living the Mystery Binh The Quach C.S.Sp. Follow this and additional works at: https://dsc.duq.edu/spiritan-horizons Part of the Catholic Studies Commons Recommended Citation Quach, B. T. (2007). Lao Tzu and Francis Libermann on Living the Mystery. Spiritan Horizons, 2 (2). Retrieved from https://dsc.duq.edu/spiritan-horizons/vol2/iss2/9 This Wellsprings is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Spiritan Horizons by an authorized editor of Duquesne Scholarship Collection. Horizons Lao Tzu and Francis Libermann on Living The Mystery MY sticism Binh The Quach, Contemporary uses of the term ‘mysticism’ include the whole C.S.Sp. gamut of experiences, teachings, techniques, lifestyles, etc., of A native of Vietnam and ‘mystics.’ One of the clearest definitions of ‘mysticism’ is that of currently serving as a missionary William Johnston. He defines it as the “wisdom or knowledge that in Hsinchu, Taiwan, Binh The is found through love; it is loving knowledge.” 1 He further asserts, Quach is a Spiritan from the “Mysticism is the core of authentic religious experience.” 2 This loving USA Western Province. He knowledge is efficacious because it leads to the transformation of holds M.A. and M.Div. degrees the individual. With this understanding of mystical theology in Biblical Studies from the Pontifical College Josephinum, as transforming mystical experience, we can eliminate those Columbus, Ohio, and a Ph.D. contemporary usages that equate mystical theology with mere in the Philosophy of World doctrines and theories of mystical experience, ignoring its Religions from the Graduate transforming effect. -
Exploring Taoism Philosophy: a Visual Interactive Interpretation
Rochester Institute of Technology RIT Scholar Works Theses 11-12-2010 Exploring Taoism philosophy: A Visual interactive interpretation Yang Dan Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Dan, Yang, "Exploring Taoism philosophy: A Visual interactive interpretation" (2010). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Rochester Institute of Technology Thesis submitted to the Faculty of the College of Imaging Arts and Sciences in candidacy for the Computer Graphics Design degree of Master of Fine Arts Title: Exploring Taoism Philosophy: A Visual Interactive Interpretation Submitted by: Yang Dan Date: Nov 12, 2010 Thesis Committee Approval: Chief Adviser: Assistant Professor Shaun Foster, Computer Graphics Design Signature of Chief Adviser Date Associate Adviser: Associate Professor Chris Jackson, Computer Graphics Design Signature of Associate Adviser Date Associate Adviser: Assistant Professor Dan Deluna, Computer Graphics Design Signature of Associate Adviser Date School of Design Chairperson Approval: Chairperson, School of Design: Patti Lachance Signature of Chairperson Date Reproduction Granted I, ___________________________________, hereby grant/deny permission to Rochester Institute of Technology to reproduce my thesis documentation in whole or part. Any reproduction will not be for commercial use or profit. _________________________________________________ Signature of Author Date Inclusion in the RIT Digital Media Library Electronic Thesis and Dissertation (ETD) Archive: I, __________________________________________, additionally grant to Rochester Institute of Technology Digital Media Library the non-exclusive license to archive and provide electronic access to my thesis in whole or in part in all forms of media in perpetuity. -
Daily Life for the Common People of China, 1850 to 1950
Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski. -
The Status and Thinking of Chinese Farmer Painting Research
International Journal of Frontiers in Sociology ISSN 2706-6827 Vol. 2, Issue 4: 52-58, DOI: 10.25236/IJFS.2020.020407 The Status and Thinking of Chinese Farmer Painting Research Weiping He Associate Professor of Changzhou Textile and Garment Vocational and Technical College [email protected] ABSTRACT. Chinese peasant paintings are the common product of folklore and painting in a special political environment. The study of peasant paintings has artistic, social and political significance, so it is extremely important. Existing farmer painting research has been restricted and misled in many ways, causing related research to lag behind and unable to establish the true historical and cultural value of farmer painting. Based on the analysis and analysis of the existing farmer painting research results, this article attempts to actively and effectively think and suggest this issue. KEYWORDS: Image farmer, painting modernization, political Since 1958, guided by the