DOCSLIB.ORG

PDF Download Method for the One-Keyed Flute Kindle

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF Download Method for the One-Keyed Flute Kindle METHOD FOR THE ONE-KEYED FLUTE PDF, EPUB, EBOOK Janice Dockendorff Boland | 236 pages | 05 Jun 1998 | University of California Press | 9780520214477 | English | Berkerley, United States Method for the One-Keyed Flute PDF Book Student flutes are more likely to have pads bedded in thicker materials like wax or hot melt glue. His name, at least, was not forgotten in the 19th century because of his association with Frederick the Great of Prussia, considered by many at that time as the founder of the German state. Quantz was one of the first professional flute players in 18th-century Europe. It is also an excellent tool for teachers, and a handy reference book for the advanced player. Pritchard, The Flute Network. After much head scratching as to why the D octave did not blow 'true' I realised that it was the influence of the first finger, always lifted for D, that was reducing the flatness of the second D. Western concert flutes. Besides being charming, these pieces gently probe the technical difficulties of fingering. With this, composers wrote music for the flute. Sarabande 4. In he invented a second key, for D , to the one for Eb already present on all flutes. Privacy Policy Terms and Conditions Disclaimer degruyter. A facsimile edition with introduction and notes. Professionals tend to play more expensive flutes. Theobald Boehm described the shape of the taper as parabolic. Boland also addresses topics ranging from the basics of choosing a flute and assembling it to more advanced concepts such as tone color and eighteenth-century articulation patterns. Keys were added to the flute, and the taper was changed to strengthen its lower register. D-Karlsruhe: private collection. This article needs additional citations for verification. It wasn't obvious, instead of a spring for each key that needed one this flute had two of the right hand keys working from a single spring. She lives in Marion, Iowa. Synthetic pads appear more water-resistant but may be susceptible to mechanical failure cracking. Quantz wrote over concertos and many sonatas, most of which have never been published. For other types of flute, see flute. The underlying principles of both flute patterns are virtually identical, with tone holes spaced as required to produce a fully chromatic scale. I only wish it had been available when I set out to learn the one-keyed flute. It was well known in Berlin Enlightenment circles, but as Quantz was not a commercial instrument-maker few people had the opportunity to own or even play one. Biography Quantz was one of the first professional flute players in 18th-century Europe. Edward R. Woodwind Wind Aerophone Edge-blown aerophone. Problems playing these files? I shall certainly enjoy using the Method for teaching and warmly recommend it to all students and colleagues. The flute was end-blown. He is not yet quite able to hold his own with the reading and as he plays well by ear a recording seemed a good idea. His Essay on flute-playing made his famous throughout Europe and attracted pupils who formed a "school" of flute-playing which remained influential for another hundred years. It too had a very long tuning joint. It was short In he entered the service of Frederick the Great of Prussia, where he remained until his death, composing, performing, and making flutes for the king. Conical bores giving a penetrating sound were used in Vienna , English flutes had a range to low C and played best in flat keys, French flutes gave a softer tone, and German flutes blended best with orchestras. It is possible to play chromatically on flutes with small holes and only one key, for D. Johann Joachim Quantz, trans. Books Journals. BolandJanice Dockendorff: Janice Dockendorff Boland is a concert artist specializing in performances of eighteenth- and nineteenth-century music on historical flutes. Carl Fischer Inc. A musician who plays the flute is called a flautist in British English , flutist in American English , or simply a flute player. Method for the One-Keyed Flute Writer Even Verne Q. Reviews "Boland's clear, accessible text reflects years of professional experience as a performer and teacher of the one-key flute. A large repertory of works has been composed for flute. Encyclopedia Britannica. Of particular interest are her comments on tone production and homogeneity of sound. Quite at the opposite end of the spectrum, in terms of the complexity of the key system developed by Boehm, was the Giorgi flute , an advanced form of the ancient holed flute. These flutes became the most used flutes by professionals and amateurs. D-Karlsruhe: private collection. On the best flutes, the castings are forged to increase their strength. It too had a very long tuning joint. The patterns are very different from the modern Boehm flute and one has to adopt a different approach. Please