DOCSLIB.ORG

View Full Issue As

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
View Full Issue As VOLUME 1, ISSUE 10 WWW.OUTBOUNDNEWS.COM OCTOBER 15, 2005 Lady.com. The campaign website cide with the network's premiere of features live-action comedy videos its female president drama Com- of Bill Clinton in 'Jackie' style drag mander in Chief, starring Geena wearing a pink skirt, matching high Davis. heels and a pink purse. The site has Campaign organizer Luke Mont- set a goal to generate 1 million e- gomery was once a vocal Clinton mails from Americans urging Hill- critic on gay rights issues. Having ary to run for president in 2008. for a short time legally changed his The Democratic website, which uses last name to 'Sissyfag', As a teenage comedy to convey its message, has gay activist, Montgomery made produced two short two-minute cam- headlines in the early Clinton years paign videos depicting Bill Clinton for his attention-getting presidential preparing for the First Lady role. interruptions. Montgomery inter- The first, entitled 'Boxers, Briefs or rupted the President's 1993 World Thong?', shows Bill trying on AIDS Day speech and his 1994 Eas- skimpy pink lingerie - much to the ter Sunday church services. shock of a flabbergasted sales- "Having grown-up and unfortu- woman. In 'Men's Room?', Bill nately grown grey, I now realize struggles to use a urinal while what a great president Bill was, not decked-out in a pink skirt, high heels just for gay Americans, but for all and very uncooperative pantyhose. Americans. With this campaign I "We may be having a gay old time hope to pay Bill back for all those with our campaign style - but Hillary silly headaches I caused him when I is a serious candidate and this is a was a kid," said Montgomery. serious strategy. In addition to show- Bill-for-First-Lady.com also features ing support for Hillary to run for the interactive 'Mr. First Lady Talk- president in 2008, Bill-for-First- ing Doll' that talks in Clinton's voice, Lady.com is about beating Republi- saying things like "Put Hillary in the cans to the punch and to the punch White House, I'm homesick!" and line by making the inevitable 'Bill as "My bikini line? waxed or shaved? First Lady' jokes old before they can Don't ask. Don't tell." hurt during the election. Cross- dressing humor crosses party lines Montgomery gushes about the doll, and we're here to tickle the red states saying, "This is one of the most fun pink," said Campaign Manager Luke and most funny parts of the cam- Montgomery. paign. What little gay kid doesn't want to play with dolls? For me this Live campaign events featuring the is definitely where the personal dress-wearing 'Bill' from the videos meets the political. Bill just looks are planned for cities around the pretty in pink!" country in the coming weeks. The first event was outside the White A spokesperson for the campaign House on Monday, September 26th. includes 'Bill' himself. Organizers ay Democratic supporters cross-dressing comedy as a serious The second is in New York City on are making available a comic Bill of Hillary Clinton for political strategy with this morn- Tuesday, September 27th in front of Clinton voice impersonator for president are tapping ing's launch of Bill-for-First- ABC's Times Square Studio to coin- appearances on radio shows across G the nation as part of the campaign. believed gay couples were entitled Schwarzenegger to "full protection under the law and Rejects California should not be discriminated against," but that he felt the bill Inside This Issue Same-Sex would have reversed a 2000 ballot Crossword Puzzle ................... 5 Marriage Bill measure that declared only a mar- Outbound Women .................. 6 By Ross von Metzke riage between a man and a woman is Health & Fitness ..................... 8 legal in California. (Sacramento, CA) - As was Arts & Entertainment .......... 10 expected, California Governor The same-sex marriage bill - which Arnold Schwarzenegger vetoed Cal- squeaked by in the State Senate and Outbound Destinations ........ 15 ifornia's same-sex marriage bill late Assembly earlier this month with no Dear Ruthie ........................... 17 Thursday afternoon. The action Republican votes - was the first in FYI ......................................... 18 came came on a day in which he the country that legalized gay mar- Cordially Yours .................... 20 rejected 51 other bills as well. riage using the power of the legisla- Outbound Classifieds ........... 