way of governance, rural murals in Pi County, Jiangsu Province, Shulu, Hebei Province, and other places have successively appeared in the phenomenon of the "Great Leap Forward" in rural murals, exaggerating agricultural harvests visually, responding to political slogans, and realizing socialist self-reform. The emergence of this method is a controversial event in social development and historical process, and even in the study of art history, it is also a trivial phenomenon. However, the massive painting activity with the creative subject as the farmer is extremely rare in the history of the world. Its uniqueness fully confirms certain problems in the modernization process of New China, involving politics and art, ideals and reality. , Culture, and the general public, facing this phenomenon, and its extension in sociology and fine arts, has a certain positive significance for the communication of fine arts history, sociology, political science and other disciplines. -
Book of Lieh-Tzu / Translated by A
ft , I ' * * < The B 2 I it* o f Lieh- i - I /\ Classic of Tao i > *• A Translated by A. C. GRAHAM . t The Book o f Lieh-tzu A Classic o f the Tao translated by A. C. GRAHAM Columbia University Press New York Columbia University Press Morningside Edition 1990 Columbia University Press New York Copyright © 1960, 1990 by A. C. Graham Preface to the Morningside Edition copyright © 1990 by Columbia University Press Library of Congress Cataloging-in-Publication Data Lieh-tzu, 4th cent. B.C. [Lieh-tzu. English] The book of Lieh-tzu / translated by A. C. Graham, p cm.—(Translations from the Oriental classics) Translation of: Lieh-tzu. Includes bibliographical references. ISBN 0-231-07236-8 ISBN 0-231-07237-6 (pbk.) I Graham, A. C. (Angus Charles) II. Title. III. Series. BL1900.L482E5 1990 181'.114-dc2o 89-24°35 CIP All rights reserved Casebound editions of Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 Translations from the Asian Classics EDITORIAL BOARD Wm. Theodore de Bury, Chair Paul Anderer Irene Bloom Donald Keene George A. Saliba Haruo Shirane David D. W. Wang Burton Watson Contents Preface to the Morningside Edition xi Preface xvii Dramatis Personae xviii—xix Introduction i HEAVEN'S GIFTS 14 2 THE YELLOW EMPEROR 32 3 KING MU OF CHOU 58 4 CONFUCIUS 74 5 THE QUESTIONS OF T'ANG 92 6 ENDEAVOUR AND DESTINY 118 7 YANG CHU 135 8 EXPLAINING CONJUNCTIONS t58 Short Reading List 182 Textual Notes 183 i x Preface to the Morningside Edition A significant change since this book was first published in 196o is that we have learned to see philosophical Taoism in a new historical perspective. -
Dharaıi and SPELLS in MEDIEVAL SINITIC BUDDHISM It Has Become Common for Scholars to Interpret the Ubiquitous Presence of Dhara
DHARAıI AND SPELLS IN MEDIEVAL SINITIC BUDDHISM RICHARD D. MCBRIDE, II It has become common for scholars to interpret the ubiquitous presence of dhara∞i (tuoluoni ) and spells (zhou ) in medieval Sinitic Bud- dhism1 as evidence of proto-Tantrism in China2. For this reason, infor- mation associated with monk-theurgists and thaumaturges has been organ- ized in a teleological manner that presupposes the characteristics of a mature Tantric system and projects them backward over time onto an earlier period. Recently, however, scholars such as Robert H. Sharf have begun to point out the limitations of this approach to understanding the nature of Chinese Buddhism and religion3. This essay will address two inter-related questions: (1) How did eminent monks in medieval China conceptualize dhara∞i and spells? And (2) did they conceive of them as belonging exclusively to some defined tradition (proto-Tantric, Tantric, or something else)? In this essay I will present a more nuanced view of the mainstream Sinitic Buddhist understanding of dhara∞i and spells by providing back- ground on the role of spell techniques and spell masters in Buddhism and medieval Chinese religion and by focusing on the way three select The author of this article wishes to express gratitude to Gregory Schopen, Robert Buswell, George Keyworth, James Benn, Chen Jinhua, and the anonymous reviewer for their comments and suggestions on how to improve the article. 1 In this essay I deploy word “dhara∞i” following traditional Buddhist convention in both the singular and plural senses. I also use the word “medieval” rather loosely to refer to the period extending from the Northern and Southern Dynasties period through the end of the Tang, roughly 317-907 C.E. -
THE DAOIST BODY in the LITURGY of SALVATION THROUGH REFINEMENT by BINGXIA BIAN B.L., South-Central University for Nationalities, 2016