help improve this article by adding citations to reliable sources. Wikimedia Commons Wikibooks. Acoustic impedance of the embouchure hole appears the most critical parameter. As is normal with continental flutes, the finger holes are fairly small, similar to those of a treble recorder. Problems playing these files? Location III. However, flutes varied greatly in size and range. This book provides a wealth of well-interpreted historical information and excellent practical advice to guide flutists through the confusions and contradictions of this fascinating field. If the flute has large holes very few of the notes out of the scale of D are playable without using the other keys. Namespaces Article Talk. Unusual tubing materials include glass , carbon fiber , and palladium. Sarabande 4. Since , a number of notable performers have used flutes in jazz. The s brought an increase in operatic and chamber music feature of flutes. Making a distinction between these and other enharmonic pairs was important to Quantz's idea of playing in tune. Referencing important eighteenth-century sources while also incorporating modern experience, the book includes nearly pages of music drawn from early treatises along with solo flute literature and instructional text and fingering charts. In the Baroque era, flutes became used in the scores of opera, ballet and chamber music. In he invented a second key, for D , to the one for Eb already present on all flutes. Method for the One-Keyed Flute Reviews Other harmonically related notes play 'true' and the D key has less wayward influences in the third octave. Keys were added to the flute, and the taper was changed to strengthen its lower register. She lives in Marion, Iowa. Sarabande 4. I have had to do a lot of research to work out how best to finger these flutes. I've become seriously interested in late nineteenth and early twentieth century flutes. I am sure teachers and students will breathe a huge sigh of relief at the wealth of information gathered together in one volume. Also a good reference for articulation. The sound was very 'thick' and 'heavy' and the tuning impossibly poor at any pitch. Pitch manipulation has occurred with Boehm flutes as well. Meyer all-wood construction flute in case. On the best flutes, the castings are forged to increase their strength. During the Baroque era the traditional transverse flute was redesigned and eventually developed as the modern traverso. Most metal flutes are made of alloys that contain significant amounts of copper or silver. Phosphor bronze is by far the most common material for needle springs because it is relatively inexpensive, makes a good spring, and is resistant to corrosion. With the tuning joint shortened this 8 key flute now plays beautifully at standard pitch with 'vibrant' tone. The dimensions and key system of the modern western concert flute and its close relatives are almost completely the work of the great flautist, composer, acoustician, and silversmith Theobald Boehm, who patented his system in Unusual tubing materials include glass , carbon fiber , and palladium. For other types of flute, see flute. In the Baroque era, flutes became used in the scores of opera, ballet and chamber music. A musician who plays the flute is called a flautist in British English , flutist in American English , or simply a flute player. However, the idea that different materials can significantly affect sound quality is under some contention, and some argue that different metals make less difference in sound quality than different flautists playing the same flute. As is normal with continental flutes, the finger holes are fairly small, similar to those of a treble recorder. Gross, temporary adjustments of pitch are made by moving the headjoint in and out of the headjoint tenon. Over time this modern method surely will take its place in flute history alongside those distinguished predecessors. While the music of Devienne, Koehler and Popp still features in modern books of studies it is there on account of its musicality not its technical relevance, except in the broadest flute playing terms. Lizzo's flute even has its own Instagram account. This book provides a wealth of well-interpreted historical information and excellent practical advice to guide flutists through the confusions and contradictions of this fascinating field. A limited number available from Jan Boland. If you have a keen 'ear' you may notice that I am having trouble with the intonation of D natural. Finding a particularly good example of a flute is dependent on play-testing. It was well known in Berlin Enlightenment circles, but as Quantz was not a commercial instrument-maker few people had the opportunity to own or even play one. Several modal jazz and avant-garde jazz performers have utilized the flute including Eric Dolphy , Sam Rivers and James Spaulding. Reviews "Boland's clear, accessible text reflects years of professional experience as a performer and teacher of the one-key flute.