22 In explaining his decision, ture without a court order. Schwarzenegger wrote that he Schwarzenegger - page 18 NAKED BOYS COLOR 2 WWW.OUTBOUNDNEWS.COM P.O. Box 1461, Brookfield, WI 53008-1461 Phone: 414-915-3806 [email protected] Publishers: James A. Dawson James A. Kuchta Editor in Chief: James A. Dawson Contributing Writers: Shelby Eks Contributing Photographers: James A. Kuchta Chad Lundquist OUTBOUND NEWS is published monthly by Outbound Midwest Publications, Inc. ©2004 all rights reserved. Distributed free at selected LGBT friendly businesses. Reproduction in part or in whole is strictly prohibited unless consent is given expressly by the publishers. Outbound’s use of photos or accompanying editorial material does not imply any sexual orientation of people or businesses depicted or mentioned within said photos or editorial material. Outbound does not assume responsibility for state- ments by advertisers. All solicited or unsolicited photographs, letters and editorials are subject to Out- bound’s right to copyright and publish with right to reject, change, edit or comment. G/L COMMUNITY TRUST FUND Serving Southeastern Wisconsin’s LGBT Organizations since 1995 P.O. Box 1686 Mil, WI 53201 http://hometown.aol.com/glcentermil WWW.OUTBOUNDNEWS.COM 3 WALKER’S PINT RAINBOW RENOVATIONS COLOR B&W 4 WWW.OUTBOUNDNEWS.COM www.StudVault.com Crossword Puzzle CITY 1ST The above title will be included in TOC B&W WWW.OUTBOUNDNEWS.COM 5 Outbound Women Surprise Wins Spice Up Otherwise Dull Emmy Awards By Ross von Metzke Sunday's 57th Annual Emmy Awards Going into Sunday's Emmy race, every- were oddly sluggish when compared with previous ceremonies. Scripted rou- one's eyes were fixed on those Desper- tines fell on deaf ears and even the ate Housewives. always reliable Ellen DeGeneres, who Critics predicted a much deserved win also hosted the ceremony which aired Lesbian Sex Up for Marcia Cross for her role as Ice just after September 11, had trouble Queen Bree Van de Kamp while indus- keeping the evening moving forward. try insiders suspected Teri Hatcher In one of the evening's few moments of in Women 18 to 29 would go three for three after wins at the Golden Globes and the Screen Actor's comic genius, DeGeneres joked that By Angela D'Amboise Mosher of the National Centre for having hosted after 9/11 and now Hurri- Health Statistics, the study's lead author. Guild Awards. (Los Angeles, CA) - Results of the U.S. cane Katrina, she was prepping to "host government's largest-ever survey of the Researchers said that the rise in reported But when the votes were tallied, it was the North Korean People's Choice nation's sexual practices has found a lesbian experiences might also be the the third nominated housewife, Felicity Awards" next year. dramatic increase in the number of result of greater female sexual freedom Huffman, who took home the trophy for her role as put upon mother of four Huffman's victory wasn't the evening's women who said they have engaged in a and increasing social acceptance of les- only surprise. Most critics felt sure lesbian relationship. bianism, especially in college, where the Lynette Scavo in ABC's hit comedy- Housewives would take home the tro- drama. About 11-percent of women aged phenomenon known as LUG - "lesbian phy for Best Comedy Series. That honor until graduation" is increasingly wide- This might just turn out to be a huge went instead to Everybody Loves Ray- between 18 and 44 said they have had a spread. lesbian sexual experience, up from the year for Huffman. She's also generating mond, which ended its nine year run on six percent found in a 1992 poll. In the The number of adult males reporting Oscar buzz for her role as a pre-opera- CBS in May. 18 to 29 age group, 14-percent of homosexual relationships was around tive male-to-female transsexual in the And in the Best Actress in a Drama upcoming Transamerica. women said they had been sexual with six percent, the same figure as in 1992. Series category, critical darling Glenn another woman. Additional findings Researchers found that men age 30 to 44 Desperate Housewives stars Marcia Close (The Shield) and Golden Globe suggested that an increasing number of have had a median of six to eight sexual Cross, Felicity Huffman and Eva Lon- winner Mariska Hargitay (Law & Order: U.S. teens are engaging in oral sex partners in their lifetimes; while goria playfully mock-fight over Huff- SVU) both lost out to Medium star instead of vaginal sex as a method of women's median was about four. The man's Emmy Award. Patricia Arquette, considered by many protecting themselves from AIDS and survey found that among teens ages 15 to be the long shot in that race. other sexually transmitted diseases. Huffman's was one of six wins for the to 19, 55-percent of males and 54-per- breakout hit - and heir apparent to Sex in In another category many were on the Taken together, the two findings suggest cent of females had engaged in oral sex, the City's throne as gay America's most fence about, ABC's Lost took home the a shift in sexual practices, in which rising to nearly 70-percent for those who watched program - which included a trophy for Best Drama Series, further females are using oral and lesbian sex are 18 and 19.