THE DAOIST BODY IN THE LITURGY OF SALVATION THROUGH REFINEMENT by BINGXIA BIAN B.L., South-Central University for Nationalities, 2016 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Religious Studies 2019 ii This thesis entitled: The Daoist Body in the Liturgy of Salvation through Refinement written by Bingxia Bian has been approved for the Department of Religious Studies Terry F. Kleeman Loriliai Biernacki Holly Gayley Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. iii Bian, Bingxia (M.A., Department of Religious Studies) The Daoist Body in the Liturgy of Salvation through Refinement Thesis directed by Professor Terry F. Kleeman Abstract This thesis will address the concept of the body and souls in the context of a Daoist ritual, the Liturgy of Salvation through Refinement (liandu yi 鍊度儀) based on the "Great Refinement of Numinous Treasures" (Lingbao dalian 靈寶⼤鍊) in the Great Rites of Shangqing Lingbao (Shangqing Lingbao dafa 上清灵宝⼤法) written by Wang Qizhen 王契真 (fl. ca 1250). The first chapter is a brief review of traditional Chinese ideas toward the body and souls. People believed that the deceased live in the other world having the same need as they alive. Gradually, they started to sought methods to extend their life in this world and to keep their souls alive in the other world. -
Tao Te Ching
Tao Te Ching Written by Lao-Tzu A translation for the public domain by j.h. mcdonald 1996 Chapter 1 The tao that can be described is not the eternal Tao. The name that can be spoken is not the eternal Name. The nameless is the boundary of Heaven and Earth. The named is the mother of creation. Freed from desire, you can see the hidden mystery. By having desire, you can only see what is visibly real. Yet mystery and reality emerge from the same source. This source is called darkness. Darkness born from darkness. The beginning of all understanding. Chapter 2 When people see things as beautiful, ugliness is created. When people see things as good, evil is created. Being and non-being produce each other. Difficult and easy complement each other. Long and short define each other. High and low oppose each other. Fore and aft follow each other. Therefore the Master can act without doing anything and teach without saying a word. Things come her way and she does not stop them; things leave and she lets them go. She has without possessing, and acts without any expectations. When her work is done, she takes no credit. That is why it will last forever. Chapter 3 If you overly esteem talented individuals, people will become overly competitive. If you overvalue possessions, people will begin to steal. Do not display your treasures or people will become envious. The Master leads by emptying people's minds; filling their bellies, weakening their ambitions, and making them become strong. Preferring simplicity and freedom from desires, avoiding the pitfalls of knowledge and wrong action. -
East Asian Gothic: a Definition
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kingston University Research Repository ARTICLE DOI: 10.1057/s41599-017-0038-8 OPEN East Asian Gothic: a definition Colette Balmain1 ABSTRACT This paper offers a definition of East Asian Gothic cinema in which a shared cultural mythology, based upon cultural proximity and intra-regional homologies, provides a cinematic template of ghosts and ghouls together with a grotesque menagerie of shape- shifting animals, imagined as either deities or demons. East Asian Gothic is an umbrella term which encompasses the cinemas of PRC, Hong Kong, Taiwan, Japan and South Korea, 1234567890 acknowledging the difficult histories and conflicts between the nations, as well as film making practices and industries. This is in opposition to critical work which views East Asian gothic and horror films as extensions of Japanese horror, and therefore J-Horror as a meta-genre; for example David Kalat in J-Horror (2007) and Axelle Carolyn in It Lives Again! Horror Films in the New Millennium (2008), or focus almost solely on the relationship between contemporary Western and East Asian Horror cinema through an analysis of the remake. In order to demonstrate the transnational and regional flows that form East Asian gothic cinema, this paper focuses in on one of the oldest and most enduring gothic figures found in literature and mythology across East Asia, the nine-tailed fox: known as the huli jin in China, gumiho in Korea and kitsune in Japan. While much has been written about the vengeful ghost, little attention has been paid to that of the fox-spirit even though ‘she’ is ubiquitous in East Asian popular culture.