Load more

Recommended publications
  • Intraoral Pressure in Ethnic Wind Instruments
    Intraoral Pressure in Ethnic Wind Instruments Clinton F. Goss Westport, CT, USA. Email: [email protected] ARTICLE INFORMATION ABSTRACT Initially published online: High intraoral pressure generated when playing some wind instruments has been December 20, 2012 linked to a variety of health issues. Prior research has focused on Western Revised: August 21, 2013 classical instruments, but no work has been published on ethnic wind instruments. This study measured intraoral pressure when playing six classes of This work is licensed under the ethnic wind instruments (N = 149): Native American flutes (n = 71) and smaller Creative Commons Attribution- samples of ethnic duct flutes, reed instruments, reedpipes, overtone whistles, and Noncommercial 3.0 license. overtone flutes. Results are presented in the context of a survey of prior studies, This work has not been peer providing a composite view of the intraoral pressure requirements of a broad reviewed. range of wind instruments. Mean intraoral pressure was 8.37 mBar across all ethnic wind instruments and 5.21 ± 2.16 mBar for Native American flutes. The range of pressure in Native American flutes closely matches pressure reported in Keywords: Intraoral pressure; Native other studies for normal speech, and the maximum intraoral pressure, 20.55 American flute; mBar, is below the highest subglottal pressure reported in other studies during Wind instruments; singing. Results show that ethnic wind instruments, with the exception of ethnic Velopharyngeal incompetency reed instruments, have generally lower intraoral pressure requirements than (VPI); Intraocular pressure (IOP) Western classical wind instruments. This implies a lower risk of the health issues related to high intraoral pressure.
    [Show full text]
  • WOODWIND INSTRUMENT 2,151,337 a 3/1939 Selmer 2,501,388 a * 3/1950 Holland
    United States Patent This PDF file contains a digital copy of a United States patent that relates to the Native American Flute. It is part of a collection of Native American Flute resources available at the web site http://www.Flutopedia.com/. As part of the Flutopedia effort, extensive metadata information has been encoded into this file (see File/Properties for title, author, citation, right management, etc.). You can use text search on this document, based on the OCR facility in Adobe Acrobat 9 Pro. Also, all fonts have been embedded, so this file should display identically on various systems. Based on our best efforts, we believe that providing this material from Flutopedia.com to users in the United States does not violate any legal rights. However, please do not assume that it is legal to use this material outside the United States or for any use other than for your own personal use for research and self-enrichment. Also, we cannot offer guidance as to whether any specific use of any particular material is allowed. If you have any questions about this document or issues with its distribution, please visit http://www.Flutopedia.com/, which has information on how to contact us. Contributing Source: United States Patent and Trademark Office - http://www.uspto.gov/ Digitizing Sponsor: Patent Fetcher - http://www.PatentFetcher.com/ Digitized by: Stroke of Color, Inc. Document downloaded: December 5, 2009 Updated: May 31, 2010 by Clint Goss [[email protected]] 111111 1111111111111111111111111111111111111111111111111111111111111 US007563970B2 (12) United States Patent (10) Patent No.: US 7,563,970 B2 Laukat et al.