Load more

Recommended publications
  • Idea Xxviii/2 2016
    Rada Redakcyjna: Mira Czarnawska (Warszawa), Zbigniew Kaźmierczak (Białystok), Andrzej Kisielewski (Białystok), Jerzy Kopania (Białystok), Małgorzata Kowalska (Białystok), Dariusz Kubok (Katowice) Rada Naukowa: Adam Drozdek, PhD Associate Professor, Duquesne University, Pittsburgh, USA Anna Grzegorczyk, prof. dr hab., UAM w Poznaniu Vladimír Leško, Prof. PhDr., Uniwersytet Pavla Jozefa Šafárika w Koszycach, Słowacja Marek Maciejczak, prof. dr hab., Wydział Administracji i Nauk Społecznych, Politechnika Warszawska David Ost, Joseph DiGangi Professor of Political Science, Hobart and William Smith Colleges, Geneva, New York, USA Teresa Pękala, prof. dr hab., UMCS w Lublinie Tahir Uluç, PhD Associate Professor, Necmettin Erbakan Üniversitesi Ilahiyat Fakultesi (Wydział Teologii), Konya, Turcja Recenzenci: Vladimír Leško, Prof. PhDr. Andrzej Niemczuk, dr hab. Andrzej Noras, prof. dr hab. Tahir Uluç, PhD Associate Professor Redakcja: dr hab. Sławomir Raube (redaktor naczelny) dr Agata Rozumko, mgr Karol Więch (sekretarze) dr hab. Dariusz Kulesza, prof. UwB (redaktor językowy) dr Kirk Palmer (redaktor językowy, native speaker) Korekta: Zespół Projekt okładki i strony tytułowej: Tomasz Czarnawski Redakcja techniczna: Ewa Frymus-Dąbrowska ADRES REDAKCJI: Uniwersytet w Białymstoku Plac Uniwersytecki 1 15-420 Białystok e-mail: [email protected] http://filologia.uwb.edu.pl/idea/idea.htm ISSN 0860–4487 © Copyright by Uniwersytet w Białymstoku, Białystok 2016 Wydawnictwo Uniwersytetu w Białymstoku 15–097 Białystok, ul. Marii Skłodowskiej-Curie 14, tel. 857457120 http://wydawnictwo.uwb.edu.pl, e-mail: [email protected] Skład, druk i oprawa: Wydawnictwo PRYMAT, Mariusz Śliwowski, ul. Kolejowa 19, 15-701 Białystok, tel. 602 766 304, 881 766 304, e-mail: [email protected] SPIS TREŚCI WOJCIECH JÓZEF BURSZTA: Homo Barbarus w świecie algorytmów ................................................................................................. 5 ZBIGNIEW KAŹMIERCZAK: Demoniczność Boga jako założenie ekskluzywistycznego i inkluzywistycznego teizmu ..................................
    [Show full text]
  • 'Perfect Fit': Industrial Strategies, Textual Negotiations and Celebrity
    ‘Perfect Fit’: Industrial Strategies, Textual Negotiations and Celebrity Culture in Fashion Television Helen Warner Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film and Television Studies Submitted July 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. Helen Warner P a g e | 2 ABSTRACT According to the head of the American Costume Designers‟ Guild, Deborah Nadoolman Landis, fashion is emphatically „not costume‟. However, if this is the case, how do we approach costume in a television show like Sex and the City (1998-2004), which we know (via press articles and various other extra-textual materials) to be comprised of designer clothes? Once onscreen, are the clothes in Sex and the City to be interpreted as „costume‟, rather than „fashion‟? To be sure, it is important to tease out precise definitions of key terms, but to position fashion as the antithesis of costume is reductive. Landis‟ claim is based on the assumption that the purpose of costume is to tell a story. She thereby neglects to acknowledge that the audience may read certain costumes as fashion - which exists in a framework of discourses that can be located beyond the text. This is particularly relevant with regard to contemporary US television which, according to press reports, has witnessed an emergence of „fashion programming‟ - fictional programming with a narrative focus on fashion.
    [Show full text]
  • Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
    Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened.
    [Show full text]
  • Dossiers Feministes 17
    RECETAS E IDENTIDADES EN WISTERIA LANE. EL UNIVERSO CULINARIO DE BREE VAN DE KAMP1 RECIPES AND IDENTITIES IN WISTERIA LANE. THE CULINARY UNIVERSE OF BREE VAN DE KAMP Nieves Alberola Crespo Universitat Jaume I de Castellón RESUMEN Según Carole Counihan, «la comida es un prisma que absorbe y refleja un ejército de fenómenos culturales». Utilizando como eje central un personaje de la conocida serie televisiva Mujeres desesperadas, Bree Van de Kamp, examino en este ensayo como identidades y comidas se crean y se recrean, se funden y se confunden en el variopinto vecindario de Wisteria Lane dando como resultado una mezcla de culturas en un intento por subvertir/cuestionar lo establecido, lo heredado y abrazar una diversidad de difícil digestión ya que la sociedad estadounidense incongruentemente ha absorbido, digerido y aceptado como propios los platos típicos de diferentes culturas y al mismo tiempo todavía hoy encuentra indigesto más de un plato foráneo. Palabras clave: Mujeres desesperadas, comida, identidad, Bree Van de Kamp, postfeminismo. ABSTRACT According to Carole Counihan, «food is a prism that absorbs and reflects a host of cultural phenomena». Around a core character of Desperate Housewives, Bree Van de Kamp, this essay explores how identities and meals are born and re-born but fused and confused are turning out into a melting pot of cultures LA CULTURA E IDENTIDAD COMIDA DE LAS GÉNERO, COCINAS: within the suburban area of Wisteria Lane. There is an attempt to question whatever is old-established and inherited whilst coping with a diversity of hard digestion in as much as the U.S.A.
    [Show full text]
  • Desperate Housewives
    Desperate Housewives Titre original Desperate Housewives Autres titres francophones Beautés désespérées Genre Comédie dramatique Créateur(s) Marc Cherry Musique Steve Jablonsky, Danny Elfman (2 épisodes) Pays d’origine États-Unis Chaîne d’origine ABC Nombre de saisons 5 Nombre d’épisodes 108 Durée 42 minutes Diffusion d’origine 3 octobre 2004 – en production (arrêt prévu en 2013)1 Desperate Housewives ou Beautés désespérées2 (Desperate Housewives en version originale) est un feuilleton télévisé américain créé par Charles Pratt Jr. et Marc Cherry et diffusé depuis le 3 octobre 2004 sur le réseau ABC. En Europe, le feuilleton est diffusé depuis le 8 septembre 2005 sur Canal+ (France), le 19 mai sur TSR1 (Suisse) et le 23 mai 2006 sur M6. En Belgique, la première saison a été diffusée à partir de novembre 2005 sur RTL-TVI puis BeTV a repris la série en proposant les épisodes inédits en avant-première (et avec quelques mois d'avance sur RTL-TVI saison 2, premier épisode le 12 novembre 2006). Depuis, les diffusions se suivent sur chaque chaîne francophone, (cf chaque saison pour voir les différentes diffusions : Liste des épisodes de Desperate Housewives). 1 Desperate Housewives jusqu'en 2013 ! 2La traduction littérale aurait pu être Ménagères désespérées ou littéralement Épouses au foyer désespérées. Synopsis Ce feuilleton met en scène le quotidien mouvementé de plusieurs femmes (parfois gagnées par le bovarysme). Susan Mayer, Lynette Scavo, Bree Van De Kamp, Gabrielle Solis, Edie Britt et depuis la Saison 4, Katherine Mayfair vivent dans la même ville Fairview, dans la rue Wisteria Lane. À travers le nom de cette ville se dégage le stéréotype parfaitement reconnaissable des banlieues proprettes des grandes villes américaines (celles des quartiers résidentiels des wasp ou de la middle class).