    [Show full text]
  • Methods of Playing Wind Instruments (Using the Flute As an Example)
    The Turkish Online Journal of Design, Art and Communication - TOJDAC ISSN: 2146-5193, September 2018 Special Edition, p.2379-2393 METHODS OF PLAYING WIND INSTRUMENTS (USING THE FLUTE AS AN EXAMPLE) Olesia NESTEROVA Kazakh National Conservatory named after Kurmangazy [email protected] Vitaliy SHAPILOV Kazakh National Conservatory named after Kurmangazy [email protected] Aizhan BEKENOVA Kazakh National Conservatory named after Kurmangazy [email protected] Aizhan JULMUKHAMEDOVA Kazakh National Conservatory named after Kurmangazy [email protected] Zhanat YERMANOV Kazakh National Conservatory named after Kurmangazy [email protected] ABSTRACT In the second half of the XX century, the use of the latest performing techniques for playing woodwind instruments was the results of searching for unusual timbres and non-traditional sounding. Rethinking and interpreting traditional methods of sound producing, searching for a new sounding “color” and non-traditional ways of notation led to tremendous changes in musicians’ performing techniques, and broadened the horizons of ideas about the possibilities of wind instruments. However, professional musical education in a number of countries does not pay due attention to the study of contemporary performing techniques characteristic for the music of the XX and XXI centuries composers. This situation does not cope with present challenges, as the performance of the music of the XX and XXI centuries composers is an obligatory component of the programs of most international competitions, participation in which is impossible without the relevant knowledge and possession of contemporary performing techniques. Possession of contemporary performing techniques is necessary for every professional musician. Nevertheless, unfortunately, the study of the latest techniques and their application is episodic and depending on individual expressive means of each composition.
    [Show full text]
  • Elementary Music Education in the Era of Remote Teaching – Constraints and Prospects for Development
    International Journal of Research in E-learning Vol. 6 (2), 2020, pp. 1–14 https://doi.org/10.31261/IJREL.2020.6.2.03 Mirosław Kisiel University of Silesia in Katowice, Poland https://orcid.org/0000-0003-2002-0116 Elementary Music Education in the Era of Remote Teaching – Constraints and Prospects for Development Abstract In the discourse undertaken, an attempt was made to indicate the limits and perspectives for the development of music education of distance teaching. The specificity of music education based on experience, emotions in action, a creative approach to an artistic creation and expressive action requires special attention in this regard. The teacher is expected to develop a new strategy for action, which in the existing educational situation will result in an increase in students’ interest in music. Obtaining satisfactory results should be seen in the use of teaching methods and forms appropriate for the given situation and means of communication. K e y w o r d s: childhood education, teacher, music, distance learning. At present, as technology evolves, the education in Poland is changing. The slow but systematic presence of e-learning as a new teaching method in our country has become popular and necessary (Hyla, 2012, p. 20). This method has proven to be the only possible effective way for teachers to work during the world pandemic of COVID-19 and the nationwide lockdown. From day to day, schools had to shift to a new teaching and learning technique and use the available electronic media and communication platforms. Music education, which deals with fleeting and IJREL.2020.6.2.03 p.
    [Show full text]
  • 3D Modelling and Printing of Microtonal Flutes
    3D Modelling and Printing of Microtonal Flutes Matthew Dabin Terumi Narushima Stephen Beirne University of Wollongong The Arts, English and Media Australian Institute for NSW, Australia University of Wollongong Innovative Materials [email protected] NSW, Australia University of Wollongong [email protected] NSW, Australia [email protected] Christian Ritz Kraig Grady Electrical, Computer and University of Wollongong Telecommunications NSW, Australia Engineering [email protected] University of Wollongong NSW, Australia [email protected] ABSTRACT these instruments rely on non-3D printed hardware (such as This project explores the potential for 3D modelling and pickups, bridges, necks and machine heads) for their sound printing to create customised flutes that can play music in production [7]. a variety of microtonal scales. One of the challenges in the In contrast, our project takes advantage of 3D printing's field of microtonality is that conventional musical instru- unique ability to customise designs for the purpose of creat- ments are inadequate for realising the abundance of the- ing flutes that can play microtonal tunings not possible on oretical tunings that musicians wish to investigate. This standard instruments. 3D CAD software is used to gener- paper focuses on the development of two types of flutes, the ate 3D models of the flutes and these are then printed using recorder and transverse flute, with interchangeable mouth- high resolution inkjet based 3D printing technology (Objet pieces. These flutes are designed to play subharmonic mi- Connex 350). Comparisons between the theoretical models crotonal scales. The discussion provides an overview of the and actual 3D printed flutes allow for greater understand- design and implementation process, including calculation ing of the acoustics of microtonal wind instruments.