    [Show full text]
  • Phantasies, Fake Realities and the Loss of Boundaries in Chuck Palahniuk's
    1 CLAUDIO VESCIA ZANINI THE ORGY IS OVER: PHANTASIES, FAKE REALITIES AND THE LOSS OF BOUNDARIES IN CHUCK PALAHNIUK’S HAUNTED PORTO ALEGRE 2011 2 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÁREA: ESTUDOS DE LITERATURA ESPECIALIDADE: LITERATURAS ESTRANGEIRAS MODERNAS LINHA DE PESQUISA: LITERATURA, IMAGINÁRIO E HISTÓRIA THE ORGY IS OVER: PHANTASIES, FAKE REALITIES AND THE LOSS OF BOUNDARIES IN CHUCK PALAHNIUK’S HAUNTED CLAUDIO VESCIA ZANINI ORIENTADORA: PROFª. DRª. SANDRA SIRANGELO MAGGIO Texto de Qualificação de Doutorado em Literaturas Estrangeiras Modernas submetido como requisito parcial para a obtenção do título de Doutor ao Programa de Pós-Graduação em Letras da Universidade Federal do Rio Grande do Sul. PORTO ALEGRE 2011 3 In loving memory of my father, José João Zanini, and of Professor Ana Maria Kessler Rocha, also known as Lady Bracknell. 4 “We like to imagine that something which we do not understand does not help us in any way. But that is not always so. Seldom does a man understand with his head alone, least of all when he is a primitive.” Carl Gustav Jung in Four Archetypes “We all die. The goal isn‟t to live forever, the goal is to create something that will.” Chuck Palahniuk in Diary "We live in a world where there is more and more information, and less and less meaning." Jean Baudrillard in Simulacra and Simulation “Welcome to prime time, bitch!” Freddy Krueger in A Nightmare on Elm Street – Dream Warriors, as he sticks a girl‟s head into a TV set. 5 Thank you, Sandra Maggio, for your guidance, friendship, trust, and guts.
    [Show full text]
  • View / Download the Full Paper in a New
    Women’s Role in the Series Desperate Housewives: A Feminist Perspective Cholawat Prawalpatamakul, Khon Kaen University, Thailand Suban Keowkanya, Khon Kaen University, Thailand The Asian Conference on Education & International Development 2017 Official Conference Proceedings Abstract Desperate Housewives, created by Marc Cherry and aired on the ABC channel for eight seasons, is considered a representation of gender, specifically femininity, on the television (Bignell, 2008). Its plot focuses on the lives of four women (Bree Van De Kamp, Lynette Scavo, Gabriel Solis and Susan Delfino) who represent the internal struggles of the average woman, such as disempowerment, restrictions, and the confusing relationships of modern women in society (Coward, 2006; Sayeau, 2006; Morgan, 2007). With the emergence of the feminist movement, it is skeptical on how the series portray the four female protagonists when viewed through the lens of feminist perspective. Therefore, the purpose of this study is to critically analyze the women’s roles in the series by using feminist theory as a lens. The eighth season of the series was selected since this season is the latest and shows the conclusion of all the characters. The results of the analysis showed all aspects of women's roles which reflected feminist theory in many ways. The four female protagonists portray the roles of housewife, mother, and daughter. The oppression, the gender performance, the sexual pleasure, the female friendship, and the contradiction are found and presented which can reflect the feminist theory clearly. Keywords: women, role, feminism, Desperate Housewives iafor The International Academic Forum www.iafor.org Introduction Desperate Housewives was broadcasted on ABC Channel for eight seasons.
    [Show full text]
  • PERCHÉ SI DISPERA BREE VAN DE KAMP? Amnesia Vivace N.20 – Dicembre 2006 - © FABIO MASSIMO FRANCESCHELLI
    PERCHÉ SI DISPERA BREE VAN DE KAMP? Amnesia Vivace n.20 – dicembre 2006 - © FABIO MASSIMO FRANCESCHELLI Perché si Dispera Bree Van De Kamp? Desperate Housewives Di Marc Cherry Produzione Touchstone Television Marcia Cross = Bree Van De Kamp; Teri Hatcher = Susan Mayer; Felicity Huffman = Lynette Scavo; Eva Longoria = Gabrielle Solis; Nicollette Sheridan = Edie Britt; Brenda Strong = Mary Alice Young; Steven Culp = Rex Van De Kamp; James Denton = Mike Delfino; Ricardo Antonio Chavira = Carlos Solis; Mark Moses = Paul Young; Doug Savant = Tom Scavo; Andrea Bowen = Julie Mayer; Cody Kasch = Zach Young; Jesse Metcalfe = John Rowland; Joy Lauren = Danielle Van De Kamp; Shawn Pyfrom = Andrew Van De Kamp "da sinistra: Gabrielle, Susan, Bree, Lynette" Che Desperate Housewives sia uno dei principali successi televisivi delle ultime stagioni è cosa ben nota; è sufficiente una ricerca su google per rendersi conto dell'incredibile numero di siti o di forum dedicati alla serie americana. Più arduo è spiegare tale successo, o meglio, spiegarlo senza ricorrere alle ovvietà. Le ovvietà stanno nel constatare, ad esempio, che è ben scritto: sembrerebbe a prima vista non proporre proprio nulla di nuovo ma in realtà presenta una compiutezza ed una omogeneità raggiunta attraverso la difformitù di generi di cui si avvale, attraverso il trarre elementi dal dramma, dalla commedia, dalla soap opera, dalla satira, dal giallo. È girato con un montaggio serrato ma sostenibile; occhieggia alla sit-com per la prevalenza di scene da interni, di comici equivochi, di intrecci che si risolvono nell'arco della singola puntata, ma se ne distanzia per la presenza costante di un chiaro progetto di vita che dà forma ai personaggi, e che continuamente evolve con il susseguirsi di accadimenti che lasciano tracce almeno sino alla successiva puntata.
    [Show full text]
  • 'The Mother' on Television
    Running head: EVOLUTION OF ‘THE MOTHER’ 1 The Evolution of ‘The Mother’ on Television: From the Kitchen to the Boardroom Matthew Searfoss Email: [email protected] Ramapo College of New Jersey School of Contemporary Arts 505 Ramapo Valley Road Mahwah, NJ 07430 Paper submitted to Ramapo College Honors Program as Senior Project Spring 2017 EVOLUTION OF ‘THE MOTHER’ 2 Abstract This project will look at the evolution of “the mother” and motherhood on TV from the 1950s- Present Day. The research began by casting a wide net in order to find a wide variety of sources highlighting concepts relating to how the views of motherhood has shifted over time and how the shift has been seen on television. Through the entirety of this project, I was able to yield two primary data sets data sets: first off being focus group sessions with mothers to gain their view on the subject and which TV mothers they identify/ied with, and secondly my own rhetorical/narrative analysis of the characters and shows they highlight. Ultimately, the research discovered that despite the amount of progress that has been made in improving the way mothers are represented on popular television series, many of the modern day portrayals continue to cling to a gender binary and restrictive gender norms which place the mother at the beck and call of her husband and children. Keywords: Motherhood, Female representation, Television, Gender EVOLUTION OF ‘THE MOTHER’ 3 Rationale/Introduction In this research project, I explored the way that mothers are represented in media, specifically on television as well as how they are viewed in society.