    [Show full text]
  • Symphonic Woodwinds User Manual Congratulations Welcome
    SPITFIRE AUDIO SSW SPITFIRE SYMPHONIC WOODWINDS USER MANUAL CONGRATULATIONS WELCOME Thank you for purchasing Spitfire Symphonic Woodwinds. We are sure they’ll bring you many years of pleasure. Often neglected by modern After a decade of exhaustive sampling, and four years spent contrabass clarinets, alto and bass flutes to enrich your compo- media composers, the Woods are your secret weapon to add real power to your productions. Spitfire Audio has taken its decade of experience capturing our finest woodwind players, Spitfire are proud to sitions with the diverse zeitgeist being created near the shores making virtual woodwind instruments and for this product, has spent the last five years recording the best of the best at one of the most present Symphonic Woodwinds. It is a definitive collection of and mud-banks of the Thames! sought-after locations in the world: The Hall at Air Studios, London for this, a definitive compendium of orchestral woodwinds. orchestral woods recorded and in detail at Air Studios, London. Featuring multiple dynamics, vibrato control, numerous round FEATURES robins and a variety of traditional and more esoteric articula- Quick Specs Table Of Contents tions (clarinet flutter tongue? tick!). Not only does SSW feature • A broad band covering both solo, and a2 sections. Combine the usual suspects, our detailed approach has been extended both and create your a3 sections. • 72504 Samples (48k recorded at 96k) PRECAUTIONS 2 through the extraordinary lesser used areas of the wood choir, • Traditional piccolos, flutes, oboes, clarinets and bassoons • 102.8 GB uncompressed WAV WELCOME 3 alto and bass flutes, contrabass clarinets to name but three! across to modern ‘zeitgeist’ selection of instruments from alto, • 71.7 GB disk space required DOWNLOADING & INSTALLING 4 bass flutes, bass clarinet, contrabass clarinet and a thunderous • 143.4 GB disk space required during install REGISTERING WITH KONTAKT PLAYER 5 Originally released in modules as part of the BML (British Mod- contrabassoon.
    [Show full text]
  • {FREE} Flute Ebook, Epub
    FLUTE PDF, EPUB, EBOOK James Galway | 256 pages | 01 Apr 2003 | KAHN & AVERILL | 9781871082135 | English | London, United Kingdom flute | Definition, History, & Types | Britannica Articles from Britannica Encyclopedias for elementary and high school students. The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree See Article History. Britannica Quiz. A Study of Composers. What composer wrote symphonies and other major works before he was 13 years old? Get exclusive access to content from our First Edition with your subscription. Subscribe today. Learn More in these related Britannica articles:. Sound is generated by different methods in the aerophones designated as flutes and reeds in the Sachs-Hornbostel system. In flutes, the airstream is directed against a sharp edge; in reeds, the air column in the tube is caused to vibrate between beating…. Flute s were ubiquitous in antiquity. In early depictions, they are sometimes confused with reedpipes. What is thought to be the earliest example of a Western flute was discovered in at Hohle Fels cave near Ulm, Germany. The instrument, made of a vulture bone…. The Renaissance recorder blended well in consort but was weak in its upper register and needed modification to meet the demand for an expressive melodic style. The very nature of the instrument, with its lack of lip control, prevented much dynamic control, but the…. History at your fingertips. In a regional dialect of Gujarati, a flute is also called Pavo.