    [Show full text]
  • Issue 6 Master Layout
    Issue #6 The Patriot May 2005 Girls lacrosse ready for victory Minutemaids win first Olympic Conference Scott Grandrino ‘05 Girl’s Lacrosse first conference title. Stockl and Moscufo believe that The 2005 Girl’s Lacrosse team the girls can win another conference won their first ever Olympic title next year. Conference title in the team’s eleven They are especially confident year history. in their youth. The majority of the “I’m very excited,” exclaimed starting lineup is made up of juniors. Coach Sandy Stockl, “the girls Some of the youth that shows worked very hard all season long. outstanding skills are Ally Kenney They deserve this.” ‘06, Katie Lawson ‘06, Alex McBride As of May 24, the girl’s had a ‘06, and Brooke Foussadier ‘07. 15-2 record, ranked fourth in the Moscufo said that McBride and Courier Post. Foussadier are two “strong players” In the beginning of the season, that “work hard” during games and the team had high expectations of practices. finishing with a good record, but By finishing with a superb knew that winning the conference record, the team is ranked high in would be tough. the State Tournament. They are Assistant Coach Stacey seeded fourth in the South A bracket. Moscufo drew attention to Joe Comerford ‘06/The Patriot “If we hold true to our seed, we improving the overall program. She Township girls play their way to victory. should compete very well,” said wanted to “focus on improvement” something we didn’t expect, but we but they were also great role models Stockl.
    [Show full text]
  • 'A Good Thing': the Commodification of Femininity, Affluence, And
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 2-2009 It’S ‘A Good Thing’: The Commodification Of emininityF , Affluence, And Whiteness In The Martha Stewart Phenomenon Melissa A Click University of Massachusetts - Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Part of the American Studies Commons, Gender and Sexuality Commons, and the Mass Communication Commons Recommended Citation Click, Melissa A, "It’S ‘A Good Thing’: The Commodification Of emininityF , Affluence, And Whiteness In The Martha Stewart Phenomenon" (2009). Doctoral Dissertations 1896 - February 2014. 42. https://doi.org/10.7275/5645130 https://scholarworks.umass.edu/dissertations_1/42 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. IT’S ‘A GOOD THING’: THE COMMODIFICATION OF FEMININITY, AFFLUENCE, AND WHITENESS IN THE MARTHA STEWART PHENOMENON A Dissertation Presented by MELISSA A. CLICK Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2009 Communication © Copyright by Melissa A. Click 2009 All Rights Reserved IT’S ‘A GOOD THING’: THE COMMODIFICATION OF FEMININITY, AFFLUENCE, AND WHITENESS IN THE MARTHA STEWART PHENOMENON A Dissertation Presented by MELISSA A. CLICK Approved as to style and content by: ____________________________________ Carolyn Anderson, Chair ____________________________________ Lisa Henderson, Member ____________________________________ Marta Calás, Member ____________________________________ Jan Servaes, Department Head Communication ACKNOWLEDGEMENTS This dissertation has been many years in the making and is the result of the support, guidance and generosity of many invaluable people.
    [Show full text]
  • How Actress Marcia Cross Learned to Manage Severe Migraines
    SEPTEMBER/OCTOBER 2006 BY LINDA CHILDERS How Actress Marcia Cross Learned to Manage Severe Migraines Cross found ways to limit debilitating migraines —and found serenity on TV's ho}est series, "Desperate Housewives." Marcia Cross knew desperation long before she took up residence on Wisteria Lane. She was only 14 when her first migraine left her frightened and writhing in pain. For the next 20 years, migraines would drive her to the school nurse's office, off the set of the TV shows she starred on, and ultimately even to the emergency room. These days, ironically, her character on the hit series "Desperate Housewives," the Stepford-like Bree Van De Kamp, would seem an ideal candidate for migraines. Bree's tightly wound personality is strained by events that couldn't be more stressful: her first husband was killed by her psychotic suitor, her second husband murdered his first wife, her estranged teenage children are out of control, and not coincidentally she's got a drinking problem. All of which she tries to hide behind her porcelain smile and her perfect garden. Cross has taken up yoga to reduce stress and the risk of migraines. As hard as Bree Van De Kamp works to keep up appearances on Wisteria Lane, even Marcia Cross herself is surprised that her character hasn't suffered so much as a single headache in the first three seasons of TV's hottest show. "You know," Cross muses, breaking into a genuine smile, "I might have to ask the writers about putting it in." Then again, as she's quick to point out, in real life she's nothing like the fictional Bree, who's a consummate control freak.
    [Show full text]