    [Show full text]
  • Noise and Texture, Towards an Asian Influenced Composition Approach to the Concert Flute
    Published in: M. Atherton & B. Crossman (Eds.), Music of the Spirit: Asian-Pacific Musical Identity. Sydney: Australian Music Centre. Noise and Texture, towards an Asian Influenced Composition Approach to the Concert Flute. Dr. Garth Paine 1. Abstract This paper discusses the composition of the electroacoustic flute work, Fue Shõ, written especially for the 2008 Aurora Festival. The compositional brief sought a work that addressed the broader Asian and Pacific Rim context of the Australian continent. Addressing this brief, Fue Shõ is based on the Manzairaku, which belongs to the Hyojo (tonic on E) mode of the Togaku style, a style that heralds from China and is one of the three main influences in the development of the Gagaku music of the ancient Japanese Royal Court. Fue Shõ requires concert flute and live electronic processing (Kyma-Capybara System). Fue Shõ seeks to weave a path between melody, pitch, noise and texture, drawing from the idiom of the western concert flute (in C) and broad, spectral sounds, similar to overblown Asian wind instruments (ie. shakuhachi) and the timbral quality of a traditional Shõ orchestra. Fue Shõ uses a modal harmonic framework common in the music of Asia Minor, specifically the Japanese musical tradition of Gagaku, and also utilised in some western spiritual music. Another example of such a composition would be the recent work L’oiseau de la capitale for Shakuhachi and electronics by Marc Battier (2008). 2. Introduction Western art music has featured the concert flute as a solo instrument and a member of chamber and orchestral works for several centuries.
    [Show full text]
  • Instrument Study Updated Coding Guide
    Instruments and Ensembles ~ Bibliographic Study Introduction Alan Lomax’s study of instruments and ensembles, undertaken in collaboration with ethnomusicologist Theodore C. Grame and ethnologist Barbara Ayres, grew out of the more well-known Cantometrics project that Lomax developed during the 1950s and ‘60s. As part of the larger cross-cultural song style analysis carried out in Cantometrics, Lomax and his staff had considered the social and musical organization, rhythmic scheme, and tonal and rhythmic blend of instrumental accompaniment, as well as relationships between the instrumental and vocal parts and within the orchestra or ensemble itself. Later on in the development of Cantometrics, Lomax and Victor Grauer created a separate, supplementary coding sheet that provided for basic information about the size and composition of the performing group (Personnel & Orchestra1). The patterns that emerged from factor analysis of the Cantometrics and Personnel & Orchestra datasets produced a preliminary classification of instruments and ensembles that was consistent with the geographical patterns of singing style, dance style, and speech style found in Lomax’s other research. As with the other factors measured in Cantometrics, and in the companion studies of Choreometrics and Parlametrics, the geographical patterns of instrumentation and orchestration provided the grounds for comparison and correlation with other sociocultural conditions-- political organization, subsistence activities, gender roles, etc. These patterns 1 For more information and detailed instructions on the Personnel & Orchestra component of Cantometrics, see Songs of Earth (Wood 2019). essentially formed a world “map” of instrument and ensemble typology, as well as the basis for a taxonomy of the development of instruments and ensembles over time.
    [Show full text]
  • Flute Quiz: Questions and Answers
    kupidonia.com Flute Quiz: questions and answers Flute Quiz: questions and answers - 1 / 4 kupidonia.com 1. What is the Old English word for flute? Flaite Floute Faltu 2. When was flute discovered in Hohle Fels cave in Germany? 2008 2000 2001 3. What was the length of the mammoth tusk flute found in Germany in 2004? 25 cm 29.5 cm 18.7 cm 4. Where was a playable 9000 years old gudi flute found? Jammu Jiahu Beijing 5. In which book chi flute is mentioned? Junga Shi Jing Flute Quiz: questions and answers - 2 / 4 kupidonia.com Longha 6. What is an Akkadian word for flute? Embūbum Jhagli khilte 7. Who is the master of bamboo flute amongst the Hindu god? Krishna Ganesh Hanuman 8. What is the name of the Indian bamboo flute? Sharinda Bansuri Kattakh 9. Which flute is the most common in the modern Chinese orchestra? Venu Bangdi Cheeni 10. Where was Western concert flute invented? Austria Germany The Netherlands Flute Quiz: questions and answers - 3 / 4 kupidonia.com Flute Quiz: questions and answers Right answers 1. What is the Old English word for flute? Floute 2. When was flute discovered in Hohle Fels cave in Germany? 2008 3. What was the length of the mammoth tusk flute found in Germany in 2004? 18.7 cm 4. Where was a playable 9000 years old gudi flute found? Jiahu 5. In which book chi flute is mentioned? Shi Jing 6. What is an Akkadian word for flute? Embūbum 7. Who is the master of bamboo flute amongst the Hindu god? Krishna 8.
    [Show full text]
  • 3D Modelling and Printing of Microtonal Flutes
    University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2016 3D Modelling and Printing of Microtonal Flutes Matthew Dabin University of Wollongong, [email protected] Terumi Narushima University of Wollongong, [email protected] Stephen T. Beirne University of Wollongong, [email protected] Christian H. Ritz University of Wollongong, [email protected] Kraig Grady North American Embassy of Anaphoria Island, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Dabin, Matthew; Narushima, Terumi; Beirne, Stephen T.; Ritz, Christian H.; and Grady, Kraig, "3D Modelling and Printing of Microtonal Flutes" (2016). Faculty of Law, Humanities and the Arts - Papers. 2798. https://ro.uow.edu.au/lhapapers/2798 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] 3D Modelling and Printing of Microtonal Flutes Abstract This project explores the potential for 3D modelling and printing to create customised flutes that can play music in a variety of microtonal scales. One of the challenges in the field of microtonality is that conventional musical instruments are inadequate for realising the abundance of theoretical tunings that musicians wish to investigate. This paper focuses on the development of two types of flutes, the ecorr der and transverse flute, with interchangeable mouthpieces. These flutes are designed to play subharmonic microtonal scales. The discussion provides an overview of the design and implementation process, including calculation methods for acoustic modelling and 3D printing technologies, as well as an evaluation of some of the difficulties encountered.
    [Show full text]
  • Instrument Families: Woodwind the Woodwind Instrument Family Is One of Two (The Other Being Brass) That Are Played Using Wind
    Instrument Families: Woodwind The woodwind instrument family is one of two (the other being Brass) that are played using wind. When they decided on the name woodwinds, these instruments were made of wood. Now, they are also made of different types of metal and plastic. Some natural woodwinds- like the ocarina- have also been made of glass, clay, ceramic, reeds/grasses, or bone. Types of Woodwind Instruments Flutes These instruments are played by blowing air across their mouthpiece. Sometimes they are played sidewise or blown on their end (some have a special mouthpiece called a Fipple). They often have at least one end open, but some do not. Western Concert Flute (sideways) Recorder (blown on end/fipple mouth piece) Ocarina (closed/vessel flute) Reed Instruments Unlike flutes, these instruments are played by blowing air into a mouthpiece which causes its reed(s) to vibrate. Some instruments have one reed, while others have two! [There is also an additional type called a “free reed” which is usually seen in harmonicas and accordions.] Saxophone (single reed) Clarinet (single reed) Oboe (double reed) Bassoon (double reed) Activities for Your Child High and Low Below are two woodwind instruments that can play very high and very low pitches. Play both recordings below for your child, but don’t let them see the picture: only listen. Afterwards, ask your child what they think each instrument looked like. What did the sound of the instruments remind them of? What size do they think the instrument is? When finished guessing, let them watch the video with you- were their guesses right? Piccolo (half-sized flute) https://www.youtube.com/watch?v=3EFLa5dK-nU Contrabassoon https://www.youtube.com/watch?v=QgNoTOgVxSg Instrument Matching Game In another attachment, you will find a woodwind matching game.
    [Show full text]